THE STUDY OF DEPOPULATED HISTORICAL ENSEMBLES IN THE PROVINCE OF TERUEL: A TOOL TO MAP, PROTECT AND CONSERVE THEIR VERNACULAR HERITAGE AND IDENTITY

Abstract. There are 23 rural historical ensembles listed as BIC in the province of Teruel, one of the most depopulated areas in Spain. On the one hand, the lack of economic and demographic pressure in this region has made it possible to preserve many of the typological features of their vernacular architecture. On the other hand, the loss of permanent inhabitants and skilled craftsmanship practitioners has led to a worrying lack of maintenance and abandonment, which threatens their future conservation. The Cultural Heritage Department (Gobierno de Aragón) has been promoting several studies aimed at the protection of 6 different listed case-studies (Albalate del Arzobispo, Calaceite, Rubielos de Mora, Mirambel, Beceite and Teruel). Despite being very small, municipalities are the only competent bodies for the elaboration of the Special Protection master plans of each HE, according to Urban Planning and Cultural Heritage legislation. Hence, the primary purpose of these studies is to support them by analysing their heritage significance and singularities so they can use them as the base for master plans. They will also help raise awareness of their cultural values among local communities, while avoiding the mere conservation of empty urban and rural landscapes. The methodology comprises the identification, analysis and diagnosis of the heritage values that build their identity, thanks to a thorough inventory of all the vernacular constructive techniques, components and zones with a distinguishable character within the urban tissue and its environment.

Download Full-text

MUSEUM SONGKET PALEMBANG DENGAN PENDEKATAN ARSITEKTUR NEO-VERNAKULAR

Arsitektura ◽

10.20961/arst.v14i2.9046 ◽

2017 ◽

Vol 14 (2) ◽

Author(s):

Abdul Aziz Arrosyid ◽

Samsudi Samsudi ◽

Ummul Mustaqimah

Keyword(s):

Intellectual Property ◽

Property Rights ◽

Cultural Heritage ◽

Cultural Values ◽

Intellectual Property Rights ◽

Architectural Design ◽

Raw Materials ◽

Vernacular Architecture ◽

Museum Design ◽

Limited Process

Traditional weaving as a national cultural heritage is being abandoned, including songket in Palembang city. Songket weaving craft has been abandoned due to the limited process of the making, expensive raw materials, and competitiveness, either other crafters or modern weaving. There are hundreds of Palembang songket motifs that have not been documented and collected well. Only 77 motifs which have been registered as intellectual property rights. The lack attention of this matter would give possibility for neighboring countries to claim it such an accident ever exist. Songket Museum is needed as conservation center, exhibition, research, and songket craft workshop. Neo-Vernacular Architecture approach is used to make museum architectural design which is in line the cultural values of Palembang in contemporary design. The design issue is how to apply the principles of Neo-Vernacular Architecture into Palembang Songket Museum design. The method is designing the museum by taking both the physical and non-physical elements of local culture. Beside, re-interpretation the shape and philosophycal value of local architecture and Palembang songket are apllied in a new composition of Neo-Vernacular Architecture. The result is a design of Palembang Songket Museum which applies Neo-Vernacular Architecture principles. Keywords: Architecture, Neo-Vernacular, Palembang Songket, Songket Museum.

Download Full-text

What is biological cultural heritage and why should we care about it? An example from Swedish rural landscapes and forests

Nature Conservation ◽

10.3897/natureconservation.28.25067 ◽

2018 ◽

Vol 28 ◽

pp. 1-32 ◽

Cited By ~ 8

Author(s):

Ove Eriksson

Keyword(s):

Cultural Heritage ◽

Cultural Values ◽

Niche Construction ◽

Operational Definition ◽

Rural Landscapes ◽

Human Niche Construction ◽

Forested Landscapes ◽

History Of ◽

Biocultural Heritage ◽

Definition Of

There is currently a growing concern that biocultural heritage is threatened in many landscapes. This paper focuses on biological cultural heritage, broadly meaning biological cultural traces that are considered as heritage, but leaving out other aspects of the biocultural heritage concept. An operational definition of biological cultural heritage (BCH) is suggested, based on niche construction theory: “biological manifestations of culture, reflecting indirect or intentional effects, or domesticated landscapes, resulting from historical human niche construction”. Some factors that influence recognition of BCH are discussed, using a comparison between Swedish open to semi-open vs. forested landscapes. While the former landscapes are generally associated with biological cultural values, BCH is generally over-looked in forests. Two main reasons for this are suggested: loss of cultural memory and a perception of forests as wilderness. A conclusion is that recognition of BCH is essential for guiding development of biological conservation programmes in forests, irrespective of whether the conservation goal is to focus on culturally impacted forests or to conserve what is considered as close to pristine forests. Furthermore, recognising BCH in forests will promote interest and learning of the history of forests and their values and will be informative for developing conservation programmes for all biota in forests, not only those that historically were favoured by culture. Hence, there is no inherent conflict between preserving relatively untouched forests and those with remaining traces of pre-industrial forest management. The recognition of BCH in forests will inspire and promote further integration of cultural and natural heritage research.

