Hôpital Edouard Herriot à Lyon, Tony Garnier, 1933

2020 ◽  
pp. 84-85
Author(s):  
Philippe Dufieux

At a time when Lyon celebrates the one hundred and fifty years of the birth of one of the most famous architects of the beginning of the 20th century, Tony Garnier (1869-1948), the observation of the conservation of the works of the designer of the Cité industrielle (1917) is very disturbing. Garnier’s heritage remains extremely fragile and the protection measures are insufficient. Several complexes and buildings have been destroyed and disfigured, for example the Abattoirs de la Mouche in Gerland (Lyon, 1909-1914) that were demolished in 1974. The large hall of the market has been preserved and transformed into a performance hall. Although the Édouard-Herriot hospital (1913-1933) has benefited from the protection of the perimeter of its chapel since 1967, its monumental fireplaces were demolished in 2001 for security reasons and, more recently, the Pavilion H has been destroyed in 2015 with indifference for the construction of a new 18,000 m2 building, designed according to François Chatillon’s (1961-) plans and delivered in 2017.

2018 ◽  
Vol 28 (7) ◽  
pp. 2361-2365
Author(s):  
Almedina Čengić

The second half of the 20th century in Bosnian literature is marked by the new tendencies of avant-garde writers, who will create their work through a different form of artistic creation, compared to the one that was presented at the beginning of this period. It is important to clarify the specificity of the various procedures that have positively directed dramatic creativity towards the modern lines of European literary circles. Derviš Sušić (1925-1990.), the Bosnian-Herzegovinian tradition and the reality of images, presented in a completely new artistic vision, make oscillation, in the writer's creation, between the determinants of historical facts and the legacy of oral tradition. Derviš Sušić Within the avant-garde tendencies of contemporary writers of the regional region, which appear in the mid-20th century, Sušić dominates in his virtuous creations of dramatic situations and dilemmas, in which his protagonists act. In a specific presentation of crucial culmination points, within the framework of the process of "drama of the flow of consciousness," a modern process in the conduct of drama, this writer analytically approaches the individual's dialectical duplication. Through artistically shaped fragments taken from historical records, this literary virtuoso presents in his texts a culmination point of Bosnian survival, very picturesque dramatic shaped historical characters and crucial events. It is symptomatic that Susić's characters become prototypes of stage characters, without temporal or location restrictions, transmitting a universal message of a unique attitude about the value of human activity and existence, outperform stereotypical models recognizable in the additional drama literature. Through the colorful of seeing and a range of specific dramatic characters, without the diversity of their differentiation in national status or sociopolitical affiliation, this writer creates a special ambient effect in the construction of his poetic fabrics based on historical background. The task of this paper is to prove the causality and conditionality of altruistic (social) and egoistic (individual) agonies in the actions and actions of Sušić's characters, in the examples of dramatic texts "Veliki vezir" (1969) and "Posljednja ljubav Hasana Kaimija "(1973), as well as the influence of emotional indicators on the concrete initiation of the dramatic conflict. It is therefore very interesting to explore and verify the models that will dominantly dominate the regional scene for almost half a century and be accepted as models in the way of writing its contemporaries, among the readers' population, but also at the same time with very successful placement in the theater audience.


2016 ◽  
Vol 40 (2) ◽  
pp. 81-105
Author(s):  
Gabriela Cruz

Sr. José do capote, a worker and an opera lover, is the monad contemplated in this article. He is a theatrical figure, the protagonist of the one-act burlesque parody Sr. José do capote assistindo a uma representação do torrador (Sr. José of the Cloak attends a performance of The Roaster, 1855), but also an idea that expresses in abbreviated form the urban environment of nineteenth-century Lisbon, the theatrical and operatic sensibility of its citizens, and the politics of their engagement with the stage. This article is a history of Il trovatore and of bel canto claimed for a nascent culture of democracy in nineteenth-century Portugal.


Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.


Author(s):  
Spyros Armostis ◽  
Louiza Voniati ◽  
Konstantinos Drosos ◽  
Dionysios Tafiadis

