scholarly journals Factor-Based Quantitative Comparison Analysis of the Inheritance of Intangible Cultural Heritage: A Case Study of Kunqu Opera between Chinese Mainland and Taiwan

2020 ◽  
Vol 12 (2) ◽  
pp. 23
Author(s):  
Run Zhao

In 1940s, the Kuomintang (KMT) retreated to Taiwan, along with a lot of amateur artists accomplished in singing and dancing of Kunqu Opera. Due to unlike and separate social environments, Kunqu Opera developed into two different ways in Taiwan and Chinese mainland since then. In contrast with Taiwan’s choice to maintain the tradition of Kunqu Opera, especially that of 1930s as much as possible, Chinese mainland turns to modernize this art to cater to social trends. This paper analyses two versions of the same scene “Broken Bridge” (断桥) from Taiwan and Chinese mainland in spoken language, melody, literary form of lyrics, dance, stage set and costumes to try to find the factors that are not changed, which can be understood as the core factors with inherited cultural values of the intangible cultural heritage. Based on these core factors, the effective protection is possible. This research shows that although Kunqu Opera in Chinese mainland is gradually changing, particularly turning realistic as opposed to the one keeping impressionistic in Taiwan, there are some factors almost untransformed: the melody (kunqiang), literary form of lyrics (qupai style), costumes evolving from the dress of Ming dynasty. An effective protection method of Kunqu Opera should put emphasis on these factors.

Author(s):  
Gül Aktürk ◽  
Martha Lerski

AbstractClimate change is borderless, and its impacts are not shared equally by all communities. It causes an imbalance between people by creating a more desirable living environment for some societies while erasing settlements and shelters of some others. Due to floods, sea level rise, destructive storms, drought, and slow-onset factors such as salinization of water and soil, people lose their lands, homes, and natural resources. Catastrophic events force people to move voluntarily or involuntarily. The relocation of communities is a debatable climate adaptation measure which requires utmost care with human rights, ethics, and psychological well-being of individuals upon the issues of discrimination, conflict, and security. As the number of climate-displaced populations grows, the generations-deep connection to their rituals, customs, and ancestral ties with the land, cultural practices, and intangible cultural heritage become endangered. However, intangible heritage is often overlooked in the context of climate displacement. This paper presents reflections based on observations regarding the intangible heritage of voluntarily displaced communities. It begins by examining intangible heritage under the threat of climate displacement, with place-based examples. It then reveals intangible heritage as a catalyst to building resilient communities by advocating for the cultural values of indigenous and all people in climate action planning. It concludes the discussion by presenting the implications of climate displacement in existing intangible heritage initiatives. This article seeks to contribute to the emerging policies of preserving intangible heritage in the context of climate displacement.


2020 ◽  
Vol 12 (3) ◽  
pp. 885
Author(s):  
Suh-hee Choi ◽  
Sharif Shams Imon ◽  
Ubaldino Couto

The present study examines the three perceptual factors (cultural, economic, and social) that affect residents’ attitude towards transformation in the search for sustainability. Macao’s Drunken Dragon Festival, China’s intangible cultural heritage, was used as the case. Self-administered surveys were conducted on 378 resident festival participants in 2015 and 692 residents (both participants and non-participants) in 2017. The results show that regardless of previous experiences of participating in the festival, those who perceive more strongly about its cultural values tend to have positive attitudes towards its transformation, which may involve a loss of objective authenticity. Those who perceive more strongly that the festival is exclusive and does not embrace diverse participants are more likely to support its transformation. However, such a perception does not lead to their belief that diverse groups of people should be incorporated into the festival. Only among the non-participants from the sample collected in 2017, the perception that this festival provides economic benefit is associated with positive attitudes towards transforming and incorporating diverse groups of participants. This study provides insight into understanding the residents’ common and differentiated attitudes with regards to how much transformation is necessary to ensure sustainability of a local traditional cultural festival.


2021 ◽  
Vol 5 (S4) ◽  
Author(s):  
Hanna Chmil ◽  
Inna Kuznietsova ◽  
Maryna Mishchenko ◽  
Oleksandra Oliynyk ◽  
Violeta Demeshchenko

The relevance of this study lied in actualising the issue of increasing the level of social consolidation of Ukrainian society under the conditions of a number of political, economic, social, and cultural transformations. Intangible cultural heritage serves as the main resource for the establishment and development of national consciousness, which, in turn, strengthens integration processes within society. The purpose of the study is to prove the value of intangible cultural heritage in the modern life of Ukrainians and substantiate the need to preserve cultural values in the course of historical development as a powerful ethno-unifying factor. In the course of the study, general scientific methods, namely analysis, synthesis, induction, deduction, systematic, and comparative were used for logical and consistent presentation of the material. A critical approach to information allowed comprehensively and thoroughly examining the issue of cultural heritage as a unifying factor. As a result of the study, it was discovered that due to complex socio-political and globalisation processes, there is still a need to preserve the traditional heritage, which is an indicator of cultural independence, proving the uniqueness and originality of each nation. Therefore, in the course of the technologisation of society.


