Human Behavior as First Person

2019 ◽  
pp. 43-47
Keyword(s):  
Human Behavior ◽  
First Person ◽  
Theoretical Argument ◽  
The Novel ◽  
Second Person ◽  
Brain Functions ◽  
Third Person ◽  
Frame Work

This chapter introduces first person known as the grammatical person (first person, second person, third person) basically and then goes over a theoretical argument of first person in a frame work of brain activities (cerebrum, cerebellum) as they are known and understood now. And then, the arguments will go to a practical argument by using the novel knowledge as shown in the chapter 5. In this way, it will be further studied and will be more deepened in order to get the general basic brain functions of first person. They will be described as a notion on first person.

Human Behavior as Second Person

2019 ◽  
pp. 48-52
Keyword(s):  
Human Behavior ◽  
First Person ◽  
Theoretical Argument ◽  
The Novel ◽  
Second Person ◽  
Brain Functions ◽  
Third Person

This chapter introduces the second person known as the grammatical person (first person, second person, third person) basically and then goes over a theoretical argument of second person in a framework of brain activities (cerebrum, cerebellum) as they are known and understood now. And then, the arguments will go to a practical argument by using the novel knowledge as shown in chapter 5. In this way, it will be further studied and will be more deepened in order to get the general basic brain functions of second person. They will be described as a notion on second person. Some part of the previous chapter will be repeated for the arguments to go smoothly.

scholarly journals The Analysis of Deixis in the Novel The Fault In Our Stars by John Green

HUMANIS ◽  
2018 ◽  
pp. 697
Author(s):  
Artika Putri ◽  
Made Budiarsa ◽  
I Gede Putu Sudana
Keyword(s):  
First Person ◽  
The Novel ◽  
Second Person ◽  
Speech Event ◽  
Language Structure ◽  
Observation Methods ◽  
Spatial Deixis ◽  
Third Person ◽  
The Third Person ◽  
Descriptive Method

This research  entitled The Analysis of Deixis in The Novel The Fault in Our Stars by John Green. Deixis is a study to describe the relation between language and contexts in language structure itself. The objectives of this study are (1) to find out and identify types of deixis in the novel The Fault in Our Stars (2) to analyze the function of each deixis type found in the novel The Fault in Our Stars. The data were collected using documentation and observation methods using the reading and note taking techniwques. Qualitative method was used to analyze the data and the method were done by descriptive technique. The method of presenting the result of data analysis was the descriptive method and was done by argumentative technique. The result of the research shows that there are three types of deixis found in the novel The Fault in Our Stars by John Green, namely person deixis, spatial deixis and temporal deixis. Person deixis consists of first person, second person and third person. The first person deixis is used to identify the speaker. The second person deixis is used to show the addressee. The third person deixis is used to show the referent not identified as the speaker or the addressee. The spatial deixis is used to describe a location participant in speech event. Temporal deixis is used to point a certain period of time.

The use of second person pronouns in a literary work

2014 ◽  
Vol 43 (2) ◽  
Author(s):  
Helen de Hoop ◽  
Lotte Hogeweg
Keyword(s):  
Literary Work ◽  
First Person ◽  
The Novel ◽  
Main Character ◽  
Second Person ◽  
Person Pronoun

AbstractFor this study we investigated all occurrences of Dutch second person pronoun subjects in a literary novel, and determined their interpretation. We found two patterns that can both be argued to be functionally related to the de-velopment of the story. First, we found a decrease in the generic use of second person, a decrease which we believe goes hand in hand with an increased distancing of oneself as a reader from the narrator/main character. Second, we found an increase in the use of the descriptive second person. The increased descriptive use of second person pronouns towards the end of the novel is very useful for the reader, because the information provided by the first person narrator himself becomes less and less reliable. Thus, the reader depends more strongly on information provided by other characters and what these characters tell the narrator about himself.

scholarly journals The necessity of studying higher brain functions from a first-person frame of reference

F1000Research ◽  
2015 ◽  
Vol 4 ◽  
pp. 173
Author(s):  
Kunjumon I. Vadakkan
Keyword(s):  
Gold Standard ◽  
Frame Of Reference ◽  
First Person ◽  
Brain Functions ◽  
Third Person ◽  
Experimental Approaches ◽  
Engineered Systems ◽  
Almost All ◽  
Higher Brain Functions

Almost all higher brain functions are first-person properties and anyone seeking to study them faces significant difficulties. Since a third-person experimenter cannot access first-person properties, current investigations are limited to examining the latter by using third-person observations that are carried out at various levels. This limits the current studies to correlational experiments using third-person observed findings. In order to initiate a study of explanations for the first-person properties, experimental approaches should be undertaken from the first-person frame of reference. But, there is a huge barrier. I discuss my opinion for crossing this barrier using a three-stage approach – theoretical, computational and experimental – in that order. These stages will naturally lead to the gold standard of understanding the mechanism by replicating it in engineered systems. The hurdles and incentives of undertaking this approach are discussed.