The variety described here is Pontic Greek (ISO 639 name: pnt), and specifically the variety that originates from Trapezounta in Asia Minor (present-day Trabzon in Turkey) as spoken today in Etoloakarnania, Greece by second-generation refugees. The term ‘Pontic Greek’ (in Greek: ) was originally an etic term, while Pontians called their language by other names, mainly [ɾoˈmeika] ‘Romeika’ (Sitaridou 2016) but also [laziˈka] ‘Laz language’ (Drettas 1997: 19, 620), even though Pontians and Laz people do not share the same language, the latter being Caucasian. Nowadays, is the standard term used not only by researchers, but also by native speakers of Pontic Greek born in Greece to refer to their variety (but see Sitaridou 2013 for Romeyka in the Black Sea). Pontic Greek belongs to the Asia Minor Greek group along with other varieties, such as Cappadocian Greek (e.g. Horrocks 2010: 398–404; Sitaridou 2014: 31). According to Sitaridou (2014, 2016), on the basis of historical reconstruction, the Pontic branch of Asia Minor Greek is claimed to have been divided into two major dialectal groups: Pontic Greek as spoken by Christians until the 20th century in Turkey and Romeyka as spoken by Muslims to date in Turkey. Triantafyllidis (1938/1981: 288) divides Pontic varieties, as were spoken in Asia Minor, into three dialectal groups, namely Oinountian, Chaldiot, and Trapezountian, the latter consisting of the varieties that were spoken at Trapezounta, Kerasounta, Rizounta, Sourmena, Ofis, Livera, Tripolis, and Matsouka in Asia Minor (Trabzon, Giresun, Sürmene, Of, Yazlık, Tirebolu, and Maçka respectively in present-day Turkey). However, Triantafyllidis does not explain his criteria for this classification (Chatzissavidis 2012). According to one other classification (Papadopoulos 1955: 17–18; Papadopoulos 1958: $\upzeta$ ), the variety that was used in Trapezounta belongs to the dialectal group in which post-stressed /i/ and /u/ delete along other varieties, such as e.g. the ones that were spoken in Chaldia (present-day Gümüşhane), Sourmena, and Ofis (as opposed to the rest of Pontic varieties, such as the one of Kerasounta, in which those vowels are retained). Trapezountian Pontic Greek can also be classified with the group of varieties that retain word-final /n/, such as the varieties of Kerasounta and Chaldia, as opposed to the varieties that do not retain it, such as the ones of Oinoe (present-day Ünye) and (partially) Ofis (Papadopoulos 1958: θ).


1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.


Author(s):  
Alexander V. Koltsov ◽  

The paper is an attempt to narrow down the notion of spiritual crisis which is now widely applied in research on history of culture of the 19th–20th centuries, with respect to history of German philosophy and observation of modern reli­giosity. The shift from the history of philosophy to the religious context is ful­filled through analysis of texts of two religious thinkers, A. Reinach and S. Frank, whose thought clearly demonstrates strong interconnection between the both fields. Analysis of contemporary studies on history of phenomenological philos­ophy (C. Möckel and W. Gleixner) lets firstly observe ways of application of Koselleck’s notion of crisis to investigations in the history of philosophy. Sec­ondly it discovers two possibilities of philosophical contextualization of the con­cept of spiritual crisis – on the one hand, as a constituent rhetorical element of the philosophical statement (Möckel), on the other hand, as a term which de­scribes the uniqueness of an intellectual situation of the beginning of the 20thcentury (Gleixner). Then these aspects of the rhetoric of crisis are applied to reli­gious philosophy of Reinach and Frank, what leads to interpretation of their works as a particular statement discovering the divine (or the holy) as a new cat­egory of religious consciousness.


2019 ◽  
Author(s):  
Hanna Gekle

The history of mental development on the one and the history of his writings on the other hand form the two separate but essentially intertwined strands of an archeology of Ernst Bloch´s thought undertaken in this book. Bloch as a philosopher is peculiar in that his initial access to thought rose from the depths of early, painful experience. To give expression to this experience, he not only needed to develop new categories, but first and foremost had to find words for it: the experience of the uncanny and the abysmal, of which he tells in Spuren, is on the level of philosophical theory juxtaposed by the “Dunkel des gerade gelebten Augenblicks” (darkness of the moment just lived) and his discovery of a “Noch-nicht-Bewusstes” (not-yet-conscious), thus metaphysically undermining the classical Oedipus complex in the succession of Freud. In this book, psyche, work and the history of the 20th century appear concentrated in Ernst Bloch the philosopher and contemporary witness, who paid tribute to these supra-individual powers in his work as much as he hoped to transgress them.


Author(s):  
Kristoffer Klammer

AbstractEconomic language as well as figures of economic thought and bodies of knowledge are to a great extent organized in metaphorical terms. Certainly, the metaphorical content of discourse on economic crises cannot be ignored. In fact metaphors are fundamental elements of these discourses. This contribution addresses two especially prevalent and efficacious groups of metaphors: on the one hand, images of body and disease, on the other those of machinery and mechanics. Drawing on the examples of three economic crises of the 20th century, different manifestations of these verbal images are identified and their discursive features illustrated. Finally, the question is examined which factors influence the specific structure of “metaphor households” in crisis discourses.


Author(s):  
Anne Knudsen

Anne Knudsen: The Century of Zoophilia Taking as her point of departure the protests against a dying child having his last wish fulfilled because his wish was to kill a bear, the author argues that animals have achieved a higher moral status than that of humans during the 20th century. The status of animals (and of “nature”) is seen as a consequence of their muteness which on the one hånd makes it impossible for animals to lie, and which on the other hånd allows humans to imagine what animals would say, if they spoke. The development toward zoophilia is explained as a a logical consequence of the cultural naturalisation of humans, and the author draws the conclusion that we may end up entirely without animals as a category. This hypothetical situation will lead to juridical as well as philosophical complications.


2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 


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