scholarly journals Depth of the field. Bystanders’ art, forensic art practice and non-sites of memory

2021 ◽  
Vol 1 ◽  
pp. 73-83
Author(s):  
Aleksandra Janus ◽  
Roma Sendyka

Abandoned sites of trauma often become objects of art-based research. The forensic turn offered artists the requisite tools to approach uncommemorated post-violence sites to interact with their human and non-human actors. The usage of artistic methods allows us to inspect nondiscursive archives and retrieve information otherwise unavailable. The new wave of “forensic art” joins the efforts of post-war artists to respond to sites of mass killings. In the post-war era, sites of trauma were presented as (implicated) landscapes, or unhospitable terrains. The tendency to narrow space to the site and to contract the perspective is continued today by visual artists entering difficult memory grounds, looking down, inspecting the ground with a “forensic gaze”. A set of examples of such artistic endeavors, following the research project Uncommemorated Genocide Sites and Their Impact on Collective Memory, Cultural Identity, Ethical Attitudes and Intercultural Relations in Contemporary Poland (2016–2020) is discussed as “bystanders’ art.”

2019 ◽  
pp. 127-162
Author(s):  
Marion Schmid

The inception of the New Wave coincided with a profound mutation of the French urban fabric: parts of historic city centers were razed in post-war modernisation schemes, while 'new towns' were planned outside major cities to relieve the pressure of population growth. This chapter analyses New Wave filmmakers' diverse engagement with architecture - old and new - and urban change in both fictional and documentary genres. Themes for discussion include New Wave directors' ambivalent representation of the new forms of architectural modernity that emerged in France in the 1950s and 60s; their interrogation of the living conditions on modern housing estates; and their examination of the relationship between the built environment, affect, and memory. The chapter also considers the movement's fascination with the tactile textures and surfaces of the city.


2013 ◽  
Vol 48 (1) ◽  
pp. 37-76 ◽  
Author(s):  
UDITI SEN

AbstractWithin the popular memory of the partition of India, the division of Bengal continues to evoke themes of political rupture, social tragedy, and nostalgia. The refugees or, more broadly speaking, Hindu migrants from East Bengal, are often the central agents of such narratives. This paper explores how the scholarship on East Bengali refugees portrays them either as hapless and passive victims of the regime of rehabilitation, which was designed to integrate refugees into the socio-economic fabric of India, or eulogizes them as heroic protagonists who successfully battled overwhelming adversity to wrest resettlement from a reluctant state. This split image of the Bengali refugee as both victim and victor obscures the complex nature of refugee agency. Through a case-study of the foundation and development of Bijoygarh colony, an illegal settlement of refugee-squatters on the outskirts of Calcutta, this paper will argue that refugee agency in post-partition West Bengal was inevitably moulded by social status and cultural capital. However, the collective memory of the establishment of squatters’ colonies systematically ignores the role of caste and class affiliations in fracturing the refugee experience. Instead, it retells the refugees’ quest for rehabilitation along the mythic trope of heroic and masculine struggle. This paper interrogates refugee reminiscences to illuminate their erasures and silences, delineating the mythic structure common to both popular and academic refugee histories and exploring its significance in constructing a specific cultural identity for Bengali refugees.


Heritage ◽  
2019 ◽  
Vol 2 (3) ◽  
pp. 1785-1798
Author(s):  
Bronec

The article includes a sample of testimonies and the results of sociological research on the life stories of Jews born in the aftermath of World War II in two countries, Czechoslovakia and Luxembourg. At that time, Czechoslovak Jews were living through the era of de-Stalinization and their narratives offer new insights into this segment of Jewish post-war history that differ from those of Jews living in liberal, democratic European states. The interviews explore how personal documents, photos, letters and souvenirs can help maintain personal memories in Jewish families and show how this varies from one generation to the next. My paper illustrates the importance of these small artifacts for the transmission of Jewish collective memory in post-war Jewish generations. The case study aims to answer the following research questions: What is the relationship between the Jewish post-war generation and its heirlooms? Who is in charge of maintaining Jewish family heirlooms within the family? Are there any intergenerational differences when it comes to keeping and maintaining family history? The study also aims to find out whether the political regime influences how Jewish objects are kept by Jewish families.


Author(s):  
Natalia Aleksiun

Abstract This paper examines the experience of Galician-Jewish survivors who were fluent in German and who had developed close ties to German culture before the Second World War. It suggests that looking through the German linguistic lens highlights the multilayered nature of Jewish cultural identity in Galicia and offers an important critical tool with which to understand the distinct ways in which Galician Jews experienced the Holocaust. Using personal accounts, this article analyzes the ways in which complex cultural biographies of Galician Jews shaped their identities as eastern European Jews, Polish citizens, and Holocaust survivors. On the basis of testimonies included in early accounts for the Jewish historical commissions, statements by Jewish witnesses in post-war trials, oral interviews, and memoirs, this article discusses the ways in which Galician Jews remembered their relationship with German culture and how their complex cultural identity shaped their personal trajectories after the liberation.


