Instead of a Conclusion
The concluding chapter turns to more recent encounters between Turkey and Germany in the form of artist exchanges and “intercultural dialogue,” showing how these programs continue to feed into asymmetric perceptions. The chapter reiterates that analyzing the historical entanglements of Turkey and Germany through decivilizing moments unsettles the asymmetric perception between “Western” and “non-Western” art. It argues that the emancipatory potential of art lies in accounting for rather than trying to reconcile the contradictions in the workings of the art world discussed in the study. The postscript surveys some recent developments (2015–2020): the coup attempt, the surge of political violence and war, the curtailing of democratic structures and human rights in Turkey; and the rise of the far right and new museum mega-projects that aim to resurrect a glorious past with colonial collections of questionable provenance in Germany. These developments not only engender attacks on artistic memory but present new iterations of the sway that ideas of “national art” hold in politics. The cases of Istanbul and Berlin continue to provide insights into how—under the impetus of rising nationalism around the world—local formations of the global art world are being called back into the nation frame.