The architect and critic Leo Adler and the definition of Tel Aviv as a modern Mediterranean city YOSSI (JOSePH) KLeIN

2013 ◽  
pp. 130-151
Keyword(s):  
Tel Aviv ◽  
Definition Of ◽  
Mediterranean City

Pleasure in the Middle Ages, ed. Naama Cohen-Hanegbi and Piroska Nagy. International Medieval Research, 24. Turnhout: Brepols, 2018, xxiii, 383 pp., 10 b/w ill.

Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 309-310
Author(s):  
Albrecht Classen
Keyword(s):  
Middle Ages ◽  
Human Life ◽  
Source Material ◽  
The Body ◽  
Religious Thought ◽  
Tel Aviv ◽  
Research Discipline ◽  
Present Volume ◽  
Definition Of ◽  
Vast Range

The term ‘pleasure’ has many different meanings, and can be understood both in physical, emotional terms and in religious, or philosophical contexts. Pleasure pertains both to the body and to the spirit, so it turns out to be a very malleable concept which cannot be easily examined in a cultural-historical framework. The contributors to the present volume, however, who originally presented their studies orally at the 2013 International Medieval Congress at Leeds, pursue, as the two editors formulate it themselves, very diverse approaches, depending on their individual research discipline. However, pleasure is regularly associated with emotions, whether from a historical, theological, philosophical, art-historical (only one study), or literary (practically left out) perspective. Of course, this opens another Pandora’s box since ‘emotions’ represent a vast range of aspects in human life that are commonly not easy to identify or to determine in a critical fashion. Cohen-Hanegbi (Tel Aviv University) and Nagy (Université du Quebec à Montréal) offer the approximate definition of pleasure as being “an affect sustained by the interaction between physical and sensory knowledge, between cultural and social mores, and between religious thought and ethics” (xix). It might be difficult to grasp what they really mean by this, especially because they consider such features as “pleasured bodies, didactic pleasures, and pleasure in God” (ibid.), which again leaves us groping for straws. However, we are assured at the end of the introduction that all contributors, despite vast differences in their methodologies and materials, “attempt to define and analyze pleasures, joys, enjoyments, and delights through the language and mindset of the source material” (xxii).

Algae Window for reducing energy consumption of building structures in the Mediterranean city of Tel-Aviv, Israel

2019 ◽  
Vol 204 ◽  
pp. 109460
Author(s):  
Elad Negev ◽  
Abraham Yezioro ◽  
Mark Polikovsky ◽  
Abraham Kribus ◽  
Joseph Cory ◽  
...  
Keyword(s):  
Energy Consumption ◽  
Building Structures ◽  
Tel Aviv ◽  
The Mediterranean ◽  
Mediterranean City ◽  
Reducing Energy

scholarly journals Israeli-Ness or Israeli-Less? How Israeli Women Artists from FSU Deal with the Place and Role of “Israeli-Ness” in the Era of Transnationalism

Arts ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 159
Author(s):  
Yael Guilat
Keyword(s):  
National Identity ◽  
Soviet Union ◽  
Women Artists ◽  
Former Soviet Union ◽  
Mother Tongue ◽  
Young Generation ◽  
Tel Aviv ◽  
Promised Land ◽  
State Of Mind ◽  
Definition Of

The Israeli art field has been negotiating with the definition of Israeli-ness since its beginnings and more even today, as “transnationalism” has become not only a lived daily experience among migrants or an ideological approach toward identity but also a challenge to the Zionist-Hebrew identity that is imposed on “repatriated” Jews. Young artists who reached Israel from the Former Soviet Union (FSU) as children in the 1990s not only retained their mother tongue but also developed a hyphenated first-generation immigrant identity and a transnational state of mind that have found artistic expression in projects and exhibitions in recent years, such as Odessa–Tel Aviv (2017), Dreamland Never Found (2017), Pravda (2018), and others. Nicolas Bourriaud’s botanical metaphor of the radicant, which insinuates successive or even “simultaneous en-rooting”, seems to be close to the 1.5-generation experience. Following the transnational perspective and the intersectional approach (the “inter” being of ethnicity, gender, and class), the article examines, among others, photographic works of three women artists: Angelika Sher (born 1969 in Vilnius, Lithuania), Vera Vladimirsky (born 1984 in Kharkiv, Ukraine), and Sarah Kaminker (born 1987 in Dnipropetrovsk, Ukraine). All three reached Israel in the 1990s, attended Bezalel Academy of Arts and Design in Jerusalem, and currently live and work in Tel Aviv or (in Kaminker’s case) Haifa. The Zionist-oriented Israeli-ness of the Israeli art field is questioned in their works. Regardless of the different and peculiar themes and approaches that characterize each of these artists, their oeuvres touch on the senses of radicantity, strangeness, and displacement and show that, in the globalization discourse and routine transnational moving around, anonymous, generic, or hybrid likenesses become characteristics of what is called “home,” “national identity,” or “promised land.” Therefore, it seems that under the influence of this young generation, the local field of art is moving toward a re-framing of its Israeli national identity.