scholarly journals AN ANALYSIS OF DEIXIS USING “BEAUTY AND THE BEAST” MOVIE SCRIPT

2018 ◽  
Vol 1 (4) ◽  
pp. 413
Author(s):  
Elisa Fadlilah ◽  
Rika Septyani
Keyword(s):  
Qualitative Research ◽  
First Person ◽  
Second Person ◽  
Beauty And The Beast ◽  
Third Person ◽  
Movie Script ◽  
Descriptive Qualitative

This study deals with the English deixis. The objectives of this study are to analyze type of deixis and to find out the frequency of each deixis in the movie entitled Beauty and The Beast. This study was conducted by using descriptive qualitative research. The source of data was taken from the movie script of Beauty and The Beast. Documentary technique is used in collecting data. The findings showed that there are three types of deixis found in the Beauty and The Beast movie script and there are nine frequencies of deixis, namely person deixis in greater occurrences than another. Type of person deixis is used 128 times or (84,21%), which consists of first person used 53 times or (34,86 %), second person used 52 times or (34,21 %), and third person used 23 times or (15,13 %). The next, spatial (place) deixis is used 12 times or (7,89 %) and the last, temporal (time) deixis is used 12 times or (7,89 %) which consists of present used 5 times or (3,28 %), past used 5 times or (3,28 %), future used 2 times or (1,31 %). The least frequently used by the Beast in Beauty and the Beast Speech film`s dialogue was first person deixis used 53 times or (34,86 %). Keywords:  Pragmatic, Movie,  Deixis

Introduction to the Special Issue on First-Person Methods in HCI

2021 ◽  
Vol 28 (6) ◽  
pp. 1-12
Author(s):  
Audrey Desjardins ◽  
Oscar Tomico ◽  
Andrés Lucero ◽  
Marta E. Cecchinato ◽  
Carman Neustaedter
Keyword(s):  
Human Computer Interaction ◽  
First Person ◽  
Special Issue ◽  
Second Person ◽  
Third Person ◽  
The Difference ◽  
Future Work ◽  
Computer Interaction

In this introduction to the special issue on First-Person Methods in (Human-Computer Interaction) HCI, we present a brief overview of first-person methods, their origin, and their use in Human-Computer Interaction. We also detail the difference between first-person methods, second-person, and third-person methods, as a way to guide the reader when engaging the special issue articles. We articulate our motivation for putting together this special issue: we wanted a collection of works that would allow HCI researchers to develop further, define, and outline practices, techniques and implications of first-person methods. We trace links between the articles in this special issue and conclude with questions and directions for future work in this methodological space: working with boundaries, risk, and accountability.

scholarly journals Referential hierarchies: A new look at some historical and typological patterns

Linguistics ◽  
2016 ◽  
Vol 54 (3) ◽  
Author(s):  
Spike Gildea ◽  
Fernando Zúñiga
Keyword(s):  
First Person ◽  
Historical Sources ◽  
Second Person ◽  
Case Marking ◽  
Asymmetrical Pattern ◽  
Third Person ◽  
Grammatical Change ◽  
Formal Properties ◽  
Constituent Ordering ◽  
Person Marking

AbstractThis paper proposes a diachronic typology for the various patterns that have been referred to as Hierarchical Alignment or Inverse Alignment. Previous typological studies have tried to explain such patterns as grammatical reflections of a universal Referential Hierarchy, in which first person outranks second person outranks third person and humans outrank other animates outrank inanimates. However, our study shows that most of the formal properties of hierarchy-sensitive constructions are essentially predictable from their historical sources. We have identified three sources for hierarchical person marking, three for direction marking, two for obviative case marking, and one for hierarchical constituent ordering. These sources suggest that there is more than one explanation for hierarchical alignment: one is consistent with Givón’s claim that hierarchical patterns are a grammaticalization of generic topicality; another is consistent with DeLancey’s claim that hierarchies reflect the deictic distinction between present (1/2) and distant (3) participants; another is simply a new manifestation of a common asymmetrical pattern, the use of zero marking for third persons. More importantly, the evolution of hierarchical grammatical patterns does not reflect a consistent universal ranking of participants – at least in those cases where we can see (or infer) historical stages in the evolution of these properties, different historical stages appear to reflect different hierarchical rankings of participants, especially first and second person. This leads us to conclude that the diversity of hierarchical patterns is an artifact of grammatical change, and that in general, the presence of hierarchical patterns in synchronic grammars is not somehow conditioned by some more general universal hierarchy.

