A Nightmarish Silhouette

2017 ◽  
Author(s):  
C. Riley Snorton
Keyword(s):  
Cold War ◽  
Black Press ◽  
The Media ◽  
Media Narratives ◽  
At Home

Chapter 4 situates the ascendance of Christine Jorgensen, dubbed America’s first transsexual celebrity, alongside myriad projects of U.S. imperial conquest and various forms of violent racist suppression at home. Focusing on the media narratives of Lucy Hicks Anderson, Georgia Black, Carlett Brown, James McHarris/Annie Lee Grant, and Ava Betty Brown that emerged in the black press, this chapter offers other ways to narrate trans embodiment in the postwar, early Cold War period.

Hegemonic Disarray—American Internationalisms and World Disorder

2018 ◽  
Author(s):  
Daniel Deudney
Keyword(s):  
Foreign Policy ◽  
Cold War ◽  
Middle East ◽  
International Order ◽  
The World ◽  
The Usa ◽  
The Cold War ◽  
At Home

The end of the Cold War left the USA as uncontested hegemon and shaper of the globalization and international order. Yet the international order has been unintentionally but repeatedly shaken by American interventionism and affronts to both allies and rivals. This is particularly the case in the Middle East as the wars in Afghanistan and Iraq as well as the nuclear negotiations with Iran show. Therefore, the once unquestioned authority and power of the USA have been challenged at home as well as abroad. By bringing disorder rather than order to the world, US behavior in these conflicts has also caused domestic exhaustion and division. This, in turn, has led to a more restrained and as of late isolationist foreign policy from the USA, leaving the role as shaper of the international order increasingly to others.

scholarly journals ‘You wouldn’t get that from watching TV!’: Exploring audience responses to virtual reality non-fiction in the home

2020 ◽  
pp. 135485652097996
Author(s):  
David Philip Green ◽  
Mandy Rose ◽  
Chris Bevan ◽  
Harry Farmer ◽  
Kirsten Cater ◽  
...  
Keyword(s):  
Virtual Reality ◽  
New Media ◽  
Home Setting ◽  
Media Technologies ◽  
Non Fiction ◽  
Audience Responses ◽  
The Media ◽  
The Cost ◽  
Watching Tv ◽  
At Home

Consumer virtual reality (VR) headsets (e.g. Oculus Go) have brought VR non-fiction (VRNF) within reach of at-home audiences. However, despite increase in VR hardware sales and enthusiasm for the platform among niche audiences at festivals, mainstream audience interest in VRNF is not yet proven. This is despite a growing body of critically acclaimed VRNF, some of which is freely available. In seeking to understand a lack of engagement with VRNF by mainstream audiences, we need to be aware of challenges relating to the discovery of content and bear in mind the cost, inaccessibility and known limitations of consumer VR technology. However, we also need to set these issues within the context of the wider relationships between technology, society and the media, which have influenced the uptake of new media technologies in the past. To address this work, this article provides accounts by members of the public of their responses to VRNF as experienced within their households. We present an empirical study – one of the first of its kind – exploring these questions through qualitative research facilitating diverse households to experience VRNF at home, over several months. We find considerable enthusiasm for VR as a platform for non-fiction, but we also find this enthusiasm tempered by ethical concerns relating to both the platform and the content, and a pervasive tension between the platform and the home setting. Reflecting on our findings, we suggest that VRNF currently fails to meet any ‘supervening social necessity’ (Winston, 1996, Technologies of Seeing: Photography, Cinematography and Television. British: BFI.) that would pave the way for widespread domestic uptake, and we reflect on future directions for VR in the home.

scholarly journals O romance de Ricardo Lísias: janelas escancaradas para o sujeito hipermoderno

2016 ◽  
Vol 51 (4) ◽  
pp. 491
Author(s):  
Ana Cláudia Munari ◽  
Taíssi Alessandra Cardoso da Silva
Keyword(s):  
Media Studies ◽  
Contemporary Literature ◽  
The Self ◽  
Police Chief ◽  
The Novel ◽  
The Media ◽  
The Subject ◽  
Media Narratives ◽  
Self Reference ◽  
Critical Production

