The Model of the Universe, Encoded in the Thracian Cult Spaces, in the Context of Modern Cosmogonic Concepts

2021 ◽  
Vol 5 (3) ◽  
Author(s):  
Adriana Sarbova ◽  
Keyword(s):  
Time And Space ◽  
Sacred Architecture ◽  
The Universe

Accepting the thesis that the Thracian cult buildings under a mound can be interpreted as models of the universe, time and space, man and his ideas of harmony (A. Fol, V. Fol, M. Ruseva), in this article I further develop this thesis, while exploring it, placed in the context of modern concepts and theories in the field of physics, as well as taking into account the place of religions and other sciences in the construction of a comprehensive modern cosmogonic model. At the same time, I consider and analyse the extent to which such searches are a topic in modern sacred architecture.

INTERPRETATION OF SPACE AND TIME IN ONTOLOGICAL PHILOSOPHY NAVOI

2021 ◽  
Vol 1 (2) ◽  
pp. 80-87
Author(s):  
Toji Omonovich Norov ◽  
Keyword(s):  
Human Life ◽  
History Of Philosophy ◽  
Human Intelligence ◽  
Time And Space ◽  
Space And Time ◽  
History Of ◽  
Life On Earth ◽  
The Universe ◽  
Holy Book

The universe, the space that make up their basis planets in it, their creation, the main essence of their creation, form, composition, meaning, movements, interactions, their influence on human life and activities, the role of man in the universe and in life on Earth, life, the criteria of activity and processes occurring in time and space have long been of interest to humanity. One of the main problems in the history of philosophy is the question of space and time. This problem was defined in different ways in the great schools of thought by thinkers of different periods. One of these great thinkers is Alisher Navoi. Navoi's works, along with other socio-philosophical themes, uniquely express and analyze the problems of the firmament and time. Its main feature is that it is based on the divine (pantheistic) religion, Islam, its holy book, the Koran and other theological sources, as well as on the secrets of nature and the Universe, the main miracle of Allah - human intelligence, the power of enlightenment, they are the key revealing all these secrets.

8. Gravitational waves

2018 ◽  
pp. 117-126
Author(s):  
Mike Goldsmith
Keyword(s):  
General Relativity ◽  
Gravitational Waves ◽  
Time And Space ◽  
Gravitational Effects ◽  
New Ideas ◽  
The Universe

In 1916, Einstein published his theory of general relativity, which incorporated fundamentally new ideas about the nature of gravity, including that gravitational effects take time to travel. He also showed that under some circumstances, objects lose energy by emitting ‘ripples’ in time and space: gravitational waves. ‘Gravitational waves’ explains how these waves are very weak and only the most powerful events in the Universe generate strong enough versions to be detected. Gravitational waves differ from other kinds of waves as their only effect is to cause objects to move together and then apart again. They provide a unique new window on the Universe, allowing us to look deeper and further than ever before.

Transition in spacetime

2014 ◽  
Vol 6 (2) ◽  
pp. 1202-1210
Author(s):  
Mostafa Mohamed Korany
Keyword(s):  
Spatial Dimension ◽  
The Other ◽  
Three Dimensions ◽  
Theory Of Relativity ◽  
Spacetime Dimension ◽  
Time And Space ◽  
Temporal Dimension ◽  
The Universe ◽  
Dimensions Of Space

The universe has two main dimensions spatial dimension (consists of three dimensions directional X, Y, Z) and the other dimension is the temporal dimension. Time and space are linked strongly inseparable so we will consider the time and place one Is the dimension of spacetime (as proved Einstein in his theory of relativity). Spacetime dimension includes the temporal dimension and spatial dimension (the three dimensions of space).  Spacetime dimension two (real spacetime – Vision spacetime).  Spacetime has two cases:    1- Navigate spacetime       2- The change in spacetime. spacetime is Personally like a fingerprint and it always variable ( everyone has Personally spacetime and there are not find two of spacetime are the same.

