scholarly journals Global Conflict of the Past in Contemporary Media Space: Historical Memory in a Discursive Perspective

2021 ◽  
Vol 3 (4) ◽  
pp. 17-50
Author(s):  
Ekaterina Y. Aleshina ◽  
Mark Y. Blokh ◽  
Tatiana A. Razuvaeva ◽  
Hedwig Wagner ◽  
Anton V. Kompleev
Keyword(s):  
World War Ii ◽  
World War I ◽  
Historical Memory ◽  
World War ◽  
Specific Data ◽  
Political Conflicts ◽  
Starting Point ◽  
Media Space ◽  
Wide Circle ◽  
The Media

The article is devoted to an overview of studies on the discursive embodiment of historical memory, particularly, in the media. The research is aimed at the overview and systematization of, predominantly, international and Russian concepts of historical memory in academic literature. The scientific significance of research results is determined by the possibility of clarifying the definitions of historical memory in the process of systematizing the existing overseas and domestic studies. With that, the “starting point” of historical memory in this research are global political conflicts, particularly, World War I and World War II. The focus of research interest is the memory of the world wars which is discursively expressed in modern media space with various pragmatic tasks. Analysis of media materials allows for revealing the mechanisms of using historical memory as a tool for creating assessment and images while covering World War I and World War II. The research makes it possible to obtain a general discursive picture of the mass consciousness and, what is especially, important, to get specific data on the linguistic “content” of historical memory reflected in online media. The article is addressed to researchers in various fields of the Humanities, journalists and a wide circle of readers who are interested in the problem.

The Vienna Psychoanalytic Polyclinic (‘Ambulatorium’): Wilhelm Reich and the Technical Seminar

2002 ◽  
Vol 4 (1) ◽  
pp. 67-84 ◽  
Author(s):  
Christine Diercks
Keyword(s):  
World War Ii ◽  
World War I ◽  
Social Experiment ◽  
World War ◽  
Technical Application ◽  
The Unconscious ◽  
The Public ◽  
Starting Point ◽  
Wilhelm Reich ◽  
Long Time

The beginnings of the Vienna Psychoanalytical Outpatient Clinic were paralleled by a revival of the psychoanalytical movement and the institutionalization of psychoanalysis, that had been interrupted by World War I. In this period of renovation, the institution founded in 1922 was – as a social experiment of the psychoanalysts of the ‘Red Vienna’ – the first clinic that made psychotherapeutic help accessible to a wider population. At the same time it contributed to establishing psychoanalysis as a method of treatment. Within the psychoanalytical society, the Clinic acted as a forum for training and clinical discussion. The concepts of transference and resistance had been discovered and theoretically substantiated. But the technical application still caused considerable problems. In this situation Wilhelm Reich initiated a technical seminar within the Clinic, from which a whole generation of analysts benefited greatly as regards the understanding of psychoanalytical processes and the analysis of transference. From a starting point of focusing on the unconscious meaning of neurotic symptoms, the organization of the entire personality with its complex defence dynamics in character-neuroses and the awareness of the negative transference, in particular, gradually became the centre of attention. After World War II a long time passed until the Clinic was reopened in 1999. Although conditions had, of course, changed, the motives were still similar: the necessity to create a clinical institution that represents psychoanalysis in the public in a competent way, the need for an adequate institutional framework to meet the challenges of the analyses of borderline cases and, last but not least, the need to deepen our knowledge and experience.

scholarly journals ‘The silence of the Sphinx’: The delay in organising media coverage of World War II

2014 ◽  
Vol 20 (2) ◽  
pp. 187
Author(s):  
Allison Oosterman
Keyword(s):  
World War Ii ◽  
New Zealand ◽  
World War I ◽  
Media Coverage ◽  
World War ◽  
Alive Today ◽  
War Correspondents ◽  
The Media ◽  
John Herbert

None of those New Zealand men who served as official war correspondents in World War II are alive today to tell their stories. It is left to the media historian to try and piece together their lives and actions, always regretting that research had not started sooner. Sadly there is more information available about World War I and the life and actions of Malcolm Ross, the country’s first official war correspondent, than there is about New Zealand’s World War II correspondents. Nevertheless, remembering the work of these journalists is important, so this is a first attempt at chronicling the circumstances surrounding the appointment of the first of the official correspondents, John Herbert Hall and Robin Templeton Miller, for the 1939-45 conflict. The story of the appointment of men to cover the war, whether as press correspondents, photographers, artists or broadcasters, is one of ‘absurd delays’ which were not resolved until nearly two years of the war had passed.

scholarly journals The United States Marine Corps

2020 ◽  
Author(s):  
Mark R. Folse
Keyword(s):  
United States ◽  
World War Ii ◽  
World War I ◽  
Task Force ◽  
Marine Corps ◽  
The United States ◽  
United States Marine Corps ◽  
World War ◽  
Starting Point ◽  
The Us