A partir da análise dos romances de Ricardo Lísias e da sua produção autocrítica, este trabalho busca entender algumas relações entre a literatura de autoficção e a publicização do sujeito autor imerso no universo midiático. Partindo de uma revisão bibliográfica que conceitua os objetos aqui circunscritos e de uma apreciação anterior sobre a produção literária de jovens escritores brasileiros selecionados pela revista Granta em 2012, estreitamos nossa focalização no movimento do romancista em direção à escrita de si e à autorreferência. Nesse sentido, analisamos e contextualizamos a modalidade de escritura denominada autoficção, especialmente no que tange às aproximações entre as instâncias do narrador e do autor e entre biografemas e ficção (FIGUEIREDO, 2013; KLINGER, 2012), e evocamos estudos da Sociologia e da Comunicação de modo a caracterizar a sociedade da qual emerge o corpus deste estudo (LIPOVESTKY, 2004; SANTAELLA, 2012). A partir desse contexto, investigamos as obras literárias – O céu dos suicidas (2012), Divórcio (2013) e Delegado Tobias (2014) – e as narrativas midiáticas de Ricardo Lísias e identificamos nelas estratégias da publicidade.********************************************************************The novel by Ricardo Lísias: wide open windows to the subject hypermodernAbstract: Through the analysis of the novels of Ricardo Lísias and its self-critical production, this work intends to understand some relationships between the self-fiction literature and the popularization of the subject author immersed in the media universe. Starting from a literature review that conceptualizes the objects herein bounded and an earlier assessment of the literary production of young Brazilian writers selected by Granta magazine in 2012, we strengthened  ur focus on the novelist's movement toward the writing itself  nd self-reference. Pursuing this aim, we analyzed and contextualized the form of writing named autofiction, especially with regard to the similarities between instances of the narrator and the author and between biographema and fiction (FIGUEIREDO, 2013; KLINGER, 2012). We also evoked Sociology and Media Studies to characterize the society of which emerges the corpus of this study (LIPOVESTKY, 2004; SANTAELLA, 2012). From these premises, we investigated the literary works – Céu dos suicidas (Heaven suicide, 2012), Divórcio (Divorce, 2013) and Delegado Tobias (Tobias, the police chief, 2014) – and the media narratives of Ricardo Lísias and finally we identified his advertising strategies.Keywords: Self-ficction; Contemporary literature; Hypermodernity; Ricardo Lísias

scholarly journals The Ability of Latin Letter Recognition in Early Children in Raudhatul Atfhal Annajamissa'adah Medan Tembung

2020 ◽  
Vol 3 (2) ◽  
pp. 791-798
Author(s):  
Yuni Sitorus
Keyword(s):  
Early Childhood ◽  
Young Children ◽  
Letter Recognition ◽  
Learning Activities ◽  
Process Learning ◽  
Working Together ◽  
The Media ◽  
Teachers And Parents ◽  
Latin Letter ◽  
At Home

The background of the problem in this study is the ability to recognize Latin letters in early childhood in Raudhatul Atfhal Annajamissa'adah clay field and the teacher has not used an effective and efficient media in learning to recognize Latin letters. This study aims to process learning activities in the form of activities of teachers, students and parents in the ability to recognize Latin letters in early childhood in Raudhatul Atfhal Annajamissa'adah clay field through the process of learning the introduction of Latin letters in early childhood. The results showed that there were some weaknesses and strengths in learning Latin letters recognition. Because children lack enthusiasm in learning because the media conducted by teachers is less effective. Therefore there must be cooperation between parents of students and teachers so that students also study at home not only studying at Raudhatul Atfhal Annajamissa'adah clay field but at home must also be taught by parents so that the ability to recognize Latin letters can die. Because so far researchers see the lack of cooperation between teachers and parents in working together in educating young children in Raudhatul Atfhal Annajamissa'adah so the level of children's ability to recognize Latin letters is different.

scholarly journals Politicizing Religion

2021 ◽  
pp. 73-99
Author(s):  
Uta A. Balbier
Keyword(s):  
United States ◽  
New York ◽  
World War Ii ◽  
Cold War ◽  
The United States ◽  
World War ◽  
The United Kingdom ◽  
The Media ◽  
Media Discourses ◽  
The Cold War

This chapter defines Graham’s crusades in the United States, Germany, and the United Kingdom in the 1950s as powerful cultural orchestrations of Cold War culture. It explores the reasons of leading political figures to support Graham, the media discourses that constructed Graham’s image as a cold warrior, and the religious and political worldviews of the religious organizers of the crusades in London, Washington, New York, and Berlin. In doing so, the chapter shows how hopes for genuine re-Christianization, in response to looming secularization, anticommunist fears, and post–World War II national anxieties, as well as spiritual legitimizations for the Cold War conflict, blended in Graham’s campaign work. These anxieties, hopes, and worldviews crisscrossed the Atlantic, allowing Graham and his campaign teams to make a significant contribution to creating an imagined transnational “spiritual Free World.”

