scholarly journals Afanasy Afanasyevich Fet as a poet-thinker

2020 ◽  
pp. 9-23
Author(s):  
Alexey V. Fedorov
Keyword(s):  
Late Period ◽  
The Real ◽  
Life And Death ◽  
Religious Issues ◽  
The World ◽  
To Come ◽  
Good And Evil ◽  
Critical Reviews

The article proposes to consider the creative individuality of A.A. Fet as a poet-thinker. It places a special emphasis on his ideological views, expressed in his enthusiasm for the teachings of A. Schopenhauer’s and in disputes with L.N. Tolstoy; extensive epistolary material is involved (this correspondence with Ya.P. Polonsky, L.N. and S.A. Tolstoy, N.N. Strakhov, K.R. and others); a brief overview of the critical reviews of contemporaries on the poet’s poetry collections is given. Here, Fet’s philosophical lyrics are analyzed in particular detail (first of all – the late, period of “Evening Lights”, in which there is an understanding of the universal categories of being – life and death, good and evil, the world and man, time and eternity), some parallels are drawn with F.I. Tyutchev. The article traces the development of spiritual and religious issues in the work of Fet’s (gospel stories and motives, the image of the Lord, the genre of prayer, etc.). The article raises the question of expanding the concept of “poet-thinker” taking into account the category “mind of the heart” designated by Fet himself. From these positions, his poem “I am waiting, embraced by anxiety...” from the “Evening Lights” collection is analyzed. Considering Fet’s work as “the poetry of thought” does not cancel, but enriches his airy image in our minds, allows us to present Fet’s personality in more volume, to clarify and expand the idea of the real complexity and versatility of his artistic nature, to come closer to understanding “lyrical insolence” as “the property of great poets” (words of L.N. Tolstoy about A.A. Fet).

scholarly journals THE WORLD OF IMAGES IN SANTTU KARHU’S POETRY

2019 ◽  
Vol 13 (2) ◽  
pp. 248-257
Author(s):  
Natalia Valerievna Chikina
Keyword(s):  
Language Poetry ◽  
Language And Culture ◽  
Life And Death ◽  
Systemic Analysis ◽  
The World ◽  
The Subject ◽  
Symbolic Images ◽  
Good And Evil ◽  
Folk Poetry ◽  
Original Concept

The paper analyzes the works of a well-known poet and rock musician S. Karhu, who writes in the Karelian language. The aim of the study is to highlight the author’s artistic system of images. The following tasks were set for the study: to formulate the poet’s original concept, to scrutinize and comment on the images in Karhu’s lyrics. The object is verses from the first and so far only volume. The subject of the study is the specific ethnic traits of Karhu’s poetry, as seen in the system of images. Literary-historical and comparative methods were used in the analysis. The scientific novelty is in the absence of similar studies on the poet’s works. Systemic analysis of the ethnic sources, the evolution and genre choices of the Karelian language literature associated with the changing artistic consciousness are coming to the foreground in this time of global change, when preserving the people’s cultural heritage is especially important. The poet’s personal background has brought him into the sphere of artistic creativity, enabled him to verbalize the world of ethnic life that had been opened up to him. The article points out some specific features of the world of images, language and culture of the Karelian people. Karelian literature shows a tendency to use folklore heritage. The transformation of folk poetic symbolic images is arguably the most characteristic trait of folklorism in contemporary Karelian-language poetry, where folk poetry symbols tend to be equaled with the image of the native land. Karhu’s philosophical verses increasingly pose and confidently resolve the questions of good and evil, happiness and pain, life and death. It is essential for him that the character retains the folklore origins, for he deems it to be the spiritual source of modernity.

