A Whistle from Midcourt

Author(s):  
James W. Miller
Keyword(s):  

This chapter tells the story of the controversial final minutes of Lincoln's state tournament game that began in chapter 1. Lincoln led Owensboro by 5 points with five minutes to play when Gilliard ordered his players to freeze the ball in order to protect the lead. The strategy failed, and Lincoln trailed by 2 points with eleven seconds remaining. Jewell Logan scored what would have been the tying basket and was fouled as time expired, but the referee at midcourt called Logan for walking, and Lincoln lost the game. Logan fielded reporters' questions with dignity, a trait that Young had worked to instill in his students. Flaget won the tournament, and McGill, chosen for the all-tournament team, became the first African American to start for a KHSAA champion. But he still couldn't play tennis at the Louisville Boat Club because of his color.

Author(s):  
William L. Andrews

Chapter 1 examines key terms pertaining to socioeconomic distinction, particularly “caste,” “status,” and “class,” as they apply to mid-century narratives. The chapter notes factors that differentiated the enslaved economically as well as socially, among them types of work, kinship, and connections to whites. It explains the importance of class awareness to the slave narrative and differentiates that awareness from standard ideas about class consciousness. Also discussed are commonalities of experience shared by most of the fifty-two African American slave narrators whose life stories are the focus of this book. Concluding the chapter is an overview of discourse involving class critique and social advancement among African Americans as articulated by black writers from David Walker to Martin R. Delany and Frederick Douglass. The widening range of class-inflected ideas expressed in mid-century narratives attests to an emerging class awareness in contemporary essays and journalism, as well as autobiography, by black Americans.


Author(s):  
Candice Delmas

Chapter 1 surveys the literature on civil disobedience and places the author’s own approach to resistance and principled disobedience within this context. Public understanding of civil disobedience is the product of two different strands: the broadly Rawlsian philosophical conception of civil disobedience and the official narrative of the civil rights movement in the United States. This chapter calls upon history to show how the standard, broadly Rawlsian conception of civil disobedience (though not necessarily Rawls’s own) rests on an unrealistic and objectionable reading of the African American civil rights struggle. It also argues that the official reading of the civil rights movement functions as a counter-resistance ideology, deterring any form of protest against the status quo. It then examines and critiques recent “inclusive” accounts of civil disobedience, proposing instead a broad matrix of resistance that includes lawful acts of resistance and principled—civil and uncivil—disobedience.


Author(s):  
Kim T. Gallon

This chapter examines the mass movement of southern African Americans to Northern cities in the first half of the twentieth century and shows how it dramatically altered the Black Press. After 1920, black newspaper editors covered more news that they believed would appeal to working-class African Americans. In charting the development of the early-twentieth-century Black Press, chapter 1 presents a comparative analysis of five different newspapers: The Amsterdam News, The Baltimore Afro-American, The Chicago Defender, The Philadelphia Tribune, and the Pittsburgh Courier. These five newspapers demonstrate how the Black Press fostered and imagined an African American readership’s interest in sexuality through its sensational coverage of the variegations of black life throughout the 1920s and 1930s.


2020 ◽  
pp. 17-46
Author(s):  
Kimberly D. Hill

Chapter 1 explains trends in the African American Protestant missions movement up to 1907 with a focus on William Henry Sheppard and the black staff of the American Presbyterian Congo Mission. The literary and musical accomplishments of Althea Brown are introduced in the context of her classical training at Fisk University. The role that Alonzo Edmiston played in developing industrial education at the Congo Mission is introduced through his childhood working on a Tennessee plantation and his education at Stillman Institute. The final section explains how both ministers applied their academic backgrounds and the lessons of previous black missionaries to rebuilding a mission station despite political turmoil in the region.


2020 ◽  
pp. 45-82
Author(s):  
Zakiyyah Iman Jackson

Frederick Douglass’s 1845 Narrative has been central to interpretations that read African American literature through the framework of a petition for human recognition. Douglass, arguably the nineteenth century’s most iconic slave, grounds his critique of slavery in natural law. However, his later speeches problematize his commitment to the natural rights tradition by disrupting its racially exclusive conception of being and challenging the animal abjection that is foundational to its ontology. Toni Morrison’s Beloved recalls rhetorical strategies, such as appeals to sentimentality and the sovereign “I,” employed by Douglass that diagnose racialization and animalization as mutually constitutive modalities of domination under slavery. Chapter 1 examines how we might read Morrison as well as gendered appeals to discourses of the Self rooted in religio-scientific hierarchy, as both discourses have historically recognized black humanity and included black people in their conceptualization of “the human,” but in the dissimulating terms of an imperial racial hierarchy. Beloved extends Douglass’s intervention by subjecting animality’s abjection to further interrogation by foregrounding nonhuman animal perspective, destabilizing the epistemological authority of enslaving modernity, including its gendered and sexual logics. By doing so, Beloved destabilizes the very binaristic and teleological epistemic presumptions that authorize the black body as border concept.


Author(s):  
Julian Maxwell Hayter

Chapter 1 reimagines the origins of the civil rights movement by examining the suffrage crusades that predated the Voting Rights Act (VRA) of 1965. The women and men of the Richmond Crusade for Voters were the legatees of a drawn-out struggle against racist civility and white paternalism in Virginia. Moderate racial reforms, led by men such as Gordon Blaine Hancock, characterized race relations in Richmond before the 1950s. Brown v. Board of Education (1954) ended racist civility in Virginia. The Crusade and the National Organization for the Advancement of Colored People (NAACP) more immediately emerged in opposition to massive resistance to public-school integration and racist urban-renewal policies. This organization eventually outmobilized Harry Byrd’s political machine by paying poll taxes. With the help of the NAACP and its “Miracle of 1960” campaign, the Crusade elected an African American, B.A. “Sonny” Cephas, to the Richmond City Council in 1964.


Author(s):  
Phoebe Wolfskill

Chapter 1 considers the ideologies surrounding the Negro Renaissance, and establishes the historical question that structures the project: how does an artist construct a “New” Negro detached from the authority of past constructions? The chapter introduces the reader to Motley’s background and history, while addressing key paintings that establish the foundation of the concerns elaborated in the manuscript. The chapter further frames the book’s approach to Motley’s work by sifting through art historical discourses regarding the evolution of African American art history and the treatment of the black artist within this history. It posits that the difficulties of devising a New Negro stems not just from the task of revising black identity but rather from the suggestion that black identity can somehow be reduced or codified into a coherent idea or form of representation. Furthermore, there were as many perspectives on how to represent the New Negro as there were artists and writers seeking to redefine this figure.


Author(s):  
Marne L. Campbell

Chapter 1, “Myths and Origins” considers the earliest period of settlement in California (1781 – 1848) and the peculiar role of race during that time. It also examines the ways settlers of Afro-Latino descent affected the lives of African Americans a century later. Most importantly, this chapter explores California as an important landscape for establishing a racial hierarchy not only under Mexican rule, but also after it became United States territory (1848), by examining the ways in which African American settlers and other racial minorities in this early period contributed to defining race on the city’s frontier.


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