scholarly journals 150 years after the birth of Rosa Luxemburg: Actuality of her social reform or revolution

2021 ◽  
Vol 55 (3) ◽  
pp. 833-865
Author(s):  
Vera Vratuša-Žunjić
Keyword(s):  
Content Analysis ◽  
Social Reform ◽  
The Other ◽  
Main Method ◽  
Capitalist Mode ◽  
Time Space ◽  
The One ◽  
Mode Of Production ◽  
Rosa Luxemburg

The paper examines the actuality of Rosa Luxemburg's Reform or revolution 150 years after her birth. The main method used is the content analysis of this important polemical pamphlet placed in the context of the time/space, i.e. when and where it was written, on the one hand, and today, on the other. The main finding is that Rosa's work has remained relevant to our days since the capitalist mode of production is still characterized by internal contradictions producing barbaric consequences of exploitation and imperialist wars. These capitalist system's consequences ensure the permanent actuality of the dilemma between socialism and barbarism confronted by Rosa Luxemburg throughout her life.

The historical possibility and necessity of (Ilyenkov’s) anti-innatism

2017 ◽  
Vol 27 (5) ◽  
pp. 683-702 ◽  
Author(s):  
Siyaves Azeri
Keyword(s):  
The Other ◽  
Human Knowledge ◽  
Capitalist Mode ◽  
Philosophical System ◽  
Social Mind ◽  
The One ◽  
Mode Of Production

An important aspect of Evald Ilyenkov’s theory of social mind is anti-innatism. Anti-innatism is not only the necessary logical outcome of Ilyenkov’s overall philosophical system and in particular of his anti-reductionism, but also it is a socio-historically possible and necessary consequence of the capitalist mode of production, which amounts to the formation of a gap between socially formed human knowledge and growth of the productive powers, on the one hand, and value-producing labour, on the other.

Is “Portuguese-speaking” Africa Comparable to “Latin” America? Voyaging in the Midst of Colonialities of Power

2013 ◽  
Vol 40 (1) ◽  
pp. 5-44 ◽  
Author(s):  
Michel Cahen
Keyword(s):  
Twentieth Century ◽  
Latin America ◽  
World System ◽  
The Other ◽  
Fully Integrated ◽  
Common Features ◽  
Capitalist Mode ◽  
Capitalist World ◽  
The One ◽  
Mode Of Production

AbstractEstablishing a comparison between so-called “Latin” America and “Portuguese-speaking” Africa may well prove useful in highlighting certain major differences between those countries of America and Africa having undergone early colonization. But the main difference will not concern the hundred and fifty years between the independences of the early nineteenth and those of the late (1974-1975) twentieth century. It will lie in the very nature of the states created, on the one hand, by independences without decolonization - the colonial (Latin) states - and, on the other hand, by independence with decolonization - the decolonized (African) states: states, that is, which are differently embedded into colonialities of power. But such a comparison will also help to bring out certain common features stemming from the “longue durée” of Iberian colonizations. One such feature, despite the distance involved, is the Creole issue: the persistence and political importance of social milieus stemming from the first age of colonization. Although those old colonial elites were pre-capitalist - in the sense of not accumulating via the capitalist mode of production - they were, however, fully integrated into the merchant capitalist world-system.

THE ROLE OF THE OBITUARY PAGES IN FACSBOOK, IS IT FOR IMMORTALIZATION OR FOR CRYING OVER THE RUINS

2021 ◽  
Vol 3 (4) ◽  
pp. 119-126
Author(s):  
Hadeel EJMAIL
Keyword(s):  
Content Analysis ◽  
Social Interaction ◽  
Qualitative Approach ◽  
The Other ◽  
Dead Person ◽  
Screen Capture ◽  
The Dead ◽  
The One ◽  
Facebook Pages

Death is one of the most difficult topics a person can talk about. The human being is busy with how to continue his life and improve its conditions. This study aims is to explore the writing of Facebook pages of the dead. The research used the qualitative approach through a content analysis, where (50) publications were found on fifteen pages of a dead person with an intentional sample, and the results of the research showed that writing people in the pages of the dead included two directions, the first direction is a desire to immortalize the dead and a kind of preserving their roots Alive. As for the other direction, it was weeping over their ruins and showing the end of a person's death and his end life. Sometimes in the same post include both directions together, meaning "the use of the deceased’s account by his family by changing the profile picture of the dead, and at the same time inviting the deceased’s friends through his page to the memorial event. People write on the pages of the dead in order to weep over their ruins on the one hand, and to immortalize their memories on the other side. Facebook as a social platform and the interaction of people with the pages of the dead shows the great social interaction that takes place in this space, and research in this field is not consistent with one and only claim, as some posts are either temporary or permanent; Therefore, I have used screen capture technology to collect and retain information. The pages of the dead included referring to them, writing memorials and longing, etc. Facebook has become a social platform that allows those who lose a dear person to share their grief through it, and enables them to deal with death and relieve their pain

scholarly journals The socio-economic situation of the landowner peasants after the peasant reform in Georgia (the last quarter of the 19th - the early 20th century)

2021 ◽  
Vol 27 (3) ◽  
pp. 7-14
Author(s):  
Almas Musa Kizi Ismailova
Keyword(s):  
Economic Development ◽  
Rapid Development ◽  
Economic Situation ◽  
South Caucasus ◽  
Economic Relations ◽  
Capitalist Mode ◽  
The Russian Empire ◽  
The One ◽  
Mode Of Production ◽  
Means Of Production

