scholarly journals On Oblivion: the Case of Yugoslavian Monopoly

2019 ◽  
Vol 13 (1) ◽  
pp. 111-122
Author(s):  
Zala Pavšič
Keyword(s):  
United States ◽  
Public Space ◽  
Significant Role ◽  
Cultural Memory ◽  
The United States ◽  
Historical Overview ◽  
Board Game ◽  
The Public ◽  
The Balkans ◽  
Board Games

This article on the Yugoslavian version of the board game Monopoly is based on the assumption that things make people. In accordance with this a concept, the contribution begins with a historical overview of the development of this game in the United States, from its origins when it spreads around the country as a popular game, to the current day, when Monopoly is marketed a leading corporation in the field of board games, Hasbro. The popularity of the game is also evident from its presence in the public space in the form of metaphors: because of its emphasis on trading, it is sometimes referred to “greed”, and in the Balkans it can also serve as a metaphor for the nation state.In the memories of my interlocutors who helped me with their testimonies, the Yugoslav version of Monopoly is associated with pleasant memories: especially of childhood, youth and relatives or friends with whom they used to play the game. In my interviews I focused on two topics which did not play such a significant role in the testimonies of the interlocutors, but were, however, common in the testimonies of interviewees who got acquainted with the game as children: to the question of the supposed superiority of Slovenia, as Bled and Bohinj were the most expensive properties, and the presumption that Monopoly is a game which can reproduce cultural memory, in this case knowing the geography of the former common state. The thesis on Slovene superiority proved to rely on generations to which my interviewees belonged, since it appeared especially in the answers of the interlocutors who were born in the late 1980s. Hence, I assume that this thesis was more likely a projection of the outside reality of my interlocutors into the game than vice versa.Analysing the answers of my interlocutors more thoroughly, I reached the conclusion that Monopoly often appeared as the first reference through which they heard about a certain resort in the regions of the former Yugoslavia. This means that Monopoly contained traces of cultural memory which other sources of our everyday lives, education and upbringing ceased to transmit.

scholarly journals On Oblivion: the Case of Yugoslavian Monopoly

2019 ◽  
Vol 13 (1) ◽  
pp. 111-122
Author(s):  
Zala Pavšič
Keyword(s):  
United States ◽  
Public Space ◽  
Significant Role ◽  
Cultural Memory ◽  
The United States ◽  
Historical Overview ◽  
Board Game ◽  
The Public ◽  
The Balkans ◽  
Board Games

This article on the Yugoslavian version of the board game Monopoly is based on the assumption that things make people. In accordance with this a concept, the contribution begins with a historical overview of the development of this game in the United States, from its origins when it spreads around the country as a popular game, to the current day, when Monopoly is marketed a leading corporation in the field of board games, Hasbro. The popularity of the game is also evident from its presence in the public space in the form of metaphors: because of its emphasis on trading, it is sometimes referred to “greed”, and in the Balkans it can also serve as a metaphor for the nation state.In the memories of my interlocutors who helped me with their testimonies, the Yugoslav version of Monopoly is associated with pleasant memories: especially of childhood, youth and relatives or friends with whom they used to play the game. In my interviews I focused on two topics which did not play such a significant role in the testimonies of the interlocutors, but were, however, common in the testimonies of interviewees who got acquainted with the game as children: to the question of the supposed superiority of Slovenia, as Bled and Bohinj were the most expensive properties, and the presumption that Monopoly is a game which can reproduce cultural memory, in this case knowing the geography of the former common state. The thesis on Slovene superiority proved to rely on generations to which my interviewees belonged, since it appeared especially in the answers of the interlocutors who were born in the late 1980s. Hence, I assume that this thesis was more likely a projection of the outside reality of my interlocutors into the game than vice versa.Analysing the answers of my interlocutors more thoroughly, I reached the conclusion that Monopoly often appeared as the first reference through which they heard about a certain resort in the regions of the former Yugoslavia. This means that Monopoly contained traces of cultural memory which other sources of our everyday lives, education and upbringing ceased to transmit.

scholarly journals Najnowsze trendy w archiwistyce światowej. Na marginesie obrad Międzynarodowej Rady Archiwów w Adelajdzie „Designing the Archive 2019”

Archeion ◽  
2020 ◽  
pp. 372-410
Author(s):  
Katarzyna Pepłowska
Keyword(s):  
United States ◽  
Public Space ◽  
South Australia ◽  
The United States ◽  
Capital City ◽  
Archival Science ◽  
International Council ◽  
The Public ◽  
The World ◽  
Ict Tools

