The chivalric tomb in fifteenth-century Portugal

2021 ◽  
Vol 30 (3) ◽  
pp. 263-284
Author(s):  
Teresa Soley
Keyword(s):  
Fifteenth Century ◽  
Social Group ◽  
Historical Evidence ◽  
Archival Research ◽  
Late Medieval ◽  
Funerary Monuments ◽  
Historical Information ◽  
The Public ◽  
Portuguese Society ◽  
Public Imagination

The fifteenth-century Portuguese nobility was a proud and image-conscious social group that transformed tombs into opportunities for self-promotion. Manifesting changing conceptualizations of history and agency, the nobility’s elaborately sculpted sepulchres also reveal the means of successful social advancement in this society. The ruling dynasty of Avís encouraged the chivalric ethos of the long fifteenth century to exert control over the powerful nobility and validate their expansionist agenda in Africa. This profoundly shaped the visual idiom of funerary sculpture, resulting in the emergence of the ‘chivalric tomb’ in Portugal. Taking advantage of the blurred lines between chivalry and politics and between history and propaganda, Portuguese aristocrats began to manipulate their posthumous images to construct enduring, positive legacies in the public imagination. Aristocratic Portuguese tombs remain virtually untapped sources of social-historical information, particularly through their display of consistent commemorative strategies ranging from genealogical epitaphs to figural portrayals of Africans. Drawing on extensive fieldwork and archival research and offering a close examination of these monuments through visual, literary and historical evidence, this article explores the artistic intersection of death and memory in late medieval Portuguese society and elucidates how aristocratic funerary monuments performed a persuasive, as well as memorial, function.

Public and Private: The Late Medieval Wall Paintings of Haddon Hall Chapel, Derbyshire

2006 ◽  
Vol 86 ◽  
pp. 179-205
Author(s):  
Mellie Naydenova
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Wall Paintings ◽  
Public And Private ◽  
Late Medieval ◽  
Public Statement ◽  
The Public ◽  
Parish Church ◽  
Public Persona ◽  
Private Devotion

This paper focuses on the mural scheme executed in Haddon Hall Chapel shortly after 1427 for Sir Richard Vernon. It argues that at that time the chapel was also being used as a parish church, and that the paintings were therefore both an expression of private devotion and a public statement. This is reflected in their subject matter, which combines themes associated with popular beliefs, the public persona of the Hall's owner and the Vernon family's personal devotions. The remarkable inventiveness and complexity of the iconography is matched by the exceptionally sophisticated style of the paintings. Attention is also given to part of the decoration previously thought to be contemporary with this fifteenth-century scheme but for which an early sixteenth-century date is now proposed on the basis of stylistic and other evidence.

The Indexical Self

Last Words ◽  
2019 ◽  
pp. 1-18
Author(s):  
Sebastian Sobecki
Keyword(s):  
Fifteenth Century ◽  
Medieval England ◽  
Social Character ◽  
Late Medieval ◽  
The Public ◽  
The Social ◽  
Medieval Text ◽  
Late Medieval England

No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticize them and misjudge the social character of their authors. Instead, most medieval poems and manuscripts presuppose familiarity with their authorial or scribal maker. Last Words: The Public Self and the Social Author in Late Medieval England attempts to recover this familiarity and understand the literary motivation behind some of the most important fifteenth-century texts and authors. Last Words captures the public selves of such social authors when they attempt to extract themselves from the context of a lived life.

Opinions about perceived linguistic intelligibility in late-medieval Italy

Revue Romane ◽  
2020 ◽  
Author(s):  
Alessandro Carlucci
Keyword(s):  
Fifteenth Century ◽  
Experimental Testing ◽  
Historical Study ◽  
Historical Evidence ◽  
Late Medieval ◽  
Medieval Italy ◽  
The Third ◽  
Linguistic History

Abstract This article contributes to the historical study of intercomprehension between speakers of closely related languages by focusing on Italy in the period up to the mid-fifteenth century. After an introduction to the topic, the second section will be devoted to methodological questions, including certain differences between research based on experimental testing and research based on historical evidence. The third section of the article reports opinions by medieval speakers about the intelligibility of different Italo-Romance varieties, and then compares them to opinions about genealogically and/or geographically more distant languages. While the dominant view among experts on Italy’s linguistic history is that speakers were trapped within mutually unintelligible vernaculars, this review of the extant evidence suggests a greater degree of intercomprehension than is usually supposed.

