scholarly journals DEVELOPMENT OF A PROTOCOL FOR A GIS RELATED TO THE RESTORATION OF CULTURAL HERITAGE BUILDINGS AND SITES THROUGH DOCUMENTATION STAGE

Author(s):  
A. Stamnas ◽  
O. Georgoula ◽  
P. Patias

Abstract. The Conservation and the Restoration of Cultural Heritage is a particularly specialized and interdisciplinary process. It requires scientific monitoring and planning and incorporation of skills and knowledge in the academic milieu. Relevant studies programs and courses are primarily designed to explore the possibility of cooperation between scientists (archaeologists, architects, surveyors, engineers etc.). Participating in such an educational institution (Interdepartmental Program of Postgraduate Studies “Protection, Conservation and Restoration of Cultural Monuments”, AUTh, Greece), the development of a protocol for a GIS related to the restoration of cultural heritage buildings and sites through documentation stage was born out of necessity.Α GIS application including the documentation (geometric, architectural, structural etc.) of the historical complex of Saint John, the Baptist (19th century, Kavala, Greece), while using modern 3D representational techniques (laser scanner, topography, photogrammetry, GPS), and the related thematic information (analysis, archive data) has been organized for that purpose and has been used as a case study.The main objectives of the project are to give guidelines regarding the collection, the processing and the management of heritage data, to articulate the cross-disciplinary collaboration/synergy and to provide an educational toolkit. The methodology is proposed to be applied to other objects of study such as archaeological sites, individual structures, monuments and sites of different dating and use (e.g., industrial, religious, fortification etc.).

2010 ◽  
Vol 17 (4) ◽  
pp. 653-654
Author(s):  
Joyce Hill Stoner

Sixty cultural heritage leaders from 32 countries, including representatives from Africa, Asia, the Middle East, South America, Australia, Europe, and North America, gathered in October 2009 in Salzburg, Austria, to develop a series of practical recommendations to ensure optimal collections conservation worldwide. Convened at Schloss Leopoldskron, the gathering was conducted in partnership by the Salzburg Global Seminar (SGS) and the Institute for Museum and Library Services (IMLS). The participants were conservation specialists from libraries and museums, as well as leaders of major conservation centers and cultural heritage programs from around the world. As cochair Vinod Daniel noted, no previous meeting of conservation professionals has been “as diverse as this, with people from as many parts of the world, as cross-disciplinary as this.” The group addressed central issues in the care and preservation of the world's cultural heritage, including moveable objects (library materials, books, archives, paintings, sculpture, decorative arts, photographic collections, art on paper, and archaeological and ethnographic objects) and immoveable heritage (buildings and archaeological sites).


Author(s):  
M. C. Lee ◽  
Y. L. Tsai ◽  
R. Z. Wang ◽  
M. L Lin

Heritage buildings are highly prone to long term damage from the microclimate, scourge and vandalism, which can result in damaged materials, structures, painting and cultural heritage items. This study will focus on finding the displacement of wood structural members through the use of a 3D laser scanner and the 4D concept of time. The results will compare the scans from different periods to find the difference (if any) in the structural member position. Wood structures usually consist of numerous wood members connected to form the structure. However, these members can be damaged in various ways such as physical mechanisms, chemical reactions, and biological corrosion. When damage to the wood structure occurs, the structural displacement can be affected, and if affected severely, can lead to a building collapse. Monitoring of the structural displacement is the best way to discover damage immediately and to preserve the heritage building. However, the Cultural Heritage Preservation Law in Taiwan prohibits the installation of monitoring instruments (e.g strain gauge, accelerometer) in historic structures (heritage buildings). Scanning the wood structure with 3D lasers is the most non-intrusive method and quickly achieves displacement through visualization. <br><br> The displacement scan results can be compared with different periods and different members to analyze the severity of damage. Once the 3D scanner is installed, the whole building is scanned, and point clouds created to build the visual building model. The structural displacement can be checked via the building model and the differences are measured between each member to find the high risk damaged areas or members with large displacement. Early detection of structural damage is the most effective way means of preservation.


