scholarly journals Filmowe portrety Stanisława Siedleckiego (1912–2002) na tle Svalbardu. Fragmenty wizualnej historii nauki

Author(s):  
Jacek Szymala ◽  
Andrei Rogatchevski

Stanisław Siedlecki’s (1912–2002) Film Portraits against the Backdrop of Svalbard. Vignettes from the Visual History of Science The article offers a new perspective on Stanisław Siedlecki’s biography through visual history, with a particular emphasis on film history. The connections between Siedlecki’s life and the cinema can be grouped in three sections: 1. films starring Siedlecki, 2. films by Siedlecki and 3. films about Siedlecki. The film Do Ziemi Torella (To Torell Land) represents the pre-war period; the post-war period is marked by Siedlecki’s collaboration with Jarosław Brzozowcki on the making of Skroplone Powietrze (Liquefied Air) and Wieliczka – both from 1946. In the International Geophysical Year 1957/1958, Siedlecki led the Polish polar expedition, during which the visual material was created. He appeared in all three ‘roles’ (as a co-writer, protagonist, and consultant) in Jarosław Brzozowski’s film W Zatoce Białych Niedźwiedzi (In the Polar Bear Bay). He consulted polar films until the early 1990s. There are also two film biographies (portraits) of Siedlecki by Wanda Rollna and Iwona Bartólewska. The analysis of this material has also shed new light on the visual narration of the Polish polar expeditions in the 20th century.

2016 ◽  
Vol 125 (1) ◽  
pp. 34-38 ◽  
Author(s):  
Nils Hansson ◽  
Heiner Fangerau ◽  
Annette Tuffs ◽  
Igor J. Polianski

Abstract Taking the examples of the pioneers Carl Ludwig Schleich, Carl Koller, and Heinrich Braun, this article provides a first exploratory account of the history of anesthesiology and the Nobel Prize for physiology or medicine. Besides the files collected at the Nobel Archive in Sweden, which are presented here for the first time, this article is based on medical literature of the early 20th century. Using Nobel Prize nominations and Nobel committee reports as points of departure, the authors discuss why no anesthesia pioneer has received this coveted trophy. These documents offer a new perspective to explore and to better understand aspects of the history of anesthesiology in the first half of the 20th century.


Author(s):  
Suzanne Conklin Akbari

This Handbook produces a stereoscopic view of Chaucer’s works. Juxtaposing chapters by Middle English scholars with chapters by specialists in other fields – Latin and vernacular literature, philosophy, theology, and history of science – it offers a new perspective that uses the works of Chaucer to look out upon the wider world. Clusters of essays that place Chaucer’s works in “the Mediterranean Frame” and “the European Frame” are bracketed by groupings on “Biography and Circumstances of Daily Life” and “The Chaucerian Afterlife,” while a cluster on “Christian Doctrine and Religious Heterodoxy” foregrounds the role of confessional identities in the emergence of Middle English literary authority. The Handbook’s scope addresses the claim of universality that is often implicit in the study of Chaucer’s works. Chapters on anti-Judaism in the Canterbury Tales and on Hebrew literature reveal what has been suppressed or elided in the construction of English literary history, while studying the Arabic sources and analogues of the frame tale tradition reveals the patterns of circulation that lie behind the early modern emergence of national literatures. Chapters on French, Italian, and Latin literature address the linguistic context of late fourteenth-century Europe, while chapters on philosophy, history of science, and theology spur on new areas of development within Chaucer studies. Pushing at the disciplinary boundaries of Chaucer Studies, this Handbook maps out how we might develop our field with greater awareness of the interconnected world of the fourteenth century, and the increasingly interconnected – and divided – world we inhabit today.


Commander Lush will be remembered in the record of the Royal Society as one who played a distinguished role in the Society’s history of expeditions. He took a leading part in two of these. First from January 1956 to January 1957 when as a member of the advance party, under the leadership of Surgeon Commander David Dalgliesh, he participated in the setting up of the Society’s Antarctic geophysical research station, later named Halley Bay, as a contribution to the International Geophysical Year. The party, having sailed in MV Tottan made landfall in the southerly Weddell Sea where man had not trod before and in the severe Antarctic conditions, built the research station which has been the base of so much valuable geophysical work ever since. George Lush with all his skill and determination gave conspicuous service in this year’s operation.


2020 ◽  
Vol 48 (1) ◽  
pp. 142-156
Author(s):  
I. A. Melnikov

Systematic study of Antarctica began only a century and a half after its discovery by the Russian expedition of F. Bellingshausen and M. Lazarev on the sloops “Vostok” and “Mirny” on January 16 (20), 1820. Since the International Geophysical Year (IGY) in 1956, regular studies of ice cover, subglacial topography, geomorphology of the surrounding seas and bottom sediments, as well as marine and continental biological communities have begun on the continent and coastal waters. Scientists from the Institute of Oceanology took part in the first Russian Antarctic expeditions. Their work gave new knowledge about the nature of Antarctica and largely determined the scientific direction of its future research.


