The Thin Blue Line

2020 ◽  
pp. 116-154
Author(s):  
Robert Miklitsch

Despite the emphasis on the utter ubiquity of the underworld in the syndicate picture, one of the ironies of the subgenre is a certain “surplus of the law” in the chimerical shape of the organization. From this perspective, the rogue cop film constitutes a dialectical response to the totalitarian disposition of the syndicate picture. In a prototypical rogue cop film like Where the Sidewalk Ends, the problem represented by the syndicate is located in the protagonist’s unresolved relationship to his dead father, but in The Big Heat (1953) police detective Dave Bannion must defend the family and everything it represents--the ’50s suburban American Dream--against the violence-backed interests of the mob. If other working-class cops such as Chris Carmody in Rogue Cop (1954) are driven by sex, Webb Garwood in The Prowler (1951) and Barney Nolan in Shield for Murder (1954) are motivated by the desire for sex and money. In both The Prowler and Shield for Murder, the law of capital returns with the force of the repressed, and the bad cop becomes an especially perverted instance of possessive individualism.

2018 ◽  
Vol 8 (3) ◽  
pp. 247-266
Author(s):  
Michelle L. Wilson

Initially, Oliver Twist (1839) might seem representative of the archetypal male social plot, following an orphan and finding him a place by discovering the father and settling the boy within his inheritance. But Agnes Fleming haunts this narrative, undoing its neat, linear transmission. This reconsideration of maternal inheritance and plot in the novel occurs against the backdrop of legal and social change. I extend the critical consideration of the novel's relationship to the New Poor Law by thinking about its reflection on the bastardy clauses. And here, of course, is where the mother enters. Under the bastardy clauses, the responsibility for economic maintenance of bastard children was, for the first time, legally assigned to the mother, relieving the father of any and all obligation. Oliver Twist manages to critique the bastardy clauses for their release of the father, while simultaneously embracing the placement of the mother at the head of the family line. Both Oliver and the novel thus suggest that it is the mother's story that matters, her name through which we find our own. And by containing both plots – that of the father and the mother – Oliver Twist reveals the violence implicit in traditional modes of inheritance in the novel and under the law.


Living ◽  
1940 ◽  
Vol 2 (1) ◽  
pp. 20
Author(s):  
Max Rheinstein
Keyword(s):  

Author(s):  
Aulil Amri

In Islamic law, pre-wedding photos have not been regulated in detail. However, pre-wedding photo activities have become commonplace by the community. It becomes a problem when pre-wedding is currently done with an intimate scene, usually the prospective bride uses sexy clothes and is also not accompanied by her mahram when doing pre-wedding photos. Even though there have been many fatwas and studies on the limits of permissibility and prohibition in the pre-wedding procession.The results show that the pre-wedding procession that is carried out by the community in terms of poses, clothes, and also assistance in accordance with Islamic law, the law is permissible. However, it often happens in the community to take photos before the marriage contract with scenes as if they are legally husband and wife and the bride's family knows without prohibiting, directing, and guiding them according to Islamic teachings. In this case the role of the family is very important, we as parents must understand the basis of religious knowledge and how to instill religious values in our children since childhood is the key to this problem dilemma.


2019 ◽  
Vol 34 (5) ◽  
pp. 1365-1370
Author(s):  
Vesna Stefanovska

Left realism emerges in the early 1980s as a separate department, or direction within the neo-Marxist critical criminology. It results from dissatisfaction and certain criticisms of the foundations on which critical criminology is built, which left realists call left idealism. Namely, they are called realists because, in their view, crime should be considered in its reality, and the causes that led to criminal behavior should be seriously looked at, which means that leftist realists focus on already experienced realities. Hence, the issues of interest to left realists are the problems faced by certain groups regarding their age, class, sex, race and place of residence. They have some similarities with structural subcultural theories, arguing that crime is a form of subcultural adaptation to lived problems and realities. The basis is that due to material constraints and circumstances, the required cultural goals and aspirations cannot be achieved by legally disposable means. The central postulate of left realism is to reflect the reality of crime, in its origin, nature and influence. This means that crime cannot be romanticized or it cannot be explained as a product of the offender's pathology or other personal characteristics. Real problems related to the crime need to be considered and resolved. In this respect, the issues of left realism are the problems that citizens face, the relationship between the victim and the perpetrator, the geographical distribution of crime, as well as the prevalence of crime in certain social areas and sectors of the community. They are particularly concerned about ignoring the crime that is taking place on the streets by truly disadvantaged and marginalized citizens, as well as the crime that takes place behind closed doors, particularly in the family. So, the perspectives of the left realists are that street crime is a serious problem for the working class, working class crime is primarily committed against other working class members, relative poverty feeds the dissatisfaction and that dissatisfaction, in the absence of political solutions creates crime, and crime can be reduced by implementing practical social policies.On the basis of what has been stated, in this paper we will elaborate the critiques of critical criminology stated by the proponents of Left Realism , a Square of crime that offers appropriate solutions for criminal and social response to crime and perspectives of left realism that predominantly rely on community-based policies.


2020 ◽  
Vol 1 (1) ◽  
pp. 180-199
Author(s):  
Awal Rifai ◽  
Usamah Maming

Surah An-Nisa is one of the longest madaniah surah, and is one full of provisions of sharia laws that govern all matters both internal and external ones for Muslims. Among the prominence of this noble surah is that it tells a lot about important things related to women, household, family, country, and social life. In this surah, there are commands and prohibitions in various matters. The purpose of this study was to extract imperative sentences related to family life and then briefly identify the rules that became the base for these commands. The researcher employed an inductive and analytical approach by extrapolating Surah Al-Nisa, taking imperative sentences related to family life, and explaining the law which is concluded from it. Researcher finds, among the most important of the most important ones are as follows: understanding the meaning of al-amr (command) which is a request to do something in the form of superiority. There are two types of amr: direct and indirect. The number of amr related to the family in the surah is seventeen.


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