2021 ◽  
Vol 03 (02) ◽  
pp. 302-314
Author(s):  
Ruqaiah Wahab Majeed BAYRAM

The cumulative phantasy of literary inherited in the contemporary Iraqi theatre's texts composes important pivot and a literary cultural phenomena has its' distinguished presence in the Iraqi theatre represented by inspiration of literary inherited and urging the collective memory by aesthetic and conceptual frames via works of dramatic processing by shifting central structures and their time-place and structural transformations in the theatrical text. The research consists of four chapters, first chapter tackled with the methodical frame and included the research's problem that is specified by the following question: ((What is the cumulative phantasy of literary inherited and how was employed in the contemporary Iraqi theatre's text?)). The research concerned with knowing the special and general frames of the cumulative phantasy of literary inherited concept and knowing also their cognitive paths, references and innovative producing tools according to cognitive time's evidences to arise the viewer's memory and rooting the cultural identity. The research aims to briefing the cumulative phantasy of literary inherited in the contemporary theatrical text. The research's limits included studying the cumulative phantasy of literary inherited in the contemporary Iraqi theatrical texts for the period (1965-2005) also first chapter included the terms and defining them also. While the second chapter consists of three sections, first one was about phantasy philosophy and its' conceptual concepts, second section was about the phantasy and its' psychological concept, third section was about phantasy and its' representations in the Arabian theatrical literary inherited. Third chapter included research's procedures of a population included (15) theatrical texts, sample consisted of two theatrical texts, choosing was by intentional method whereas conforms with the research's subject and achieving the required goal represented by (Almiftah) for Yousif Al-Ani and the play (Al-Layali Al-Sumariyah) for the writer (Lutfiyah Al-Dulaimi). The researcher considered the depicting method to analyze the research's sample, she relied on the indications of theoretical frame in analyzing. Fourth chapter included results and conclusions, some of them are: 1. Text were featured with drama structure based on inspiration of the inherited and reproduce it by contrast according to the…. Of the phantasy, cumulative of the literary public inherited via shifting techniques, symbols and interpretations of indications. 2. Writers' phantasy added manifestations of public and national identity and its' structures sublimation by its' limits, historical and inherited evidences, permanence and existence by opening the eras. 3. Parallel and harmonic employment that express the inherited characters with a contemporary visions


2021 ◽  
Vol 263 ◽  
pp. 05054
Author(s):  
Ali Belal ◽  
Elena Shcherbina

The purpose of the research is to present guidelines and recommendations that can contribute to the post-war recovery of urban cultural heritage by a proposed methodology, based on other experiences in the reconstruction and preservation field of historical areas after wars, with the possibility of applying them, as an attempt to regain the features of the old part of the city. We also suggest those suggestions and guidance on three different levels. These guidelines are applicable at three levels: the historic core of the city, neighbourhood level, and individual quarters level. Each level had a specific theme for reconstruction planning that can maintain the city’s particular character during the current circumstances. Many cities have been heavily damaged as a result of the armed conflict in Syria, destroying most of the city’s neighbourhoods, including the historic district. Hence, we present a study of the consequences of this destruction on the historic fabric of the city, and search for the best solutions to give it the needed protection. Finally, the results and recommendations of this research will lead to developing answers to deal with historic centres and historic buildings that have been damaged by the armed conflict and were neglected before the war. The goal of this research is to identify fundamental principles that can lead to a successful reconstruction process while also preserving the city’s cultural identity.


Author(s):  
Vadym Vasylenko

The paper offers an analysis of Yurii Kosach’s literary heritage in the context of the Ukrainian literary process of the 20th century. The main subject is biographical, ideological, aesthetic, and ethical factors that influenced the formation of the writer’s self-identity. Special attention is paid to the ambivalence of Kosach’s worldview, the duality of his status, which was reflected in his literary self-representation. The views of Yurii Kosach on the historical role, cultural and social aims of the emigrants have been clarified. The paper discusses the history of the conflict between Yurii Kosach and the circle of the post-war Ukrainian emigrants, the theme of Kosach’s collaboration with Soviet totalitarian political and literary environments. Yurii Kosach’s engagement in the Soviet literary process is considered in the context of myth about Faust and Mephistopheles, which serves as a political metaphor covering the entire totalitarian history of Ukrainian literature and culture. The writer’s split between various totalitarian ideologies is considered as one of the symbolic plots of his time and interpreted psychologically. One of the main plots in Kosach’s prose, realized in his various works, is a symbolic meeting of Ukraine and Europe. The paper considers his understanding of Europeanism, the crisis of Ukrainian literature, the problem of the writer’s self-sufficiency, etc. Such issues as mythological thinking of Yurii Kosach, the influence of the neo-baroque and neo-romantic traditions on his work, the appeal to Panteleimon Kulish’s idea of Ukrainian Europe, the writer’s participation in the ideological discussion about the national and cultural identity of Mykola Gogol have been outlined as well. The author of the paper marks out Yurii Kosach’s critical heritage of the Art Ukrainian Movement period and issues of ideological, aesthetic, and stylistic modernization of Ukrainian literature, which have been considered in the context of ideological discussions and philosophical searches of his contemporaries.


