scholarly journals Wesley in Oxford and the Legend of Holy Grail’s Knight: The Study about the Root of Methodism to the World, and the Foundation of Kwansei-Gakuin in Japan

2017 ◽  
Vol 6 (1) ◽  
pp. 9-16
Author(s):  
Kawanishi Takao
Keyword(s):  
Roman Empire ◽  
19Th Century ◽  
18Th Century ◽  
Round Table ◽  
King Arthur ◽  
Spiritual Power ◽  
The World ◽  
Methodist Episcopal Church ◽  
New States ◽  
The 19Th Century

Abstract John Wesley (1703-91）is known as the founder of Methodism in his time of Oxford University’s Scholar. However, about his Methodical religious theory, he got more spiritual and important influence from other continents not only Oxford in Great Britain but also Europe and America. Through Wesley’s experience and awakening in those continents, Methodism became the new religion with Revival by the spiritual power of “Holy Grail”. By this research using Multidisciplinary approach about the study of Legend of Holy Grail’s Knight, - from King Arthur and Knights of the Round Table in the Medieval Period, and in 18th century Wesley, who went to America in the way on ship where he met the Moravian Church group also called Herrnhut having root of Pietisms, got important impression in his life. After this awakening, he went to meet Herrnhut supervisor Zinzendorf (1700-60) in Germany who had root of a noble house in the Holy Roman Empire, - and to Legend of Holy Grail’s Knight Opera “Parsifal” by Richard Wagner at Bayreuth near Herrnhut’s land in the 19th century, Wesley’s Methodism is able to reach new states with the legend, such as the historical meaning of Christianity not only Protestantism but also Catholicism. I wish to point out Wesley’s Methodism has very close to Legend of Holy Grail’s Knight. In addition, after the circulation in America, in the late 19th century Methodism spread toward Africa, and Asian Continents. Especially in Japan, by Methodist Episcopal Church South, Methodism landed in the Kansai-area such international port city Kobe. Methodist missionary Walter Russel Lambuth (1854-1921) who entered into Japan founded English schools to do his missionary works. Afterward, one of them became Kwansei-Gakuin University in Kobe. Moreover, Lambuth such as Parsifal with Wesley’s theories went around the world to spread Methodism with the Spirit’s the Legend of Holy Grail’s Knight as World Citizen.

scholarly journals Daži agrāk aktuāli akadēmiskās dzīves aspekti: venia legendi un privātdocenta statuss pasaulē un Rīgas Politehnikumā (1862–1896)

2021 ◽  
Vol 5 ◽  
pp. 9-29
Author(s):  
Māris Baltiņš
Keyword(s):  
World War Ii ◽  
19Th Century ◽  
21St Century ◽  
18Th Century ◽  
World War ◽  
The World ◽  
Archival Documents ◽  
The Status ◽  
Definition Of ◽  
The 19Th Century

Pētījumā aplūkots privātdocenta statuss, kas pasaulē tika ieviests 18. gadsimtā un, sākot no 19. gadsimta otrās puses līdz Otrā pasaules kara beigām, pastāvēja arī Latvijā. Privātdocenta statuss salīdzināts ar citu pasaules valstu, galvenokārt vācu tipa universitātēm. Jēdzienu «venia legendi» un «privātdocents» skaidrojumi ar piemēriem no Rīgas Politehnikuma (RP) mācībspēku darbības atspoguļo šos jēdzienus no dažādiem aspektiem, lai 21. gadsimtā būtu saprotams to lietojums iepriekšējos gadsimtos. Autors pētījumam izmantojis arhīvu dokumentus un bibliotēku krājumus, balstoties ne tikai Latvijas, bet arī Krievijas, Vācijas un citu valstu zinātnieku atziņās. The study examines the status of a private docent, the academic position which was introduced across the world in the 18th century and which also existed in Latvia from the second half of the 19th century until the end of World War II. The status of the private docent as it used to be understood in Latvia is compared with other countries, mainly considering German-type universities. Definition of the terms «venia legendi» and «private docent» providing examples of academic activity of the lecturers of Riga Polytechnicum (RP) allow considering these concepts from various perspectives in order to make their meaning and usage in the previous centuries transparent for the users in the 21st century. Conducting the present research, the author has used archival documents and library collections, the theoretical framework includes the findings of not only the Latvian scientists, but also researchers from Russia, Germany and other countries.

