scholarly journals THE INTERRELATIONSHIP BETWEEN ARCHITECTURE AND FASHION

2021 ◽  
Vol 03 (06) ◽  
pp. 525-539
Author(s):  
Nawras Odai ALI ◽  
Ziad Odaa REBEH
Keyword(s):  
Architectural Design ◽  
Common Ground ◽  
Mutual Influence ◽  
Fashion Design ◽  
Methodological Framework ◽  
The Third ◽  
The Common ◽  
Design Characteristics ◽  
Fashion Designers ◽  
The Relationship

The researchers studied the interplay between architecture and fashion and highlighted the common ground between architecture and fashion design. To enhance visual communication and interest. The study consisted of four chapters, the first of which focused on its methodological framework, in which its problem was determined by the following question: And what's the relationship between them? The purpose of the study was to uncover the relationship between architecture and fashion design and their mutual influence. The second focused on the relationship between fashion design and architectural design characteristics, while the third concerned fashion designers affected by architecture in their work either. (Research procedures) The research methods adopted by the researchers included: By describing the forms of architecture and analyzing the relationship between architecture and fashion design, being a suitable methodology for studying them and completing the study, the researchers identified a set of results that were consistent with the importance, purpose and purpose of the study. 1. The characteristics of architecture and costumes, whether parallel or interrelated or based on a mutual relationship, were originally established for the comfort and beauty of man depending on the dimensions of his body. The study was then concluded with conclusions, recommendations and a list of sources‎.

The relationship of fashion and art and art literacy of the students of the department of fashion design

2016 ◽  
Author(s):  
Esra Varol
Keyword(s):  
Design Education ◽  
Common Ground ◽  
Assistant Professor ◽  
Research Field ◽  
Fashion Design ◽  
Haute Couture ◽  
Architecture And Design ◽  
Fashion Designers ◽  
Relationship Of ◽  
The Relationship

The existence of the relationship between fashion and art dates back to old times. The aim of Worth and Poiret with the arising of haute couture in 19th century was the acceptance of fashion designers as artists. Even though this situation has never realized completely, many designers continued designing clothing with the sense of art and still do. The subject that unites design and art on the common ground is that there is an effort of creating an esthetical product at the end of both activities. In this direction, art lessons have always been a part of design education. As in every design field, in fashion design field art lessons take place in the curriculum. Art provides the inspiration for the designers; students and other designers design clothing by being influenced by the art. Thus, art becomes an eternal research field for designers, art literacy comes into prominence in this respect. The aim of this research is to discuss the relationship of art and fashion within its historical development and reveal the art literacy of the students of the department of fashion design. The research has been carried out in Eskisehir Anadolu University Faculty of Architecture and Design Department of Fashion Design. The method of the research is descriptive. In order to obtain the research data along with literature review art literacy scale that is developed by Assistant Professor Doctor İzzet Yucetoker has been used. Scale 96 has been applied on fashion design student.Keywords: fashion, art, fashion design, art literacy.

The History of Emotions and Nationalism Studies: a Сognitive Turn in Contemporary Historiography

Istoriya ◽  
2021 ◽  
Vol 12 (8 (106)) ◽  
pp. 0
Author(s):  
Olga Vorobieva
Keyword(s):  
Common Ground ◽  
Historical Sociology ◽  
National Character ◽  
History Of Emotions ◽  
Cognitive Studies ◽  
History Of ◽  
Individual Consciousness ◽  
The Common ◽  
Constructivist Approaches ◽  
The Relationship

The article considers the cognitive potential of the history of emotions in the study of nationalism in historiographical discussions of 1990—2000s. The authors analyze the works, which criticize constructivist approaches and problematize the relationship between nationalism, “national character”, “emotional mode” and everyday behavioral practices. Based on P. Bourdieu's concept of ‘habitus’ and its modification in N. Elias's historical sociology, the article highlights the common ground and productive interaction between histories of emotion and nationalism studies. This reciprocal movement is interpreted as a symptom of the search for a common conceptual platform and vocabulary for the mutual translation of their research practices. The authors believe that a productive trend within this dialogue could be a more active address to cognitive studies advocating a rethinking of the relationship between individual consciousness and collective regimes of knowledge-power of sentimental, modern and “post-modern” eras.

