Buddhist philosophy, Japanese

Author(s):  
John C. Maraldo

Buddhism transformed Japanese culture and in turn was transformed in Japan. Mahāyāna Buddhist thought entered Japan from the East Asian continent as part of a cultural complex that included written language, political institutions, formal iconography and Confucian literature. From its introduction in the sixth century through to the sixteenth century, Japanese Buddhism developed largely by incorporating Chinese Buddhism, accommodating indigenous beliefs and reconciling intersectarian disputes. During the isolationist Tokugawa Period (1600–1868), neo-Confucian philosophy and Dutch science challenged the virtual hegemony of Buddhist ways of thinking, but served more often as alternative and sometimes complementary models than as incompatible paradigms. Only since the reopening of Japan in 1868 has Japanese Buddhist thought seriously attempted to come to terms with early Indian Buddhism, Western thought and Christianity. Through the centuries, Buddhism gave the Japanese people a way to make sense of life and death, to explain the world and to seek liberation from suffering. When it engaged in theorizing, it did so in pursuit of religious fulfilment rather than of knowledge for its own sake. As an extension of its practical bent, Japanese Buddhist thought often tended to collapse differences between Buddhism and other forms of Japanese religiosity, between this phenomenal world and any absolute realm, and between the means and end of enlightenment. These tendencies are not Japanese in origin, but they extended further in Japan than in other Buddhist countries and partially define the character of Japanese Buddhist philosophy. In fact, the identity of ‘Japanese Buddhist philosophy’ blends with almost everything with which we would contrast it. As a development and modification of Chinese traditions, there is no one thing that is uniquely Japanese about it; as a Buddhist tradition, it is characteristically syncretistic, often assimilating Shintō and Confucian philosophy in both its doctrines and practices. Rituals, social practices, political institutions and artistic or literary expressions are as essential as philosophical ideas to Japanese Buddhism. Disputes about ideas often arose but were seldom settled by force of logical argument. One reason for this is that language was used not predominately in the service of logic but for the direct expression and actualization of reality. Disputants appealed to the authority of Buddhist sūtras because these scriptures were thought to manifest a direct understanding of reality. Further, as reality was thought to be all-inclusive, the better position in the dispute would be that which was more comprehensive rather than that which was more consistent but exclusive. Politics and practical consequences did play a role in the settling of disputes, but the ideal of harmony or conformity often prevailed. The development of Japanese Buddhist philosophy can thus be seen as the unfolding of major themes rather than a series of philosophical positions in dispute. These themes include the role of language in expressing truth; the non-dual nature of absolute and relative, universal and particular; the actualization of liberation in this world, life or body; the equality of beings; and the transcendent non-duality of good and evil.

Buddhism ◽  
2019 ◽  
Author(s):  
Gereon Kopf

Recent years have seen an increased presence of Japanese Buddhist philosophy in the world of Anglophone scholarship. In 2013 the first issue of the Journal of Japanese Philosophy (SUNY Press) appeared, in 2015 the first issue of the Journal of Buddhist Philosophy (SUNY Press) was released, and in 2016 the first issue of the European Journal of Japanese Philosophy (Chisokudō Publications) was published. Japanese Buddhist philosophy emerges and exists at the intersection of Buddhist and Japanese philosophy. The history of the term “Buddhist philosophy” in Japan commences with the encounter between the Japanese and Euro-American intellectual traditions during the Meiji period (1868–1912). As is well known, Nishi Amane 西周 (b. 1829–d. 1897) coined the Japanese word for “philosophy”: tetsugaku哲学. He utilized this concept to refer to European and American philosophy and to distinguish these traditions from the works of the Japanese traditions, including Japanese Buddhism, which he classified as “thought” (shisō思想). Today’s understanding of “philosophy” has somewhat shifted. Rein Raud suggests that “[w]hat matters” for philosophers . . . is “interpretations, their quality, their productivity for further thought.” “Buddhist philosophy,” Dale Wright proposes, “is that form of reflection [the effort to ‘understand how things in the broadest possible sense of the term hang together’] as practiced by participants who are Buddhists”; that is, “philosophy practiced by those who regard themselves as Buddhist.” By the same token, Inoue Enryō 井上円了 (b. 1858–d. 1919) asserted with the very title of his 1893 work Buddhist Philosophy (Bukkyō tetsugaku仏教哲学) that there is Buddhist philosophy in Japan, premodern, modern, and contemporary. This bibliographic essay includes Anglophone texts in the Japanese Buddhist tradition published after the Meiji restoration (1868 ce). The titles are divided into four categories: (1) Translations, (2) Collections, (3) English-Language Works, and (4) Crossover Works. Unfortunately, a lot of brilliant philosophy produced in Japan is only accessible in the Japanese language. Recent years have seen exciting trends and stimulating ideas in the field of Japanese Buddhist philosophy. The disaster of 3/11, for example, has even given rise to the category of “post-Fukushima” philosophy. The purpose of this bibliographical essay is thus twofold. It is the hope of the editors that this bibliography will help raise the awareness of the wealth and significance of the Japanese Buddhist traditions. At the same time, this essay on modern and contemporary Japanese Buddhist philosophy is designed to encourage scholars to generate more translations in this field.


