scholarly journals METAPHOR AS A MEANS OF EXPRESSION IN POSTMODERN ARCHITECTURE: LITHUANIAN CASE / METAFORA KAIP POSTMODERNIZMO ARCHITEKTŪROS RAIŠKOS PRIEMONĖ. LIETUVOS ATVEJIS

2012 ◽  
Vol 36 (3) ◽  
pp. 170-180 ◽  
Author(s):  
Martynas Mankus
Keyword(s):  
Modern Architecture ◽  
Cultural Conditions

The article tackles manifestations of metaphor seen as one of the most important instruments for creating significance and individuality in architecture; lays out the concept of metaphor in postmodern architecture which has elaborated and solidified it; and examines socio-cultural conditions of its origins. As the relation between metaphor and modernism is discussed, the intrinsic differences are identified highlighting the most pronounced stylistic features. It is implied that metaphor being transplanted to modern architecture remains an important tool for its communicative qualities. The analysis of manifestations of metaphorical aspect is based on architectural examples from Lithuania. Santrauka Straipsnyje nagrinėjamos vienos iš svarbiausių architektūros ženkliškumo ir savitumo kūrimo priemonių – metaforos – apraiškos. Analizuojama postmodernizmo architektūros, išplėtojusios ir įtvirtinusios metaforos terminą, samprata; apžvelgiamos jos atsiradimo sociokultūrinės prielaidos. Aptariant jos santykį su modernizmu, nurodomi tarpusavio skirtumai, išskiriami ryškiausi stiliaus bruožai. Charakterizuojant metaforos perkėlimą į architektūrą, daroma prielaida, kad dėl savo komunikacinių savybių ji išlieka svarbia priemone šiuolaikinėje architektūroje. Remiantis Lietuvos architektūros pavyzdžiais, nagrinėjamos metaforiškojo aspekto apraiškos.

scholarly journals Modern architecture in Indonesia: A genealogy study

2020 ◽  
Vol 5 (3) ◽  
pp. 331-338
Author(s):  
Johannes Adiyanto
Keyword(s):  
Modern Architecture ◽  
European American ◽  
Historical Approach ◽  
Cultural Conditions ◽  
Foreign Entry

Architectures in Indonesia are often identified as 'unique' compared to European and American constructions. They are referred to as Wastuwidya by Mangunwijaya and Nusantara by Prijotomo. This paper, therefore, aimed to examine the reasons for the perceived similar principles between the Indonesian architectures and those in Europe or America and also reviewed the architecture in the country beyond the identity. This involved the application of a historical approach with synchronous-diachronic methods to determine the significance of a historical timeline and its architectural content. The results showed the country’s modern architecture is associated with the foreign entry, its climate, and socio-cultural conditions, and also perceived as a sign of certain political powers presented during the Daendels and Sukarno era. Indonesian and European/American architectural designs were also observed to have different entry processes. Therefore, modern architecture should be perceived as a process rather than a product. © 2020 Johannes Adiyanto

“House and Open-Air School in One”

2020 ◽  
Vol 102 (2) ◽  
pp. 143-157
Author(s):  
Raymond Richard Neutra
Keyword(s):  
Educational Program ◽  
Turning Point ◽  
Modern Architecture ◽  
Healthy Living ◽  
Innovative Design ◽  
Educational Theories ◽  
Richard Neutra ◽  
Shed Light

The Lovell Health House (1927–1929) by Richard Neutra for Dr. Phillip Lovell and his wife, Leah Lovell, was a turning point in modern architecture. The house not only carried out Phillip Lovell’s principles of healthy living, it also incorporated a school conducted along the progressive educational theories embraced by Leah Lovell. This article identifies the educational features in Neutra’s plan. Interviews with one of the last remaining students of the school shed light on the students and faculty and how the design served the school’s curriculum. Neutra’s innovative design accommodating the progressive educational program at the Lovell Health House belongs in any discussion of the later school designs for which he won lasting acclaim.

Has Parzival met modern architecture?