The Scylding Dynasty in Saxo and Beowulf as Disguised Theogony

2021 ◽  
Author(s):  
Emily Lyle
Keyword(s):  
Common Ground ◽  
The Third ◽  
Fifth Generation ◽  
The Common

The common ground between the representations of the Scylding dynasty in Saxo’s Gesta Danorum and Beowulf consists of four generations and this set has already been explored in the legendary context. There is, however, a hidden intervening generation between the third and fourth generations which becomes visible when attention is paid to the succeeding reigns of Balder and Høther, taken along with the birth of Rolf Krake from father-daughter incest in Saxo which means that Rolf’s mother belongs to the generation after his father. This chapter argues that this intervening generation corresponds to that of the young gods in a proposed Indo-European theogony and is that of the death of Balder, while the fifth generation is that of the mortal avenger.

Session 3: Conducting the Interpersonal Inventory

2018 ◽  
pp. 117-128
Author(s):  
Laura J. Dietz
Keyword(s):  
Peer Relationships ◽  
Interpersonal Psychotherapy ◽  
Common Language ◽  
Parent Child Relationship ◽  
The Third ◽  
Child Relationship ◽  
The Common ◽  
Family Based ◽  
The Relationship ◽  
Do So

Chapter 7 of Family-based Interpersonal Psychotherapy (FB-IPT) for Depressed Preadolescents presents the third session of family-based interpersonal psychotherapy (FB-IPT), in which the therapist begins by orienting both the preadolescent and the parent to the structure of treatment. The therapist has already made the mood thermometer a part of the common language in the check-in and continues linking shifts in the preteen’s mood with particular interpersonal events. The therapist begins conducting the interpersonal inventory with the preadolescent and continues to do so in the next session. The therapist also has obtained information from the parent about the relationship with his or her child as well as the parental perspective about the preadolescent’s peer relationships. An understanding of how the preadolescent’s depression has affected the parent–child relationship provides a context for discussing Parent Tips in the next session.

Study on the Architecture Materials Design of Art and Clothing Materials Design

2013 ◽  
Vol 743 ◽  
pp. 82-85
Author(s):  
Li Ma
Keyword(s):  
Body Composition ◽  
Architectural Design ◽  
Building Materials ◽  
Mutual Influence ◽  
Materials Design ◽  
Fashion Design ◽  
Human Society ◽  
Color Body ◽  
Mutual Learning ◽  
The People

The building is enclosed the spatial structure of the human lifestyle, and clothing is the "packaging" of the people, with modesty naked. The building on the space recorded the development and progress of human society, and the clothing reflects the development of human civilization. In this paper, the use of color, body composition and materials of the three aspects of clothing and architecture are discussed similarities and similarities in terms of design, In addition, from the official architectural culture and clothing culture, literati building materials culture and clothing culture and folk building materials culture and clothing materials culture demonstrates the culture intrinsic link between architectural culture clothing culture of mutual learning and mutual influence. To further illustrate the architecture and clothing appears to be two different professional, but in terms of design and culture, between each other is a profound inner link, Both organically combined, will be able to better develop the architectural design and fashion design.

scholarly journals Berlin As a Creative Field: Deconstructing the Role of the Urban Context in Creative Production

2016 ◽  
Vol 35 (4) ◽  
pp. 121-132
Author(s):  
Marco Copercini
Keyword(s):  
Mutual Influence ◽  
Fashion Design ◽  
Location Decisions ◽  
Creative Work ◽  
Urban Context ◽  
Relational Context ◽  
Innovation Capacity ◽  
Fashion Designers ◽  
The City

