scholarly journals A matemática da villa ideal

2017 ◽  
Vol 2 (3) ◽  
Author(s):  
Colin Rowe
Keyword(s):  
Le Corbusier ◽  
Architectural Review ◽  
The Ideal

A seção Arquivo neste número traz a tradução do clássico texto de Colin Rowe - The mathematics of the ideal Villa – publicado originalmente em Março de 1947 na revista Architectural Review, depois abre a coletânea de textos intitulada The mathematics of the ideal Villa and other essays, publicada pela MIT Press, em 1982, e, republicado em 1999, pela mesma MIT Press, em um dos três volumes que formam As I Was Saying: Recollections and Miscellaneous Essays, Collected essays, letters, and papers. O artigo talvez seja dos mais importantes documentos críticos publicados no século XX, cuja acurada comparação entre as ordens compositivas da Villa Malcontenda, de Palladio, e da Villa Garches, de Le Corbusier, estendeu os limites da reflexão acerca do objeto arquitetônico moderno logo após o término da Segunda Guerra Mundial. O direito de reprodução nos foi obtido junto ao MIT Press. A atualidade dos argumentos do texto original e a pertinência da tradução feita por Aurora Neiva, revisada de Rachel Coutinho M. da Silva, nos parece notória.

scholarly journals conversando con... William J.R. Curtis

2019 ◽  
Vol 24 (37) ◽  
pp. 12
Author(s):  
Antonio García Bueno ◽  
Karina Medina Granados
Keyword(s):  
Visual Arts ◽  
50Th Anniversary ◽  
Le Corbusier ◽  
Modern Architecture ◽  
Architectural Review ◽  
Richard Serra ◽  
Tadao Ando ◽  
Courtauld Institute