The Children’s Virtual Museum of Small Animals

2013 ◽  
pp. 1-14
Author(s):  
Paolo Beneventi
Keyword(s):  
Real Life ◽  
Small Animals ◽  
Global Information ◽  
Virtual Museum ◽  
Multimedia Documents ◽  
The Real ◽  
The World ◽  
Global Information Society ◽  
To Come ◽  
Video Makers

As referenced in the chapter title, the Children’s Virtual Museum of Small Animals is a website where multimedia documents are collected, based on the real experience of groups of children from many parts of the world. There, people can find photos and videos of insects and spiders, with scientific names and classification, place and date of discovery, and age of the class, group, or single kid who found it. There are also drawings, texts, and other things related to the real, possible, or fantastic meeting between children and small animals: voices from actual experiences, slide shows about “watching details,” pictures of creations by artists close to kids’ imagination, suggestions on how to use technical tools. Children there can act as protagonists in producing and sharing information, just like usually scientists, journalists, photographers, and video makers do, through the global information society. It is also the “extension” of a method, a way to address scientific issues with children, which has given regular, excellent results with hundreds of groups during many years. The author presents it as a work in progress, calling others to meet and exchange, suggest, and propose additions, also from different experiences and points of view. Digital means are proposed to show the “objects” of the study as well as the “process of studying” by children, with all their enthusiasm and surprise, as is evidenced particularly from their voices. Other children visiting the virtual Museum should be called to come and take part in it from their usual real life environment, making new discoveries and sending documents, sharing experiences and ideas, worldwide.

scholarly journals Uni ja unenäod udmurdi kultuuris

Mäetagused ◽  
2021 ◽  
Vol 80 ◽  
pp. 155-184
Author(s):  
Nikolai Anisimov ◽  
◽  
Eva Toulouze ◽  
◽  
Keyword(s):  
Significant Role ◽  
Real World ◽  
Sacred Space ◽  
Real Space ◽  
Time And Space ◽  
Knowledge And Skills ◽  
The Real ◽  
The World ◽  
The Dead ◽  
To Come

In Udmurt culture sleep (iz’on, kölon, um) as well as dreams (vöt, uyvöt) have occupied a significant place. According to ordinary understandings, dreams are not subjected to this world’s rules of time and space: in a dream, places and spaces may suddenly change, and time moves quickly, or it does not move at all; it has stopped. Sleep and dreams are not thoroughly explained phenomena, and as such, they play a significant role in the communication between the world of the living and the world of the deities (spirits). Their importance is confirmed by the rules one has to follow when going to bed. The dream becomes a sacred space, in which it is possible to acquire sacred knowledge and skills. The narratives we are acquainted with tell us that during sleep one of the person’s souls, called urt, can fly away. Probably this is the reason why it is forbidden to suddenly awake a person sleeping: they may not wake up at all or may even lose their reason. Earlier the Udmurt even organised special rituals to catch the second soul. In the Udmurt culture, sleep and dreams constitute a non-real space, in which the living and the dead are able to meet and communicate. The initiators of the dreams can be both the living and the dead, in different situations. Through dreams, the dead are able to transmit to the living their wishes, their knowledge about events or accidents to come; they may complain about certain circumstances, etc. Today, the Udmurt are attentive to all dreams; they see in them signs connected to the real world and given from above, and they must be considered in order not to disturb the balance between the worlds.

Will the Circular Economy and Related Concepts Save the World?

2021 ◽  
Vol 6 (2) ◽  
Author(s):  
Tauheed Mehtab ◽  
Tauheed Mehtab ◽  
Tauheed Mehtab
Keyword(s):  
Natural Resources ◽  
Circular Economy ◽  
The Real ◽  
The People ◽  
The World ◽  
The Common ◽  
Common Man ◽  
To Come ◽  
Life On Earth

The humans have been utilizing the resources for their sustenance since the birth of mankind. In fact, every living specie is dependent on the natural resources available to them for the nature to sustain their life on earth. As a result, the humans have reached on such a stage where they are standing on the verge of natural resources to extinct. However, the governments of various countries are taking serious actions in order to implement policies driven on the basis of circular economy to make sure the resources are utilized quite efficiently and also saved for the coming generations to come. It’s time for the common man to become aware about this serious issue of creating products of materials that cannot be reused or recycle. It is time we understand that the cycle of consumerism has to be not backed by production by the capitalists but rather using the resources and materials quite intelligently, smartly and in a limited manner to sustain living for the resent as well as for the generation to come. It’s time to understand the real meaning of sustainability and make it a part of the regime of this generation as mandatory prerequisite for the plans to be executed ahead. The need of the hour is to educate the people and bring the sustainable way of living in trend infusing it into the lifestyle of the people.

