scholarly journals The Open Landscape Environment as The Expanse

2020 ◽  
Author(s):  
Barbara I. Dewey

Building on the 2019 ACRL/SPARC Forum on Collective Reinvestment in Open Infrastructure, this program will explore how libraries can make different commitments to fund content created by open infrastructures. Library collections increasingly promote and reflect such open content and many have chosen to contribute to funding those products. There is not one formula or roadmap to underwrite the publishing and distribution costs of these open resources. There are many variables and considerations as some open content corresponds to serials and others are books or monographs. Open access content is increasingly found in nearly all subject areas, as scholarly publishing models have evolved. Open access does not come without a price to create, maintain and preserve the outputs. Libraries are reconsidering whether they want to commit so much to purchase materials or subscription-based products, when it is unclear what the anticipated use of any materials will be over time. Planning and opportunities for new and more flexible decisions concerning adjustments to and expenditures of the materials budget are under exploration by libraries. There are many options to invest in creating more content to be released as open access. Such options include contributing financially from the Library collections or materials budget to subsidizing or covering APCs, engaging in a more “library as publisher” model hosting journals, publishing books, creating OERs, and offsetting other expenses that ultimately drive a more intensive open infrastructure. Library leaders and partners will share their ideas about trying different approaches to contribute to more open publishing initiatives and explore whether efforts in deploying current book and serial costs to offset opportunities to build a wider and more open infrastructure is on the horizon. This analysis should incorporate the costs of analytical tools necessary to the use of such content in today’s research. Questions will be solicited ahead of time to reflect audience’s interest in such a rethinking of the library collections budget. Please email Julia Gelfand at with your questions.

2019 ◽  
Author(s):  
Lucy Barnes ◽  
Rupert Gatti

ScholarLed, a consortium of five not-for-profit, scholar-led OA book publishers, was founded in 2018 in order to develop powerful, practical ways for small-scale, scholar-led Open Access presses to grow and flourish in a publishing landscape that is changing rapidly. We comprise Mattering Press, meson press, Open Book Publishers, Open Humanities Press, and punctum books: five publishers with different business models and publishing practices, but with a shared commitment to making high-quality research available OA without levying Book Processing Charges (BPCs). We have approached this task with the philosophy of ‘scaling small’; in other words, rather than seeking to grow our reach by any one of us becoming exponentially larger, we want to create systems that allow a large number of diverse, small-scale scholarly publishing initiatives to operate collaboratively, and so to foster a robust, inclusive and community-managed publishing ecosystem in partnership with all actors in the scholarly publishing ecosystem (including scholars, libraries, and funders). Collectively the ScholarLed presses have now published over 500 books, and expect to publish over 80 new titles in the coming year. What would the publishing landscape look like if, rather than 5 presses, we were 25, 50, or 100 in number? Accordingly, in our first year we became key partners in the Community-led Open Publication Infrastructures for Monographs (COPIM) project, which we developed along with organisations including Coventry University; Loughborough University Library; University of California, Santa Barbara (UCSB) Library; Directory of Open Access Books (DOAB); Jisc Collections; and the Digital Preservation Coalition (DPC). In June of this year, this project successfully secured funding of £2.2 million from Research England to build the necessary open infrastructure over the next three years to transform open access book publishing, by moving away from a model of competing commercial service operations to a more horizontal and cooperative, knowledge-sharing approach. In this presentation, we will discuss the ‘scaling small’ philosophy that underlies ScholarLed, and how this chimes with growing international movements such as the Invest in Open Infrastructure initiative. We will also explore how this impacts the COPIM project and our firm conviction that, in order for open access publishing initiatives to thrive, we have to develop more robust definitions of ‘open’ that go beyond releasing content from behind paywalls. COPIM will pilot a range of interventions, from developing open, transparent, sustainable, and community-governed infrastructures for the curation, dissemination, discovery, and long-term preservation of open content and open data, to helping publishers transition away from a BPC-based business model, to following the best practices for integrating open content into institutional library, digital learning, and repository systems. COPIM prepares the ground for OA publishing to thrive, increasing its strength and heterogeneity within a robust, inclusive and community-managed publishing ecosystem: Scaling Small. Keywords: scholar-led; community-driven; open access publishing.


2020 ◽  
Vol 13 (1) ◽  
pp. 315
Author(s):  
Malte Schäfer ◽  
Manuel Löwer

With the intent of summing up the past research on ecodesign and making it more accessible, we gather findings from 106 existing review articles in this field. Five research questions on terminology, evolution, barriers and success factors, methods and tools, and synergies, guide the clustering of the resulting 608 statements extracted from the reference. The quantitative analysis reveals that the number of review articles has been increasing over time. Furthermore, most statements originate from Europe, are published in journals, and address barriers and success factors. For the qualitative analysis, the findings are grouped according to the research question they address. We find that several names for similar concepts exist, with ecodesign being the most popular one. It has evolved from “end-of-pipe” pollution prevention to a more systemic concept, and addresses the complete life cycle. Barriers and success factors extend beyond the product development team to management, customers, policymakers, and educators. The number of ecodesign methods and tools available to address them is large, and more reviewing, testing, validation, and categorization of the existing ones is necessary. Synergies between ecodesign and other research disciplines exist in theory, but require implementation and testing in practice.