<p>William J.R. Curtis (Kent, 1948), es un galardonado historiador de reconocido prestigio internacional y crítico de arquitectura, a la vez que escritor, comisario y fotógrafo. Sus obras escritas son referentes para el estudio de la arquitectura.<br />Aprovechando la visita realizada a Granada con motivo de su exposición “Abstracción y Luz” que tuvo lugar en el Palacio de Carlos V en la Alhambra entre los meses de septiembre y noviembre de 2015, nos pudo mostrar sus diferentes facetas humanistas a través de su obra y su visión de la arquitectura, el paisaje y el mundo.<br />Curtis realizó sus estudios en el Courtauld Institute of Art de la Universidad de Londres y posteriormente en la Universidad de Harvard.<br />Ha impartido docencia en Historia del Arte, Teoría del Diseño y la Arquitectura en universidades de todo el mundo (Europa, Estados Unidos, Latino América, Australia, Asia,…). Universidades como Harvard, Universidad de California, Asociación de Arquitectura de Londres, Universidad de Cambridge, ETSAB Barcelona, son algunas de las instituciones que han tenido el placer de contar con William Curtis como docente.<br />Entre sus muchas obras escritas de historia, crítica y teoría, ha tratado temas muy variados como la arquitectura contemporánea, paisajismo, diseño, historiografía, educación visual, arquitectura vernácula, arquitectura india, arquitectura bereber del pre-Sáhara… Se puede destacar su libro Modern Architecture Since 1900 (Phaidon, tercera edición revisada 1996), que ha sido referente a nivel internacional y traducido en cinco idiomas. Otros de sus libros con gran impactos han sido: Le Corbusier: Ideas and Forms (Phaidon, segunda edición 2015); Denys Lasdun: Architecture, City, Landscape (Phaidon, 1994). Entre sus contribuciones más recientes encontramos: Abstractions in Space: Tadao Ando, Ellsworth Kelly, Richard Serra (Pulitzer Foundation, St. Louis, 2001); Barcelona 1992-2004 (Guim Costa, Gustavo Gili, 2004); y RCR Aranda, Pigem, Vilalta Arquitectes: Entre la abstracción y la naturaleza (Gustavo Gili, Barcelona, 2004).<br />Añadir que ha escrito gran cantidad de monografías sobre arquitectura moderna y contemporánea, así como sobre Le Corbusier. Sus críticas y monografías se pueden encontrar en revistas internacionales de reconocido prestigio entre las que se encuentra, entre otras, El Croquis (Madrid) y Architectural Review (Londres).<br />Mencionar que William Curtis ha sido conferenciante en muchos encuentros y debates críticos en todo el mundo. Ha participado como jurado en competiciones internacionales de diferente índole, así como ha ocupado diferentes puestos honoríficos en numerosas instituciones.<br />Junto con todos estos méritos, hay que mencionar los últimos premios con los que ha sido galardonado: Medal of Foundation for Museum of Finnish Architecture, 50th Anniversary, 2006; y Premio de Oro a la Aportación Global de la Arquitectura (CERA, A+D, India, 2014).<br />Para completar su faceta humanista, William además de escritor de libros y ensayos críticos, realiza pinturas, dibujos y fotografías sobre la abstracción de la naturaleza y su forma de ver el mundo. Entre sus exposiciones se encuentran: Mielen Maisemia/Mental Landscapes (Museo de Arquitectura de Finlandia, Helsinki 2000); Mental Landscapes/Paisajes Mentales (Círculo de Bellas Artes, Madrid 2002); Carpenter Center for the Visual Arts (Harvard 2004); Architectures du Monde. Le regard de William J.R. Curtis (Centre Méridional de l’Architecture et de la Ville en Toulouse, 2004-2005); Structures of Light (Museo Alvar Aalto, Finlandia, 2007).<br />Y por último Abstracción y Luz/Abstraction and Light (Patronato de la Alhambra y Generalife, Granada, 2015), gracias a la cual ha sido posible esta entrevista.<br />Rodeado de sus dibujos y pinturas, Williams nos ha contestado a nuestras preguntas, enfatizando en temas como la luz, la sombra, el agua y el espacio. Mientras, sentíamos la fuerza y presencia de estos conceptos en su obra, reforzados por el espacio en el que estaban expuestos, el Palacio de Carlos V en la Alhambra.<br />A través de sus fotografías y dibujos nos muestra su forma de mirar el mundo mediante la abstracción.</p>

scholarly journals Le Corbusier 24NC Un fragmento habitado de la Ville Radieuse = Le Corbusier 24NC An inhabited fragment of the Ville Radieuse

2014 ◽  
pp. 67
Author(s):  
José Ramón Alonso Pereira
Keyword(s):  
El Paso ◽  
Le Corbusier ◽  
Collective Building ◽  
The Ideal

Considerado siempre como el hábitat corbuseriano por  excelencia, el apartamento-atelier de Le Corbusier en Porte Molitor es una villa individual sobre un edificio colectivo edificado --según su propia expresión-- en condiciones de Ville Radieuse. Radieuse, radiante, es el término empleado para definir la ciudad ideal: una urbe moderna imaginada dentro de un gran parque. Este texto pretende analizar esa casa radiante: el lugar y el espacio donde Le Corbusier vivía y sus modos de  habitarlo a través del tiempo, desde 1934 hasta su muerte, tres décadas más tarde. Porque 24NC supone el paso del proyecto a la vida: de proyectar la Ville Radieuse, a vivir en ella. Abstract Ever considered the corbusian habitat for excellence, the  appartement of Le Corbusier at 24NC Porte Molitor is an individual villa over a rent collective building edified –as he used to say-- on Ville Radieuse conditions. Radieuse, radiant, isthe word used to define the ideal city: a modern urbs imagined within a large park. This paper tries to analyse this maison radieuse: the place and the space where Le Corbusier lived in and his ways of living in along the time, from 1934 to his death in 1965. To study the double aspect of habitat and living. To analyse the place and the space where Le Corbusier lived, at his projects and his metaphors: the maison radieuse, the urbs in ortu, the crystal house, the labour archipielago, with its different islands of paints and books, of papers and memories...  Because 24NC suppose the transit from project to life: from planning Ville Radieuse, to living in.

