scholarly journals Tělovýchovné spolky a turnerské hnutí jako nástroje sudetoněmecké iredenty: Podíl sudetoněmeckých tělovýchovných organizací na rozbití československého státu

2018 ◽  
Vol 20 (1) ◽  
pp. 38-68
Author(s):  
Sandra Štollová
Keyword(s):  
Physical Education ◽  
Moral Education ◽  
Historical Development ◽  
Leisure Time ◽  
Political Representation ◽  
The Political ◽  
German Population ◽  
Sport Organizations ◽  
In The Beginning ◽  
The 19Th Century

The Turner movement, founded in the beginning of the 19th century by Friedrich L. Jahn, played an important role in organizing leisure time activities of the Sudeten German population during the first half of the 20th century. After splitting from the Austrian Turners, the Sudeten German Turners took over not only the methodology of practice, but also incorporated some of their ideological standpoints. At the beginning, Sudeten German Turner clubs considered themselves apolitical; the main goal of the Sudeten German Turners was physical and moral education of youth. Notwithstanding this original purpose, over time they became a political tool for Sudeten German political representation and executors of various forms of sedition towards the Czechoslovakia. Not even strong ideological contradictions within the Turner movement stopped it from becoming isolated from other Czechoslovak sport organizations and from disseminating pan-German goals and ideas in Czechoslovakia. The Turners provided Sudeten German youth not only with physical education; the organization became an influential tool of socialization as well. This paper reveals the political goals of Sudeten German Turner clubs in the terms of its historical development and provides an overview of the most important Sudeten German Turner club DTV (Deutscher Turnverband). It also clarifies how, the originally physical education-orientated DTV contributed to the breaking-up of Czechoslovakia.

Brazilian Historiography in the 19th Century

2020 ◽  
Author(s):  
Thiago Lima Nicodemo ◽  
Pedro Afonso Cristovão dos Santos ◽  
Mateus Henrique de Faria Pereira
Keyword(s):  
International Relations ◽  
19Th Century ◽  
Historical Narrative ◽  
Political Elite ◽  
The Political ◽  
Political Independence ◽  
Personal Archives ◽  
In The Beginning ◽  
Public Archives ◽  
The 19Th Century

Brazilian historiography in the 19th century stands for a variety of practices and ways of doing history. In the beginning of the century, the writing of history assumed a specific color after the arrival of the Portuguese Court in 1808, who were escaping the invasion of Portugal by Napoleonic troops. After political independence from Portugal (1822), this writing had to deal with the questions that occupied the minds of its authors, people mostly close to or part of the political elite of the country. Forging a nationality through history, dealing with the tensions between local affiliations and the nation-state, placing indigenous and African peoples in the historical narrative, combining an exemplary history with future-oriented thinking, and using history for international relations issues (such as boundaries disputes) were among the motivations and preoccupations involved in that work. Underlying it all, the myriad ways of writing history in the 19th century had to do with the ways the authors circulated among a world of public archives in the making, personal archives available through certain connections, booksellers, publishers, oral informants, and a changing community of readers and critics that were conforming and disputing rules of acceptability as to what could be considered a work of history. Thinking about the Brazilian historiography of the 1800s as a way of combining practices of archiving, reading, copying, writing, and evaluating can help us understand the remarkable variety of histories and historiographical works written in the period.

scholarly journals On the Historical Development of Confucianists’ Moral Ideas and Moral Education

2013 ◽  
Vol 4 (1) ◽  
pp. 34-47
Author(s):  
Shaogang Yang
Keyword(s):  
Moral Education ◽  
Historical Development ◽  
Traditional Culture ◽  
Political Life ◽  
Confucian Ethics ◽  
The Political ◽  
Chinese Society ◽  
Main Body ◽  
Asian Countries ◽  
Chinese Traditional Culture

The Confucian ethics which is the main body of the Chinese traditional culture has established its “basic morality” or “mother morality” not only in China, but also in some of the Asian countries. It is formed in the long historical development of more than 2000 years. First of all, it had the contention of a hundred schools of thought in the Pre-Qin Dynasty, and the Confucianist thought with its own colors was formed at that time. When Dong Zhongshu made his suggestions that restrained all other schools but only respected Confucianism, the predominance of Confucianism over the political life had been defined in Chinese society. After the later generations’ cooperating thing of diverse nature with unity of opposites, it was developed into the idealist philosophy of the Song (960 -1279) and Ming (1368-1644). Dynasties, which combined Confucianism, Buddhism and Daoism. The critical development of the modern Chinese society to Confucianist thought made us scholars have a timely reflection on the Confucian ethics. The requirement of constructing a harmonious world in the present time made us further considerate the moral education with Confucianist ethics.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

The Concept of “Zemsky Sobor” in the Interpretation of State Authority in Russia of the 19th Century: From Karamzin to Stepnyak-Kravchinsky

2018 ◽  
Vol 42 ◽  
pp. 140-155
Author(s):  
Dmitry A. Badalyan
Keyword(s):  
19Th Century ◽  
Political Discourse ◽  
17Th Century ◽  
The Political ◽  
Key Concepts ◽  
State Authority ◽  
The 19Th Century

“Zemsky Sobor” was one of the key concepts in Russian political discourse in the 19th and the beginning of the 20th centuries. It can be traced to the notion well-known already since the 17th century. Still in the course of further evolution it received various mew meaning and connotations in the discourse of different political trends. The author of the article examines various stages of this concept configuring in the works of the Decembrists, especially Slavophiles, and then in the political projects and publications of the socialists, liberals and “aristocratic” opposition.