THE RAIN MIRACLE OF MARCUS AURELIUS: (RE-)CONSTRUCTION OF CONSENSUS

2008 ◽  
Vol 55 (1) ◽  
pp. 83-102 ◽  
Author(s):  
IDO ISRAELOWICH
Keyword(s):  
Local Population ◽  
The Political ◽  
Roman Army ◽  
Religious Policy ◽  
Marcus Aurelius ◽  
Religious Issues ◽  
The World ◽  
To Come ◽  
The City ◽  
Great Danger

IntroductionThe reign of Marcus Aurelius, although he was acclaimed by ancient and modern commentators as an exemplary ruler, saw many calamities. Marcus was preoccupied with wars for the better part of his reign; the pestilence brought back to Rome from the east by Verus and the Roman army remained endemic in the city for many years to come, and the German wars from the late 160s well into the next decade posed great danger to Rome and caused great anxiety. In addition, a coup was executed. The usurper, Avidius Cassius, was the ruler of the Roman East for three months, enjoying support amongst the local population. After Verus’ death, the emperor embarked on war against the German tribes, but not before summoning priests and magicians from all over the world to help him, many of whom came from provinces far and wide. This attentiveness of Marcus Aurelius to religious issues (the representation of religious themes on his coins and monuments and his religious policy as a whole) introduced some changes to the Roman imperial tradition. Moreover his adaptation of policies that reflected new beliefs and the abandonment of old ones, was indicative of the political, social, and cultural developments during his reign. The desperation of the emperor is made most visible in the pages of Lucian’s Alexander.

The Children’s Virtual Museum of Small Animals

2014 ◽  
pp. 724-736
Author(s):  
Paolo Beneventi
Keyword(s):  
Real Life ◽  
Small Animals ◽  
Global Information ◽  
Virtual Museum ◽  
Multimedia Documents ◽  
The Real ◽  
The World ◽  
Global Information Society ◽  
To Come ◽  
Video Makers

As referenced in the chapter title, the Children’s Virtual Museum of Small Animals is a website where multimedia documents are collected, based on the real experience of groups of children from many parts of the world. There, people can find photos and videos of insects and spiders, with scientific names and classification, place and date of discovery, and age of the class, group, or single kid who found it. There are also drawings, texts, and other things related to the real, possible, or fantastic meeting between children and small animals: voices from actual experiences, slide shows about “watching details,” pictures of creations by artists close to kids’ imagination, suggestions on how to use technical tools. Children there can act as protagonists in producing and sharing information, just like usually scientists, journalists, photographers, and video makers do, through the global information society. It is also the “extension” of a method, a way to address scientific issues with children, which has given regular, excellent results with hundreds of groups during many years. The author presents it as a work in progress, calling others to meet and exchange, suggest, and propose additions, also from different experiences and points of view. Digital means are proposed to show the “objects” of the study as well as the “process of studying” by children, with all their enthusiasm and surprise, as is evidenced particularly from their voices. Other children visiting the virtual Museum should be called to come and take part in it from their usual real life environment, making new discoveries and sending documents, sharing experiences and ideas, worldwide.

When Time Gets Off Track

2002 ◽  
Vol 50 ◽  
pp. 1-17
Author(s):  
Jan Faye
Keyword(s):  
Real World ◽  
The Real ◽  
Full View ◽  
Dynamic View ◽  
The World ◽  
The Future ◽  
Future Events ◽  
To Come ◽  
Temporal Becoming ◽  
Backward Causation