Author(s):  
E. Pérez ◽  
M. J. Merchán ◽  
S. Salamanca ◽  
P. Merchán

<p><strong>Abstract.</strong> Technology development really reaches its highest point when it becomes a tool to facilitate life to people, especially to those more disadvantaged groups. This is the case of people with disabilities, who find lots of barriers to cope with the most usual and simplest things in their day-to-day. This fact is even more significant when they happen to face heritage buildings or environments. For instance, blind people or people with reduced mobility too often come upon architectural barriers that stop them from enjoying sites and monuments. Focused on people that have to use wheelchairs, a VR experience have been developed in order to provide them with the most realistic sensations while virtually touring on their wheelchairs some archaeological sites. This paper presents the steps forder the users to have the same sensations as if they were wheeling on the floor while visiting the site: irregularities, slopes and narrowness. The VR application has been developed to traverse one of the most monumental buildings of the whole Spanish Protohistory, the site of Cancho Roano (Zalamea de la Serena, Spain). The procedure to generate its digital 3D model from real data acquired with a laser scanner is also dealt with in it.</p>


The archaeological sites of the Sriwijaya temple in Sumatra is an important part of a long histories of Indonesian civilization.This article examines the conservation of the Bahal temples as cultural heritage buildings that still maintains the authenticity of the form as a sacred building and can be used as a tourism object. The temples are made of bricks which are very vulnerable to the weather, open environment and visitors so that they can be a threat to the architecture and structure of the temples. Intervention is still possible if it is related to the structure and material conditions of the temples which have been alarming and predicted to cause damage and durability of the temple. This study used a case study method covering Bahal I, II and III temples, all of which are located in North Padang Lawas Regency, North Sumatra Province through observation, measurement, photograph, drawing, and interview. The three temples have similar architectural styles, structures and building details so that the reconstructive actions are also not much different. The findings of this study are the use of other types of material besides bricks and the use of different bricks to maintain the strength of the structure and shape of the building. Cultural heritage objects must be considered as shared property and become the joint responsibility of all stakeholders.


Author(s):  
A. Spangher ◽  
D. Visintini ◽  
G. Tucci ◽  
V. Bonora

This work has been developed among the researches of a PhD thesis in Civil and Environmental Engineering and Architecture of the University of Udine in cooperation with the GECO Laboratory of the University of Florence. It focuses on the interaction between <i>Geomatics</i> and <i>Structural Analysis</i>, both applied to cultural heritage, and expressly to artefacts and structures in stone materials, like the case study of this paper, the marble statue called “<i>San Giovannino Martelli</i>” (Saint John the Baptist) conserved in Florence.<br><br> At the beginning, some interesting examples of surveying and structural analyses on statues are reported, in order to remind the complementary tasks and requirements of geomatics and structural analysis. Current laser scanning systems can accurately survey the geometry of a statue or any cultural heritage artefact, essential to understand their structural behaviour and resilience capability.<br><br> Afterwards, following the few Italian regulations in this field, the possible risks of museum goods are described: topics of this part are more familiar for structural engineers as object classification, seismic reactions, damage mechanisms, possible movements (adherent, slipping and oscillation), dynamic domains, anyway necessary steps to evaluate the risk and so to define eventual interventions.<br><br> The artistic description of the statue, its debated attribution to Donatello or/and to Desiderio da Settignano and its history is later recalled, remembering that the surveying has been done for the idea to 3D print a replica and to place it in the original place. Having used a close range laser scanner, the obtained 3D model has an impressive geometrical Level of Detail (LoD), whose geometric features are explained in the paper, underlying that such extremely detailed mesh is directly given as output from the laser scanner software.<br><br> The model simplifications by four decimation are therefore explained and also changes to geometry, like shifts on centre of the mass or barycentre with respect to the original one, are evaluated: since these are pretty null, all the models can be used for structural analysis. Software Scan-and-Solve, a Rhinoceros plug-in, has been employed for Finite Elements Method (FEM) analysis, considering the sole weight and also a horizontal force, as a seismic event or an accidental push, that can synthesize the possible statue risks. The force intensity and geometry have been computed considering the resistance to the overturning for the adherence among statue and pedestal. The more numerically accurate results has been obtained with the more simplified model, having only 7% of initial triangles, since this situation better exploits the computational resources for solver precision and for congruent geometrical LoD and FEM resolution.


