scholarly journals ESMAGAMBET ISMAILOV AND FOLKLORE

Keruen ◽  
2020 ◽  
Vol 4 (69) ◽  
Author(s):  
D. Zhakan ◽  

In this article, folklore studies by Esmagambet Ismailov will be explored from a new scientific aspect. An article by a researcher titled “The Tradition and Tradition of Patriotic Poetry” shows that the phenomenon of the “holistic” phenomenon is well known in folklore. When scientist Nurpeis Bayganin analyzed literary criticism, Kairat Nurym, Dogan Nurpeisov, Aisha, Murun, Nurpeis and Kairat, who constantly revitalized and enriched the heroes of Kazakhstan in the Arctic, Caspian Sea and Aktobe, the development of such poverty in a certain territorial integrity was observed in the Russian people .

2021 ◽  
Vol 48 (7) ◽  
pp. 892-906
Author(s):  
A. A. Makhrov ◽  
M. V. Vinarski ◽  
M. Yu. Gofarov ◽  
G. A. Dvoryankin ◽  
A. P. Novoselov ◽  
...  

2021 ◽  
Vol 26 (2) ◽  
pp. 155-166
Author(s):  
Yana V. Nagornaya ◽  

The article presents a critical review of research works on the topic “Folklore-literary interaction in the creative activity of A.M. Remizov” published in Russian. The study of the topic has been conducted mainly within the framework of literary criticism. Meanwhile, for a writer known for his commitment to preservation and innovative approach to traditional literary genres, folklore is one of the dominant sources of creativity. Currently, Remizov studies cannot boast of generalizing works on folklorism in the writer’s creative activity and on the influence of oral folk art genres on his artistic system, so one of the aims of the article is to attract scholarly interest to the issue and stimulate further research in this area. The publication gives a brief description of the current state of research on the problem, identifies the main vectors of its consideration and reveals the academic lacunae. The author analyzes the works, which deal with the creative heritage from the point of view of folklore studies and address the problems of the typology of folklorism and mythologism of the writer, clarify the range of folklore sources and the specificity of working with them, as well as the role and function of the author’s comments on the miniatures of Posoloni. These notes to the texts were created under the influence of a literary scandal related to the accusation of the writer of plagiarism. The assessment of the events around this incident by specialists in Remisov studies and folklorists does not coincide, the article outlines prospects for further research. The author undertakes a detailed description of the influence of the texts of calendar rite, spiritual verses, fairy tale, conspiracy-spell tradition, folk drama, children’s folklore and Russian folk pictures on the writer’s creative activity. For the first time, the author poses a hypothesis about the possible influence of the aesthetics of rayok (“World Cosmorama”) on the work of A. M. Remizov by the example of the fairy-tale novella “What is Tobacco”, which which depicts the reformatting of the apocryphal model by artistic means of lubok and rayok. The analysis of numerous studies made it possible for the author of the article to conclude that the writer’s creative activity does not only reflect the real diversity of folklore genres but also such specific features of them as oral format and variability. The results of the study can be used in the design of the course of the history of Russian literature and folklore studies of the beginning of the early 20th century, in the studies dealing with folklore-literary interaction, and in popularization and publication of folklore texts.


2019 ◽  
Vol 47 (1) ◽  
pp. 240-247
Author(s):  
J.V. Vorobyova

The article tells about the exhibition of Mikhail Vladimirovich Flint «Immersing into the magic of nature» which took place from March 1 to March 31, 2019 in the Gallery of Сlassical Photography. The exhibition includes about 80 author’s photographs, which depict the amazing landscapes of the Arctic, Novaya Zemlya archipelago, Aral Seas and Plato Usturt, Issyk-Kul Lake and Kirgizstan mountains, Caspian Sea shore and Mangistau Peninsula.


2020 ◽  
Vol 12 (2) ◽  
pp. 89-106
Author(s):  
Raluca-Daniela Răduț

The paper combines the close reading technique of the novel Kranes konditori: Interiør med figurer (Krane’s Café: An Interior with Figures, 1946), written by the classic Norwegian writer Cora Sandel (1880-1974) with a spatial approach which aims to present the past and the present of the novel’s main character, Katinka Stordal. The action takes place in a small town situated in northern Norway, at Krane’s Café. It is worth noting how topography, the seasons of the year, the Arctic climate and nature are gradually reflected in the novel. On the one hand, the novel is placed at the crossroads of a spatial perspective and the literary criticism, which has in its centre Krane’s Café, the place where almost all the characters are brought together and which is the most suggestive and representative interior space of the novel. On the other hand, the subtitle An Interior with Figures strengthens the idea of a mixture of literary genres which includes elements from novel and drama. Moreover, it resembles the title of a work of art, for instance, a painting where all the characters are simply figures animated by the beauty of the Arctic scenery.


