scholarly journals Important Geophysical Comments for Nuclear Engineers and for the World Climate Democracy

Keyword(s):  

These are important comments that give examples for physicists, geophysics specialists, climate scientists and other scientific professions as they may attempt to organize systems « playing with fire » (trying to achieve more profit by going near the red line of the accident) and offer a fair suggestion for the modern-time « climate democracy » with a Popperian proposal on a climate standard.

JURISDICTIE ◽  
2019 ◽  
Vol 10 (1) ◽  
pp. 18
Author(s):  
Nuha Qonita

<p>Islamic finance continues to grow over the world, the development of technology plays a crucial role to support Islamic finance. The great innovation of technology may come to dig up the potential of Islamic financing, yet digital system needs for sharia compliance, both are in similar needs for sharia overviews regardless different opinions of ijtihad in this modern time. Emphasizing case by case of Islamic finance has been done by the sharia scholars in producing the new product of Islamic banking and financing. The Islamic jurisprudence however should consider the substence and maqasid form of sharia. The objective of this paper is to enlight some vital parts of Islamic legal theory as part of Islamic law in implementing sharia compliance. Furthermore, provide the role of legal system which takes a crucial place in implementing the system, it should be harmonized in the existing condition of Islamic finance. This paper is qualitative methods with deep analysis on Islamic legal theory among muslim scholars.</p>


Author(s):  
Gordana Stamenković

The author tends to analyze the main characteristics of the media today and the consequences of relevant media activity to the society and the man. A special place in the article is reserved for the consideration of the phenomenon referred to as the man-shell, that is, the way of online life that is becoming more frequent in modern time, and as such, more and more recognized. A part of the article is dedicated to the imperative of “continuous present” the modern media forces upon us, that is, the consequences of imperative Now to man's identity and authenticity, as well as his willingness to get socially and politically engaged. The final part of the article considers renewed awareness, the process that could be one of the means of escape from the world of illusions the modern media successfully create and a path of return to the natural, primary reality.


Author(s):  
Ante Silić ◽  
Jakša Vukojević ◽  
Ilaria Čulo ◽  
Hrvoje Falak

Psychiatry, as we know it, is at a crucial point because it needs to adapt to the modern time and still maintain the integrity and ethic aspects of the therapeutic alliance. Bearing in mind the rising prevalence of new addictions like Internet and online gaming addictions, one can see that, however, disputed, there is a whole new category of psychiatric illnesses on the rise. An example of these kinds of illnesses is Hikikomori. Hikikomori, or severe social withdrawal, pertains to patients who have stopped participating in everyday routine and would spend the majority of time confined in their room for the period of 6 months or more, with no evident psychosis. Although this syndrome was originally described in Japan, over the course of last few years it has been documented in several parts of the world, spreading like a silent epidemic. Our case study, being the first documented case in Southeast Europe, according to our experience and literature search, is a vivid example of this syndrome. In this report we discuss differential diagnosis, show what kind of therapy was efficient in the successful treatment of this syndrome and how it can be prevented in the future


PMLA ◽  
2010 ◽  
Vol 125 (2) ◽  
pp. 410-413 ◽  
Author(s):  
Kaja Silverman

I chose the title of this essay in part because I will be discussing Leo Bersani's work on painting and cinema, and Doing so as a friend rather than a rival or adversary. But the three words in my title also describe how Bersani himself approaches the visible world: when he sees something, he looks with it, not at it. He is drawn to artists who look in the same way—artists who challenge the notion that seeing is a one-way action, which a seer performs on a visual object. Terrence Malick is a particularly good example of this type of artist, since he not only looks with the world but also makes this action the center of his films. As Bersani and Ulysse Dutoit put it in their discussion of The Thin Red Line, Malick shows us both “the world his characters are registering” and “the imprint of the act of looking on the subject of the looking” (Forms 146).


2020 ◽  
Vol 10 (3) ◽  
pp. 177
Author(s):  
Ayman F. Khafaga

Most contemporary playwrights acknowledge that Shakespeare&rsquo;s dramas are for use as raw material to be assimilated into contemporary mould, not to be revered strictly as untouchable museum pieces. Being the model of all dramatists, Shakespeare had a great influence on English theatre, his plays are still performed throughout the world, and all kinds of new, experimental work find inspiration in them. This paper investigates the intertextual relationships between William Shakespeare&rsquo;s King Lear (1606) and Edward Bond&rsquo;s Lear (1978). The main objective of the paper is to explore the extent to which Bond manages to use Shakespeare&rsquo;s King Lear as an intertext to convey his contemporary version of Shakespearean classic. Two research questions are tackled here: first, how does Shakespeare&rsquo;s King Lear function as a point of departure for Bond&rsquo;s contemporary version? Second, to what extent does Bond deviate from Shakespeare to prove his originality in Lear? The paper reveals that Bond&rsquo;s manipulation of intertextuality does not mean that he puts his originality aside. He proves his originality by relating the events of the old story to contemporary issues which in turn makes the story keep pace with modern time.