2013 ◽  
Vol 8 (1) ◽  
pp. 133-140
Author(s):  
Tamás Molnár
Keyword(s):  
Modern Architecture

DIALOG Z HUMANIZMEM RENESANSOWYM W DZIEŁACH PIOTRA SKARGI / PIOTR SKARGA’S DIALOGUE WITH RENAISSANCE HUMANISM

2013 ◽  
Vol 54 (4-5) ◽  
pp. 405-424
Author(s):  
Alina Nowicka -Jeżowa
Keyword(s):  
Catholic Church ◽  
Roman Catholic ◽  
Roman Catholic Church ◽  
Ignatian Spirituality ◽  
Clear Cut ◽  
Renaissance Humanism ◽  
Cultural Conditions ◽  
Political Views ◽  
The City ◽  
The Church

Summary The article tries to outline the position of Piotr Skarga in the Jesuit debates about the legacy of humanist Renaissance. The author argues that Skarga was fully committed to the adaptation of humanist and even medieval ideas into the revitalized post-Tridentine Catholicism. Skarga’s aim was to reformulate the humanist worldview, its idea of man, system of values and political views so that they would fit the doctrine of the Roman Catholic church. In effect, though, it meant supplanting the pluralist and open humanist culture by a construct as solidly Catholic as possible. He sifted through, verified, and re-interpreted the humanist material: as a result the humanist myth of the City of the Sun was eclipsed by reminders of the transience of all earthly goods and pursuits; elements of the Greek and Roman tradition were reconnected with the authoritative Biblical account of world history; and man was reinscribed into the theocentric perspective. Skarga brought back the dogmas of the original sin and sanctifying grace, reiterated the importance of asceticism and self-discipline, redefined the ideas of human dignity and freedom, and, in consequence, came up with a clear-cut, integrist view of the meaning and goal of the good life as well as the proper mission of the citizen and the nation. The polemical edge of Piotr Skarga’s cultural project was aimed both at Protestantism and the Erasmian tendency within the Catholic church. While strongly coloured by the Ignatian spirituality with its insistence on rigorous discipline, a sense of responsibility for the lives of other people and the culture of the community, and a commitment to the heroic ideal of a miles Christi, taking headon the challenges of the flesh, the world, Satan, and the enemies of the patria and the Church, it also went a long way to adapt the Jesuit model to Poland’s socio-cultural conditions and the mentality of its inhabitants.

History Turmoil And Politico-Cultural Conditions of the Sub-Continental Men In Salman Rushdie’s Midnight’s Children

2015 ◽  
Vol 2 (2) ◽  
pp. 26-28
Author(s):  
Gunasekaran N ◽  
Bhuvaneshwari S
Keyword(s):  
Middle Class ◽  
Salman Rushdie ◽  
Fiction Writing ◽  
Pluralistic Society ◽  
Post Colonial ◽  
Cultural Conditions ◽  
The World ◽  
Midnight's Children ◽  
First Time

Salman Rushdie remains a major Indian writer in English. His birth coincides with the birth of a new modern nation on August 15, 1947. He has been justly labelled by the critics as a post-colonial writer who knows his trade well. His second novel Midnight’s Children was published in 1981 and it raised a storm in the hitherto middle class world of fiction writing both in English and in vernaculars. Rushdie for the first time burst into the world of fiction with subversive themes like impurity, illegitimacy, plurality and hybridity. He understands that a civilization called India may be profitably understood as a dream, a collage of many colours, a blending of cultures and nationalities, a pluralistic society and in no way unitary.

ARCHITECTURE IN EFFECT: A Glance at Critical Historiography

2014 ◽  
Vol 8 (1) ◽  
pp. 184
Author(s):  
Navid Gohardani
Keyword(s):  
Subject Matter ◽  
Research Topic ◽  
Modern Architecture ◽  
Multiple Levels ◽  
Multidisciplinary Perspective ◽  
Critical Historiography ◽  
Research Domain ◽  
Critical Aspects

Historiography marks a relatively unexplored research domain in architecture. Despite the obscure nature of this subject matter, architectural historiography equally illuminates a hidden pathway to the historical interaction of architecture with art or literature. Critical historiography adds another dimension to this emerging research topic that further encapsulates multiple levels of criticism. In recognition of a growing interest for historiography, it can be argued that the critical aspects of historiography may serve as crucial instruments for an enhanced understanding of architectural historiography. In this article, the realm of architectural historiography is investigated through a multidisciplinary perspective that revisits architectural criticism, critical historiography, modern architecture, phenomenology, and a number of aspects of architectural historiography in the Swedish Million Homes Program.