Author(s):  
Ciro Tomazella Ferreira ◽  
Cibelle Celestino Silva

In this paper, we present an analysis of the evolution of the history of science as a discipline focusing on the role of the mathematization of nature as a historiographical perspective. Our study is centered in the mathematization thesis, which considers the rise of a mathematical approach of nature in the 17th century as being the most relevant event for scientific development. We begin discussing Edmund Husserl whose work, despite being mainly philosophical, is relevant for having affected the emergence of the narrative of the mathematization of nature and due to its influence on Alexandre Koyré. Next, we explore Koyré, Dijksterhuis, and Burtt’s works, the historians from the 20th century responsible for the elaboration of the main narratives about the Scientific Revolution that put the mathematization of science as the protagonist of the new science. Then, we examine the reframing of the mathematization thesis with the narrative of two traditions developed by Thomas S. Kuhn and Richard Westfall, in which the mathematization of nature shares space with other developments taken as equally relevant. We conclude presenting contemporary critical perspectives on the mathematization thesis and its capacity for synthesizing scientific development.


ENDOXA ◽  
2017 ◽  
pp. 103
Author(s):  
Kurt Plischke ◽  
Alfons Labisch

Contemporary philosophy of science sets the origins of the predominantattributes of the term “gene” in the year 1900 when Gregor Mendel’s work was rediscovered. Yet it was the speculative biology of the second half of the 19th century that opened up the epistemic sphere for a new conception of heredity: heredity as the transmission of particulate, hereditable material units with a tendency for self-preservation. The then young discipline of biology dissociated its terminology from the preconceptions of natural philosophy. In the early 20th century, the postulated hereditary particles were associated with the chromosome and, at least in the 1940s, with nucleic acid: which was being stable and, at the same time, mutable, as well as capable of self-reproduction, self-selectivity, and memory. DNA epitomizes the perfect biological principle. But the most recent conception of the gene is not free from anthropomorphisms.


2020 ◽  
pp. 49-64
Author(s):  
Krzysztof Obremski

Andrzej Leder’s monograph Prześniona rewolucja. Ćwiczenia z logiki historycznej [Sleepwalking the Revolution. An Exercise in Historical Logic] allows us to look at Julian Przyboś in a new perspective, which at least in part removes the communist label from the co-author of the anthology of revolutionary poetry Wzięli diabli pana [The devils have taken the lord] (1955) and thus forces us perhaps even to abandon the “white and red” perception of the 20th-century life stories of Poles. Aware of the historical significance, the poet would not say about the post-war social revolution, “It just happened”.


Author(s):  
Daniil Yu. Dorofeev ◽  
Roman V. Svetlov ◽  
Mikhail I. Mikeshin ◽  
Marina A. Vasilyeva

The article is devoted to the topic of visualization, which is relevant for the modern world in general and scientific knowledge in particular, investigated through the image of Plato in Antiquity and in medieval Orthodox painting. Using the example of Plato’s iconography as a visual message, the authors want to show the great potential for the development of the visual history of philosophy, anthropology and culture in general, as well as the new visually oriented semiotics and semantics of the image. This approach reveals expressively and meaningfully its relevance for the study of Plato’s image, together with other ancient philosophers’ images, in Orthodox medieval churches in Greece, Serbia, Romania, Bulgaria and, of course, ancient Russia in the 15th-17th cc, allowing to see the great ancient Greek philosopher from a new perspective.


Conatus ◽  
2019 ◽  
Vol 3 (1) ◽  
pp. 63
Author(s):  
Athanasios Rinotas

Albertus Magnus’ alchemy is a subject that has attracted the attention of the scholars since the early decades of the 20th century. Yet, the research that has been conducted this far is characterised by its non philosophical character. As a matter of fact, the previous studies approached Albertus’ alchemy either in terms of history of science or of intellectual history. In this paper, I focus on Albertus’ definition of alchemical transmutation that is found in his De mineralibus and I analyze it in terms of his theory of creation and of his theory of matter. Therefore, I show whether a re-creation of a metal is in accordance with Albertus’ philosophy and congruently I bring forth the Aristotle Graecus and the Aristotle Latinus that are found as background in his alchemical theory of transmutation. Ultimately this paper aims to show that the aforementioned theory is not an arbitrary statement from Albertus’ part, but the result of a serious philosophical endeavour


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