Abstract The relation between creative activities and the cities in which they are concentrated is that of mutual influence and dependence. This kind of dynamics is well described by the concept of the creative field by Scott (2006, 2008, 2010, 2014). According to this concept, there is a shared relational context among creative actors in a given place, as well as between them and the local socio-economic-institutional context. Consequently, the economic profile and innovation capacity of a city are determined by the main sectors based there. In this paper, I discuss the role of the creative field in developing the relation between the city of Berlin and creative actors of the fashion design sector, as well as elements of the creative field that are considered relevant by fashion designers in their creative work. This perspective allows the underscoring of some relevant drivers that have made Berlin one of the most relevant places for fashion design in Germany and the whole of Europe. This research has been supported by administrative data from the period 1990-2015, along with personal interviews in the fashion design sector. Shown are not only the existing relations between the urban context and the creative activities of designers, but also how the development of the creative field of the city might be influenced. Consequently, the creative work of fashion designers and their location decisions have to be considered in relation to the creative field as a dynamic combination of variable elements that influence, and are influenced by, each other.

scholarly journals Computing the meaning of the assertive speech act by a software agent

2017 ◽  
Vol 1 (1) ◽  
pp. 20
Author(s):  
Brian Nolan
Keyword(s):  
Common Ground ◽  
Speech Act ◽  
Contextual Information ◽  
Software Agent ◽  
Cultural Knowledge ◽  
Illocutionary Force ◽  
What Is Said ◽  
Situation Type ◽  
The Common ◽  
The Relationship

This paper examines the nature of the assertive speech act of Irish. We examine the syntactical constructional form of the assertive to identify its constructional signature. We consider the speech act as a construction whose meaning as an utterance depends on the framing situation and context, along with the common ground of the interlocutors. We identify how the assertive speech act is formalised to make it computer tractable for a software agent to compute its meaning, taking into account the contribution of situation, context and a dynamic common ground. Belief, desire and intention play a role in <em>what is meant</em> as against <em>what is said</em>. The nature of knowledge, and how it informs common ground, is explored along with the relationship between knowledge and language. Computing the meaning of a speech act in the situation requires us to consider the level of the interaction of all these dimensions. We argue that the contribution of lexicon and grammar, with the recognition of belief, desire and intentions in the situation type and associated illocutionary force, sociocultural conventions of the interlocutors along with their respective general and cultural knowledge, their common ground and other sources of contextual information are all important for representing meaning in communication. We show that the influence of the situation, context and common ground feeds into the utterance meaning derivation. The ‘<em>what is said’</em> is reflected in the event and its semantics, while the ‘<em>what is meant’</em> is derived at a higher level of abstraction within a situation.

scholarly journals INTERPRETING RUH AS AN ECOLOGICAL SPIRITUALITY IN RELATION TO ISLAM AND JAVA MYSTICISM

2021 ◽  
Vol 23 (1) ◽  
pp. 139-156
Author(s):  
Ubaidillah Ubaidillah
Keyword(s):  
Natural Disaster ◽  
Analytical Method ◽  
Turning Point ◽  
Common Ground ◽  
Ecological Spirituality ◽  
The Common ◽  
Ecological Behavior ◽  
Human And Nature ◽  
The Relationship