Risks ◽  
2021 ◽  
Vol 9 (7) ◽  
pp. 123
Author(s):  
Ioana Lavinia Safta ◽  
Andrada-Ioana Sabău (Popa) ◽  
Neli Muntean

Creative accounting has its background since early studies in 1975, until the present time. It continues to be a subject of great interest for the companies and interested parties. Thus, the current paper will aim to answer the following proposed research questions: 1. Which are the most used methods for detecting the manipulation of financial statements in the literature? 2. Which are the terms that are most frequently encountered in the literature associated with “creative accounting? 3. Which are the journals that have the highest frequency of articles written on the topic “creative accounting”? 4. Over time, how did research evolve in the field of creative accounting? 5. Which countries are most preoccupied in publishing regarding this topic? To answer the research question 1, the models published in the literature for measuring manipulation techniques through creative accounting were reviewed and analyzed. For the remaining research questions, a bibliometric analysis for the publications in this area was performed. For collecting the sample, articles on this topic were selected from the international Web of Science database. Following this, a bibliometric analysis of the articles was performed, using the VOSviewer program. A total of 4045 publications on creative accounting were identified. Through the bibliometric analysis we have answered research question 2, by identifying the key words that have the closest proximity to creative accounting. To answer the remaining research questions, we identified the journals with the highest frequency of publication and the countries with the highest interest on the topic. It is especially important to evaluate the quality of this many research papers and to obtain valuable information.


2021 ◽  
pp. 1-22
Author(s):  
Qiang Zha

Abstract This paper examines several research questions relating to equality and equity in Chinese higher education via an extended literature review, which in turn sheds light on evolving scholarly explorations into this theme. First, in the post-massification era, has the Chinese situation of equality and equity in higher education improved or deteriorated since the late 1990s? Second, what are the core issues with respect to equality and equity in Chinese higher education? Third, how have those core issues evolved or changed over time and what does the evolution indicate and entail? Methodologically, this paper uses a bibliometric analysis to detect the topical hotspots in scholarly literature and their changes over time. The study then investigates each of those topical terrains against their temporal contexts in order to gain insights into the core issues.


2016 ◽  
Vol 77 (3) ◽  
pp. 269-285 ◽  
Author(s):  
Luke Swindler

E-books constitute major challenges for library collections generally and present fundamental problems for consortial collection development specifically. The Triangle Research Libraries Network (TRLN) and Oxford University Press (OUP) have created a mutually equitable and financially sustainable model for the consortial acquisition of e-books coupled with print titles needed to support instruction and research across the disciplinary spectrum within a transitional framework that is acceptable to users while moving both libraries and publishers to a decidedly electronic environment for monographs. Working with YBP Library Services, TRLN and OUP developed a flexible vending model for systematically increasing e-books acquisitions in tandem with reducing print intake over time and keeping net costs constant that other consortia and publishers would find useful. This article focuses on creating an acceptable and sustainable model that allows libraries to shift to e-books and the implications for traditional cooperative collection development. The research reports on the principles undergirding the pilot, how it developed, challenges encountered and lessons learned, librarian and user reactions to this format shift, and resulting philosophical and practical evolutions in consortial approaches to monographic acquisitions and understandings of what constitutes cooperative collections success in a digital environment.


Author(s):  
Matteo Migheli ◽  
Giovanni B. Ramello

2020 ◽  
Author(s):  
Ignasi Labastida i Juan

The digital age has brought authors of publications many more opportunities to gain further impact and visibility by sharing their work online through websites, pre-print servers, repositories, publishing platforms or other digital venues as well as journals. Publisher copyright policies have not always been enablers of these new practices but change is underway. Europe has also seen a surge in international, national and local Open Access (OA) policies in recent years, a significant one being Plan S with its requirements related to rights retention and open licensing. How far are publishers in supporting authors in this change? In early 2020 SPARC Europe commissioned a report to gain a better understanding of current copyright and licensing practices amongst scholarly journal publishers based in Europe and how these are presented to academic authors. The key purpose of the study was to provide evidence on how publisher policies support OA and to see whether the complexity of the copyright and self-archiving landscape amongst publishers has simplified over time. We also explored how Plan S-ready publishers were with regards to the first principle of their policy related to authors or their institutions being required to retain copyright to their publications, calling for all publications to be published under an open license, preferably CC BY, immediately and under no embargo. Research was undertaken on various levels: the 2020 study reviewed the copyright, self-archiving and open licensing policies from 10 large legacy publisher websites and then asked these publishers to verify these findings. We also analysed the policies of pure open access journals in Europe from the Directory of Open Access Journals (DOAJ). To limit the scope, Europe was taken as the focus of this research. This paper will firstly demonstrate how diversely publishers present and share information on their copyright, licensing and self-archiving policies and how challenging this can be for authors and the institutions that support them. We will also share findings on the specifics of publisher policies be they hybrid or pure OA. For example, examining how far large publishers currently allow authors to retain publishing rights for articles, to what extent they allow zero embargoes when self-archiving or how far pure OA journals use the CC BY license. This paper ends by making a number of recommendations to publishers, research funders, institutions and authors to ultimately support authors to more easily navigate this policy landscape and to be able to publish immediate OA.