2020 ◽  
Vol 10 (2) ◽  
pp. 158-168
Author(s):  
SVETLANA IVANOVA ◽  

The purpose of the research work is to analyze the norms of Federal laws, as well as the laws of the Russian Federation's constituent entities, devoted to the definitions and classification of the concepts “cultural heritage”, “historical and cultural monuments”, “cultural values”. Conclusions obtained in the course of the research: based on the study of current legislation, it is concluded that the definitions of “cultural values”, “cultural property”, “objects of cultural inheritance” contained in various normative legal acts differ in content. Based on the research, the author proposes the concept of “cultural values”.


2019 ◽  
Vol 63 (1) ◽  
pp. 77-86 ◽  
Author(s):  
Bogusław Podhalański ◽  
Anna Połtowicz

Abstract The article discusses a project that features the relocation of the historic Atelier building, built by Krakow-based architect Wandalin Beringer (1839–1923) who was active in the early twentieth century, and the regeneration of a plot belonging to the Congregation of the Resurrection since 1885, which is located at 12 Łobzowska Street in Krakow. The method includes cutting the entire structure off at the foundation and then after reinforcing it with a steel structure transporting it in its entirety to the new location. The project included two possible variants of moving the building in a straight line, either by 21 or 59 metres and evaluates two projects of further regeneration, the adaptive reuse of the building as an exhibition and religious space as well as a proposal for the remodelling of the nearby plot that belongs to the Congregation into a space for meditation and as a recreational park. The aim of these measures is to prevent the demolition of this building, now over a century old, as a result of which a forgotten element of the cultural heritage of the city will be saved. This project was based on the results of analyses of the cultural and historical conditions of Krakow. The block of buildings in which the Atelier in question is located is a very attractive location, near to the very centre of Krakow, adjacent to residential, service and educational buildings. It is directly adjacent to the Monastery Complex of the Congregation of the Resurrection, listed as a heritage building under conservation protection (municipal registry of heritage buildings). In the second half of the twentieth century, the building was used as a workroom by artists such as Xawery Dunikowski and later by the sculptress Teodora Stasiak. The case of the Atelier may provide an inspiration for discussion as well as raising awareness among citizens and city authorities to avoid future situations in which cultural heritage may become forgotten or demolished.