Rhema ◽  
2018 ◽  
pp. 190-203
Author(s):  
D. Abasheva ◽  
V. Sigov ◽  
R. Sharyafetdinov

History of literary criticism of various nations of Russia in the 19th century is many-sided and is important both for further development of literature and for the process of mutual enrichment, addition of literatures and literary studies. A special place in this context belongs to the Kazan province which has always been characterized by ethnic diversity an multinational structure and to the University of Kazan which is the acknowledged center for studying traditional ways of life, folklore and literature of the Volga region. In the formation of literary criticism and the development of literature of the Volga region in general and Chuvash literature in particular, the activities of the Chuvash writers, actors, artists, composers (I. Yurkin, G. Timofeev, M. Akimov, K. Ivanov, N. Shubossinni, M. Trubina, F. Pavlov, P. Pazukhin, etc.) and researchers (A.A. Fuchs, V.A. Sboev, S.M. Mikhailov, P. Malkhov, I.Ya. Yakovlev, N.M. Ashmarin, etc.) are of special importance.


Author(s):  
Aitalina Akhmetovna Kuzmina

This article examines the specificity of geocultural images of the cold in folklore and literature of the indigenous peoples of Yakutia (Yukaghirs, Evens, Evenks, Yakuts) of the Soviet period. The goal consists in studying the specificity of geocultural images of the cold in folklore and literature of the indigenous peoples of Yakutia of the Soviet period and tracing the dynamics of development of such representations. The subject of this research is the geocultural images that characterize the attributes of cold, such as “cold”, “winter”, “snow”, “ice”, “permafrost”. The study leans on works of the scholars dedicated to examination of the folklore worldview, “northern text”, anthropology and conceptology of the cold, and the questions of mythopoeia. The author employs linguoculturological, cultural-historical, semiotic, and geopoetic approaches. The novelty of this research consists in comprehensive examination of the peculiarities of representations on geocultural images with attributes of the cold and extensive coverage of the folklore and literary material based on the folklore materials and literature of the Indigenous peoples of Yakutia of the Soviet period. It is revealed that the indigenous peoples of Yakutia have different representations on these natural phenomena. In the folklore worldview, the representations on the cold mostly have negative connotation. The Yakut national literature of the early XX century adhered to the canons of the traditional worldview, and since the second half of the XX century, the severe climate of the North started to be perceived as something unique and positive. The acquired results can be applied in the field of folklore studies, literary studies, and anthropology in examination of the peculiarities of cultural texts of the North and the Arctic.


Author(s):  
Vladimir V. Tikhomirov

It is noted in the article that Ivan Aksakov would continue the line of his Slavophile predecessors - Ivan Kireyevsky's, Aleksey Khomyakov's, Konstantin Aksakov's, Yuri Samarin's - literary criticism development and he would significantly change the principles and approaches to analysis of Russian literature. He was less categorical in terms of requirements for Russian writers' allegiance to Orthodox foundations; this is the writer 's interest in the Russian people, their traditions, in Russian history which is of greatest importance in his opinion. The author of the article states that Ivan Aksakov more objectively, compared to his Slavophile predecessors, assessed the creative work of Alexander Pushkin, Nikolai Gogol, Fyodor Tyutchev. In his critical assessments, Ivan Aksakov is partly closer to supporters of national loyalist criticism.


2014 ◽  
Vol 1 (4) ◽  
pp. 156-159
Author(s):  
Iryna Dzhochka

The review focuses on the issues addressed by the contributors to the long-standingphilological journal from the ‘Precarpathian University Bulletin’ series. The themes and contents ofthe articles in the fields of linguistics, literary criticism and folklore studies are highlighted; themajor areas of research are characterized


Author(s):  
S. V. Novikov ◽  

The issue of preserving the integrity of Russia is of interest both in Russia itself and in other States. Statehood remains the object of close attention, both of our friends and opponents. The disintegration and disappearance of Russia was predicted by J. Kiez. Brzezinski did a lot for the destruction of Russia. It is impossible to list all those interested. But Russia, under various names, was recovering from difficult times, remaining one of the significant players in geopolitics. The purpose of the article is to identify the cause of stability in Russia. The publication aims to analyze ways to preserve the territorial integrity of Russia, identify the reasons for its decentralization, identify threats to the integrity of the Russian state, and identify the place of Siberia in Russia. The conclusion of the article is that Russia has a significant margin of safety, and the inhabitants of Siberia consistently identify themselves as an integral part of the Russian people


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