Übersetzung und Bearbeitung als Anamorphose. Zum kreativen Potenzial sprachlicher Um- und Wiederformung

10.5840/20219 ◽  
2021 ◽  
pp. 181-211
Author(s):  
Marco Agnetta
Keyword(s):  
Italian Version ◽  
The Unconscious ◽  
Intentional Change ◽  
The Creation

Throughout the centuries, optical metaphors have been used to describe translation. The present study tries to show the extent to which the phenomena of translation and adaptation can be regarded as anamorphic processes that benefit the creation of new meaning. At issue, in this regard, are the following questions: what role should one ascribe to the (unconscious or intentional) change in perspectival play in translation or adaptation? Who benefits from this change of viewpoint? In order to answer these questions and illustrate the matters concerned, this essay attends to the practice of libretto translation as well as to certain excerpts from Alessandro Baricco’s reflections on his Italian version of the Iliad (2004).

scholarly journals Thoughts from French Psychoanalysis on the Absence of Corporeality in the Unconscious of Emerging Complex Cognitive System

2021 ◽  
Vol 3 (4) ◽  
pp. p1
Author(s):  
Olivier GUY ◽  
Rémy Potier
Keyword(s):  
Projective Identification ◽  
Cognitive System ◽  
The Other ◽  
Transitional Object ◽  
Cognitive Systems ◽  
The Unconscious ◽  
The Creation ◽  
To Come ◽  
Many Sources

In this text we answer at the same time to two recent interesting works of Giancarlo Minati and Luca Possati in which they both called to work on the development, one from the part of the computer side, and the other of the humanities one of an IA unconscious in complex cognitive systems as an experiment to come to more anthropomorphic machines, performance added by the unconscious will not be addressed in this paper. We gathered many sources in psychoanalysis to help us understand what could be the barriers dressed against us. In the light of Lacan, Anzieu, Leclaire and Winnicott amongst others we tried to explain how having a body, in the biological sense, makes a difference with recreating—this is a typical human preoccupation—an unconscious in IA. Of course, from a French psychoanalytic standpoint there are many conservative objections, while some can be easily overcome, the matter of innate desire and body seems an understandable concern. It is also important to consider the interesting conjecture of Possati (i.e., a computer can be a projective identification object); while we only may say that it is a transitional object in the sense of Winnicott. Also, we can study further within psychotherapy the behaviour of the patient and therapist, with an algorithm we developed. In the end we address the objection of French postructruralist psychology objections to the creation of a human-like unconscious and advise the experimenting of Possati’s theory with our device.

Freud on the Acropolis

2019 ◽  
pp. 65-90
Author(s):  
Vered Lev Kenaan
Keyword(s):  
Personal History ◽  
The Unconscious ◽  
Classical Education ◽  
The Third ◽  
The Creation ◽  
Short Essay ◽  
Materiality Of The Text ◽  
At Home

Freud’s essay “A Disturbance of Memory on the Acropolis” is the focus of the third chapter. Freud’s short essay revisits an enigmatic memory from the visit to the Acropolis. Two different yet inseparable themes surface in the text; the chapter unravels their connectedness through their relation to the cultural and intellectual dual origins of Freud’s upbringing. In the essay the twofold thematics of Freud’s Jewish background at home and his classical education in the gymnasium intersect, creating a picture of a life of duality, ambivalence, and internal contradictions. The cultural intersection between Athens and Jerusalem constitutes the essence of Freud’s personal history and is responsible for the creation of his indissolubly tangled narrative. The chapter deals with the notion of the woven materiality of the text, the inner ties between antiquity and modernity, as well as those between Freud’s past and present, and the unconscious language of analogies.