Author(s):  
Admink Admink

In the article, the author analyzes the modern model of the phenomenon of a monument of history and culture. The author notes that, as carriers of social information, monuments are considered the most popular phenomena that implement the «memory» function in them. If we pay attention to the equivalents of the word «memory» in other languages, then there is no need for further argumentation for this view. Taking into account that the expression “monument of history and culture” itself has a special paradigm of analysis, there is an initial need to analyze the concept of «memory». The author analyzing the correlation of the concept of «abide» with the concepts of «monument», «monument» reveals the general aspects of this phenomenon. The purpose of the article is to attribute the monument of history and culture to the category of cultural heritage. The initial goal of the science of the study of monuments, which began its formation in the late 80s of the last century in post-Soviet countries, especially in Moscow and Leningrad, was initiated by scientists P. Boyarsky, A. Kulemzin, A. Dyachkov, etc., namely the theoretical the study of the scientific essence of this phenomenon. The author noted that since the second half of the last century, historical and cultural monuments have become the object of research in many sciences, such as philosophy, sociology, history, the study of art and culture, pedagogy, philology, natural science, etc. Key words: abide, historical and cultural monument, cultural heritage, memory. Аналізується сучасна модель феномена пам’ятка історії і культури. Автор зазначає, що як носії соціальної інформації пам’ятки вважаються найбільш популярними явищами, які реалізують у них функцію «пам’яті». Якщо звернути увагу на еквіваленти слова «пам’ять» в інших мовах, то немає необхідності в подальшій аргументації для цього погляду. Беручи до уваги, що саме слово «пам’ятка історії і культури» має особливу парадигму аналізу, існує необхідність аналізу поняття «пам’яті». Автор аналізуючи співвідношення поняття «Абиде» з поняттями «пам’ятник», «монумент» виявляє загальні аспекти цього явище. Мета статті – відносити пам’ятку історії і культури до категорію культурної спадщини. Початкова мета науки про вивчення пам’яток почала своє становлення наприкінці 80-х роках минулого століття в пострадянських країнах, особливо в Москві та Ленінграді з ініціативи вчених П. Боярського, А. Кулезмін, А. Дьячков та ін.. Автор зауважив, що починаючи з другої половини минулого століття пам’ятки історії і культури стали об’єктом досліджень багатьох наук, зокрема таких як філософія, соціологія, історія мистецтва та культури, педагогіка, філологія, природознавство. Ключові слова: Абиде, пам’ятка історії та культури, культурна спадщина, пам’ять.


2019 ◽  
Vol 22 (6) ◽  
pp. 51-60
Author(s):  
S. A. Akhremenko ◽  
M. S. Pytskaya

Currently, the issue of preservation and effective use of cultural heritage is relevant. Bryansk region has a significant number of valuable historical and cultural monuments. Almost every district is rich in unique places of interest, a special place among which is occupied by the estate. Within the framework of the concept of landscaping of the estate of Alexei Konstantinovich Tolstoy in the village of Krasny Rog, Pochepsky district, Bryansk region, together with the company "Bryanskpromburvod" were carried out field surveys, engineering-geological, hydrological surveys and other necessary activities in order to compile a pre-project proposal for the reconstruction of the source of artesian water, taking into account archival and bibliographic materials, with minor changes in view of the current state of the territory of the object of cultural heritage. Taking into account engineering-geological and hydrological researches, results of full-scale inspection of the territory, the technology of drilling of a well, necessary materials and the equipment for its arrangement is picked up. The article considers the issue of attracting tourists and vacationers to the source of artesian water in the estate of Alexei Konstantinovich Tolstoy. Above the source it is recommended to install a pump room for the release of water, in order to protect it from pollution, and perform it in the architectural style corresponding to the period of life of Alexei Konstantinovich Tolstoy in the estate. Historical and cultural heritage can act not only as a factor in the development of spiritual life, but also as one of the promising areas of economic development in the Bryansk region. The attractiveness of the Museum-estate increases the tourist attendance, and part of the funds can be used for the maintenance of cultural heritage.


2021 ◽  
Author(s):  
Vincenzo Barrile ◽  
Antonino Fotia

AbstractThere are several studies related to the cultural heritage digitization through HBIM (Heritage Building Information Modelling) techniques. Today, BIM (Building Information Modelling) software cannot represent old buildings with complex prominent and particularly detailed architecture perfectly, and multiple software are combined to obtain the buildings’ representation. In this paper, in order to find an alternative way of replicating the complex details present in antique buildings, a new methodology is presented. The methodology is based on a process of direct insertion of various 3D model parts (.obj), into a BIM environment. These 3D model elements, coming from the points cloud segmentation (from UAV and Laser Scanner), are transformed in intelligent objects and interconnected to form the smart model. The methodology allows to represent detail of the objects that make up an element of cultural heritage, although not standardizable in shape. Although this methodology allows to ensure a perfect reconstruction and digital preservation and to represent the different “defects” that represent and make unique a particular object of cultural heritage, it is not however fast compared with the traditional phases of point cloud tracing and more software are necessary for data processing. The proposed methodology was tested on two specific structures’ reconstruction in Reggio Calabria (South Italy): the Sant’Antonio Abate church and the Vitrioli’s portal.


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