The latest trends in the world archival science. A commentary on the session of the International Council on Archives in Adelaide „Designing the Archive 2019" The aim of the article is to present the latest achievements of the world archival science and draw attention to academic achievements, projects, problems and challenges which were discussed by the international archive community at Designing the Archive 2019, a conference of the International Council on Archives which took place in October 2019 in Adelaide, the capital city of South Australia. Designing archives is not only the main topic of the conference, but also a trend which has become visible in direct actions taken by archives. It generates certain problems and challenges for archives, but also gives them opportunities to grow. Since the article refers in particular to innovations in archives, it discusses solutions adopted e.g. in Norway, the Netherlands, New Zealand, the United States and Australia, and refers also to Costa Rica and China, paying particular attention to innovative working methods in archives, which make use of experiments to design ICT tools, inspire creativity in archive employees and develop IT tools in harmony with people’s needs and expectations, which in practice results in developing special theme applications. The article also makes a reference to the latest research in designing and using the space of archive buildings, as well as designing research laboratories and the public space to satisfy the needs of 21st century users and attract new ones. The article also discusses the role of marketing and digital economy in the functioning of archives in this context. New trends in the world archival science are also silent archives and research on archive trauma, whose foundation is a new approach towards judging the value of documentation, popular in the United States and based on the feminist approach. Silent archives are a difficult subject, but international research shows that archivists meet the needs of the oppressed.

The presence of religion in the Latin American public space. Notes for a debate: La presencia de la religión en el espacio público latinoamericano. Apuntes para la discusión

2018 ◽  
Vol 65 (4) ◽  
pp. 467-485 ◽  
Author(s):  
Juan Cruz Esquivel ◽  
Rodrigo Toniol
Keyword(s):  
Social Sciences ◽  
United States ◽  
Public Space ◽  
Latin American ◽  
The United States ◽  
Two Dimensions ◽  
Thematic Issue ◽  
The Public ◽  
The Social

Religion in the public space constitutes a structuring issue of the contemporary debates of the social sciences of religion. This article mobilizes part of that literature, circumscribing it to the Latin American context. In that attempt, we work in two dimensions. First, we present how, from the historical and political configurations of our region in the debate, problems and questions about the public space are addressed distant from those commonly encountered when the empirical reference corresponds to the United States-Europe map. The aim is to explore the regional particularities for an effort to theoretically and methodologically strengthen the analysis of this topic. The second dimension contemplated in the text is the presentation of concrete empirical situations in which religion in public space is condensed as a controversy, that mobilize and is mobilized by different actors: politicians, religious, academics, media. These two dimensions go through the thematic issue that follows this article.

scholarly journals Celebrity Politics and Cultural Studies Within the United States and United Kingdom

2018 ◽  
Author(s):  
Mark Wheeler
Keyword(s):  
United States ◽  
United Kingdom ◽  
Public Space ◽  
The United States ◽  
Left Wing ◽  
Digital Platforms ◽  
The Public ◽  
Social Media Platforms ◽  
Celebrity Politics ◽  
Policy Agendas

Celebrity politicians are having a profound impact on the practice of politics within the United States and United Kingdom in the 21st century. With the adoption of social media platforms, celebrity and image candidates have deployed new strategies for attracting constituents. Taken together, the proliferation of celebrity politics and the ubiquity of digital platforms have fostered a unique atmosphere in the contemporary political moment, wherein “outsider” candidates may leverage their fame to launch themselves into the public spotlight. In turn, through their celebrity brands and digital presence both populists such as the U.S. President Donald Trump and left-wing leaders including U.K. Labour leader Jeremy Corbyn have established an “authenticity” in which they “occupy” a public space to define their candidacies. Consequently, as celebrities and image candidates promote political agendas among target audiences/citizens, it is necessary to reflect upon their significance in election campaigns, policy agendas, and activism.

scholarly journals Toppled Monuments and Black Lives Matter: Race, Gender, and Decolonization in the Public Space. An Interview with Charmaine A. Nelson

2021 ◽  
Vol 42 (1) ◽  
pp. 1-17
Author(s):  
Christiana Abraham
Keyword(s):  
United States ◽  
Public Space ◽  
The United States ◽  
Generational Change ◽  
Systemic Racism ◽  
The Public ◽  
Public Monuments ◽  
Black Lives Matter ◽  
Racial Injustice ◽  
The Public Sphere

This paper discusses the recent backlash against public monuments spurred by Black Lives Matter (BLM) protests in North America and elsewhere following the killing by police of George Floyd, an unarmed African-American man in the United States. Since this event, protestors have taken to the streets to bring attention to police brutality, systemic racism, and racial injustice faced by Black and Indigenous people and people of colour in the United States, Canada, Great Britain and some European countries. In many of these protests, outraged citizens have torn down, toppled, or defaced monuments of well-known historic figures associated with colonialism, slavery, racism, and imperialism. Protestors have been demanding the removal of statues and monuments that symbolize slavery, colonial power, and systemic and historical racism. What makes these monuments problematic and what drives these deliberate and spectacular acts of defiance against these omnipresent monuments? Featuring an interview with art historian Charmaine A. Nelson, this article explores the meanings of these forceful, decolonial articulations at this moment. The interview addresses some complex questions related to monumentalization and the public sphere, symbolism and racial in/justice. In so doing, it suggests that monuments of the future need to be reimagined and redefined contemporaneously with shifting social knowledge and generational change.

