Presentism

Author(s):  
Robin Le Poidevin

Presentism, as a metaphysical thesis about time, is the view that only what is present exists. The past and future are in some sense to be explained, unreal. Although this appears at first sight to be both an intuitive and a substantial thesis about the world, the first challenge to anyone wishing to espouse it is to show that it is not simply the trivial truth that only what is present exists now. One way of giving content to the presentist thesis is to provide a positive account of how past and future can be constructed from presently existing items, in ways that parallel attempts to construct possible states of affairs from actual states. Some presentists, however, would decline the invitation to provide such a construction, arguing that the flow of time allows one to say quite unproblematically that the past is what once existed, but no longer does so. A further challenge to the presentist is to account for the truth of statements that appear to require the existence of relations between non-contemporaneous items, statements that contain terms such as ‘is earlier than’, ‘is a cause of’, ‘is the larval stage of’, ‘is the remote ancestor of’, etc. Although the initial attraction of presentism is its offer to provide a more systematic statement of our pre-theoretic views, a fully worked-out and consistent presentist theory seems likely to be quite revisionary.

Slovene ◽  
2019 ◽  
Vol 9 (1) ◽  
pp. 188-222
Author(s):  
Olga Chadaeva

The paper focuses on interpretation of Biblical history in a lesser-known treatise written by Archpriest Avvakum entitled Sniskanie i sobranie o Bozhestve i o tvari. The main issues addressed in the paper are the sources and aims of the treatise, methods and functions of citing, structure and style of the text, the perception of God, the imagery of the world and paradise, the notion of mankind and fall of man, the progress and sense of history, the flow of time, the role of the author and the reader in the text. Central to this polemical treatise is the thesis of the immensity of God, which manifests itself both in spatial and in temporal aspects. The simplicity of Avvakum’s notion of the physical world is considered in the context of the author’s holistic worldview. An emphasis is put on the perception of the creation of Adam as a key moment that predetermined the eschatological plan of history. The paper traces the spatial and temporal imagery of Avvakum and its manifestation inside the text, specifically in the alteration of the past, present, future and infinite planes of reality, which reveals Avvakum’s attitude to the process and meaning of history. Sniskanie i sobranie is a text whose structure is a reverse reflection of the major work of Avvakum, i.e. his Life, where the events of the present are referred to the the sacred history, while in Sniskanie Biblical events are compared to the present. The versatility of Sniskanie i sobranie is demonstrated through its multiple functions, since the text is built as a polemical treatise, narrative and a dialogue. In conclusion, the interpretation of the events of the Book of Genesis by Avvakum is compared to John Milton’s poem Paradise Lost. The works reflected both similar and entirely different problems in connection with the fall of man and the loss of paradise.


2020 ◽  
Vol 15 (2) ◽  
pp. 75
Author(s):  
Fernanda Drummond ◽  
João Vilhena

Resumo: Este artigo recorre ao conceito de aura e à alegoria do Anjo da História de Walter Benjamin para explorar como a obra de Fiama Hasse Pais Brandão comunica com o pensamento pensador alemão. Em Fiama, o sujeito poético recusa o fluxo contínuo do tempo, posicionando-se num «Agora» atemporal, que se sustenta das ruínas do passado e da destruição vindoura. Avessa como Benjamin à ideia de progresso, Fiama invoca uma tradição dinâmica e heterodoxa, mostrando-nos como o mundo não é mais que a vidraça onde embatem as palavras dos mortos. Palavras que junto com a experiência do sujeito poético no seu mundo possibilitam uma recuperação da aura nos objectos observados a partir de uma distância contemplativa. A utilização do quadro teórico de Benjamin permite ainda detectar uma dimensão política geralmente pouco discutida na obra de Fiama Hasse Pais Brandão.Palavras-chave: Poesia Portuguesa Contemporânea; Poesia 61; Fiama Hasse Pais Brandão; Walter Benjamin; ruína.Abstract: This article uses Benjamin’s concept of aura and his Angel of History allegory to investigate how a reading of Fiama Hasse Pais Brandão´s work can be enriched by the thought of the German philosopher. In Fiama’s poetry, the lyrical subject refuses the continual flow of time by assuming an out-of-time “Now”, a position that is sustained by the ruins of the past and the incoming destruction which threatens that same “Now”. As Benjamin, Fiama opposes the idea of progress, while evoking a dynamic and heterodox tradition, to reveal us the world as a mere window pane into which the words of the dead poets collide. These words retrieved from the ruins of human culture combine with the world as experienced by the lyrical subject to produce a configuration where it is possible to recover the aura in objects observed from a contemplative distance. We further argue that the use of Benjamin’s theory allows us to unveil a usually overlooked political dimension which nonetheless present within Fiama’s body of work.Keywords: Contemporary Portuguese poetry; Poesia 61; Fiama Hasse Pais Brandão; Walter Benjamin; ruins.