scholarly journals Contribution of Russian zoologists to the collecting and first descriptions of the World avian fauna

2018 ◽  
Vol 322 (2) ◽  
pp. 144-159 ◽  
Author(s):  
V.A. Payevsky
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Molecular Genetic ◽  
Museum Collections ◽  
Genetic Studies ◽  
Geographical Society ◽  
The World ◽  
Academy Of Sciences ◽  
The 19Th Century ◽  
First Descriptions

A brief overview is given of the formation of museum collections of birds in Russia, collected as a result of academic expeditions around the world and across Russia. The imperishable value of zoological collections, concentrated in zoological museums and institutes, is underlined. The results of expeditions are described in chronology, beginning with 18th century (they were conducted under the auspices of the Russian Academy of Sciences and the Imperial Russian Geographical Society): the First Siberian expedition (D.G. Messershmidt), the First Kamchatka and the Great Northern expeditions (V.I. Bering, А.I. Chirikov, G.F. Müller, G.V. Stöller, I.G. Gmelin, S.P. Krasheninnikov), Great academic expeditions across Russia (P.S. Pallas, S.G. Gmelin, I.A. Güldenstädt, I.I. Lepyokhin, I.P. Falk, I.G. Georgi), round-the-world sea expeditions (I.F. Kruzenshtern and Yu.F. Lisyansky, F.F. Bellingshausen and M.P. Lazarev, F.G. Kittlitz and A.K. Mertens), as well as expeditions to Brazil (G. I. Langsdorf and E.P. Menetries) and expedition of I.G. Voznesensky in Russian America, the Commanders and Kamchatka. Reference is made to the importance of zoological expeditions of K.F. von Baer, A.F. Middendorf, G.I. Radde, N.A. Severtsov, M.N. Bogdanov, G.E. and M.E. Grumm-Grzhimailo. Particular attention is paid to the great Asian campaigns to Central Asia in the late XIX – early XX century of NM. Przevalsky, V.I. Roborovsky, P.K. Kozlov, G.N. Potanin, M.V. Pevtsov, B.L. Grombchevsky, M.A. Pyltsov and N.A. Zarudny. The contribution of the ornithologists of Russia M.N.Bogdanov, M.M. Berezovsky, M.A. Menzbir, V.L. Bianchi, F.D. Pleske, V.I. Dybowski, V.A. Godlewski, M.I. Jankowski, V.K. Taczanowski, P.P. Sushkin and S.A. Buturlin to the bird systematics at the end of the 19th century and the beginning of XX century is described. In conclusion, it is said about the unique value of zoological collections for the study of taxonomy and phylogeny, including on the basis of molecular genetic studies.

2. Imperialism, genocide, and the ‘science’ of race

2020 ◽  
pp. 10-33
Author(s):  
Ali Rattansi
Keyword(s):  
19Th Century ◽  
Crucial Role ◽  
Slave Trade ◽  
18Th Century ◽  
Social Darwinism ◽  
16Th Century ◽  
Human Variation ◽  
The World ◽  
The 19Th Century ◽  
The Impact

The term ‘race’ entered English early in the 16th century, referring to family, lineage, and breed. In the 18th-century Enlightenment, the idea of race became incorporated into more systematic meditations on the nature of the world. ‘Imperialism, genocide, and the “science” of race’ explains how doctrines of race gained considerable strength with the growing slave trade, and how, in the 19th century, a range of theories emerged that explained all human variation on the basis of innate racial characteristics. The idea of nation also played a crucial role in the origins and development of racial thinking. The impact of imperialism, the rise of eugenics, social Darwinism, and the racial genocide of the Nazis are also outlined.

scholarly journals Scientific journeys to one of the oldest copper cementation sites in Central Europe (Smolník, Slovakia)

2021 ◽  
Vol 12 (2) ◽  
pp. 179-196
Author(s):  
Pavel Hronček ◽  
Bohuslava Gregorová ◽  
Dana Tometzová ◽  
Miloš Jesenský
Keyword(s):  
19Th Century ◽  
Technological Progress ◽  
18Th Century ◽  
Commercial Production ◽  
High Quality ◽  
Mining Town ◽  
The World ◽  
History Of ◽  
The 19Th Century ◽  
Export Product