Solidarity for Political Prisoners

2020 ◽  
pp. 96-110
Author(s):  
Montse Feu
Keyword(s):  
United States ◽  
Public Space ◽  
The United States ◽  
Political Prisoners ◽  
Radio Stations ◽  
The Public ◽  
International Attention ◽  
Political Persecution ◽  
Dance Orchestras

The Confederadas and its supporters held hundreds of rallies, pickets, and demonstrations across the United States to protest political persecution in Spain. In their cultural fundraisers, antifascist plays were performed, artists danced and sang, speeches were delivered, dinners were served, dance orchestras played, lotteries were held, and funds subsequently collected. España Libre reviewed the extraordinary activism for political prisoners in each of its issues. Protest was extended to other media, too. Members published letters of protest in American mainstream papers and rented radio space in several radio stations. The Confederadas’ numerous forms of protest and occupation of the public space garnered international attention for the incarcerations and executions of dissenters in Spain.

scholarly journals The Specter of Interdisciplinarity

2009 ◽  
Vol 41 (1) ◽  
pp. 3-22 ◽  
Author(s):  
Ramsay Burt
Keyword(s):  
United States ◽  
Public Space ◽  
The United States ◽  
Contemporary Culture ◽  
The Public ◽  
Fields Of Study ◽  
Anglo American ◽  
Experimental Dance ◽  
Cultural Theorist

Theater dance is an interdisciplinary form, and some of the most interesting advances in progressive and experimental dance work in recent years have been interdisciplinary in nature. Where Anglo-American dance scholarship is concerned, however, a “theoretical turn” that has led some dance scholars to develop interdisciplinary methodologies has proved highly controversial. Interdisciplinarity is in danger of becoming a specter haunting dance scholarship.Dance has not been alone in finding this transition difficult. As art historian and cultural theorist Mieke Bal has recently noted, one challenge facing the academy today is to find “a theoretical link between linguistic, visual and aural domains that blend so consistently in contemporary culture but remain so insistently separated as fields of study in the academy” (Bal 1999a, 10). Where dance is concerned, corporeality needs to be added to Bal's list of domains. This essay explores some of the reasons underlying resistance among Anglo-American dance scholars to the use of interdisciplinary methodologies. By doing so it aims to give an account of the public space in which recent examples of theater dance from Europe and the United States map out complex webs of relationships between corporeal, linguistic, visual, and aural levels of signification.

The Unexpected Power of Informal Workers in the Public Square: A Comparison of Mexican and US Organizing Models

2016 ◽  
Vol 89 ◽  
pp. 131-152 ◽  
Author(s):  
Hugo Sarmiento ◽  
Chris Tilly ◽  
Enrique de la Garza Toledo ◽  
José Luis Gayosso Ramírez
Keyword(s):  
United States ◽  
Public Space ◽  
The United States ◽  
Day Laborers ◽  
Street Vendors ◽  
Informal Worker ◽  
The Public ◽  
Informal Workers ◽  
Public Square

AbstractStreet vendors in Mexico and day laborers in the United States, both groups of informal workers who labor in public space, face formidable structural obstacles to securing their rights as workers. Despite their apparent vulnerability, these informal workers have built perhaps the most powerful informal worker organizations in their countries. In this article, we explore and explain to the extent possible the sources, forms, and limits of this unexpected power. We explore organizational and strategic commonalities as well as differences and seek to explain both.

Verán ustedes las chozas más humildes. El discurso de pobreza en la diplomacia pública cardenista dirigida a Estados Unidos

2019 ◽  
Vol 35 (2) ◽  
pp. 255-281
Author(s):  
Sylvia Dümmer Scheel
Keyword(s):  
United States ◽  
New Deal ◽  
Public Diplomacy ◽  
The United States ◽  
The Public ◽  
The Poor ◽  
The Face ◽  
The Government ◽  
Lazaro Cardenas ◽  
The New Deal

El artículo analiza la diplomacia pública del gobierno de Lázaro Cárdenas centrándose en su opción por publicitar la pobreza nacional en el extranjero, especialmente en Estados Unidos. Se plantea que se trató de una estrategia inédita, que accedió a poner en riesgo el “prestigio nacional” con el fin de justificar ante la opinión pública estadounidense la necesidad de implementar las reformas contenidas en el Plan Sexenal. Aprovechando la inusual empatía hacia los pobres en tiempos del New Deal, se construyó una imagen específica de pobreza que fuera higiénica y redimible. Ésta, sin embargo, no generó consenso entre los mexicanos. This article analyzes the public diplomacy of the government of Lázaro Cárdenas, focusing on the administration’s decision to publicize the nation’s poverty internationally, especially in the United States. This study suggests that this was an unprecedented strategy, putting “national prestige” at risk in order to explain the importance of implementing the reforms contained in the Six Year Plan, in the face of public opinion in the United States. Taking advantage of the increased empathy felt towards the poor during the New Deal, a specific image of hygienic and redeemable poverty was constructed. However, this strategy did not generate agreement among Mexicans.

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