scholarly journals 'Language ... Without Metaphor'

2020 ◽  
Vol 1 (2) ◽  
pp. 267-281
Author(s):  
Roxana Oltean
Keyword(s):  
Henry David Thoreau ◽  
Natural World ◽  
Sensory Experience ◽  
Status Quo ◽  
John Cage ◽  
Charles Ives ◽  
Vast Array ◽  
The World ◽  
Auditory Experience ◽  
Entire World

Henry David Thoreau has been celebrated for his observation of the natural world. While noting Thoreau's skills of observation in relation to the natural world and his responsiveness to sensory experience, scholars have, however, tended to privilege sight over sound. Even though Thoreau was recognized by musicians such as Charles Ives and John Cage for having an exceptionally fine ear for the symphonies of nature, sound still remains a neglected aspect of Thoreau's Walden; Or, Life in the Woods. This article is a corrective to this status quo, as it reads Walden as a transmedial project in which Thoreau frequently tuned in to the sounds encountered during his sojourn in nature in order to figure the essential parameters of his experiment and to relate to the entire world of experience. The complex soundscape of Walden engenders a multifaceted awareness of modern space, as sounds of nature, sounds of progress, and the clamor of people intersect. Accordingly, this article explores how Thoreau uses a vast array of sounds to relate to the world; how he apprehended, and even appreciated, not only the harmonies of nature, but also dissonance—within nature, as well as between nature, modernity and rurality. In doing so, this article proposes a reading of Thoreau's auditory experience as a reflection on, and negotiation with, a multifaceted world where the pastoral and the industrial coexist.

“Why We Sing”: David Mahler's Communities

2013 ◽  
Vol 7 (1) ◽  
pp. 1-28
Author(s):  
AMY C. BEAL
Keyword(s):  
Important Influence ◽  
John Cage ◽  
Academic Institutions ◽  
Charles Ives ◽  
Harmonic Motion ◽  
Simple Harmonic Motion ◽  
Band Music ◽  
The People ◽  
The World ◽  
Peter Garland

AbstractAmerican composer David Mahler (b. 1944) has nurtured a career that is independent, diverse, and hard to classify. Democratic, inclusive, and community oriented, Mahler thinks deeply about sound in specific environments, and how music gets made, both by amateurs and professionals. Mahler's work is thus integrally connected to places, to the people in them, and to the songs those people sing. He is influenced and inspired by U.S. traditions of band music arrangements, the ragtime of Joseph Lamb, the songs of Stephen Foster, the bitonality of Charles Ives, the simple harmonic motion of classic minimalism, and the indeterminacy of John Cage. His teachers included Harold Budd, Morton Subotnick, and James Tenney, and he has been an important influence on many composers of his generation, including Michael Byron, Peter Garland, Larry Polansky, Thom Miller, and Stuart Dempster. Defining himself as a “Listener-in-Residence,” he has composed, performed, taught, organized, and directed, all while remaining almost completely unaffiliated with academic institutions. This article provides a portrait of Mahler's career in the context of the communities that have shaped his work and explores how his music responds to the world around him.

scholarly journals Systematics: Its role in supporting sustainable forest management

2004 ◽  
Vol 80 (4) ◽  
pp. 451-457 ◽  
Author(s):  
John T Huber ◽  
David W Langor
Keyword(s):  
Biological Diversity ◽  
Sustainable Forest Management ◽  
Natural World ◽  
Status Quo ◽  
Theory And Practice ◽  
Invasive Pests ◽  
Living Things ◽  
The World ◽  
International Issues ◽  
Scientific Name

Understanding the natural world around us requires knowledge of its component parts. From an ecological function perspective, these parts are species. Partitioning the world of living things into distinguishable, universally recognized species, each with a unique scientific name, is difficult, especially when one considers the numerous kinds of microscopic organisms that make up most of the planet's biodiversity. Biosystematics is the study of the origin of biological diversity and the evolutionary relationships among species and higher-level groups (taxa). Taxonomy is the theory and practice of identifying, describing, naming and classifying organisms. Despite the emergence of national and international issues and programs concerning conservation of biodiversity, climate change and invasive alien organisms, all of which demand significant taxonomic input and require an increased investment in systematics, Canada's investment in this discipline has not risen to meet the challenge. Since the mid-1970s the number of taxonomists employed by the federal government has been reduced by about one half. Canada must do more than maintain the inadequate status quo by increasing its investment in systematics in order to meet our nation's obligations, both domestically and internationally. Key words: systematics, taxonomy, definitions, importance for biology, sustainable forestry, biodiversity, invasive pests

Culture and the plasticity of perception

2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann
Keyword(s):  
Cultural Context ◽  
Sensory Experience ◽  
Cultural Learning ◽  
The World

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.