Over the last forty years, philosophers have argued back and forth about backward causation. It requires a certain structure of time for something as backward causation to be not only possible but also to take place in the real world. In case temporal becoming is an objective feature of the world in the sense that the future is unreal, or at least ontologically indeterminate, it is impossible to see how backward causation can arise. Th e same difficulty does not hold with respect to forward causation. For even though it is assumed according to one dynamic view of time, the instant view or presentism, that merely present events exist—and past events therefore are no longer real or have become ontologically indeterminate—such a view can still maintain that past events once were there to cause present events. Future events, however, are still to come, and being indeterminate or nothing at all, they cannot cause any events in the present. In other words, causation backwards in time can occur only if we think of time as static; that is, no objective becoming exists, and the world consists of tenselessly occurring future events that exist in the same sense as past and present events. Backward causation requires the so-called full view, or possibly the half-full view, of time.

scholarly journals The Theory of Vital Energy According to Well-Known Modern Armenian Writer

wisdom ◽  
2017 ◽  
Vol 8 (1) ◽  
pp. 77
Author(s):  
Aelita DOLUKHANYAN
Keyword(s):  
Human Life ◽  
Real Life ◽  
Modern Human ◽  
Practical Significance ◽  
Human Being ◽  
The Real ◽  
Life And Death ◽  
The World ◽  
Ancient Civilizations

Among all nations representing ancient civilizations, beginning with antic times wise thinkers have examined issues of interrelations between life and death, macrocosm and microcosm, soul and body, and not only from the viewpoint of their own person, but also their nation and even the entire humanity. Razmik Davoyan has created his own theory, having practical significance, which has a unique goal, i.e. to help the modern human being not only in Armenia, but all over the world to solve more easily difficulties of human life and to make the real life more beautiful by correct use of the vital energy.

scholarly journals Wandering Motive and Its Appeal on Reluctantly Wandering Franz Schubert

2016 ◽  
Vol 8 (1) ◽  
pp. 277
Author(s):  
Dragana Jeremić-Molnar
Keyword(s):  
Franz Schubert ◽  
Main Character ◽  
The Real ◽  
Left Behind ◽  
Real Nature ◽  
Theodor Adorno ◽  
The World ◽  
To Come ◽  
Complex Manner

Franz Schubert was not generous in commenting his own creative procedures, or in revealing his artistic inspirations. Therefore, it is even today not clear why Wilhelm Müller’s collection of poems entitled Winter journey attracted Schubert so strongly that he was so determined to set it as a whole to the music. In this article the author mentions, and rejects as well, couple of commonly accepted interpretations. The path to the lieder cycle Winter journey was paved neither by Schubert’s identification with the main character – outcast overwhelmed by desperation and anticipation of the approaching death – and his strange ways of experiencing the world; neither by composer’s acceptance of impious beliefs hidden in Müller’s poems. The author argues that both poet and composer of Winter journey shared the affinity for the wandering (and wanderer) motive which was one of the central topics in the rising romantic Weltanschauung. Schubert was dealing with this motive from 1815 until his death mainly in his lieder, sometimes in very complex manner. In order to understand the real nature of Schubert’s artistic rapprochement to the motive of wandering, the author was obliged to consider and, at the first place, evaluate the works of scholars (such as Theodor Adorno, David Gramit, and Jeffrey Perry) who have been dealing with this problem. After that the author focuses her attention to the narrative entitled My dream, the most extensive and enigmatic writing left behind Schubert; she analyses the role of wandering in it, arguing that Schubert was participating in the spiritual currents of his time even unconsciously and trying to adapt them in order to serve as the solutions to his own existent ional dilemmas. Finally, she concludes that the composer was very sensitive for the complexity of the phenomena of wandering, when romantic Weltanschauung was at its peak, and eager to come to terms with this complexity artistically, paying the most attention to one of its layers – the regenerative one.

Shapes of a World to Come

1974 ◽  
Vol 26 (4) ◽  
pp. 592-603
Author(s):  
James P. Sewell
Keyword(s):  
International Relations ◽  
New Age ◽  
World Politics ◽  
The Real ◽  
The World ◽  
To Come

No theory of world politics yet created is able to guide us into a new age, but scholars and statesmen persist in conceiving global designs that claim our attention. Many writers are tempted by a formidable problem: What is the “real” shape—or alternatively the preferred shape—of the world to come? The fruits they offer are varied in taste but often so appealing in appearance that students of international relations cannot refuse to try them.

Sign in / Sign up

Export Citation Format

Share Document