The United States Marine Corps is an expeditionary and amphibious force in readiness with a history that spans almost the entire course of US history. The first American marines served under either continental or state employ during the War for American Independence. Although the Marine Corps celebrates 10 November 1775 as its official birthday, it was not until 11 July 1798 that the Marine Corps became a permanent military branch. Marines are an interesting amalgam of military and naval. Like their British Royal Marine ancestors, U.S. Marines serve with the navy afloat but they are not sailors. They have military features and organization but are not just soldiers either. Conceptually speaking, they are best thought of as naval infantry: soldiers who serve on ships at sea, not sailors who fight ashore. During the Barbary Wars (1801–1815), the War of 1812, and the American Civil War, detachments of Marines served aboard most naval vessels as the nucleus of landing parties, and safeguards against potentially mutinous crews. After the Spanish American War (1898–1899), the navy tasked the Marines with studying advanced base seizure and defense which would eventually lead to the Marine Corps adopting amphibious landings as one of their primary missions. The Marines, along with the navy, grew in size and function as the United States increased its sphere of influence around the globe and became a great maritime power just before the Great War. From World War I to the present day, the US Marine Corps has accrued a rich history of counterinsurgency and conventional campaigns. World War II is to this date still the Corps’ largest war which saw it expand to 485,000 Marines. Since the 1952 Douglas-Mansfield Act the Corps has hovered between 170,000 and 200,000 annually. Their present Marine Air Ground Task Force organization has allowed them to remain flexible and reliable to help the navy protect American interests and serve US policy and strategic objectives abroad. Significant participation in the Korean War, Vietnam War, Gulf War, and the more recent wars in Iraq and Afghanistan are examples of this. Having fought in every major American war, and most of its smaller ones, the US Marine Corps has attracted a robust amount of scholarly attention. What follows is a selected collection of some of the most notable and useful works. It is by no means exhaustive but should serve as a starting point for researchers.

Cinema's Military Industrial Complex

2018 ◽  
Keyword(s):  
World War Ii ◽  
World War I ◽  
Mobile Technologies ◽  
Industrial Complex ◽  
Physical And Mental Health ◽  
World War ◽  
Film Exhibition ◽  
Record Keeping ◽  
Military Industrial Complex ◽  
The Military

Cinema’s Military Industrial Complex examines how the American military has used cinema and related visual, sonic, and mobile technologies to further its varied aims. The essays in this book address the way cinema was put to work for purposes of training, orientation, record keeping, internal and external communication, propaganda, research and development, tactical analysis, surveillance, physical and mental health, recreation, and morale. The contributors examine the technologies and types of films that were produced and used in collaboration among the military, film industry, and technology manufacturers. The essays also explore the goals of the American state, which deployed the military and its unique modes of filmmaking, film exhibition, and film viewing to various ends. Together, the essays reveal the military’s deep investment in cinema, which began around World War I, expanded during World War II, continued during the Cold War (including wars in Korea and Vietnam), and still continues in the ongoing War on Terror.

Metamorphoses of memory of the the Russian-Serbian Brotherhood of War in Modern Serbia

2020 ◽  
Vol 13 (4) ◽  
pp. 142-156
Author(s):  
A. Yu. Timofeev
Keyword(s):  
World War Ii ◽  
Civil War ◽  
Party System ◽  
Historical Memory ◽  
Civil Conflict ◽  
Second World War ◽  
World War ◽  
Post War ◽  
The Stability ◽  
Second World

The article considers the perception of World War II in modern Serbian society. Despite the stability of Serbian-Russian shared historical memory, the attitudes of both countries towards World wars differ. There is a huge contrast in the perception of the First and Second World War in Russian and Serbian societies. For the Serbs the events of World War II are obscured by the memories of the Civil War, which broke out in the country immediately after the occupation in 1941 and continued several years after 1945. Over 70% of Yugoslavs killed during the Second World War were slaughtered by the citizens of former Kingdom of Yugoslavia. The terror unleashed by Tito in the first postwar decade in 1944-1954 was proportionally bloodier than Stalin repressions in the postwar USSR. The number of emigrants from Yugoslavia after the establishment of the Tito's dictatorship was proportionally equal to the number of refugees from Russia after the Civil War (1,5-2% of prewar population). In the post-war years, open manipulations with the obvious facts of World War II took place in Tito's Yugoslavia. In the 1990s the memories repressed during the communist years were set free and publicly debated. After the fall of the one-party system the memory of World War II was devalued. The memory of the Russian-Serbian military fraternity forged during the World War II began to revive in Serbia due to the foreign policy changes in 2008. In October 2008 the President of Russia paid a visit to Serbia which began the process of (re) construction of World War II in Serbian historical memory. According to the public opinion surveys, a positive attitude towards Russia and Russians in Serbia strengthens the memories on general resistance to Nazism with memories of fratricide during the civil conflict events of 1941-1945 still dominating in Serbian society.

The Fascist Turn in the Dance of Serge Lifar

2020 ◽  
Author(s):  
Mark Franko
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
World War I ◽  
Critical Reception ◽  
World War ◽  
Close Attention ◽  
Before And After ◽  
Gradual Development ◽  
Critical Discourses

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.