Eastern and western Christendom in late antiquity: a parting of the way

1976 ◽  
Vol 13 ◽  
pp. 1-24 ◽  
Author(s):  
Peter Brown
Keyword(s):  
Late Antiquity ◽  
Late Antique ◽  
Time And Space ◽  
Ecclesiastical History ◽  
The Past ◽  
The Subject ◽  
Short Span ◽  
The Universe ◽  
Vast Range

I must begin with the words of the clergyman: ‘My short sermon for today is divided into three parts. One: God. Two: Man. Three: The Universe.’ It will be impossible to do justice to the subject in hand in the short span of one lecture. This is not only because of the vast range of time and space involved in any consideration of the parting of the ways between eastern and western Christianity in the late antique period. To embark on such a theme involves holding up for scrutiny the very nature of ecclesiastical history. For what we have to deal with is not merely what happened in the relations between east and west, but why what happened happened as it did. Once the ecclesiastical historian asks why, he will find himself sooner or later forced to grapple with the whole quality of men’s lives in the past—that is, with how they lived the full twenty-four hours of the day, not only in their books, but in their churches, not only in their churches, but in the most intimate and most monotonous rhythms of their life.

Jung, art and psychotherapy re-conceptualized by the symbol that joins us to the wildness of the universe

2015 ◽  
Vol 7 (2) ◽  
pp. 81-93
Author(s):  
Susan Rowland
Keyword(s):  
Jungian Psychology ◽  
Core Concept ◽  
Time And Space ◽  
Individual Person ◽  
The Aesthetic ◽  
Art Psychotherapy ◽  
Domain I ◽  
The Impact ◽  
The Universe

Despite the impact of the publication of Jung's own (literally) monumental work of rendering images in The Red Book (2009), the relation of art, artists, art psychotherapy and Jungian studies is puzzling and complex. As Tjeu van den Berk's excellent Jung on Art (2012) demonstrates, Jung by no means posited a comfortable continuum between his psychology and aesthetics. Even artists impressed by his notions of the inherently creative unconscious imagination do not share the priorities of Jungian-oriented art psychotherapists. In exploring this problem of Jungian psychology and the aesthetic domain, I take issue with some of van den Berk's conclusions, proposing instead that in his core concept of the ‘symbol’ Jung constructs a theory of the imagination that overcomes disciplinary, mythic and individual boundaries: rather, it is an idea of radical re-visioning of psyche as expressed in time and space. By dismantling the notion of psyche as bound to an individual person, I suggest the symbol transforms the dialogue of Jung, Jungians and art.

BOOK AND FILM REVIEWS: The Universe of Time and Space

1964 ◽  
Vol 2 (5) ◽  
pp. 233-233
Author(s):  
John W. Stewart
Keyword(s):  
Time And Space ◽  
Film Reviews ◽  
The Universe

scholarly journals SPACE AND TIME RELATIONSHIP IN METAPHYSICAL PAINTINGS OF THE 20TH CENTURY

2020 ◽  
Vol 9 (71) ◽  
Keyword(s):  
20Th Century ◽  
Space Time ◽  
Time And Space ◽  
Life And Death ◽  
Making Sense ◽  
Social Events ◽  
Time Space ◽  
The World ◽  
The Universe

Metaphysics, which deals with concepts such as existence, existentialism, space and god in its general content, is a branch of philosophy. It sought answers to questions related to these concepts through methods and perspectives different from science. The reason for all these questions is the effort to define the universe. Metaphysical philosophy has been the search for a solution to helplessness caused by the uncertainties caused throughout the history by life and death. Perspectives developed in parallel with the perception of the period have also shaped the questions and propositions. All these metaphysical approaches do not contain a definition that is independent of time and space. Time and space, as one of the most fundamental problematics of metaphysics, are accepted as the most important elements in placing and making sense of the human into the universe. In this context, metaphysics, which has a transphysical perspective as well as the accepted scientific expansions of real and reality, was mostly visible in the field of art rather than science. The aim of this article is to analyze the role of metaphysical philosophy in the emergence of metaphysical art in the context of the effects of social events, especially the destructions and disappointments caused by the world wars in the 20th century, on the artists and the reflections of the existential inquiries related to this. Furthermore this study includes definitions and processes of metaphysics. The works of Giorgio de Chirico and Carlo Carra have been interpreted in terms of form and content within the scope of metaphysics by considering the concepts of time-space. Keywords: Metaphysics, Space, Time, Metaphysical Art

Autobiographical narration in short prose by Yevgeniya Bozhyk

2020 ◽  
pp. 88-94
Author(s):  
Tetiana Tkachenko
Keyword(s):  
Short Stories ◽  
Literary Texts ◽  
Stream Of Consciousness ◽  
Time And Space ◽  
Textual Structure ◽  
The World ◽  
Rhetorical Constructions ◽  
The Moment ◽  
The Relationship ◽  
The Universe