City, State, and Public Ritual in the Late-Medieval Burgundian Netherlands

1997 ◽  
Vol 39 (2) ◽  
pp. 300-318 ◽  
Author(s):  
Peter Arnade
Keyword(s):  
Fifteenth Century ◽  
The Political ◽  
Late Medieval ◽  
Permanent Record ◽  
The Public ◽  
Distinguished Career ◽  
Wedding Ceremony ◽  
City State ◽  
Duke Of Burgundy

At the end of a distinguished career as chronicler of the Burgundian court, Georges Chastellain (1404–75) penned a quick sketch of the outstanding accomplishments of his duke, Charles the Bold. Accustomed to expositions awash in chivalric pomp, Chastellain employed a different tack to commemorate this sovereign: He sketched eleven “magnificences” performed by the duke of Burgundy, all reconstructed images of this prince's engagement with ceremony. Foremost among this snapshot collection of state ritual was neither a tournament, nor a wedding ceremony, nor even a processional entry. What stood out, in Chastellain's estimation, as Charles' greatest deed was something more riveting and more powerful than any of these spectacles so beloved by the fifteenth-century Burgundian court:The first [magnificence] was at Brussels, where, seated on his throne, his sword unsheathed and held by his Marshall, he gathered the men of Ghent arranged kneeling before him and at his pleasure and in their presence cut and tore up the political charters they bore. Done for permanent record, this action was without parallel.For Chastellain, the supreme magnificence of Charles the Bold was a lesson in exemplary punishment, the public abasement of the aldermen and guild deans of the Flemish city of Ghent in January 1469, a year and a half after a city revolt of rank-and-file guildsmen had unsettled celebrations in honor of his accession to the countship of Flanders.

Epilogue

2018 ◽  
Author(s):  
Cassandra L. Yacovazzi
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
Civil War ◽  
Popular Media ◽  
The Public ◽  
Monastic Life ◽  
The Common ◽  
Public Imagination ◽  
Maria Monk ◽  
People Today

Nuns in popular media today are a staple of kitsch culture, evident in the common appearance of bobble-head nuns, nun costumes, and nun caricatures on TV, movies, and the stage. Nun stereotypes include the sexy vixen, the naïve innocent, and the scary nun. These types were forged in nineteenth-century convent narratives. While people today may not recognize the name “Maria Monk,” her legacy lives on in the public imagination. There may be no demands to search convents, but nuns and monastic life are nevertheless generally not taken seriously. This epilogue traces opposition to nuns from the Civil War to the present, analyzing the various images of nuns in popular culture as they relate to the antebellum campaign against convents. It argues that the source of the misunderstanding about nuns is rooted in the inability to categorize these women either as traditional wives and mothers or as secular, career-driven singles.

A Mathematical Turn

2018 ◽  
Author(s):  
Richard Oosterhoff
Keyword(s):  
Fifteenth Century ◽  
University Reform ◽  
Late Medieval ◽  
Nicholas Of Cusa ◽  
Devotio Moderna ◽  
Court Politics ◽  
Spiritual Reform ◽  
The University

Lefèvre described his own mathematical turn as a kind of conversion. This chapter explains what motivated his turn to mathematics, considering the place of mathematics in fifteenth-century Paris in relation to court politics and Lefèvre’s own connections to Italian humanists. But more importantly, Lefèvre’s attitude to learning and the propaedeutic value of mathematics drew on the context of late medieval spiritual reform, with its emphasis on conversion and care of the soul. In particular, Lefèvre’s turn to university reform seems to have responded to the works of Ramon Lull, alongside the devotio moderna and Nicholas of Cusa, which he printed in important collections. With such influences, Lefèvre chose the university as the site for intellectual reform.

At the Edge of Reformation

2019 ◽  
Author(s):  
Peter Linehan
Keyword(s):  
Civil War ◽  
Fourteenth Century ◽  
Black Death ◽  
The West ◽  
Late Medieval ◽  
Medieval Europe ◽  
History Of ◽  
Portuguese Society ◽  
The Relationship ◽  
The Church

This book springs from its author’s continuing interest in the history of Spain and Portugal—on this occasion in the first half of the fourteenth century between the recovery of each kingdom from widespread anarchy and civil war and the onset of the Black Death. Focussing on ecclesiastical aspects of the period in that region (Galicia in particular) and secular attitudes to the privatization of the Church, it raises inter alios the question why developments there did not lead to a permanent sundering of the relationship with Rome (or Avignon) two centuries ahead of that outcome elsewhere in the West. In addressing such issues, as well as of neglected material in Spanish and Portuguese archives, use is made of the also unpublished so-called ‘secret’ registers of the popes of the period. The issues it raises concern not only Spanish and Portuguese society in general but also the developing relationship further afield of the components of the eternal quadrilateral (pope, king, episcopate, and secular nobility) in late medieval Europe, as well as of the activity in that period of those caterpillars of the commonwealth, the secular-minded sapientes. In this context, attention is given to the hitherto neglected attempt of Afonso IV of Portugal to appropriate the privileges of the primatial church of his kingdom and to advance the glorification of his Castilian son-in-law, Alfonso XI, as God’s vicegerent in his.

