Vitalism’s Revolution: John Thelwall, Life, and the Economy of Radical Politics

2018 ◽  
pp. 114-134
Author(s):  
Richard A. Barney

This essay examines how John Thelwall, the notorious political radical inspired by the French Revolution, deployed scientific vitalism in order to promote economic and political change in late eighteenth-century Britain. In adapting Agamben’s notion of “economic theology” to revolutionary contexts, this piece argues that “economy” in several senses serves to mediate between Thelwall’s vitalist conception of the human body and its availability for creating more equitable socioeconomic relations. In the case of The Peripatetic (1793), Thelwall’s sprawling, multi-generic novel, his commitment to systemic openness—both physiological and economic—produces a story oriented around the principle of what he calls “susceptibility,” which generates three crucial reformist features: an acute sensitivity to suffering of all kinds (both animal and human), a relentless unmaking and remaking of systemic constructs, and ultimately a recasting of traditional notions of political sovereignty by radically distributing it throughout the natural and human world.

Author(s):  
Mechthild Fend

This chapter focuses on the significance of skin in neoclassical art and aesthetics. The most distinctive features of neoclassicism - an emphasis on the contour and a preference for more finished surfaces - are understood as elements crucial for the visual formation and understanding of the human body, its surface and borderlines. The culture of neoclassicism, extending well beyond the realm of art and art discourse, was generally characterised by a heightened concern with the shaping of the body and the safeguarding of its boundaries. Skin as the body's physical demarcation, was increasingly perceived not merely as an envelope and organ, but as the boundary of the self. The chapter considers the new attention to skin and contour in late eighteenth-century French art discourse, in particular in Watelet's and Levesque's Dictionnaire des beaux-arts. It equally looks at the discussion of membranes and the definition of skin as ‘sensitive limit‘ in the works of anatomist Xavier Bichat and analyses a set of portraits by Jacques-Louis David painted in the aftermath of the French Revolution.


Killing Times ◽  
2019 ◽  
pp. 54-86
Author(s):  
David Wills

This chapter offers an examination of the refining of the instant of execution that takes place with the introduction of trap door gallows in the seventeenth century and, more spectacularly and explicitly, in the late eighteenth century with the French Revolution and the guillotine. The death penalty is thereby distinguished from torture and a post-Enlightenment conception of punishment is introduced, lasting to the present. But the guillotine is bloody, and that underscores a complex visuality of the death penalty that also obtains during the same time period, playing out across diverse genres such as the execution sermon, political and scientific discourses relating to the guillotine, Supreme Court descriptions of crimes, and practices of an entity such as the Islamic State. What develops concurrent with the guillotine—yet remains constant through all those examples--is a form of realist photographic visuality.


Author(s):  
Emily Jones

The construction of Burke as the ‘founder of conservatism’ was also a product of developments in education. The increasing study of Burke arose out of several converging movements: in publishing and technology; in philosophical thought; in the increasing disposable income and leisure time of greater portions of the population; and in education movements for men and women at all levels. The popularity of topics such as the French Revolution, Romanticism, and late eighteenth-century history meant that Burke became a feature of lectures and examinations. At university, Burke was of particular interest to philosophical Idealists, English literature professors and students, and a generation of historians who taught increasingly modern courses. By analysing how Burke was studied at this much more popular, general level it is possible to pinpoint how Burke’s ‘conservative’ political thought was taught to swathes of new students—it took more than gentlemanly erudition to establish a scholarly orthodoxy.


Grotiana ◽  
2010 ◽  
Vol 31 (1) ◽  
pp. 141-164 ◽  
Author(s):  
Isaac Nakhimovsky

AbstractThis article questions the status of Vattel's Law of Nations as an exemplary illustration of eighteenth-century developments in the history of international law. Recent discussions of the relation between eighteenth-century thinking about the law of nations and the French Revolution have revived Carl Schmitt's contention about the nexus between just war theory and the emergence of total war. This evaluative framework has been used to identify Vattel as a moral critic of absolutism who helped undermine the barriers against total war, as well as an architect and defender of those very barriers. Neither of these opposing readings is corroborated by late-eighteenth-century commentators on Vattel's treatise. To its late-eighteenth-century critics and defenders alike, Vattel's Law of Nations was distinguished by the weakness of its derivation of the law of nations from principles of natural law. Insofar as these readers did link Vattel to justifications of relatively unrestrained forms of warfare, they did so in connection with the perceived weakness of Vattel's moral position rather than with its strength. This late-eighteenth-century consensus on the defining features of Vattel's approach to the law of nations sits uncomfortably with Schmitt's evaluative framework, and indeed with other assessments of Vattel that limit themselves to orienting his treatise along fault lines in the historiography of international law.