Unveiling the Mechanisms to Rescue the Unknown Knowledge

2021 ◽  
pp. 2150025
Author(s):  
Alba Manresa ◽  
Marta Mas-Machuca ◽  
Frederic Marimon
Keyword(s):  
Conceptual Framework ◽  
Knowledge Creation ◽  
The Unconscious ◽  
Useful Knowledge ◽  
External Agent ◽  
The Creation ◽  
New Strategies

The main aims of this research are threefold: (1) to create a new conceptual framework underlying the dimensions of unconscious knowledge; (2) to explore how people convert the knowledge they do not know into personal and useful knowledge; and (3) to identify the strategies of how the unconscious knowledge can emerge, in an individual way or with the help from an external agent. The paper presents a new conceptual framework based on the unconscious knowledge. Different mechanisms and strategies based on different ways to generate knowledge are proposed. The most important results of this paper are as follows: (1) a new conceptual framework that is based on the unknown knowledge creation; (2) new strategies that move from the unaware knowledge to the learned and conscious one; and (3) new tools, methodologies, and technologies to enhance the creation of this type of knowledge.

The meanings of “war”

2013 ◽  
Vol 12 (3) ◽  
pp. 424-444 ◽  
Author(s):  
Annabelle Lukin
Keyword(s):  
Media Coverage ◽  
Point Of View ◽  
Linguistic Terms ◽  
The Unconscious ◽  
News Reports ◽  
News Discourse ◽  
Tv News ◽  
The Creation ◽  
Invasion Of Iraq

In this paper I interpret findings from a project investigating media coverage of the 2003 “Coalition” invasion of Iraq, drawing on a corpus of news reports from the Australian Broadcasting Corporation TV news. The findings reported are evidence of a consistency that reflects the unconscious working of an ideology about “war”, with ideology considered in linguistic terms as a “configurative rapport” (Whorf 1956). To trace some dimensions of this ideology, I explore the meanings of “war”, its linguistic reactances, and its consequences for the creation of text with respect to registers of news discourse. I consider “war” from the point of view of lexis: its referential meaning, its relation to other related signs, (Saussure 1974), its denotative and connotative meanings (Hasan 2003) and its collocation and colligational potentials (Firth 1937[1964], 1962). I then consider it from the point of view of text-in-context (e.g. Halliday & Hasan 1985). The paper extends the 30 year interest in the relations of language, mind and society that have characterised studies of ideology in critical linguistics/CDA.

scholarly journals The journey of individuation: A Jungian alternative to the theory and practice of leading authentically

Leadership ◽  
2016 ◽  
Vol 14 (4) ◽  
pp. 415-434 ◽  
Author(s):  
Donna Ladkin ◽  
Chellie Spiller ◽  
Gareth Craze
Keyword(s):  
Authentic Leadership ◽  
Integrated Approach ◽  
Theory And Practice ◽  
The Self ◽  
True Self ◽  
The Unconscious ◽  
Organizational Contexts ◽  
Leading Role ◽  
The Creation ◽  
Conscious Processes

Along with increasing interest in the concept of ‘authenticity’ as it applies to leadership, critique of dominant authentic leadership theorizing is also on the rise. This paper joins that critique in relation to a key aspect of dominant theorizing: its neglect of the unconscious and its role in shaping one’s experience and behaviour. This oversight results in an unrealistic version of ‘authenticity’ which over-emphasizes pro-social, positive conduct, prescribes components through which authenticity is achieved, and directs individuals to act from an individually determined ‘true self’ rather than recognizing the role that both others and the wider context play in the creation of that self. The notion of ‘mature personhood’, underpinned by Jung’s theory of individuation is offered as an alternative aspirational aim for those wishing to take up the leading role in a way which align what is ‘real’ for them at a given moment within the demands of organizational contexts. Drawing from Jung’s ideas of ‘the shadow’, the ‘centre point’ and ‘the collective’, we theorize an integrated approach to leadership which accounts for unconscious as well as conscious processes, works with less desirable aspects of the self rather than dismissing them, is achieved through reflexive processes rather than prescriptive formulae; and is collectively, rather than individually determined.