Presbyterians and Ethics

2019 ◽  
pp. 525-537
Author(s):  
Mark Douglas
Keyword(s):  
World War Ii ◽  
Great Awakening ◽  
Reformed Theology ◽  
Second Great Awakening ◽  
World War ◽  
Early Nineteenth Century ◽  
History Of Ethics ◽  
Presbyterian Church ◽  
Starting Point ◽  
History Of

The history of ethics in the Presbyterian Church has been shaped by the theological commitments of Reformed theology, the church’s ecumenical and interreligious encounters, its interactions with the wider cultures in which it functions, and its global scope. Consequently, Presbyterian ethics have become increasingly diverse, culturally diffused, ecumenically directed, and frequently divisive. That said, its history can helpfully be divided into three lengthy periods. In the first (roughly from the church’s origins in 1559 to the Second Great Awakening in the early nineteenth century), theology, ethics, and politics are so interwound that distinguishing one from the others is difficult. In the second (roughly from the Second Great Awakening to the end of World War II), moral concerns emerge as forces that drive the church’s theology and polity. And in the third (for which proclamation of the Universal Declaration of Human Rights in 1948 might be a heuristically helpful starting point), ethics increasingly functions in ways that are only loosely tethered to either Reformed theology or polity. The strength of the church’s social witness, the consistency of its global engagements, and the failings of its internecine strife are all evident during its five-hundred-year history.

Country Radio

2017 ◽  
Author(s):  
Eric Weisbard
Keyword(s):  
World War Ii ◽  
Business Models ◽  
Internet Access ◽  
Country Music ◽  
Programming Approach ◽  
World War ◽  
Musical Genre ◽  
New Business ◽  
The Media ◽  
New Business Models

This chapter considers the role played by radio in popularizing and defining country music. Radio as a format pursued a commercially driven mediation of identity that worked against applying an artistically driven musical genre definition. In particular, these debates revolved around gendered presentation and women as listeners and performers. From the 1920s through World War II, radio’s prominence in country turned on live radio shows as the media introduction of southern whites. A second era, from the end of the war to mid-1970s, saw a shift to disc jockeys and records: personality radio. Format radio country, a tighter programming approach, solidified from the mid-1970s to the mega mergers of the late 1990s. Most recently, in an era of Internet access and new business models for music, country has confronted the less sympathetic position of networked radio.

Dr Joseph Dudley ‘Benjy’ Benjafield: Microbiologist, soldier and Bentley Boy racing driver

2019 ◽  
pp. 096777201987609
Author(s):  
Liam McLoughlin
Keyword(s):  
World War Ii ◽  
World War I ◽  
Clinical Course ◽  
World War ◽  
Civilian Life ◽  
College Hospital ◽  
Army Medical ◽  
Consultant Physician ◽  
Spanish Flu ◽  
Bacteriological Laboratory

Dr Joseph Dudley ‘Benjy’ Benjafield qualified from University College Hospital Medical School, London in 1912. He joined the Royal Army Medical Corps during World War I and was in charge of the 37th Mobile Bacteriological Laboratory serving with the British Egyptian Expeditionary Force when the Spanish flu struck in late 1918. He observed the features and clinical course of the pandemic and published his findings in the British Medical Journal in 1919. On return to civilian life, he was appointed as Consultant physician to St George’s Hospital, Hyde Park Corner, London where he remained in practice for the rest of his career. He was a respected amateur gentleman racing driver frequently racing at the Brooklands circuit from 1924 after buying a Bentley 3-litre and entering the Le Mans 24 h race seven times between 1925 and 1935, winning in 1927. He was one of an elite club of young men known as The Bentley Boys and went on to become a founding member of the British Racing Drivers Club (BRDC) in 1927. He rejoined the Royal Army Medical Corps during World War II, serving briefly again in Egypt. He died in 1957.

scholarly journals Famous head injuries of the first aerial war: deaths of the “Knights of the Air”

2015 ◽  
Vol 39 (1) ◽  
pp. E5
Author(s):  
Prateeka Koul ◽  
Christine Mau ◽  
Victor M. Sabourin ◽  
Chirag D. Gandhi ◽  
Charles J. Prestigiacomo
Keyword(s):  
Head Injury ◽  
World War I ◽  
Head Injuries ◽  
World War ◽  
Traumatic Head Injury ◽  
The Public ◽  
Time Period ◽  
Traumatic Head ◽  
The Media

World War I advanced the development of aviation from the concept of flight to the use of aircraft on the battlefield. Fighter planes advanced technologically as the war progressed. Fighter pilot aces Francesco Baracca and Manfred von Richthofen (the Red Baron) were two of the most famous pilots of this time period. These courageous fighter aces skillfully maneuvered their SPAD and Albatros planes, respectively, while battling enemies and scoring aerial victories that contributed to the course of the war. The media thrilled the public with their depictions of the heroic feats of fighter pilots such as Baracca and the Red Baron. Despite their aerial prowess, both pilots would eventually be shot down in combat. Although the accounts of their deaths are debated, it is undeniable that both were victims of traumatic head injury.

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