2015 ◽  
Vol 27 (2) ◽  
pp. 120
Author(s):  
Pauls Daija

In the article, political and historical interpretations of the first play in Latvian, an adapted translation of Ludvig Holberg’s Jeppe of the Hill (1723, Latvian version 1790) are explored. Although the play has been often interpreted as a work of anti-alcohol propaganda, the article argues that the political motives of the play are no less important. Translated into Latvian during the time of the French revolution, the play mirrors the tense atmosphere of the revolutionary years and reflects changes in Latvian peasant identity. While translating, Baltic German pastor Alexander Johann Stender changed the play’s setting to the late eighteenth century Courland and added new details, emphasizing the social conflict of the play as an ethnic one. It has been argued in the article that since ‘class’ in the Baltics was divided along national lines, the difference between peasants and masters was also the difference between Latvians and Germans, so class and ethnicity merged. When the peasant and the nobleman switch places in the play, this symbolizes a change in the Latvian-German colonial relationship. The colonial interpretation allows for a characterisation of the protagonist as a desperate imitator – a colonial subject who loses his identity as a serf and is not able to form a new identity in any way other than by copying the colonialist op- pressor. But this mimicry turns into ridicule, hence the play acquires a political meaning as it implicitly shows the disastrous consequences of revolutionary pro- test. Therefore, the play can be read as a part of the discussions about the Baltic Enlightenment emancipation project and as a hidden debate on serfdom and the colonial framework of the Courland society


Author(s):  
Kenneth Stow

This introductory chapter explores the transformation in Jewish life that failed to occur in late eighteenth-century Rome. The French Revolution and the U.S. Constitution had established that Jews were citizens with full and equal legal rights. But in Rome, the capital of the then Papal State, no such proclamation occurred. Although Rome's Jews possessed rights in civil law, the discrimination determined by canon law was great. Roman Jews were forced to live in the ghetto decreed by Pope Paul IV in 1555, as part of a vigorous conversionary drive. People were taken to an institution known as the House of Converts, where they were held for periods of time, and most eventually converted. However, some did not, most notably Anna del Monte, who not only remained a Jew but also left a diary recounting her thirteen days in the Catecumeni, as Rome's Jews called the place.


Author(s):  
Siegfried Weichlein

With the French Revolution, the ‘nation’ entered a new phase as a model for political order that replaced corporate societies and triggered a large-scale process of emancipation and modernisation in European societies. Until the eighteenth century the political order in central Europe was organised along other lines, such as the state, the Reich, the monarchy, or the republic. That changed dramatically between the Seven Years War and around 1800. Despite its thorough universalism, Enlightenment in Germany combined universalism with patriotism, a rather unlikely combination in the twentieth century. For most educated authors in the age of Enlightenment, cosmopolitanism and patriotism were not opposites, but complementary. How, then, did contemporaries in the late eighteenth century conceptualise cosmopolitanism, patriotism, and nationalism, and relate them? How did they explain the complicity of cosmopolitanism and patriotism? This chapter outlines different answers to these questions relating to the period between the Seven Years War and around 1800.


2016 ◽  
Vol 71 (02) ◽  
pp. 217-245
Author(s):  
Francisco Javier Ramón Solans

This article uses the case of Catherine Théot and her prophetic activity in late eighteenth-century Paris to reflect on the relationship between event and prophecy in the era of the French Revolution. Despite appearing fixed and immobile, Théot's prophecies were constantly changing and evolving, giving rise to hybrid discourses influenced by various currents including both Jansenism and revolutionary discourses. The Théot affair thus provides an occasion to reflect on contemporary supernatural interpretations of the French Revolution. In this context, her prophecies can be read as a response to the emotional needs triggered by political instability, the fear of war and political violence, and religious changes. In conclusion, the article points to a religious discourse that existed on the margins of the dialectic between revolution and counterrevolution, but was nevertheless closely linked to it though the effects of the Revolutionary Wars and the Terror.


2007 ◽  
Vol 3 (2) ◽  
pp. 125-151 ◽  
Author(s):  
Pasi Ihalainen

This paper suggests that the study of the modernisation of European political cultures in the eighteenth century would greatly benefit from a comparative conceptual historical approach. is approach would effect the reconstruction of a variety of meanings attached to chosen political concepts in different national contexts through the side-by-side analysis of primary sources originating from each case according to the methodology of both historical semantics and pragmatics. A promising research topic is the continuity and change in the conceptualisation of national community, national identity, popular sovereignty and democracy in various European political cultures. e conceptual analyses of late eighteenth-century political sermons from five northwestern European countries, conducted by the author, for example, reveal that conceptual changes related to the rise of nationalism took place even within public religion, allowing it to adapt itself to the age of nationalism. Further analysis of the secular debates taking place in representative bodies and public discourse in late eighteenth-century Britain, the Dutch Republic and Sweden elucidates the gradual development of the notion that all political power is ultimately derived from the people and that such a system constituted a "democracy" in a positive sense within different parliamentary traditions and perhaps even before the French Revolution.


Sign in / Sign up

Export Citation Format

Share Document