Author(s):  
John Mansfield

Advances in camera technology and digital instrument control have meant that in modern microscopy, the image that was, in the past, typically recorded on a piece of film is now recorded directly into a computer. The transfer of the analog image seen in the microscope to the digitized picture in the computer does not mean, however, that the problems associated with recording images, analyzing them, and preparing them for publication, have all miraculously been solved. The steps involved in the recording an image to film remain largely intact in the digital world. The image is recorded, prepared for measurement in some way, analyzed, and then prepared for presentation.Digital image acquisition schemes are largely the realm of the microscope manufacturers, however, there are also a multitude of “homemade” acquisition systems in microscope laboratories around the world. It is not the mission of this tutorial to deal with the various acquisition systems, but rather to introduce the novice user to rudimentary image processing and measurement.


This paper critically analyzes the symbolic use of rain in A Farewell to Arms (1929). The researcher has applied the Sapir-Whorf Hypothesis as a research tool for the analysis of the text. This hypothesis argues that the languages spoken by a person determine how one observes this world and that the peculiarities encoded in each language are all different from one another. It affirms that speakers of different languages reflect the world in pretty different ways. Hemingway’s symbolic use of rain in A Farewell to Arms (1929) is denotative, connotative, and ironical. The narrator and protagonist, Frederick Henry symbolically embodies his own perceptions about the world around him. He time and again talks about rain when something embarrassing is about to ensue like disease, injury, arrest, retreat, defeat, escape, and even death. Secondly, Hemingway has connotatively used rain as a cleansing agent for washing the past memories out of his mind. Finally, the author has ironically used rain as a symbol when Henry insists on his love with Catherine Barkley while the latter being afraid of the rain finds herself dead in it.


The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.


Author(s):  
Seva Gunitsky

Over the past century, democracy spread around the world in turbulent bursts of change, sweeping across national borders in dramatic cascades of revolution and reform. This book offers a new global-oriented explanation for this wavelike spread and retreat—not only of democracy but also of its twentieth-century rivals, fascism, and communism. The book argues that waves of regime change are driven by the aftermath of cataclysmic disruptions to the international system. These hegemonic shocks, marked by the sudden rise and fall of great powers, have been essential and often-neglected drivers of domestic transformations. Though rare and fleeting, they not only repeatedly alter the global hierarchy of powerful states but also create unique and powerful opportunities for sweeping national reforms—by triggering military impositions, swiftly changing the incentives of domestic actors, or transforming the basis of political legitimacy itself. As a result, the evolution of modern regimes cannot be fully understood without examining the consequences of clashes between great powers, which repeatedly—and often unsuccessfully—sought to cajole, inspire, and intimidate other states into joining their camps.


Author(s):  
Gerald Gaus

This book lays out a vision for how we should theorize about justice in a diverse society. It shows how free and equal people, faced with intractable struggles and irreconcilable conflicts, might share a common moral life shaped by a just framework. The book argues that if we are to take diversity seriously and if moral inquiry is sincere about shaping the world, then the pursuit of idealized and perfect theories of justice—essentially, the entire production of theories of justice that has dominated political philosophy for the past forty years—needs to change. Drawing on recent work in social science and philosophy, the book points to an important paradox: only those in a heterogeneous society—with its various religious, moral, and political perspectives—have a reasonable hope of understanding what an ideally just society would be like. However, due to its very nature, this world could never be collectively devoted to any single ideal. The book defends the moral constitution of this pluralistic, open society, where the very clash and disagreement of ideals spurs all to better understand what their personal ideals of justice happen to be. Presenting an original framework for how we should think about morality, this book rigorously analyzes a theory of ideal justice more suitable for contemporary times.


2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.


Author(s):  
Malik Daham Mata’ab

Oil has formed since its discovery so far one of the main causes of global conflict, has occupied this energy map a large area of conflict the world over the past century, and certainly this matter will continue for the next period in our century..


2017 ◽  
Vol 40 (3) ◽  
pp. 295-310
Author(s):  
Sabine Wilke

Every late spring since 1951, the Wiener Festwochen bring performers from around the world to Vienna for an opportunity to share recent developments in performance styles and present them to a Viennese public that seems to be increasingly open to experimentation. These festival weeks solidify a specific form of Viennese self-understanding and self-representation as a culture that is rooted in performance. This essay seeks to link two recent Austrian performances—one of them was part of the Wiener Festwochen in 2016, the other was staged in downtown Linz during the past few years—to this Austrian and specifically Viennese culture of performance by reading them as contemporary articulations of a tradition of radical performance art that can be traced back to the Viennese Actionism of the sixties and later feminist articulations in the seventies and eighties. They play on the dramatic effect of these actions, specifically their joy in cruelty, chaos, and orgiastic intoxication, by staging regressions and thus making visible what has been dammed up and repressed in contemporary society.1 Just as their historical models, these two performances merge the performing and the fine arts and they highlight provocative, controversial, and, at times, violent content. But they do it in an interspecies context that adds an entire layer of complexity to the project of societal and cultural critique.


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