A Māori Girl Watches, Listens, and Learns – Coming of Age from an Indigenous Viewpoint: Mauri (Merata Mita, 1988)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Indigenous People ◽  
Coming Of Age ◽  
Natural World ◽  
Feature Film ◽  
Indigenous Woman ◽  
Spiritual Dimension ◽  
The World ◽  
Life Force ◽  
Relationship Of ◽  
The Relationship

This chapter examines Merata Mita’s Mauri, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling procedures that reflect a distinctively Māori view of time and are designed to signify the presence of the mauri (or life force) in the Māori world.

Varieties of Understanding

2019 ◽  
Keyword(s):  
Natural World ◽  
Cognitive Resources ◽  
The World ◽  
Historical Tradition ◽  
Normative Considerations ◽  
Shed Light

According to a long historical tradition, understanding comes in different varieties. In particular, it is said that understanding people has a different epistemic profile than understanding the natural world—it calls on different cognitive resources, for instance, and brings to bear distinctive normative considerations. Thus in order to understand people we might need to appreciate, or in some way sympathetically reconstruct, the reasons that led a person to act in a certain way. By comparison, when it comes to understanding natural events, like earthquakes or eclipses, no appreciation of reasons or acts of sympathetic reconstruction is arguably needed—mainly because there are no reasons on the scene to even be appreciated, and no perspectives to be sympathetically pieced together. In this volume some of the world’s leading philosophers, psychologists, and theologians shed light on the various ways in which we understand the world, pushing debates on this issue to new levels of sophistication and insight.

Fundamentality

2017 ◽  
Author(s):  
Richard Healey
Keyword(s):  
Quantum Theory ◽  
High Energy Physics ◽  
Physical Property ◽  
Natural World ◽  
High Energy ◽  
Quantum Field Theories ◽  
Fundamental Physics ◽  
The World ◽  
Energy Physics

The metaphor that fundamental physics is concerned to say what the natural world is like at the deepest level may be cashed out in terms of entities, properties, or laws. The role of quantum field theories in the Standard Model of high-energy physics suggests that fundamental entities, properties, and laws are to be sought in these theories. But the contextual ontology proposed in Chapter 12 would support no unified compositional structure for the world; a quantum state assignment specifies no physical property distribution sufficient even to determine all physical facts; and quantum theory posits no fundamental laws of time evolution, whether deterministic or stochastic. Quantum theory has made a revolutionary contribution to fundamental physics because its principles have permitted tremendous unification of science through the successful application of models constructed in conformity to them: but these models do not say what the world is like at the deepest level.

Beyond Concepts

2017 ◽  
Author(s):  
Ruth Garrett Millikan
Keyword(s):  
Philosophy Of Mind ◽  
Philosophy Of Language ◽  
Conceptual Development ◽  
Natural World ◽  
Language Function ◽  
Natural Signs ◽  
Transmission Of Information ◽  
The World ◽  
Natural Information ◽  
Natural Ontology

This book weaves together themes from natural ontology, philosophy of mind, philosophy of language and information, areas of inquiry that have not recently been treated together. The sprawling topic is Kant’s how is knowledge possible? but viewed from a contemporary naturalist standpoint. The assumption is that we are evolved creatures that use cognition as a guide in dealing with the natural world, and that the natural world is roughly as natural science has tried to describe it. Very unlike Kant, then, we must begin with ontology, with a rough understanding of what the world is like prior to cognition, only later developing theories about the nature of cognition within that world and how it manages to reflect the rest of nature. And in trying to get from ontology to cognition we must traverse another non-Kantian domain: questions about the transmission of information both through natural signs and through purposeful signs including, especially, language. Novelties are the introduction of unitrackers and unicepts whose job is to recognize the same again as manifested through the jargon of experience, a direct reference theory for common nouns and other extensional terms, a naturalist sketch of uniceptual—roughly conceptual— development, a theory of natural information and of language function that shows how properly functioning language carries natural information, a novel description of the semantics/pragmatics distinction, a discussion of perception as translation from natural informational signs, new descriptions of indexicals and demonstratives and of intensional contexts and a new analysis of the reference of incomplete descriptions.

