News Capital

Author(s):  
Aurora Wallace

This chapter examines the first two papers of the penny press of the 1830s, the New York Sun and the New York Herald, through their transition from tiny four-sheet bulletins printed out of cramped rookeries to important urban institutions with increasingly immodest architectural ambitions, giving new city inhabitants signposts on the landscape that recalled both a recognizable old world and reassurances of the new. The city and the newspapers shared a common set of values—industrial capitalism, specialization of labor, geographic concentration, and an intricate and specialized economic structure—that materialized in the form that media architecture began to adopt. The parallel development of the city and the newspaper industry shows their forms coming to mirror each other in the segmentation of neighborhoods and news sections.

1983 ◽  
Vol 12 (3) ◽  
pp. 303-330 ◽  
Author(s):  
Bruce Bellingham

… surely there would be men enough, willing and glad to contribute to the regeneration of the poor outcasts of the city. It is no longer an experiment since the Children's Aid has removed of this class, in thirteen years, eleven thousand two hundred and seventy two! Who would not rejoice to aid in such an enterprise…? Money only is wanting. Shall that be an insurmountable obstacle in the way of accomplishing such an unspeakable blessing? New York Children's Aid Society, 1866 Annual Report


2021 ◽  
pp. 17-28
Author(s):  
Anna Maria Wierzbicka ◽  
Maciej Kaufman

Grid, schism and lobotomy: The Almere City Center as the “City of the Captive Globe” by Rem Koolhaas Rem Koolhaas published Delirious New York: A Retroactive Manifesto for Manhattan in 1978. He closes the book with a series of concise speculative projects to illustrate his point. The first of these, „The City of the Captive Globe”, is an ambiguous and constantly re-interpreted metaphor for metropolitanism and the lifestyle associated with it. Interpreted as a synthesis of the „retroactive manifesto”, Captive Globe allows us to grasp the ideological background of the urban design thought of Koolhaas and OMA, his design studio. Between 1995 and 2007 OMA carried out the project for the new City Center of Almere near Amsterdam. Through the three postulates of the City of the Captive Globe, the authors attempt an in-depth understanding of Almere master plan, going beyond the analysis of its formal features.


2019 ◽  
pp. 151-206
Author(s):  
Vincent DiGirolamo

Newsboys proliferated after the Civil War as the newspaper industry flourished but then reemerged as a social problem during the depression years of 1873 to 1877. Writers and artists such as Horatio Alger and J. G. Brown portrayed them as symbols of the uplifting potential of industrial capitalism, while white southerners turned them into emblems of Republican misrule. The New York press celebrated real Bowery newsboys such as Steve Brodie. But authors of sensational urban guidebooks cast these youths as enfants terribles whose discontents threatened the social order. Swept up in the burgeoning labor movement, newsboys mounted noisy strikes in Cincinnati, Milwaukee, St. Louis, Nashville, Philadelphia, Chicago, Detroit, and Baltimore. Catholic and Protestant philanthropists responded by founding homes for newsboys or advocating that they be licensed and supervised. Contrary to their mythic counterparts, real newsboys exposed and challenged the economic inequities of Gilded Age America.


Author(s):  
Martha Shearer

This chapter engages with the ways in which film and theatre offer different experiences, contrasting the movie version of On the Town (1949), which is usually praised for its location filming but criticized for its treatment of Bernstein’s score, with that of Bells Are Ringing (1960), which is praised for its retention of Judy Holliday from the Broadway production but criticized for not achieving an imaginative cinematic rendering. The chapter looks at adaptation through three different lenses: how representations of the city are adapted from stage to screen, how those films themselves adapt the city, and how the transformation the city was undergoing required the adaptation of those processes of representation. Although location filming provided exciting opportunities for both films, the directors of both movies had to contend with the fact that New York itself was rapidly changing. The chapter reminds us that at a time of New York City’s dramatic transformation, any film or play set there needed to contend with the interrelated questions of how to represent the city and how the experience of the city was changing. Film adaptations of stage musicals used such divergent aesthetic strategies in ways that were thematically productive, as a means of tentatively, fleetingly resolving that problem. The shakiness of their resolutions indicates the genre’s increasingly apparent incompatibility with the new city, a problem more critical for film because of its direct engagement with the city through location shooting, which increased substantially in the 1960s.


1999 ◽  
Vol 27 (2) ◽  
pp. 202-203
Author(s):  
Robert Chatham

The Court of Appeals of New York held, in Council of the City of New York u. Giuliani, slip op. 02634, 1999 WL 179257 (N.Y. Mar. 30, 1999), that New York City may not privatize a public city hospital without state statutory authorization. The court found invalid a sublease of a municipal hospital operated by a public benefit corporation to a private, for-profit entity. The court reasoned that the controlling statute prescribed the operation of a municipal hospital as a government function that must be fulfilled by the public benefit corporation as long as it exists, and nothing short of legislative action could put an end to the corporation's existence.In 1969, the New York State legislature enacted the Health and Hospitals Corporation Act (HHCA), establishing the New York City Health and Hospitals Corporation (HHC) as an attempt to improve the New York City public health system. Thirty years later, on a renewed perception that the public health system was once again lacking, the city administration approved a sublease of Coney Island Hospital from HHC to PHS New York, Inc. (PHS), a private, for-profit entity.


2008 ◽  
Vol 12 (1) ◽  
Author(s):  
Anthony G Picciano ◽  
Robert V. Steiner

Every child has a right to an education. In the United States, the issue is not necessarily about access to a school but access to a quality education. With strict compulsory education laws, more than 50 million students enrolled in primary and secondary schools, and billions of dollars spent annually on public and private education, American children surely have access to buildings and classrooms. However, because of a complex and competitive system of shared policymaking among national, state, and local governments, not all schools are created equal nor are equal education opportunities available for the poor, minorities, and underprivileged. One manifestation of this inequity is the lack of qualified teachers in many urban and rural schools to teach certain subjects such as science, mathematics, and technology. The purpose of this article is to describe a partnership model between two major institutions (The American Museum of Natural History and The City University of New York) and the program designed to improve the way teachers are trained and children are taught and introduced to the world of science. These two institutions have partnered on various projects over the years to expand educational opportunity especially in the teaching of science. One of the more successful projects is Seminars on Science (SoS), an online teacher education and professional development program, that connects teachers across the United States and around the world to cutting-edge research and provides them with powerful classroom resources. This article provides the institutional perspectives, the challenges and the strategies that fostered this partnership.


2020 ◽  
Vol 5 (2) ◽  
pp. 254
Author(s):  
Anna Puji Lestari ◽  
Yuliyanto Budi Setiawan

After changing its city branding several times, Semarang now has a new city branding, namely "Semarang Variety of Culture." However, the city branding reaped contra from academics and cultural figures because Semarang was considered not sufficient yet in terms of representing its cultural diversity. Responding to this, the Semarang City Government and the Semarang City Public Works Department created a public service advertisement on CCTV socialization for flood control in the city of Semarang with a transgender figure as the ad star. This research was qualitative research designed with Seymour Chatman's Narrative Analysis. The research found a commodification and objectification of transgender people who imitated the feminine style of women in the advertisement. In other words, the public service announcement of Semarang CCTV socialization lowered the femininity, which is synonymous with women.The public service advertisement also violated the moral codes adopted by the majority of the Indonesian people.


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