Climatic behavior of various urban parks during hot and humid summer in the mediterranean city of Tel Aviv, Israel

2006 ◽  
Vol 26 (12) ◽  
pp. 1695-1711 ◽  
Author(s):  
Oded Potchter ◽  
Pninit Cohen ◽  
Arieh Bitan
Keyword(s):  
Urban Parks ◽  
Tel Aviv ◽  
The Mediterranean ◽  
Mediterranean City

Microclimate modelling of street tree species effects within the varied urban morphology in the Mediterranean city of Tel Aviv, Israel

2009 ◽  
Vol 30 (1) ◽  
pp. 44-57 ◽  
Author(s):  
Limor Shashua-Bar ◽  
Oded Potchter ◽  
Arieh Bitan ◽  
Dalia Boltansky ◽  
Yaron Yaakov
Keyword(s):  
Tree Species ◽  
Urban Morphology ◽  
Tel Aviv ◽  
Species Effects ◽  
Street Tree ◽  
Tree Species Effects ◽  
The Mediterranean ◽  
Mediterranean City

Introductory paper

1966 ◽  
Vol 24 ◽  
pp. 3-5
Author(s):  
W. W. Morgan
Keyword(s):  
Line Intensity ◽  
Classification Scheme ◽  
Two Dimensional ◽  
Spectral Classification ◽  
Dimensional Array ◽  
Rr Lyrae ◽  
Metallic Line ◽  
Introductory Paper ◽  
Parameter Varying ◽  
Definition Of

1. The definition of “normal” stars in spectral classification changes with time; at the time of the publication of theYerkes Spectral Atlasthe term “normal” was applied to stars whose spectra could be fitted smoothly into a two-dimensional array. Thus, at that time, weak-lined spectra (RR Lyrae and HD 140283) would have been considered peculiar. At the present time we would tend to classify such spectra as “normal”—in a more complicated classification scheme which would have a parameter varying with metallic-line intensity within a specific spectral subdivision.

2.2. Working Group 2: Conceptual Definitions of Reference Coordinate Systems for Earth Dynamics

1975 ◽  
Vol 26 ◽  
pp. 21-26
Keyword(s):  
Coordinate System ◽  
Working Group ◽  
General Character ◽  
Coordinate Systems ◽  
Reference Coordinate System ◽  
Group 2 ◽  
Definition Of ◽  
Earth Dynamics

An ideal definition of a reference coordinate system should meet the following general requirements:1. It should be as conceptually simple as possible, so its philosophy is well understood by the users.2. It should imply as few physical assumptions as possible. Wherever they are necessary, such assumptions should be of a very general character and, in particular, they should not be dependent upon astronomical and geophysical detailed theories.3. It should suggest a materialization that is dynamically stable and is accessible to observations with the required accuracy.

Symbiotic Stars at Optical, Infrared and Radio Wavelengths

1979 ◽  
Vol 46 ◽  
pp. 125-149 ◽  
Author(s):  
David A. Allen
Keyword(s):  
Temperature Regime ◽  
Type Star ◽  
Stellar Systems ◽  
Symbiotic Stars ◽  
Lower Excitation ◽  
Definition Of ◽  
Original Type

No paper of this nature should begin without a definition of symbiotic stars. It was Paul Merrill who, borrowing on his botanical background, coined the termsymbioticto describe apparently single stellar systems which combine the TiO absorption of M giants (temperature regime ≲ 3500 K) with He II emission (temperature regime ≳ 100,000 K). He and Milton Humason had in 1932 first drawn attention to three such stars: AX Per, CI Cyg and RW Hya. At the conclusion of the Mount Wilson Ha emission survey nearly a dozen had been identified, and Z And had become their type star. The numbers slowly grew, as much because the definition widened to include lower-excitation specimens as because new examples of the original type were found. In 1970 Wackerling listed 30; this was the last compendium of symbiotic stars published.

Immunoferritin localization of intracellular antigens in positively stained frozen sections

1978 ◽  
Vol 36 (2) ◽  
pp. 168-169
Author(s):  
K. T. Tokuyasu
Keyword(s):  
Surface Tension ◽  
Water Surface ◽  
Thin Layers ◽  
The Other ◽  
Positive Staining ◽  
Frozen Sections ◽  
The Past ◽  
Ultrathin Frozen Sections ◽  
Definition Of

During the past investigations of immunoferritin localization of intracellular antigens in ultrathin frozen sections, we found that the degree of negative staining required to delineate u1trastructural details was often too dense for the recognition of ferritin particles. The quality of positive staining of ultrathin frozen sections, on the other hand, has generally been far inferior to that attainable in conventional plastic embedded sections, particularly in the definition of membranes. As we discussed before, a main cause of this difficulty seemed to be the vulnerability of frozen sections to the damaging effects of air-water surface tension at the time of drying of the sections.Indeed, we found that the quality of positive staining is greatly improved when positively stained frozen sections are protected against the effects of surface tension by embedding them in thin layers of mechanically stable materials at the time of drying (unpublished).

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