Download Full-text

Good Practices in the Use of Augmented Reality for the Dissemination of Architectural Heritage of Rural Areas

Applied Sciences ◽

10.3390/app11052055 ◽

2021 ◽

Vol 11 (5) ◽

pp. 2055

Author(s):

M. J. Merchán ◽

P. Merchán ◽

E. Pérez

Keyword(s):

Augmented Reality ◽

Cultural Heritage ◽

Rural Areas ◽

Vernacular Architecture ◽

Proof Of Concept ◽

Architectural Heritage ◽

Good Practices ◽

The One ◽

Technological Experience ◽

The Relationship

When it concerns dissemination, the relationship between cultural heritage and technology has not always been easy. On the one hand, the emotions involved in knowing, enjoying, and feeling a real heritage remain should not be eclipsed by the technological experience. On the other hand, technology cannot be relegated to the point where its use is so superficial as to make it irrelevant. Hence, in the search of good practices in the dissemination of cultural heritage, it is essential that interdisciplinary work teams, composed of humanists and technicians, design new experiences that try to achieve a balance between what must be shown and the way in which it is done. This paper aims to show the potential of augmented reality (AR) for the dissemination of cultural heritage, since it allows the perceiving of real remains while offering virtual reconstructions and complementary information, sounds, images, etc. A bibliometric analysis focusing on its use for the preservation of the memory of vernacular architecture is made. Then, from the understanding and interpretation of the ideas exposed in literature, a decalogue of good practices in the use of AR for architectural heritage is established considering the holistic perspectives that any dissemination initiative must have. These initiatives can attract people to rural areas and contribute to the improvement of their social and economic situation. As an example, a proof of concept of an AR experience is presented at the end of the paper.

Download Full-text

THE VOICE OF CONSERVATION-RESTORATION ON MULTI-DISCIPLINARY RESTORATION PROJECTS

Protection of cultural heritage ◽

10.35784/odk.1098 ◽

2019 ◽

pp. 281-290

Author(s):

Tanja Røskar

Keyword(s):

Cultural Heritage ◽

Cultural Values ◽

The Other ◽

Conservation Ethics ◽

Built Heritage ◽

Funding Body ◽

Other Hand ◽

The One ◽

Structural Engineers ◽

The Voice

As conservator-restorers we should be „a voice of reason”, an advocate that speaks for the cultural heritage values of our built heritage. However, we are often only one voice in a large group consisting of everything from structural engineers, geologists and carpenters to economic advisors and bureaucrats. Being a conservator-restorer in such settings often turns out to be a great balancing act. On the one hand, we are supposed to protect the buildings against any intervention that will compromise its authenticity and cultural values. On the other hand, we must allow as much protective work as possible to ensure the buildings’ future. Questions that can arise for a conservator-restorer during and after discussions in multi-disciplinary groups are many. Questions that needs answering before work starts. Are the conservator-restorer and the master craftsperson really on each end of the scale in a project, or is it just that we use different words? Is it conservation ethics versus the practical view of the engineer, or can both sides be pragmatic and find a new and possibly better solution? Is it possible that the conservator-restorer and the funding body can meet in the middle, or can that jeopardize the project?

Download Full-text

THE ISSUE OF “CULTURAL AMNESIA” IN THE CONTEXT OF DIGITAL CULTURAL HERITAGE MANAGEMENT

Vestnik Universiteta ◽

10.26425/1816-4277-2020-4-182-186 ◽

2020 ◽

pp. 182-186

Author(s):

M. Yu. Zakharov ◽

I. E. Starovoytova ◽

A. V. Shishkova

Keyword(s):

Cultural Heritage ◽

Cultural Values ◽

Heritage Management ◽

Digital Information ◽

Cultural Heritage Management ◽

Digital Cultural Heritage ◽

The Media ◽

Storage Methods ◽

The One ◽

Cultural Amnesia

The issue of the dual impact of innovative technologies on the sphere of spiritual culture has been considered. On the one hand, the digitalization of cultural values gives hope for their longevity, compared with traditional storage methods. On the other hand, the preservation of cultural heritage is facing new, previously unmet difficulties: the life of digital documents is short due to constant technological improvement and the rapid obsolescence of technology; not all artifacts can be digitized; when knowledge is transmitted through the media, its reduction, vulgarization occurs; finally, the person is changing, for whose sake the preservation of the cultural heritage takes place. Generations possessing clip thinking will have to deal with the fragmented, unsystematic cultural heritage, which is fraught with real cultural amnesia. The new approaches to digital information management and, specifically, digital cultural heritage have been proposed in the article.