scholarly journals ¿Por qué la arquitectura es música congelada? Schelling, Le Corbusier y Xenakis

2016 ◽  
pp. 39-60
Author(s):  
Virginia López-Domínguez
Keyword(s):  
A Priori ◽  
Le Corbusier ◽  
The Real ◽  
The Past ◽  
The World ◽  
And Mathematics ◽  
Architecture And Music ◽  
The Ideal

Architecture is frozen music is a phrase which has been transformed by use, but it has also been taken away the importance it has for an esthetic ontology and a different conception of the world, and that is why its deepness and meaning are analyzed through Schelling, Le Corbusier and Xenakis in order to show why architecture is frozen music. Here architecture and music have a correlation that cannot be perceived at first, which places architecture itself in a quest for beauty, when in the past it only used to be taken into account in the criteria of the useful. The narrow connection between architecture and music dwells on the level of a priori regarding structure and mathematics, but also shows the relation with the sensitive, the real and the ideal, which means that it involves the fluctuation between the objective and the subjective that can be shown regarding the execution of the work.

Moral geometry, natural alignments and utopian urban form

Thesis Eleven ◽  
2018 ◽  
Vol 148 (1) ◽  
pp. 52-76
Author(s):  
Jean-Paul Baldacchino
Keyword(s):  
Urban Design ◽  
Urban Form ◽  
Le Corbusier ◽  
The Sun ◽  
Moral Good ◽  
Choson Dynasty ◽  
Central Image ◽  
Utopian Thought ◽  
The City ◽  
The Ideal

The city has featured as a central image in utopian thought. In planning the foundation of the new and ideal city there is a close interconnection between ideas about urban form and the vision of the moral good. The spatial structure of the ideal city in these visions is a framing device that embodies and articulates not only political philosophy but is itself an articulation of moral and cosmological systems. This paper analyses three different utopian moments in three different historical epochs – Tommaso Campanella’s City of the Sun (1602), the Choson dynasty foundation of the city of Seoul (1395) and the modernist utopian urbanism of the controversial Le Corbusier (1887–1965). In this analysis attention is drawn to the cosmological and moral visions articulated in these three ‘images of the city’ (Lynch). The opposition between rationalistic/mechanistic and religious/traditional urban design can prove to be an oversimplification that obscures the complex interrelations between the moral geometry and the natural alignments of the ideal urban form.

scholarly journals Spectral Returns of Domesticity

10.1068/d326 ◽  
2003 ◽  
Vol 21 (1) ◽  
pp. 27-45 ◽  
Author(s):  
Gülsüm Baydar
Keyword(s):  
Le Corbusier ◽  
Close Reading ◽  
Public Realm ◽  
Urban Theory ◽  
Private Realm ◽  
Modern Period ◽  
The Feminine ◽  
Total Control ◽  
The City ◽  
The Ideal

This is a study of the link between the house and the city, based on a close reading of three historical statements from Western urban theory by Leone Batisti Alberti, Le Corbusier, and Paul Virilio. Sexualized metaphors of the house as the feminine, private realm and the city as the masculine, public realm proliferate in the modern period. However, rather than conforming to this conventional opposition, these three authors define the city in terms of the house. Their statements provide a curious link across temporal and geographical boundaries, with significant theoretical implications. In all three cases both the feminine figure and themes of loss and death underlie the desire to project the ideal city. In this paper I argue that these themes intertwine in complicated ways to assert urban identification in terms of a masculine desire of total control and mastery by silencing the feminine figure.