Byelorussian Nationalism and Western Russianism: the Problem of Confrontation

2020 ◽  
Vol 58 ◽  
pp. 161-168
Author(s):  
Alexander D. Gronsky
Keyword(s):  
19Th Century ◽  
Political Representation ◽  
National Policy ◽  
Negative Attitude ◽  
Great Patriotic War ◽  
The Government ◽  
The 19Th Century ◽  
The Relationship

The article examines the relationship between Western Russianism (Zapadnorusizm) and Byelorussian nationalism. Byelorussian nationalism is much younger than Western Russianism, finally shaping only in the end of the 19th century. Before 1917 revolution Byelorussian nationalism could not compete with Western Russianism. The national policy of the Bolsheviks contributed to the decline of Western Russianism and helped Byelorussian nationalism to gain stronger positions. However, Byelorussian nationalists actively cooperated with the occupation authorities during the Great Patriotic war. That caused distinctly negative attitude of Byelorussians towards the movement and collaborators. Currently, Byelorussian nationalism is supported both by the opposition and by the government. Western Russianism has no political representation, but is supported by the majority of Byelorussian population.

Main Forms of Propagandistic Activities of the Right-Wing Parties (1904–1914)

2020 ◽  
Vol 102 ◽  
pp. 656-676
Author(s):  
Igor V. Omeliyanchuk
Keyword(s):  
20Th Century ◽  
Social Groups ◽  
Right Wing ◽  
Periodical Press ◽  
Political Movement ◽  
The People ◽  
The Social ◽  
The Right ◽  
In The Beginning ◽  
The 19Th Century

The article examines the main forms and methods of agitation and propagandistic activities of monarchic parties in Russia in the beginning of the 20th century. Among them the author singles out such ones as periodical press, publication of books, brochures and flyers, organization of manifestations, religious processions, public prayers and funeral services, sending deputations to the monarch, organization of public lectures and readings for the people, as well as various philanthropic events. Using various forms of propagandistic activities the monarchists aspired to embrace all social groups and classes of the population in order to organize all-class and all-estate political movement in support of the autocracy. While they gained certain success in promoting their ideology, the Rights, nevertheless, lost to their adversaries from the radical opposition camp, as the monarchists constrained by their conservative ideology, could not promise immediate social and political changes to the population, and that fact was excessively used by their opponents. Moreover, the ideological paradigm of the Right camp expressed in the “Orthodoxy, Autocracy, Nationality” formula no longer agreed with the social and economic realities of Russia due to modernization processes that were underway in the country from the middle of the 19th century.

Reasons for the Onset of the Uniat Clergy’s Movement Towards Orthodoxy in the Russian Empire in the Beginning of the 19th Century

2020 ◽  
Vol 58 ◽  
pp. 293-317
Author(s):  
Protopriest Alexander Romanchuk
Keyword(s):  
19Th Century ◽  
Government Policy ◽  
Catholic Church ◽  
Russian Empire ◽  
Latin Church ◽  
The Government ◽  
The Russian Empire ◽  
In The Beginning ◽  
Church Service ◽  
The 19Th Century

The article studies the system of pre-conditions that caused the onset of the uniat clergy’s movement towards Orthodoxy in the Russian Empire in the beginning of the 19th century. The author comes to the conclusion that the tendency of the uniat clergy going back to Orthodoxy was the result of certain historic conditions, such as: 1) constant changes in the government policy during the reign of Emperor Pavel I and Emperor Alexander I; 2) increasing latinization of the uniat church service after 1797 and Latin proselytism that were the result of the distrust of the uniats on the part of Roman curia and representatives of Polish Catholic Church of Latin church service; 3) ecclesiastical contradictions made at the Brest Church Union conclusion; 4) division of the uniat clergy into discordant groups and the increase of their opposition to each other on the issue of latinization in the first decades of the 19th century. The combination of those conditions was a unique phenomenon that never repeated itself anywhere.

The Ideology of Socialism and the Armenian Political Parties

wisdom ◽  
2020 ◽  
Vol 15 (2) ◽  
pp. 107-113
Author(s):  
Gegham HOVHANNISYAN
Keyword(s):  
Political Parties ◽  
Political Life ◽  
The Political ◽  
Political Organizations ◽  
Social Democrats ◽  
Time Period ◽  
The Social ◽  
Political Forces ◽  
The 19Th Century ◽  
The Given

The article covers the manifestations and peculiarities of the ideology of socialism in the social-political life of Armenia at the end of the 19th century and the beginning of the 20th century. General characteristics, aims and directions of activity of the political organizations functioning in the Armenian reality within the given time-period, whose program documents feature the ideology of socialism to one degree or another, are given (Hunchakian Party, Dashnaktsutyun, Armenian Social-democrats, Specifics, Socialists-revolutionaries). The specific peculiarities of the national-political life of Armenia in the given time-period and their impact on the ideology of political forces are introduced.

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