This research aims to explain about the acculturation of Islam and Javanese wisdom in interpreting ruh (spirit) as an ecological behavior in dealing with natural disaster and exploitative activities. The concept of spirit refers to the awareness to interpret the relationship between human and nature as a living macrocosm unit. The awareness, in Islam, is a dimension of Sufi that blends with nature, such as Javanese philosophy on the principle of the unity of nature. It employs descriptive analytical method by integrating theo-sufistic paradigm to find a turning point in the common ground between Islam and Java in preserving the nature. The analysis goes into three conclusions: 1) the concept of spirit in Islam is a representation of one’s love with nature as the manifestation of love with God in its essence; 2) Javanese beliefs and rituals in ruh as a living and valuable existence signified in mystical mythology for being haunted and sacred serves as theo-sufistic expressions of Islam and Java; 3) spirituality of the spirit generates awareness of the philosophy of Sangkan Paraning Dumadi, to live in harmony and balance between humans and nature. Penelitian ini ingin menjelaskan tentang akulturasi Islam dan kearifan Jawa dalam memaknai ruh sebagai perilaku ekologis dalam menangani kerusakan alam dan aktivitas eksploitatif. Konsep ruh yang dimaksud adalah kesadaran memaknai hubungan manusia dan alam sebagai satu kesatuan makrokosmos yang hidup. Kesadaran tersebut dalam Islam merupakan dimensi sufistik yang menyatu dengan alam sebagaimana falsafah Jawa tentang prinsip kesatuan alam. Penelitian ini menggunakan metode deskriptif analitis dengan pendekatan integratif dalam paradigma teo-sufistik untuk menemukan titik balik persamaan persepsi antara Islam dan Jawa dalam memelihara alam hayati. Hasilnya,  pertama, konsep ruh dalam Islam adalah representasi dari mencintai alam sebagai manfestasi mencintai Tuhan dengan dzatnya. Kedua, keyakinan dan ritual yang dilakukan masyarakat Jawa atas ruh sebagai eksistensi yang hidup dan memberi manfaat yang mewujud dalam mitologis mistik yang disebut angker dan sakral sebagai ekspresi teo-sufistik Islam dan Jawa. Ketiga, spiritualitas ruh memberikan kesadaran dalam filosofi Jawa tentang Sangkan Paraning Dumadi sebagai makna hidup untuk dapat serasi dan seimbang antara manusia dan alam.

scholarly journals Catwalking the Nation: Challenges and Possibilities in the Case of the Danish Fashion Industry

2011 ◽  
Vol 3 (1) ◽  
pp. 55-70 ◽  
Author(s):  
Marie Riegels Melchior
Keyword(s):  
Collective Identity ◽  
Fashion Design ◽  
Design Practice ◽  
Fashion Industry ◽  
Nationalist Discourse ◽  
Potential Market ◽  
Public Debates ◽  
Fashion Designers ◽  
Post Industrial ◽  
The Relationship

This article discusses the mobilization of the nation for fashion, based on how the relationship between fashion and nation unfolds in the case of fashion design practice and the fashion industry in Denmark. The otherwise globalized fashion industry is equally involved in what I term “catwalking the nation,” both as a way to construct a cosmopolitan nationalist discourse for the post-industrial nation and as a strategy for local fashion industries to promote collective identity in order to strengthen potential market share, which is the focus of this article. What may at first appear in the Danish case as an absurd and non-productive relationship is actually significant, I would argue, despite its complexity. It has the potential to stimulate critical fashion design practice and give fashion designers a voice, allowing them to take an active part in contemporary public debates on important issues such as nationalism and cosmopolitanism in the age of globalization.

The Extraction of Song Brocade's Characteristic Elements and the Application in Fashion Design

2013 ◽  
Vol 796 ◽  
pp. 484-487
Author(s):  
Hai Yang Tang ◽  
Ying Chen
Keyword(s):  
Fashion Design ◽  
The Third ◽  
Grey Tone ◽  
The Common ◽  
Color Combinations

In order to inherit and develop the valuable heritage of Chinese traditional clothing cultural-Song Jin, the characteristic elements, patterns and colors of Song Jin, were extracted. Summarized that the common themes of Song Jin were geometry, flowers, animals, utensils and meteorological theme and the Four Dayun, Six Dayun and Eight Dayun of geometry themes were the most classical patterns among all these themes; the common color combinations were divided into three categories. The first was the combination of harmonic colors which based on the yellow tone. The second was the combination of harmonic colors which based on the grey or blue-grey tone and used the reddish violet and blue as ornaments. The third often used the combination of contrasting colors which usually chose bright red, green and orange to highlight the main prints. On this basis, explore how to use the two characteristic elements in fashion design.

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