The article devotes to the analysis of the autobiographical aspect of narration in short prose by Yevgeniya Bozhyk (1936–2012). It investigates interesting stories, essays, sketches as well as short stories. They are united by a holistic thematic and problematic circle of relevant universal issues that are outside of time and space. The writer reveals the secrets of her creative laboratory, uses various expressive means (metaphor, metonymy, refrain, symbol, rhetorical constructions, ellipse, excursion and anticipation, stream of consciousness, and open finale). She emphasizes such qualities of the creator as the ability to hear and listen, to catch the slightest nuances of mood in the world around her. It is noteworthy that literary texts have components of fiction, journalism in confessional presentation (author, hero and reader). The works have unique textual structure (fragmentation, sensitive dominant, intersemiotic components, primarily musical, aphoristic statements, changes in tempo, and autoallusions). The writer can communicate with people, read thoughts and feelings thanks to fine mental organization, guess unsaid things by female intuition, feel the relationship with the interlocutor at the highest sensory and mental levels. The artist of the word manages to capture the moment when there are changes in nature and man — two components of the universe. Therefore, the reader also becomes an author. He empathizes with the heroes, relates them to himself, learns and ponders what he has read. So, the creator builds conditional and frank conversation with each recipient of her works. Yevgeniya Bozhyk reproduces in literature her rich experience of meeting with different people (prototype characters), sharing her own view of the world with the reader and presents the vision of the Motherland in the bright and exciting kaleidoscope of events, perceptions, reflections. The keynote is the search for Man and Will. Only the brave can get rid of stereotypes and slavery. Indeed, the freedom of the country is unthinkable without the freedom (primarily spiritual) of each of its citizens.

POSTMODERNISM: DESCRIPTIVE PRACTICES OF CULTURAL REFLECTION

2020 ◽  
pp. 7-24
Author(s):  
Olena Yatsenko
Keyword(s):  
Goal Setting ◽  
Symbolic System ◽  
Time And Space ◽  
The World ◽  
The Universe ◽  
Horizontal Vector

The problem of discreteness and continuity of time and space correlates with the problem of the whole and the general. If ontology is presented as a world of individual things, and metaphysical systems describe the world as a whole, then the philosophy of postmodernism questions and criticizes classical examples of the postulation of integrity. The result of such a worldview disposition is an existential-horizontal vector of goal-setting and expediency as such. The development, or rather, the "habitation" of space in time occurs as its marking - the establishment of marks, leaving traces and cartography. All the monumentality of culture is, thus, a sign-symbolic system that reformats the world in a human-sized format. The temporality of subjectivity is not only an existential tragedy, but also a sacred gift of an essential vision of things and phenomena. Even if in postmodernism this sacredness is legitimized by society and culture, not by the eternity of the universe.

scholarly journals O Evangelho de Marcos: Uma análise semiótica de um Cristo carnavalizado

2015 ◽  
Vol 9 (13) ◽  
pp. 53
Author(s):  
Camila Leite Oliver Carneiro
Keyword(s):  
Qualitative Research ◽  
Historical Context ◽  
Time And Space ◽  
The World ◽  
External Analysis ◽  
The Universe

Este artigo analisaa perícope de Marcos 11,1-11 sob o prisma da Semiótica Greimasiana. Para tanto, a abordagem da pesquisa é qualitativa, por trabalhar com o universo de significados, motivos, aspirações, crenças, valorese atitudes. No que se refere ao método, a Semiótica Greimasiana interessa-se pelo texto como um todo, e aceita o fato de o texto não ser a simples soma de frases. Dessa maneira, busca-se integrar, por meio da enunciação, a análise interna do texto, fundamental para que se reconheçam os mecanismos e regras de geração do discurso, com a análise externa do contexto histórico em que o texto está inserido. O artigo baseia-se também na referência do mundo carnavalizado apontado por Bakhtin, levantando figuras que, relacionadas às ancoragens de tempo e espaço, remetem à necessidade de libertação diante da situação de opressão vivida pela comunidade retratada em Marcos. This paper analyzes the pericope of Mark 11,1-11 from the perspective of Greimas’s Semiotics. It is a qualitative research because it deals with the universe of meanings, motives, aspirations, beliefs, values and attitudes. As method, Greimas’s Semiotics is interested in the text as a whole, and accept the fact that it isn’t the simple sum of sentences. In this way, the paper seeks to integrate through enunciation the internal analysis, which is fundamental to recognize the mechanisms and rules of generation of speech, with the external analysis of the historical context in which the text is inserted. The paper is also based on the world reference of carnival pointed out by Bakhtin, raising figures relating to anchorages of time and space, refer to the need to release before the oppressive situation experienced by the community portrayed in Mark.

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