Author(s):  
Dandan Qi ◽  
Jiaxin Liu ◽  
Mingliang Li ◽  
Jianjun Li

Intangible cultural heritage is not only a precious heritage of humans, but also an ancient and vivid historical and cultural tradition, which contains profound cultural values. In the process of development, the development of intangible cultural heritage tourism faces problems such as the inheritors' not actively inheriting, the government's failure to take corresponding incentives and interventions, and the over-development of intangible cultural heritage development enterprises. Starting from the stakeholders participated in the development of non-heritage tourism, this paper constructs three groups of evolutionary game models, studies the strategic evolution path of each subject, and uses simulation experiments to verify. The game results show that the size of the parameters determines the choice of the final strategy, and the strategic choices of the three players are interrelated. Only by taking precise measures from the perspective of different stakeholders, can be the efficiency and reasonable development of intangible cultural heritage tourism resources be achieved and the regional economic development be supported.


2016 ◽  
Vol 12 (5) ◽  
pp. 208
Author(s):  
Jiang Yuqiu

<p class="a"><span lang="EN-US">Based on the research on the diplomatic history of costume between China and South Korea in Ming Dynasty, this paper firstly summarizes the protective policies offered by central and local governments of Korea for projects of<a name="OLE_LINK6"></a><a name="OLE_LINK5"></a> intangible cultural heritage in category of traditional dyeing and weaving. Then taking Hansan ramie as example, this thesis sums up different methods of activation and innovative design again for intangible culture of traditional dyeing and weaving in Korea. Finally, thesis concludes the tangible value of intangible heritage in Korea and example value for China, give a suggestion to hope that this feasible method can be used in China.</span></p>


2021 ◽  
Vol 13 (2) ◽  
pp. 1
Author(s):  
Run Zhao ◽  
Yasufumi Uekita

Non-professional groups, consisting of members gathering together out of the same hobby, have long been deemed as auxiliary power in the inheritance of intangible cultural heritage (ICH). Being widely considered as less important than professional groups, non-professional ones seem to mostly function like governments, IGOs, NGOs, among other things, to indirectly help professionals inherit ICH almost by practicing this heritage as a way of dissemination to build a better social environment friendly towards ICH to live well. However, their role in the direct and faithful inheritance of ICH can be underestimated, or even ignored. In this paper, China&rsquo;s Kunqu Opera is taken as an example, one professional group (Shanghai Kunqu Opera Troupe) and one non-professional group (Shanghai Kunqu Study Society) are chosen to do some comparative analyses in pronunciation, melody, literary form of lyrics, and performing scenes of this art. It is concluded that even though not living off this art, non-professional groups could inherit some traditional factors of Kunqu Opera to a larger degree than professional ones, especially in pronunciation and melody. And one major reason can be summarized that non-professional groups, who cherish the art&rsquo;s tradition heavily, don&rsquo;t need to cater to the mass-market and most modern audience, who are highly influenced by modernization and globalization so that they can preserve these traditional factors carefully by studying, practicing as well as imparting them to other amateurs seriously. Thus, paying more attention to their role in the inheritance of ICH is not only sensible but also essential.


2020 ◽  
Vol 13 (2) ◽  
pp. 253-270
Author(s):  
Nurulhuda Adabiah Mustafa ◽  
◽  
Nuraisyah Chua Abdullah ◽  
Azni Mohd Dian

Makyung is one of the many traditional performances from the Malaysian region that has shaped the Malay national cultural identity. It has been recognized as one of the Masterpieces of the Oral and Intangibles of Humanity in 2001 as well as part of intangible cultural heritage having significant cultural values propounded by the UNESCO International Convention for the Safeguarding of Intangible Cultural Heritage of 2003 (ICH Convention). However, the State of Kelantan had enacted the Entertainment Control and Places of Entertainment Enactment (1998) (KECE 1998) that clearly prohibits any entertainment containing prohibited elements according to Islamic principles. Currently, the performance of makyung was allowed with certain modifications but recently, there is an intention by the state government of Kelantan to prohibit Makyung totally. It is to be noted that there are overlapping powers between the Federal and the State jurisdictions with regard to the safeguarding of makyung. At federal level, the National Heritage Act 2005 (the NHA) is the existing law in Malaysia for the safeguarding of intangible cultural heritage inspired by the establishment of the ICH Convention. However, the NHA is a general law that is inadequate at giving comprehensive protection to makyung since heritage matter falls under the Concurrent List of the Ninth Schedule of the Federal Constitution where the State also has the legislative power to make law with regard to the same. In order to address this conflict, there is a need to examine the provisions in the Federal Constitutions, the NHA, KECE 1998 and evaluate to what extent these laws safeguard the performance of makyung. This study examines the conflicts in powers between both Federal and the State Legislations which powers are guaranteed by the Constitution. This study uses the qualitative research method, where a doctrinal research is conducted. This paper contends that, both powers must come to a compromise and meet halfway for the preservation of the heritage.


2020 ◽  
Vol 10 (2) ◽  
pp. 158-168
Author(s):  
SVETLANA IVANOVA ◽  

The purpose of the research work is to analyze the norms of Federal laws, as well as the laws of the Russian Federation's constituent entities, devoted to the definitions and classification of the concepts “cultural heritage”, “historical and cultural monuments”, “cultural values”. Conclusions obtained in the course of the research: based on the study of current legislation, it is concluded that the definitions of “cultural values”, “cultural property”, “objects of cultural inheritance” contained in various normative legal acts differ in content. Based on the research, the author proposes the concept of “cultural values”.


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