2019 ◽  
Vol 14 (1) ◽  
pp. 71
Author(s):  
W. Sayang Yupardhi

<p>Until now where ever in the world, unity is no show yet it eternal identity, so friction occurs at some countries that marking with various violent among sesame due to self beneficial (excessivenees of ego). This is the “Kali” personality qualification that sink in ocean of sin where it’s not human eternal character that occupaid their selve.</p><p>                Hanuman who already unity with Rama “Avatar” is eternal association that can be catagorised could reach everything are need (not desire). This would inspire human being of modern time through unity among sesame in which could realized unity in diversity physicaly and non physicaly i.e. Soul. The essiest way to form unity is to lern to implement God principles in all of His creations properly. The value that already inheritance by Indonesian Freedom Country must be understood accordingly in order to own togather in supervicing unity to form  Indonesian character building.</p><p>                Upanishad teachs that unity is the key of success to reduce the ocean suffer in this live, so if all people want to share in different society they would be have high credit in order to do pray and chanting “Om” (primordial voiceof the God). This tend to insure firm pice and stability in each country follows directions and implementation of basic gathering in unity.The unity of all human being (Hindu, Christiany, Budha, Islam, etc) was said by holy man that they can fill it latter within 25 – 30 years.</p>


2020 ◽  
pp. 92-147
Author(s):  
Aleida Assmann

This chapter reconstructs and critically examines the history of the modern time regime. The worldview associated with modernity's time regime rests on various presuppositions, five of which are examined in this chapter. These issues are closely related and directly build on one another: temporal rupture, the fiction of beginning, creative destruction, the invention of the historical, and finally, acceleration. In doing so, the chapter attempts to find out how the modern time regime came into being and the values associated with it that started Western civilization on its particular trajectory. It also considers how that regime has been translated into action and collective self-awareness, historically and politically. Where the values of Western culture come from, how they inform its sense of the rest of the world, and which of these values are worth safeguarding or are considered problematic are also explored.


2020 ◽  
pp. 5-18
Author(s):  
Toshio Kawai

From a historical perspective, psyche is seen to have changed from an open system in the premodern time to a closed one in modern time. This has brought a separation of nature and psyche; Science has the nature as object, psychology only copes with the inside of person. The process of internalization seems to be changing in the postmodern time. The inner life is shown to all over the world via internet, twitter, etc. Psyche is again becoming an open system. To have some hints on contemporary situation Japanese culture and history are compared. There still remains premodern understanding of psyche and nature in Japan. But Japanese art such as gardening and ikebana show that a unique process of internalization has happened by way of making exquisite miniatures of nature. There is a growing tendency in the postmodern age not to decide and to be involved. This can be called a "contingent" attitude (Agamben). According to the modern understanding of psyche, psyche and environment are separated. But the postmodern situation makes again a world possible where everything is connected. This may be a chance to contribute to global and environmental problems from the psychotherapy


Text Matters ◽  
2012 ◽  
pp. 62-75
Author(s):  
Catherine M. Lord

Terrence Malick’s The Thin Red Line (1998) is an anti-war film which can be read as an Orphic narrative meditating on the relationship between humans and “nature.” Many scholarly readings of the film have been attracted by analyzes that explore the influences of Cavell and Heidegger on Malick (Critchley, Furstenau and MacCavoy, Sinnerbrink). Kaja Silverman’s recent opus, Flesh of My Flesh (2009), contains a chapter titled “All Things Shining.” She elegantly examines how Malick’s film explores the theme of “finitude.” She argues that, ontologically speaking, human existence gains a more intense “glow” when humans are made aware of their mortality. The present becomes paramount. But like Orpheus, the present seeks to make amends with the past. Taking Silverman’s analysis one step further involves exploring finitude through the film’s many animal, arboreal and geological images. Nature can be read as a “margin” that more fully enhances the film’s exploration of connection and finitude. To this end, the opening chapter of Jacques Derrida’s Margins of Philosophy (1986) is invaluable. Entitled “Tympan,” Derrida’s introductory essay introduces a wealth of ecological metaphors. These stimulate an interaction between Silverman’s model of finitude, Derrida’s surprising ecologies at the margin and Malick’s quest for what shines in all beings.


Author(s):  
Azra AHMETOVIĆ

Today exists in the world general understanding that education in the conditions of scientific and technical progress becomes direct power of society and decisive constituent of economic and social development. One of the most important characteristics of modern time education is acknowledgement of constantly increasing mutual dependence between knowledge and economic development.


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