How is science to be carried forward, and its conclusions reported?

2018 ◽  
Author(s):  
Andrew Briggs ◽  
Hans Halvorson ◽  
Andrew Steane
Keyword(s):  
Mathematical Proof ◽  
Good Practice ◽  
Natural World ◽  
Component Part ◽  
Journal Articles ◽  
Scientific Publications ◽  
Direct Role ◽  
Intellectual Activity ◽  
Self Identity ◽  
The World

The chapter appraises science as an intellectual activity that is appropriately carried out on its own terms. Consequently, it is not appropriate to introduce references to God as a component part of a mathematical proof, nor of a system of forces in the natural world, nor of a sequence of impersonal processes in the biosphere. This does not mean that it is inappropriate to be thankful to God and to celebrate all these aspects of the world as gifts. They can be employed as opportunities to express appreciation through studying and understanding them better in their own right. Nevertheless, there may be processes, such as those which shape a person’s self-identity, in which it is appropriate to recognize God’s more direct role. Good practice concerning acknowledgements sections in scientific publications such as doctoral theses and journal articles is then discussed.

The Powers Metaphysic

2019 ◽  
Author(s):  
Neil E. Williams
Keyword(s):  
Potential Interaction ◽  
Status Quo ◽  
Repeated Application ◽  
Fundamental Ontology ◽  
The World ◽  
The Status ◽  
Foundational Ontology ◽  
Interaction Types

Systematic metaphysics is defined by its task of solving metaphysical problems through the repeated application of a single, fundamental ontology. The dominant contemporary metaphysic is that of neo-Humeanism, built on a static ontology typified by its rejection of basic causal and modal features. This book offers and develops a radically distinct metaphysic, one that turns the status quo on its head. Starting with a foundational ontology of inherently causal properties known as ‘powers’, a metaphysic is developed that appeals to powers in explanations of causation, persistence, laws, and modality. Powers are properties that have their causal natures internal to them: they are responsible for the effects in the world. A unique account of powers is developed that understands this internal nature in terms of a blueprint of potential interaction types. After the presentation of the powers ontology, it is put to work in offering solutions to broad metaphysical puzzles, some of which take on different forms in light of the new tools that are available. The defence of the ontology comes from the virtues of metaphysic it can be used to develop. Particular attention is paid to the problems of causation and persistence, simultaneously solving them as it casts them in a new light. The resultant powers metaphysic is offered as a systematic alternative to neo-Humeanism.

Montaigne on Monsters and Monstrosity

2016 ◽  
Author(s):  
Kathleen Long
Keyword(s):  
Natural World ◽  
Knowledge Systems ◽  
Human Knowledge ◽  
Divine Omnipotence ◽  
Human Creativity ◽  
The World ◽  
The Face

Monsters take on many roles in Montaigne’s Essays, almost always in novel ways. They do not take on their usual roles as markers of other races, genders, or bodies, as threats or objects of repulsion. Rather, the authorial self and his work are seen as monstrous; Europeans and their culture are seen as monstrous; the knowledge systems that create monsters are themselves monstrous; man’s vanity is monstrous. But most of all, the monster is the provocation to meditation on man’s presumption, and on the limitations of human knowledge and power in the face of the world and the divine. As the sign of the diversity and mutability of the natural world and thus of divine omnipotence, the monstrous and unusual is valued by Montaigne over the normal or usual. It is also the mark of human creativity, dependent as it is on the vagaries of the imagination, new and radically different from the rhetorical, literary, and artistic norms. This is why the Essays themselves can be considered a monstrous work.

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