2019 ◽  
Vol 168 ◽  
pp. 123-135
Author(s):  
Anna Horniatko-Szumiłowicz

On the scales of fate. Motifs and imagery of death in Vasil Tkachuk’s novellasAlthough Vasil Tkachuk’s 1916–1944 novellas are considered to be somewhat optimistic in comparison to the works of his great predecessor Vasil Stefanyk, they are also abundant with imagery and motifs of death. In Tkachuk’s writings, death is ever-present in its various forms, be it a natural death, a sudden death caused by natural disaster, or murder. Death afflicts everyone. It strikes down the innocent and young, the mature and elderly. Tkachuk’s characters balance on edge between life and death, sensing that death is approaching, fearing it, provoking, waiting for it to come, and finally, grieving their beloved ones. Tkachuk’s literary preoccupation with death seems to be even more interesting because he died prematurely, at the age of 28. He was a self-made talent, an essential voice in the Ukrainian literature of the 1930s, a writer whose works duly deserve more attention from literary scholars. Na szalach losu. Motywy i obrazy śmierci w nowelistyce Wasyla TkaczukaChociaż nowele Wasyla Tkaczuka 1916–1944 w porównaniu z utworami jego wielkiego poprzednika — Wasyla Stefanyka — postrzegane są jako bardziej optymistyczne, również one w znacznej mierze przesycone są motywami i obrazami śmierci. W tekstach Tkaczuka śmierć jest nieustannie obecna, w jej rozmaitych odmianach — pojawia się śmierć naturalna, nagła śmierć z powodu klęski żywiołowej, gwałtowna śmierć na skutek zabójstwa itp. Śmierć dopada bohaterów w różnym wieku: dziecięcym, młodzieńczym, dorosłym, podeszłym. Bohaterowie utworów Tkaczuka balansują na granicy życia i śmierci, przeczuwając jej nadejście, obawiając się jej, prowokując ją, oczekując jej wizyty, wreszcie — opłakując bliskich im zmarłych. Zgłębienie tematu śmierci w tekstach Tkaczuka jest tym bardziej interesujące, iż ów przedwcześnie zmarły w wieku 28 lat pisarz to samorodny, nowo odkryty talent ukraińskiej literatury lat trzydziestych XX wieku, który w pełni zasługuje na należytą uwagę badaczy.


2020 ◽  
pp. 9-23
Author(s):  
Alexey V. Fedorov

The article proposes to consider the creative individuality of A.A. Fet as a poet-thinker. It places a special emphasis on his ideological views, expressed in his enthusiasm for the teachings of A. Schopenhauer’s and in disputes with L.N. Tolstoy; extensive epistolary material is involved (this correspondence with Ya.P. Polonsky, L.N. and S.A. Tolstoy, N.N. Strakhov, K.R. and others); a brief overview of the critical reviews of contemporaries on the poet’s poetry collections is given. Here, Fet’s philosophical lyrics are analyzed in particular detail (first of all – the late, period of “Evening Lights”, in which there is an understanding of the universal categories of being – life and death, good and evil, the world and man, time and eternity), some parallels are drawn with F.I. Tyutchev. The article traces the development of spiritual and religious issues in the work of Fet’s (gospel stories and motives, the image of the Lord, the genre of prayer, etc.). The article raises the question of expanding the concept of “poet-thinker” taking into account the category “mind of the heart” designated by Fet himself. From these positions, his poem “I am waiting, embraced by anxiety...” from the “Evening Lights” collection is analyzed. Considering Fet’s work as “the poetry of thought” does not cancel, but enriches his airy image in our minds, allows us to present Fet’s personality in more volume, to clarify and expand the idea of the real complexity and versatility of his artistic nature, to come closer to understanding “lyrical insolence” as “the property of great poets” (words of L.N. Tolstoy about A.A. Fet).