Download Full-text

Green Architecture and its applications in Hospitals:Analytical study of existing project to extract the mechanisms of applying green architecture in hospitals

Association of Arab Universities Journal of Engineering Sciences ◽

10.33261/jaaru.2020.27.2.009 ◽

2020 ◽

Vol 27 (2) ◽

pp. 81-93

Author(s):

Anfal Muayad Mayoof

Keyword(s):

Cultural Values ◽

Analytical Study ◽

Complex Function ◽

Green Building ◽

Green Buildings ◽

Social Aspects ◽

Local Climate ◽

Green Architecture ◽

Reduce Energy Consumption ◽

The One

Hospitals are the major contributor to environmental corruption and the biggest drain onenergy in their life cycle because they are complex, multifunctional giant facilities. Several recent studieshave been carried out to find the most suitable solutions to reduce energy consumption provide it on-siteand contribute to supporting economic, environmental and social aspects. The reason for the slowmovement of green buildings for hospitals is to focus on a suitable design for the complex function thatdeals with the local climate, natural resources, economy and cultural values and avoid the one-size-fits alldesign. This made the solutions used multiple and varied, different for greening of the hospital and put theresearch in the absence of a clear perception of the mechanisms of the application of green architecture inhospitals and this identified the problem of research. Therefore, the study looked at an analytical study ofexisting project models designed according to the strategies and standards of green architecture todetermine the strategies adopted in each project, and by adopting the analytical method after determiningthe strategy used in each building to achieve the green architecture and then comparing them according tothe standards adopted using the global LEED system Green Building Council. The results that will bereached are the mechanisms of applying Green Architecture to Hospitals.

Download Full-text

PROBLEMS OF CLASSIFICATION OF CULTURAL HERITAGE OBJECTS

Sociopolitical sciences ◽

10.33693/2223-0092-2020-10-2-158-168 ◽

2020 ◽

Vol 10 (2) ◽

pp. 158-168

Author(s):

SVETLANA IVANOVA ◽

Keyword(s):

Cultural Heritage ◽

Cultural Values ◽

Research Work ◽

Cultural Property ◽

Cultural Inheritance ◽

Federal Laws ◽

Cultural Heritage Objects ◽

Cultural Monuments

The purpose of the research work is to analyze the norms of Federal laws, as well as the laws of the Russian Federation's constituent entities, devoted to the definitions and classification of the concepts “cultural heritage”, “historical and cultural monuments”, “cultural values”. Conclusions obtained in the course of the research: based on the study of current legislation, it is concluded that the definitions of “cultural values”, “cultural property”, “objects of cultural inheritance” contained in various normative legal acts differ in content. Based on the research, the author proposes the concept of “cultural values”.

Download Full-text

Intangible cultural heritage: a benefit to climate-displaced and host communities

Journal of Environmental Studies and Sciences ◽

10.1007/s13412-021-00697-y ◽

2021 ◽

Author(s):

Gül Aktürk ◽

Martha Lerski

Keyword(s):

Cultural Heritage ◽

Cultural Values ◽

Climate Adaptation ◽

Cultural Practices ◽

Action Planning ◽

Well Being ◽

Living Environment ◽

Intangible Cultural Heritage ◽

Intangible Heritage ◽

Resilient Communities

AbstractClimate change is borderless, and its impacts are not shared equally by all communities. It causes an imbalance between people by creating a more desirable living environment for some societies while erasing settlements and shelters of some others. Due to floods, sea level rise, destructive storms, drought, and slow-onset factors such as salinization of water and soil, people lose their lands, homes, and natural resources. Catastrophic events force people to move voluntarily or involuntarily. The relocation of communities is a debatable climate adaptation measure which requires utmost care with human rights, ethics, and psychological well-being of individuals upon the issues of discrimination, conflict, and security. As the number of climate-displaced populations grows, the generations-deep connection to their rituals, customs, and ancestral ties with the land, cultural practices, and intangible cultural heritage become endangered. However, intangible heritage is often overlooked in the context of climate displacement. This paper presents reflections based on observations regarding the intangible heritage of voluntarily displaced communities. It begins by examining intangible heritage under the threat of climate displacement, with place-based examples. It then reveals intangible heritage as a catalyst to building resilient communities by advocating for the cultural values of indigenous and all people in climate action planning. It concludes the discussion by presenting the implications of climate displacement in existing intangible heritage initiatives. This article seeks to contribute to the emerging policies of preserving intangible heritage in the context of climate displacement.

Download Full-text