Author(s):  
Christian Olalla-Soler ◽  
Javier Franco Aixelá ◽  
Sara Rovira-Esteva

This article identifies the specific characteristics of Cognitive Translation and Interpreting Studies (CTIS) as a branch of Translation and Interpreting Studies (TIS), adopting a bibliometric approach. The main data source for this study was the Bibliography of Interpreting and Translation (BITRA), which – as at September 2019 – included more than 77,000 TIS records, covering the diversity of languages and document types used in TIS research. BTRA is the only TIS database to feature citing information. CTIS-related records were analysed, and those published between 1976 and 2015 were compared with the whole corpus of TIS research output for the same period – again, as registered in BITRA. Specifically, we analysed: (a) the general features and evolution of CTIS publications over time (by thematic co-occurrence, by title content words, by format and by language); (b) authorship, focusing on co-authorship and on the most productive authors; (c) the citation patterns of CTIS documents, including a brief analysis of its most cited authors and publications; and (d) CTIS accessibility through a study of the ratio of documents published in open access. These aspects were analysed both synchronically and diachronically so as to describe CTIS as a whole and to identify any changes over time. Our results yield a first overview of CTIS from a bibliometric perspective and provide a methodological point of departure for future bibliometric studies in this area.


2020 ◽  
Vol 4 ◽  
pp. 48-62
Author(s):  
Anna Jamka

Death, an essential part of life, is a mesmerizing topic for a number of reasons. Without a shadow of a doubt, it is a universal phenomenon. Nevertheless, the variety of death rites as well as myths and beliefs related to the act of passing, suggest certain differences in its understanding among individuals, communities, and cultures. Are such differences manifested in language? And if so, can they be examined in an analysis of translations of highly artistic, poetic texts? In this study I seek to reconstruct the linguistic view of death in ‘Clamor’ by Federico García Lorca and its latest Polish translation (2019) by Jacek Lyszczyna. Having in mind that language constitutes the raw material of literature (Pajdzińska, 2013), I believe that analyzing poetry in light of the linguistic worldview is crucial for its deeper understanding and, as a consequence, delivering a good translation. What is more, I am convinced that applying the analytical tools developed by cultural linguistics, and in particular, the Ethnolinguistic School of Lublin, in translation studies may be useful not only in an assessment of translation quality, but also as very telling of the role of translated texts in the target language, culture and literary system. Therefore, I intend to analyse Lyszczyna’s translation in view of the linguistic worldview to assess its quality and determine what such an ‘infected’ view of death may tell us about our own (Polish) take on this concept. Firstly, I will analyse García Lorca´s poem to identify the key linguistic exponents of death and reconstruct its non–standard linguistic view (Gicala, 2018) in ‘Clamor’. Secondly, I will capture the key linguistic exponents of death in the form of holistic cognitive definitions following the principles established by Bartmiński et al. (1988, 1996, 2006, 2010, 2013, 2018). Furthermore, I will do the same with their Polish equivalents used in Lyszczyna’s translation. On the basis of the outcomes of the study, I will reconstruct the ‘translated’ linguistic view of death and answer the research questions.


2019 ◽  
Vol 33 (1) ◽  
pp. 7-17
Author(s):  
Ximo Mengual ◽  
France Gimnich ◽  
Hannah Petersen ◽  
Jonas J. Astrin

Abstract We examined the effects of different types of specimen labels and tags on pH of different concentrations of ethanol typically used for fluid preservation in natural history collections. Labels were immersed in three different concentrations of ethanol, 96% pure undenatured ethanol (EtOH), 96% EtOH denatured with methyl-ethyl ketone (MEK), and 99.8% pure undenatured EtOH, with or without the presence of insect specimens, and the solutions were evaluated after 26 months for changes over time in pH reading. In general, pH readings of all label trials with 96% and 99.8% ethanol increased over time, except for trials of denatured alcohol, which demonstrated lower pH readings in almost all treatments, regardless of label type. Samples that contained labels with ordinary, nonstandardized, not explicitly acid-free printing paper had higher pH readings compared after the trial. Our observations are a good starting point for further experiments to answer research questions related to chemical interactions with labels in ethanol-preserved specimens, including tissue samples for molecular analyses, which can guide collection staff in their daily work.


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