Author(s):  
Timothy Besley ◽  
Torsten Persson

This chapter explores the forces that shape investments in fiscal capacity. It sets out a core model that shows how this aspect of state building is influenced by economic and political factors, such as common interests and political institutions. A key feature of the model has been to delineate the types of states that can emerge in equilibrium. It also shows that the model can be given microeconomic foundations and demonstrates how it can be extended in a number of directions that lead to more realism. The main focus of the chapter has been on the extractive role of government and on some of the issues raised in traditional public-finance models. This has laid the groundwork for the analyses to come.


Author(s):  
Donald K. Swearer

All singular terms for designating a religious tradition (e.g. Buddhism, Christianity) belie their multiplex diversity. Historically evolved, culturally embodied religious traditions are by their very nature dynamic, complex, and multilayered. Buddhism is no exception. The tripartite division that developed to encompass the historical breadth of the Buddhist tradition—Hinayana (Theravada), Mahayana, Tantrayana (Vajrayana)—merely suggests a diversity that includes perhaps hundreds if not thousands of different sects, subsects, and movements. Even broad historical-cultural distinctions such as Thai Buddhism or Japanese Buddhism fail to encompass differences in belief and practice interwoven into the textures of global Buddhisms. This chapter addresses the question of Buddhist encounters with diversity in terms of the tripartite division familiar to all Buddhist traditions, namely, Buddha, Dharma, Sangha. While this model is shared by the varied forms of Buddhism, the ways in which it is embodied and expressed have been quite diverse.


1950 ◽  
Vol 3 (1) ◽  
pp. 7-56
Author(s):  
C. I. Scharling

The Second Coming of Christ and the Resurrection of the Body. Grundtvigs Eschatology. By C. I. Scharling. This essay shows how Grundtvig, in contrast to his contemporaries in the Church, laid great stress upon the eschatological hope of the future. He may have been partly inspired by Scandinavian mythology (the myth of Ragnarok) and partly by Schellings theories about the great drama of existence (the coming forth of ideas from the Absolute and their returning thither). But the essential point is that the eschatological hope grew forth naturally from his personal understanding of life and death, of the meaning and object of human life, and from his faith in the living, risen Christ as Lord and victor over the powers of darkness and death. It is remarkable that while after 1825 Grundtvig lived with such intensity in the experience of the realisation of the Kingdom of God here and now in the Church’s fellowship with the risen, present Saviour, at the same time, both in his hymns and in his preaching, he gives such powerful expression to the eschatological hope of the future. The author finds the explanation of this in the fact that for Grundtvig (unlike many others) it was not the need and distress of the time that gave life to the Biblical promises of the Second Coming of Christ and the setting*up of the Kingdom of Glory at the Last Day, but his very joy in God’s great Salvation, experienced in the Church. Thus the peculiar thing about Grundtvig’s eschatological expectation is that the tidings of the Second Coming of the Lord are for him an evangel in the full sense of the word; his feelings about the Last Day are far removed from the feeling of fear and horror which meets us in many of the mediaeval frescoes of the Lord’s Return to Judgment or in the old hymn, “Dies irae, dies ilia”. Characteristic of him, too, is his stress on the contin uity between the present world, which came into being at the Creation, and the world to come; the old world shall not be destroyed, but reborn and transfigured; its for this reason that he lays so much stress on faith in the resurrection of the body. On the other hand the author rejects the theory put forward by the Norwegian writer, Paulus Svendsen, that Grundtvig was a Chiliast and “believed in an external, perfect Kingdom of God on earth” ; he refutes it by reference to the fact that Grundtvig explicitly rejected Edward Irving’s conception of the millennium.