Living machines in our cultural imagination

2018 ◽  
Author(s):  
Michael Szollosy
Keyword(s):  
Artificial Intelligence ◽  
Science Fiction ◽  
Public Perceptions ◽  
Human Condition ◽  
Cultural Imagination ◽  
The Public ◽  
The Enlightenment ◽  
The Future ◽  
Public Imagination ◽  
The Human Condition

Public perceptions of robots and artificial intelligence (AI)—both positive and negative—are hopelessly misinformed, based far too much on science fiction rather than science fact. However, these fictions can be instructive, and reveal to us important anxieties that exist in the public imagination, both towards robots and AI and about the human condition more generally. These anxieties are based on little-understood processes (such as anthropomorphization and projection), but cannot be dismissed merely as inaccuracies in need of correction. Our demonization of robots and AI illustrate two-hundred-year-old fears about the consequences of the Enlightenment and industrialization. Idealistic hopes projected onto robots and AI, in contrast, reveal other anxieties, about our mortality—and the transhumanist desire to transcend the limitations of our physical bodies—and about the future of our species. This chapter reviews these issues and considers some of their broader implications for our future lives with living machines.

Perspectives

2018 ◽  
Author(s):  
Michael Szollosy
Keyword(s):  
New Technologies ◽  
Human Relationships ◽  
Cultural Imagination ◽  
Personal Lives ◽  
The Public ◽  
Social Organizations ◽  
The Social ◽  
Human Augmentation ◽  
Public Imagination

This chapter introduces the “Perspectives” section of the Handbook of Living Machines offering an overview of the different contributions gathered here that consider how biomimetic and biohybrid systems will transform our personal lives and social organizations, and how we might respond to the challenges that these transformations will inevitably pose to our ‘posthuman’ worlds. The authors in this section see it as essential that those who aspire to create living machines engage with the public to confront misconceptions, deep anxieties, and unrealistic aspirations that presently dominate the cultural imagination, and to include potential users in questions of design and utility as new technologies are being developed. Human augmentation and enhancement are other important themes addressed, raising important questions about what it means fundamentally to be ‘human’. These questions and challenges are addressed through the lens of the social and personal impacts of new technologies on human selves, the public imagination, ethics, and human relationships.

Democracy and Its Limits: Gender and Rights in the Czech Lands, 1918–1938

2002 ◽  
Vol 30 (4) ◽  
pp. 553-570 ◽  
Author(s):  
Melissa Feinberg
Keyword(s):  
Democratic Politics ◽  
Ethnic Nationalism ◽  
New Era ◽  
The Public ◽  
Universal Language ◽  
National Ideology ◽  
Democratic Nation ◽  
The Individual ◽  
Czech Lands ◽  
Public Imagination

On 28 October 1918, a group of Czech nationalists stood on the steps of the Obecni Dům (Municipal House) in Prague and proclaimed their independence from the Austro-Hungarian Monarchy, allying themselves with the new state of Czechoslovakia. Their declaration marked the beginning of a new era in the Czech lands, one in which Czechs, as the majority nation, hoped to redefine the terms of political discourse. The new Czechoslovak Republic, its Czech supporters declared, would be the antithesis of the Habsburg regime. In the place of a multinational Monarchy, they would erect a democratic nation-state. The second half of this political vision was complicated by the fact that the new Czechoslovakia actually contained many ethnic groups, but Czechs still tended to imagine their new Republic as the political expression of the Czech nation. At the same time, this “Czech-centered” politics also emphasized the democratic basis of the new country. Czechoslovakia, Czech leaders said, would be a state governed by its people and dedicated to protecting their rights and freedoms as individuals. A political culture that rested on both ethnic nationalism and democratic values obviously contained some internal tensions: the need to protect the interests of one specific nation and the duty to protect the individual rights of all citizens could rub uncomfortably against each other. Yet, at that moment in 1918, most Czechs failed to register this potential for ideological conflict, instead seeing an essential link between democratic politics and the good of the Czech nation. For many Czechs, democracy itself was a need of the nation, a political structure crucial to Czech national self-realization. This idea came from one prominent conception of Czech nationhood that had captured the public imagination in the fall of 1918. According to this strain of Czech national ideology, the Czech nation had a sort of democratic character. This meant that only an egalitarian, democratic government would suit a “Czech” state. So, paradoxically, a universal language of rights and freedoms was the key to building a truly national Czechoslovak Republic. It was with a state that emphasized equality and personal freedom that the Czechs would fulfill their national destiny.

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