Localization of Intracellular Antigens in thin Sections with Ferritin Labeled Antibody

1970 ◽  
Vol 28 ◽  
pp. 174-175
Author(s):  
M.S. Shahrabadi ◽  
T. Yamamoto
Keyword(s):  
Bovine Serum Albumin ◽  
Bovine Serum ◽  
Antigenic Determinants ◽  
Conjugate Prior ◽  
Thin Sections ◽  
Specific Attachment ◽  
Intracellular Antigen ◽  
Antigen Antibody ◽  
Ideal Method ◽  
The Ideal

The technique of labeling of macromolecules with ferritin conjugated antibody has been successfully used for extracellular antigen by means of staining the specimen with conjugate prior to fixation and embedding. However, the ideal method to determine the location of intracellular antigen would be to do the antigen-antibody reaction in thin sections. This technique contains inherent problems such as the destruction of antigenic determinants during fixation or embedding and the non-specific attachment of conjugate to the embedding media. Certain embedding media such as polyampholytes (2) or cross-linked bovine serum albumin (3) have been introduced to overcome some of these problems.

Criteria and Methods for Reliable Three-Dimensional Image Reconstruction

1974 ◽  
Vol 32 ◽  
pp. 330-331
Author(s):  
R. A. Crowther
Keyword(s):  
Image Reconstruction ◽  
Finite Number ◽  
Density Distribution ◽  
Electron Micrographs ◽  
Mathematical Problem ◽  
Three Dimensional ◽  
Ideal Case ◽  
Dimensional Image ◽  
General Object ◽  
The Ideal

The reconstruction of a three-dimensional image of a specimen from a set of electron micrographs reduces, under certain assumptions about the imaging process in the microscope, to the mathematical problem of reconstructing a density distribution from a set of its plane projections.In the absence of noise we can formulate a purely geometrical criterion, which, for a general object, fixes the resolution attainable from a given finite number of views in terms of the size of the object. For simplicity we take the ideal case of projections collected by a series of m equally spaced tilts about a single axis.

X-Ray Analysis of Frozen Hydrated Sections:The Unconventional Approach

1982 ◽  
Vol 40 ◽  
pp. 754-757
Author(s):  
R. Beeuwkes ◽  
A. Saubermann ◽  
P. Echlin ◽  
S. Churchill
Keyword(s):  
Ratio Method ◽  
Frozen Sections ◽  
Technical Problems ◽  
Sample Handling ◽  
X Ray ◽  
Common Group ◽  
Ideal Method ◽  
Classic Paper ◽  
Physical Principles ◽  
The Ideal

Fifteen years ago, Hall described clearly the advantages of the thin section approach to biological x-ray microanalysis, and described clearly the ratio method for quantitive analysis in such preparations. In this now classic paper, he also made it clear that the ideal method of sample preparation would involve only freezing and sectioning at low temperature. Subsequently, Hall and his coworkers, as well as others, have applied themselves to the task of direct x-ray microanalysis of frozen sections. To achieve this goal, different methodological approachs have been developed as different groups sought solutions to a common group of technical problems. This report describes some of these problems and indicates the specific approaches and procedures developed by our group in order to overcome them. We acknowledge that the techniques evolved by our group are quite different from earlier approaches to cryomicrotomy and sample handling, hence the title of our paper. However, such departures from tradition have been based upon our attempt to apply basic physical principles to the processes involved. We feel we have demonstrated that such a break with tradition has valuable consequences.

High Resolution Study of Polytypism: Application to SiC and Au3 Mn

1982 ◽  
Vol 40 ◽  
pp. 540-541
Author(s):  
G. Van Tendeloo ◽  
J. Van Landuyt ◽  
S. Amelinckx
Keyword(s):  
Electron Microscopy ◽  
High Resolution ◽  
Stacking Sequence ◽  
X Ray ◽  
Powerful Technique ◽  
Resolution Study ◽  
The Ideal

Polytypism has been studied for a number of years and a wide variety of stacking sequences has been detected and analysed. SiC is the prototype material in this respect; see e.g. Electron microscopy under high resolution conditions when combined with x-ray measurements is a very powerful technique to elucidate the correct stacking sequence or to study polytype transformations and deviations from the ideal stacking sequence.

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