“La marquise sortit à cinq heures”

PMLA ◽  
1969 ◽  
Vol 84 (6) ◽  
pp. 1644-1648
Author(s):  
Albert Chesneau
Keyword(s):  
Structural Analysis ◽  
The Other ◽  
Past Tense ◽  
First Person ◽  
The Novel ◽  
Other Hand ◽  
Third Person ◽  
Present Tense ◽  
Nouveau Roman ◽  
The Ideal

Simple structural analysis applied to passages cited from the works of André Breton elucidates the reasons for his condemnation of the statement La marquise sortit à cinq heures (see his Manifeste du surréalisme, 1924) as non-poetic. This study demonstrates the opposition existing between the above-mentioned realist sentence, essentially non-subjective (third-person subject), non-actual (past tense predicate), contextual (context can be supposed), and prosaic (lack of imagery), and on the other hand a theoretic surrealist sentence, essentially subjective (first-person subject), actual (present tense predicate), and non-contextual, producing a shock-image. In reality, Breton's surrealistic phrase does not always contain all of these qualities at once. However, in contrast to the condemned phrase which contains none at all, it does always manifest at least one of these characteristics, the most important having reference to the evocative power of the shock-image. A final comparison with a sentence quoted from Robbe-Grillet, the theoretician of the “nouveau roman”, proves that even though it may appear objective, the surrealist phrase is really not so. In conclusion, the four characteristics of the ideal surrealist sentence—subjectivity, actuality, non-contextuality, and ability to produce shock-images—create a poetics of discontinuity opposed to the classical art of narration as found traditionally in the novel. (In French)

scholarly journals ANALISIS DEIKSIS DALAM BAHASA GORONTALO

2021 ◽  
Vol 22 (1) ◽  
pp. 68-80
Author(s):  
Aryati Hamzah ◽  
William I. S. Mooduto ◽  
Imam Mashudi
Keyword(s):  
First Person ◽  
Second Person ◽  
Person Plural ◽  
The Third ◽  
Third Person ◽  
First Person Plural ◽  
Two Stages ◽  
The Third Person

This research aims to describe the use of deixis in Gorontalo Language. This research was conducted in two stages namely the stage of preparation and implementation of the research. This research was conducted for 1 year. The result of the research showed that the form and meaning of deixis are person deixis, time and place. Persona deixis is divided into several types is deixis of first-person singular (wa’u ‘1sg’, watiya ‘1sg’), deixis of the first person plural (ami ‘1pl.excl’), deixis of the second person singular (yi’o ‘2sg’, tingoli ‘2sg’), deixis of the second person plural (tingoli ‘2pl’, timongoli ‘2pl’), and deixis of the third person singular (tio ‘3sg’) and timongolio ‘3pl’ as a deixis of the third person plural. Whereas, deixis of place are teye, teyamai ‘here’, tetomota ‘there’ this means to show the location of the room and the place of conversation or interlocutor. Deixis time among others yindhie ‘today’, lombu ‘tomorrow’, olango ‘yesterday’, dumodupo ‘morning’, mohulonu ‘afternoon’, hui ‘night’ which have the meaning to show the time when the speech or sentence is being delivered.

scholarly journals BENTUK DAN PENGGUNAAN PRONOMINA PERSONA BAGI MAHASISWA STKIP BANJARMASIN (THE FORM AND USE OF PERSONAL PRONOUNS BY STKIP STUDENT IN BANJARMASIN)

Kadera Bahasa ◽  
2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Eka Suryatin
Keyword(s):  
Short Form ◽  
First Person ◽  
Personal Pronouns ◽  
Second Person ◽  
Person Plural ◽  
The Third ◽  
Full Form ◽  
Third Person ◽  
First Person Plural ◽  
The Third Person

This study discusses the forms and variations in the use of personal pronouns by STKIP students in Banjarmasin. The purpose of this study is to describe the forms and variations in the use personal pronouns by STKIP students in Banjarmasin. This research is a qualitative descriptive study. The data collection is obtained by observation techniques, see, and record. Research data are in the form the speech used by STKIP students in Banjarmasin, Department of PBSID (Local or Indonesian Language and Literature Education). The results show that the using personal pronouns are three forms, namely the first person, second person, and third person. Based on the type of reference personal pronoun used by STKIP students in Banjarmasin are singular and plural pronoun.When it is viewed from the morphological distribution, there are a full form and a short form. The short forms are usually used in proclitic (appears before its host) and also enclitic (appear after its host). Personal pronouns used by the students in their speech are varied. Although they are in Banjar, they do not only use personal pronouns in Banjar language, a part of the students use the first person singular pronoun gue ‘aku’. Personal pronouns in Banjar language used by the STKIP students in Banjarmasin are the first person singular pronoun, ulun, unda, sorang, saurang and aku. First person singular pronoun aku has some variations –ku and ku- that are bound morpheme. First person plural is kami and kita. The second person pronouns are pian, ikam, nyawa, and kamu. Meanwhile, the third person singular pronouns are Inya and Sidin. The third person plural pronoun is bubuhannya. The use of personal pronouns by STKIP students in Banjarmasin are dominantly consist of five speech components only that are based on the situation, the partner, the intent, the content of the message, and how the speaker tells the speech.

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