Abstract. The process of copper cementation has already been known since the period of antiquity in Europe. Nevertheless, the first historically relevant reports come from the 14th century from the mining town of Smolník in Upper Hungary (present-day Slovakia), which makes this site the oldest place of the commercial production of copper using cementation in Europe. It is one of the oldest known sites in the world after China, where this process has been used since the 11th century. The cementation copper from Smolník was considered to be a high-quality copper in the period between the 14th and 19th century and was an important export product of Hungary. The study processes the history of cementation and discusses the production process of the artificial cementation water, as well as its subsequent mining and sedimentation. A detailed description of the technological progress of cementation from the earliest times up to the first half of the 19th century is given. The study is based upon the historical works of medieval alchemists and the first miners and naturalists, which were published as early scientific books in Europe from the 16th to the 18th century. These findings are complemented by original archival research.

scholarly journals Leibniz’s and Herder’s philosophy of optimism

2021 ◽  
Vol 11 (1-2) ◽  
pp. 37-47
Author(s):  
Vasil Gluchman
Keyword(s):  
19Th Century ◽  
Possible Worlds ◽  
18Th Century ◽  
Philosophy Of History ◽  
The Past ◽  
Historical Progress ◽  
Starting Point ◽  
The World ◽  
The 19Th Century ◽  
The Given

Abstract The author studies Leibniz’s views of vindicating God for the existence of evil in the world, as well as the idea of the best of all possible worlds, including the past and present criticism. Following Leibniz, he opted for the presentation of Herder’s philosophy of history as one of the most significant forms of philosophical optimism that influenced the first half of the 19th century, including contemporary debates on and critiques of the topic. He defines Herder’s concept as the philosophy of historical progress, which also significantly influenced Slovak philosophy of the given period. The main goal of the article is to present Leibniz’s and Herder’s views as a starting point for the Slovak philosophy of optimism and historical progress of the 18th century and the first half of the 19th century.

Speculations on the Nature and Pattern of Opium Smoking

1979 ◽  
Vol 9 (2) ◽  
pp. 247-255 ◽  
Author(s):  
John C. Kramer
Keyword(s):  
Drug Use ◽  
Southeast Asia ◽  
19Th Century ◽  
18Th Century ◽  
The 19Th Century ◽  
Withdrawal Signs

Opium smoking began spreading slowly but steadily in China from early in the 18th Century. It grew through the 19th Century to the point that by the end of the century it became a nearly universal practice among males in some regions. While estimates vary, it appears that most smokers consumed six grams or less daily. Addicted smokers were occasionally found among those smoking as little as three grams daily, but more often addicted smokers reported use of about 12 grams a day or more. An individual smoking twelve grams of opium probably ingests about 80 mg. of morphine. Thirty mg. of morphine daily may induce some withdrawal signs, while 60 mg. daily are clearly addicting. While testimony varied widely, it appears likely that most opium smokers were not disabled by their practice. This appears to be the case today, too, among those peoples in southeast Asia who have continued to smoke opium. There appear to be social and perhaps psychophysiological forces which work toward limiting the liabilities of drug use.

Scholars discover local history: the case of northeast Lapland in the 18th century

Polar Record ◽  
2011 ◽  
Vol 48 (3) ◽  
pp. 291-303 ◽  
Author(s):  
Maria Lähteenmäki
Keyword(s):  
19Th Century ◽  
Economic Efficiency ◽  
18Th Century ◽  
Local Information ◽  
Local History ◽  
Ordinary People ◽  
The People ◽  
New Form ◽  
The 19Th Century ◽  
Distant Region

ABSTRACTThe academic study of local and regional history in Sweden took on a quite new form and significance in the 18th century. Humiliating defeats in wars had brought the kingdom's period of greatness to an end and forced the crown to re-evaluate the country's position and image and reconsider the internal questions of economic efficiency and settlement. One aspect in this was more effective economic and political control over the peripheral parts of the realm, which meant that also the distant region of Kemi Lapland, bordering on Russia, became an object of systematic government interest. The practical local documentation of this area took the form of dissertations prepared by students native to the area under the supervision of well known professors, reports sent back by local ministers and newspaper articles. The people responsible for communicating this information may be said to have functioned as ‘mimic men’ in the terminology of H.K. Bhabha. This supervised gathering and publication of local information created the foundation for the nationalist ideology and interest in ordinary people and local cultures that emerged at the end of the century and flourished during the 19th century.