2018 ◽  
pp. 57-71
Author(s):  
О. В. Богомолець

Developing the strategies for conserving and rendering the social experience, and hence the basis of group identity, was unchangeable corner stone for social outlook at all stages of social development. In the meantime, it is acquiring a special significance in recent years, primarily because the globalization substantially undermines the basics of national identity, thereby causing an increase of public attention to the problems of the collective, and above all, ethnocultural identity, the mechanisms of its reproduction and legitimation.These problems are especially topical for modern Ukrainian society, which, on the one hand, is the fruit of a civilizational split and, on the other hand, of the internal and external political elites manipulative policy and low living standards.To preserve its political boundaries, the society requires not only economic stability, but also new, more effective mechanisms and strategies for social consolidation. The latter, as shown by A. Bayburin and P. Conner, can effectively be provided by thoroughly developed or historically formed spectrum of typical behavior programs that regulate all spheres of human life in society, thus forming some socially significant norms. In other words, according to the above-mentioned researchers, it is stereotypical behavior that guarantees a community existence in time as some distinct ethnographic group.Оne of the most prominent examples of stereotyped behavior is ritual practice. Possessing the established set of behavior patterns, it is able to maintain the community’s accomplished image even when its proper values lose their social significance, but continue to exist as a habit. Thus, this work highlights the role of traditional ritual practice in the process of forming the modern Ukrainian identity. In particular, the idea is defended that ritual practice is not only an inseparable element of people’s collective memory, but also the means of forming the group identity, which is perfectly confirmed by Ukrainian family ritual practice’s pecularities.It is revealed that the timeless and expressive character of ceremonial actions has a decisive importance for preserving the group identity and the established social order. Despite of the irrecurring nature, which provides the connection to the past, it always means the beginning and the end at the same time. An illustrative example in this context may be wedding, maternity and economic ceremonies. All of them are permanent and repetitive transitions from one state to another. At the same time, ritual practice gives the sense to the whole spectrum of non-ritual actions, thus defining the future’s perspective.In general, the work considers ritual practice as a specific kind of the social one. It is characterized by the set of formalized and stylized symbolic actions of the community, usually aimed at preserving the established social or by means of forming certain ideas and feelings in a person. In the course of research work, it was emphasized that the formalized, stylized and, most importantly, the repeatable nature of the ritual practice, which manifests itself through commemoration of certain historical events, memorable days or heroes, ensures its clear intention to perpetuate the connection with the past. Thus, it plays an important role in the process of preserving the collective memory. On the other hand, the formation of the community’s value system is taking place, thus contributing to the preservation of its unity.Considering the consolidating significance of the ritual practice in terms of blurring the Ukrainian cultural identity, the studying and popularization of ritual practices seems to be important and promising, which would be accompanied by commemoration of their symbolic part. Such an activity could become a significant factor in the revival of the ethno-cultural identity of the Ukrainians and promote social consolidation


2019 ◽  
Vol 11 (3) ◽  
pp. 25-38
Author(s):  
Louise Zamparutti

Abstract The Foiba di Basovizza monument in northeast Italy commemorates victims of mass killings instigated by communist partisans at the end of World War II. These killings are known as “foibe” in the Italian literature. This word has come to signify the “ethnic cleansing” of Italians by Yugoslavians, despite evidence indicating that the majority of victims of these killings were from Slovenia and Croatia and that the killings were politically motivated. The Foiba di Basovizza was designated a national monument in Italy in 2007 and the narrative of “ethnic cleansing” it presents has been accepted throughout Italy as a legitimate version of history. Nationalistic comments made by European Parliament president Antonio Tajani at the monument’s annual commemoration on 10 February 2019, however, sparked international outcry and revealed that the site is still a vortex for longstanding discursive battles over territorial rights and victimhood contests. This paper argues that the Basovizza monument outmaneuvers questions of historical and scientific accuracy by constructing an exclusive notion of Italian identity that galvanizes nationalism and fuels fear of foreign infiltration. My analysis is a case study that investigates how productions of public memory can be used politically to influence the formation of national, ethnic, and cultural identity.


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