Metamorphosen des Autors im Internet

2018 ◽  
Vol 2018 (1) ◽  
pp. 73-82
Author(s):  
Julia Genz
Keyword(s):  
Web 2.0 ◽  
Digital Media ◽  
Intrinsic Value ◽  
The Other ◽  
Cultural Conditions ◽  
Works Of Art ◽  
Periodic Schedule ◽  
Literary Authorship ◽  
The One ◽  
Death Of The Author

Digital media transform social options of access with regard to producers, recipients, and literary works of art themselves. New labels for new roles such as »prosumers « and »wreaders« attest to this. The »blogger« provides another interesting new social figure of literary authorship. Here, some old desiderata of Dadaism appear to find a belated realization. On the one hand, many web 2.0 formats of authorship amplify and widen the freedom of literary productivity while at the same time subjecting such production to a periodic schedule. In comparison to the received practices of authors and recipients many digital-cultural forms of narrating engender innovative metalepses (and also their sublation). Writing in the net for internet-publics enables the deliberate dissolution of the received autobiographical pact with the reader according to which the author’s genuine name authenticates the author’s writing. On the other hand, the digital-cultural potential of dissolving the autobiographical pact stimulates scandals of debunking and unmasking and makes questions of author-identity an issue of permanent contestation. Digital-cultural conditions of communication amplify both: the hideand- seek of authorship as well as the thwarting of this game by recipients who delight in playing detective. In effect, pace Foucault’s and Barthes’ postulates of the death of the author, the personality and biography of the author once again tend to become objects of high intrinsic value

Representação e simbolismo: artes visuais na fronteira Brasil/Bolívia

2020 ◽  
Vol 4 (3) ◽  
pp. 286
Author(s):  
Paulo César Antonini de Souza ◽  
Derick Trindade Bezerra
Keyword(s):  
Visual Arts ◽  
Social Order ◽  
Research Field ◽  
Border Region ◽  
Second Phase ◽  
Two Dimensional ◽  
Santa Cruz ◽  
Cultural Conditions ◽  
Two Phases ◽  
America Latina

ResumoTendo por campo de investigação o Festival da América do Sul Pantanal (FASP) em 2018, na cidade de Corumbá (Brasil), objetiva-se identificar a materialidade e conceitos que permeiam as manifestações artísticas bidimensionais nesta região de fronteira, a partir da percepção de artistas da Bolívia. A pesquisa se organizou em duas fases: na primeira foi realizado um levantamento em plataformas online de produções acadêmicas em artes visuais, com foco no trabalho bidimensional, utilizando os descritores “arte popular” e “estética latina” resultando em três artigos. Na segunda fase foram selecionados dois trabalhos de uma artista da Bolívia, participante da mostra “Conexão Santa Cruz”, realizada durante o FASP 2018, que foram analisados em seus níveis representacional e simbólico. Pela interpretação das imagens foi possível construir uma leitura sobre a perspectiva da artista a respeito de suas condições culturais dentro da ordenação social em que se encontra situada.Palavras-chave: Artes Visuais. Arte Popular. Arte Regional. América Latina. Representation and symbolism: visual arts on the Brazil/Bolivia frontierAbstractHaving as research field the Festival da América do Sul Pantanal (FASP) in 2018, in the city of Corumbá (Brazil), the objective is to identify the materiality and concepts that permeate the two-dimensional artistic manifestations in this border region, from the perception of artists from Bolivia. The research was organized in two phases: in the first, a survey was carried out on online platforms of academic productions in visual arts, focusing on two-dimensional work, using the descriptors “arte popular” and “estética latina” resulting in three articles. In the second phase, two works were selected by an artist from Bolivia, participating in the exhibition “Conexão Santa Cruz”, held during FASP 2018, which were analyzed at their representational and symbolic levels. Through the interpretation of the images, it was possible to construct a reading on the artist’s perspective regarding her cultural conditions within the social order in which she is located.Keywords: Visual Arts. Folk Art. Regional Art. Latin America.Representación y simbolismo: artes visuales en la frontera de Brasil/BoliviaResumenTeniendo como campo de investigación el Festival de Sudamérica Pantanal (FASP) en 2018, en la ciudad de Corumbá (Brasil), el objetivo es identificar la materialidad y conceptos que permean las manifestaciones artísticas bidimensionales en esta región fronteriza, desde la percepción de artistas de Bolivia. La investigación se organizó en dos fases: en la primera, se realizó una encuesta en plataformas online de producciones académicas en artes visuales, con foco en el trabajo bidimensional, utilizando los descriptores “arte popular” y “estética latina” dando como resultado tres artículos. En la segunda fase, dos obras fueron seleccionadas por un artista de Bolivia, participante de la exposición “Conexão Santa Cruz”, realizada durante FASP 2018, que fueron analizadas en sus niveles representativos y simbólicos. A través de la interpretación de las imágenes, fue posible construir una lectura sobre la perspectiva de la artista sobre sus condiciones culturales dentro del orden social en el que se ubica.Palabras clave: Artes Visuales. Arte Popular. Arte Regional. América Latina.

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