Visions and Revisions: Chapter Lxxxi of Middlemarch

PMLA ◽  
1957 ◽  
Vol 72 (4-Part-1) ◽  
pp. 662-679
Author(s):  
Jerome Beaty
Keyword(s):  
Nineteenth Century ◽  
Internal Force ◽  
Literary Creation ◽  
Work Of Art ◽  
The Unconscious ◽  
The Will ◽  
The Creation ◽  
The Individual ◽  
The Relationship

Literary genius in the nineteenth century was associated with “inspiration,” “spontaneity,” “emotion,” “imagination,” “the unconscious,” and other such indications of the nonratiocinative. Not all critics and writers of the century stressed all aspects of the nonratiocinative: some spoke of effect, using this cluster of words to denote the appearance of spontaneity, the freedom from classical or mechanical rules, the superiority of the mysterious, the individual, the unanalyzable in a work of art; others, especially those in that growing group whose concern was with the relationship between the writer and his work, stressed the irrational elements in the creation of literature. Among the latter there were differences in emphasis too: some stressed the whim of inspiration, its independence of the will; others stressed the frenzy, the ecstasy, the total unconsciousness of the act of literary creation. Among the latter there were those who further claimed that a passage created under the “spell” is never revised; for if this external or internal force is irrational because superior to reason, its results cannot then be submitted to the lesser pronouncements of rational judgment. Some even went so far as to combine all of the above into a single antiratiocinative aesthetic: the writer of true genius composes only when the whim of the muse dictates; he does not prepare himself for these moments of vision by planning or “calculating” his subject or approach; he is seized and illuminated, writing swiftly and effortlessly; he does not revise; the result gives the reader a comparable spontaneous, ecstatic, undefinable emotion.

scholarly journals Die skeppingsmites as simbole van psigiese prosesse

1986 ◽  
Vol 42 (4) ◽  
Author(s):  
J. P. Naudé
Keyword(s):  
Growth Process ◽  
Jungian Psychology ◽  
The Self ◽  
Collective Unconscious ◽  
Human Consciousness ◽  
The Unconscious ◽  
Creation Myths ◽  
Individuation Process ◽  
The World ◽  
The Creation

Creation myths as symbols of psychic processes The thesis which has been taken from the Jungian psychology and which is discussed in this article, is the following: Creation myths represent unconscious and preconscious psychic processes which constitute the origin of the development of the human being's consciousness of the world. This implies that the creation myths don't describe the origin of the cosmos. They refer to psychic processes which accompany the growth of human consciousness out of the unconscious. This growth process is discussed in terms of the Jungian concepts of the collective unconscious, archetypes, consciousness and ego, the personal unconscious and complexes, the persona and the shadow, the self and the individuation process.

Lack of Self-Disclosure and Verbal Communication About Emotions as a Precipitant of Affairs

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Shosh Carmel
Keyword(s):  
Intimate Relationship ◽  
Verbal Communication ◽  
The Unconscious ◽  
Self Disclosure ◽  
The Creation

In this article, I explore the dynamic underlying a very common contemporary phenomenon—the creation of an additional intimate relationship, while remaining in another stable self-dyad. This phenomenon is discussed via the unconscious and conscious perspectives of those who initiated and actively engaged in the additional relationship. In the absence of a capacity for verbal communication about emotions, the additional relationship serves to enact powerful, infantile needs, that were not met or processed in infancy, and which therefore vigorously re-emerge in the adult intimate relationship that lacks the capacity to contain them.

scholarly journals Some Anthropological Elements in Chekhov’s Theatre

2014 ◽  
Vol 43 ◽  
pp. 81-85
Author(s):  
Petre Bosun
Keyword(s):  
Expression Patterns ◽  
The Other ◽  
Single Woman ◽  
Anton Chekhov ◽  
The Unconscious ◽  
Short Period ◽  
The Creation ◽  
To Come

The theatre, an enigmatic world in which the actors can transform for a couple of hours the reality of the spectators in an astonishing universe. Anton Chekhov, Russian dramatist is reveling his magical wings over the creation of the theatre with one of his plays, The Seagull. The time in his plays seems unbearable and it continues endlessly without novelty. One of the character from the theatre play The Seagull is Nina Zarecinaia and represents the single woman in this play that has the power to convert her life. The Chekhov’s character, Nina chose to live, love and suffer a manner to win wisdom and to find her way in life. She is more powerful that she thinks and is capable to endure her hard life without giving the possibility to come back to her old home. In this case, she is showing courage to take life as it is. Most important things about this character is that she comes back for a short period and penetrate the quiet space of the other characters, leaving behind at her leaving the appearance of death. Relying on the actions that Nina takes, we can find four elements of anthropology: empathizing, expression patterns, releasing the psychic energies and the art to detect and to avoid the unconscious traps.

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