Aesthetics of the presence of women in Afghan cinema

2021 ◽  
Author(s):  
Abbas Mohammadi
Keyword(s):  
19Th Century ◽  
Human Beings ◽  
Positive View ◽  
The World ◽  
Human World ◽  
Different Dimensions ◽  
Male Dominated ◽  
The 19Th Century

Cinema consists of two different dimensions of art and instrument. A tool that mixes with art and represents society in which anything can be depicted for others. But art has always sought to portray the beauties of this universe. The beauty that lies within philosophy. Since the advent of human beings, men have always sought to dominate and abuse women for their own benefit. In the 19th century, cinema entered the realm of existence and found its place in the human world. With the empowerment of cinema in the world, filmmakers tried to achieve their goals by using this tool.Many filmmakers use women as a propaganda tool to attract a male audience. In many films, when the hero of a movie succeeds in reaching a woman, or in doing so, she is succeeded by a woman. In this way, of course, women themselves are not faultless and have helped men abuse women. Afghanistan, a traditional and male-dominated country, has not been the exception, and in many Afghan films women have been instrumental zed and used in various ways to benefit men, and we have seen fewer films in which women be a movie hero or a woman in a movie like a man. This kind of treatment of women in Afghan films has caused other young Afghan girls to not have a positive view of Afghan cinema.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

Brazilian Colonial Art and the Decolonization of Art History

2021 ◽  
Author(s):  
Maria Berbara
Keyword(s):  
19Th Century ◽  
Art History ◽  
18Th Century ◽  
Early Modern Period ◽  
Minas Gerais ◽  
Early 19Th Century ◽  
Art Objects ◽  
Colonial Art ◽  
The One ◽  
The 19Th Century

There are at least two ways to think about the term “Brazilian colonial art.” It can refer, in general, to the art produced in the region presently known as Brazil between 1500, when navigator Pedro Álvares Cabral claimed the coastal territory for the Lusitanian crown, and the country’s independence in the early 19th century. It can also refer, more specifically, to the artistic manifestations produced in certain Brazilian regions—most notably Bahia, Minas Gerais, and Rio de Janeiro—over the 18th century and first decades of the 19th century. In other words, while denotatively it corresponds to the art produced in the period during which Brazil was a colony, it can also work as a metonym valid to indicate particular temporal and geographical arcs within this period. The reasons for its widespread metonymical use are related, on the one hand, to the survival of a relatively large number of art objects and buildings produced in these arcs, but also to a judicative value: at least since the 1920s, artists, historians, and cultivated Brazilians have tended to regard Brazilian colonial art—in its more specific meaning—as the greatest cultural product of those centuries. In this sense, Brazilian colonial art is often identified with the Baroque—to the extent that the terms “Brazilian Baroque,” “Brazilian colonial art,” and even “barroco mineiro” (i.e., Baroque produced in the province of Minas Gerais) may be used interchangeably by some scholars and, even more so, the general public. The study of Brazilian colonial art is currently intermingled with the question of what should be understood as Brazil in the early modern period. Just like some 20th- and 21st-century scholars have been questioning, for example, the term “Italian Renaissance”—given the fact that Italy, as a political entity, did not exist until the 19th century—so have researchers problematized the concept of a unified term to designate the whole artistic production of the territory that would later become the Federative Republic of Brazil between the 16th and 19th centuries. This territory, moreover, encompassed a myriad of very different societies and languages originating from at least three different continents. Should the production, for example, of Tupi or Yoruba artworks be considered colonial? Or should they, instead, be understood as belonging to a distinctive path and independent art historical process? Is it viable to propose a transcultural academic approach without, at the same time, flattening the specificities and richness of the various societies that inhabited the territory? Recent scholarly work has been bringing together traditional historiographical references in Brazilian colonial art and perspectives from so-called “global art history.” These efforts have not only internationalized the field, but also made it multidisciplinary by combining researches in anthropology, ethnography, archaeology, history, and art history.

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