Ears

2016 ◽  
Author(s):  
Alejandra Bronfman
Keyword(s):  
Cold War ◽  
The Political ◽  
Central Position ◽  
Audience Research ◽  
Research Techniques ◽  
Political Struggles ◽  
The Media ◽  
The Caribbean ◽  
The Cold War

This chapter opens with an exploration of audience research techniques and the ways that even those conducting the research acknowledged the impossible nature of their task. This sets out the paradox that structures the chapter: even while there was no guarantee that listening publics were listening, they came to occupy a central position in the political struggles of the late 1950s and early 1960s. The notion of fidelity runs through the chapter as it traces the mediated strategies with which institutions and entities vied for the loyalty of listeners and laid the ground for the media battles of the anti-Batista struggle in Cuba. The “radio wars” that erupted in the Caribbean, a series of clandestine broadcasts urging the overthrow of Castro, Trujillo, and Duvalier in the early 1960s, speak to the centrality of mediated interventions in the changing geopolitics of the Cold War. The chapter ends with an emphasis on silence, as it attends to the ways that Jamaican broadcasting continued to speak only to limited publics and tendered a deaf ear to the creole-inflected sounds of politics on the eve of decolonization.

The Crisis of Public Health as a Media Event

2016 ◽  
pp. 78-89
Author(s):  
Valentina Marinescu
Keyword(s):  
Public Health ◽  
Public System ◽  
Protest Movements ◽  
The Public ◽  
Media Messages ◽  
The Media ◽  
Media Narratives ◽  
A Minor ◽  
The Impact ◽  
Media Event

The focus of the present article is on the analysis of the influence exercised by media narratives on the Romanian audience's reconstructions of social movements from January-February 2012. The analysis was interested to show what are the aspects involved in the publicizing of this media event in Romania, by focusing on the event narrative built in such a way to transmit a particular significance related to the protest movements related to the crisis of the health public system in Romania. Two research methods were used in collecting the data: a survey on two hundreds Romanian respondents and quantitative content analysis of five national Romanian newspapers. As the results show, the high consumption of mass media messages does not determine whether the public adopts the media narratives concerning the events from the beginning of year 2012. At the same time, the analysis shows that in the case of the media events that took place in Romania in January-February 2012 the impact of the media narrative on the way in which the audience from Romania rebuilt those protests was a minor one and other factors had played a major role in triggering massive mass protests in Romania.

6. Cold wars at home

2021 ◽  
pp. 102-119
Author(s):  
Robert J. McMahon
Keyword(s):  
United States ◽  
Cold War ◽  
Third World ◽  
The United States ◽  
The Third ◽  
Nation States ◽  
The Third World ◽  
The Cold War ◽  
State Relations ◽  
At Home

‘Cold wars at home’ highlights the domestic repercussions of the Cold War. The Cold War exerted so profound and so multi-faceted an impact on the structure of international politics and state-to-state relations that it has become customary to label the 1945–90 period ‘the Cold War era’. That designation becomes even more fitting when one considers the powerful mark that the Soviet–American struggle for world dominance and ideological supremacy left within many of the world’s nation-states. The Cold War of course affected the internal constellation of forces in the Third World, Europe, and the United States and impacted the process of decolonization, state formation, and Cold War geopolitics.

Divergent Channels

2017 ◽  
Author(s):  
Richard A. Moss
Keyword(s):  
Cold War ◽  
Nixon Administration ◽  
White House ◽  
Frequent Contact ◽  
Honest Broker ◽  
Personal Experiences ◽  
The Media ◽  
Policy Perceptions

Although Nixon and Kissinger superimposed a Cold War distortion on a regional situation, tried to spin stories in the media, and allowed personal biases to flavor their responses, they responded logically and perhaps justifiably when seen in the broader context of U.S.-Soviet relations. The Nixon administration steadily escalated diplomatic signals, and the top policymakers sincerely believed that India had launched external aggression—not Pakistan—with its support for Mukthi Bahini (liberation force) raids into what was then East Pakistan. Several additional themes run through Nixon and Kissinger’s response to the Indo-Pakistani War, many of which were also reflected in U.S.-Soviet back-channel communications and in the taped conversations. Not surprisingly, Nixon’s and Kissinger’s policy perceptions were clearly colored by their personal experiences with Indira Gandhi and Yahya Khan. The White House was unwilling to dismiss Yahya’s role as an honest broker in Sino-American rapprochement and likewise saw duplicity on the part of Indira Gandhi after she visited Washington, D.C., in early November 1971 and claimed that India had no desire for war with Pakistan. In addition, the surreptitiously recorded conversations between the president and his advisors are rife with gendered speech and appeals to masculine “toughness” that colored Nixon’s actions. Significantly, the frequent contact with the Soviets during the war mitigates some of the criticism of recklessness.

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