2021 ◽  
pp. 39-47
Author(s):  
Svetlana Dimitrova ◽  
Kristina Ovdina

The scale and the speed of the spread of the new coronavirus strain and economic crises associated with it are becoming the reason to rethink the essential features and ways of interaction between freedom and independence. The aim of the research is to consider new and evaluate the significance of traditional approaches to defining independence and freedom. The authors analyze the mechanisms of the formation and development of biopower, the effectiveness of which is manifested in the possibility of turning people into "obedient bodies" (M. Foucault) and reducing human existence to the state of "bare life" (J. Agamben).The researchers emphasize that the highest form biopower manifestation, arose due to the effective development of medicine, became the possibility of transforming life and death into political concepts that require a "special solution". Therefore, the restrictive measures that arose during the spread of COVID-19 cannot be considered as a manifestation of total forms of addiction are established by biopolitics. The research allows the authors to come to the conclusion that the impossibility of achieving freedom and the loss of independence arise in the process of consistent implementation of the individualistic ideals. The results of the study contain a few contradictions identified by the authors. First of all, the development of biopower points that the concern for people's health enables the State to penetrate and manage all spheres of an individual's existence including issues of life and death. Biopolitics does not contribute to the establishment and development of civil rights, but creates effective means for reducing people to a state of "bare life". In the spread of COVID-19 the contradiction of following the individualistic ideals became obvious. Risks and threats that have a global character are confronted by a person unwilling to take responsibility. The revealed contradictions lead to the conclusion that a condition to maintain independence and achieve freedom in the modern world can be the formation of the new types of solidarities that make it possible to overcome the autonomy of existence and develop a responsible attitude to what is happening in the world.


2020 ◽  
Vol 20 (2) ◽  
pp. 74-93
Author(s):  
Ria Taketomi

Abstract This essay focuses on the theme of the river in Kazuo Ishiguro’s A Pale View of Hills which will be analyzed in relation to the nuclear devastation of WWII. Rivers have a special meaning to the inhabitants of Nagasaki since the rivers were filled with the corpses of people who were exposed to radiation after the atomic bombing. It is also known in Nagasaki that unidentifiable fireballs called onibi float over marsh ground at night in summer. Especially in his first novel, A Pale View of Hills, the river evokes the image of Sanzu No Kawa, a river which, in Japanese Buddhism, the souls of the dead are believed to be crossing on the seventh day of afterlife. The river imagery signifies the boundary between life and death, and it has been used as a metaphor for the transience of time. As such, the river displays an ephemeral texture. In A Pale View of Hills, the protagonist Etsuko reminisces about her days in Nagasaki. In her memories, she becomes friends with Sachiko and her daughter Mariko. One night, Mariko confesses to Etsuko that she sees a ghostly woman coming from the other side of the river. Ishiguro also writes about the rivers in other novels. For example, in Never Let Me Go, he uses the river as a metaphor for Kathy and Tommy’s fate. In The Buried Giant, at the end of the novel, Axl sets Beatrice free and lets the boatman carry her alone to the island, which can be read as Beatrice’s departure from life. My analysis explores Ishiguro’s intentions when using the river and various apparitions in his novels, with a special focus on A Pale View of Hills.


This volume aims to provide an unprecedented breadth of analysis on the development of modern Greek politics, especially from the restoration of democracy in 1974 to the present day. Over forty-three chapters, contributors provide authoritative accounts of what is known about a particular area. Never before has such a volume been produced, in any language. This is not intended as a student textbook, but as a scholarly reference for all who are interested in contemporary Greece. As such, it provides a depth of analysis couched within comparative and conceptual frames, to link the case of Greece to a wider audience, especially those already familiar with a broader political science literature. In its authoritative and reflective essays, it is hoped that the volume may serve as a point of common reference for some time to come. Its essays are structured across a set of inter-connecting themes: conceptual frames by which to understand modern Greek politics; political institutions; party political traditions; political and social interests; public policy; external relations; and political leaders. With this breadth, the volume takes an eclectic approach in terms of historical, conceptual, and methodological interpretation. Its breadth offers analyses relevant not only to political science, but also economics, international relations, law, sociology, and social policy.


Author(s):  
Robert E. Buswell

Chinul was the founder of the Korean Chogye school of Buddhism. He sought to reconcile the bifurcation between Kyo (doctrinal) thought and Sôn (Zen) practice that rent the Korean Buddhist tradition of his time, by showing the symbiotic connection between Buddhist philosophy and meditation. He also advocated a distinctive program of soteriology that became emblematic of Korean Buddhism from that time forward: an initial sudden awakening to the nature of the mind followed by gradual cultivation of that awakening until full enlightenment was achieved.


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