The article analyses the main provisions of the peasant reform in Georgia, which had a further impact on the socio-economic development of the landowner peasants of Tiflis and Kutaisi provinces in the last quarter of the 19th – the early 20th centuries. On the basis of archival sources and literature, the author considers the reasons for the difficult economic situation of the Georgian landowners in the period under study. An analysis makes it possible to conclude that the socio-economic relations that had been formed in Georgia determined the contradictions inherent in the capitalist mode of management. On the one hand, the peasant reform contributed to the more rapid development of the capitalist mode of production in the countryside, laying the foundation for economic development in agriculture, the introduction of commercial agriculture, the growth of agricultural productivity, and the maturation of commodity-capitalist relations. On the other hand, the main means of production were in the hands of the landlords, which led to an even greater extensive impoverishment of the landlord peasants. Thus, in Georgia, the remnants of serfdom survived even longer than in the European provinces of the Russian Empire. It is concluded that the reason for these remnants included the backwardness and relatively weak development of capitalist relations in the South Caucasus, in particular, in Georgia.

scholarly journals Re-semantization of A. Pushkin’s poetry in the creative work of V. Kosenko (on the example of “The Five Romances”, op. 20)

2018 ◽  
Vol 50 (50) ◽  
pp. 89-102
Author(s):  
Duangui Wang
Keyword(s):  
Slow Motion ◽  
The Other ◽  
Literary Translation ◽  
Time Space ◽  
Free Translation ◽  
The One ◽  
The Individual ◽  
Two Parameters ◽  
Love Language ◽  
Poetic Composition

Formulation of the problem. In the chamber-vocal genre, the composer exists in two images: he is both the interpreter of the poetic composition and the author of a new synthetic music and poetic composition. The experience of the style analysis of one of the best examples of Ukrainian vocal lyrics of the first third of the 20th century shows that the cycle op. 20 characterizes the mature style of the composer, which was formed, on the one hand, under the influence of European Romanticism. On the other hand, the essence of the Ukrainian “branch” of the Western European song-romance (“solo-singing”) is revealed by the prominent national song-romance intonation, filled with not only a romantic worldview, but also with some personal sincerity, chastity, intimate involvement with the great in depth and simplicity poetry line, read from the individual position of the musician. The paradox is as follows. Although Pushkin’s poetry is embodied in a “holistic adequacy” (A. Khutorskaya), and the composer found the fullest semantic analogue of the poetic source, however, in terms of translating the text into the Ukrainian language, the musical semantics changes its intonation immanence, which naturally leads to inconsistency of the listeners’ position and ideas about the style of Russian romance. We are dealing with inter-specific literary translation: Pushkin’s discourse creates the Ukrainian romance style and system of figurative thinking. The purpose of the article is to reveal the principle of re-semantization of the intonation-figurative concept of the vocal composition by V. Kosenko (in the context of translating Pushkin’s poetry into the Ukrainian language) in light of the theory of interspecific art translation. Analysis of recent publications on the topic. Among the most recent studies of Ukrainian musicology, one should point out the dissertation by G. Khafizova (Kyiv, 2017), in which the theory of modelling of the stylistic system of the vocal composition as an expression of Pushkin’s discourse is described. The basis for the further stylistic analysis of V. Kosenko’s compositions is the points from A. Hutorska’s candidate’s thesis; she develops the theory of interspecific art translation. The types of translation of poetry into music are classified according to two parameters. The exact translation creates integral adequacy, which involves the composer’s finding a maximally full semantic analogue of the poetic source. The free translation is characterized by compensatory, fragmentary, generalized-genre adequacy. Presenting the main material. The Zhitomir period for Viktor Kosenko was the time of the formation of his creative style. Alongside the lyrical imagery line, the composer acquired one more – dramatic, after his mother’s death. It is possible that the romances on the poems of A. Pushkin are more late reflection of this tragic experience (op. 20 was created in 1930). “I Loved You” opens the vocal cycle and has been dedicated by A. V. Kosenko. The short piano introduction contains the intonation emblem of the love-feeling wave. The form of the composition is a two part reprising (А А1) with the piano Introduction and Postlude. The semantic culmination is emphasized by the change of metro-rhythmic organization 5/4 (instead of 4) and the plastic phrase “as I wish, that the other will love you” sounding in the text. Due to these melodies (with national segments in melo-types, rhythm formulas and harmony) V. Kosenko should be considered as “Ukrainian Glinka”, the composer who introduced new forms and “figures” of the love language into the romantic “intonation dictionary”. In general, V. Kosenko’s solo-singing represents the Ukrainian analogue of Pushkin’s discourse – the theme of love. The melos of vocal piece “I Lived through My Desires” is remembered by the broad breath, bright expression of the syntactic deployment of emotion. On the background of bass ostinato, the song intonation acquires a noble courage. This solo-singing most intermediately appeal to the typical examples of the urban romance of Russian culture of the 19th century. “The Raven to the Raven” – a Scottish folk ballad in the translation by A. Pushkin. V. Kosenko as a profound psychologist, delicately transmits the techniques of versification, following each movement of a poetic phrase, builds stages of the musical drama by purely intonation means. The semantics of a death is embodied through the sound imaging of a black bird: a marching-like tempo and rhythm of the accompaniment, with a characteristic dotted pattern in a descending motion (like a raven is beating its wings). The middle section is dominated by a slow-motion perception of time space (Andante), meditative “freeze” (size 6/4). The melody contrasts with the previous section, its profile is built on the principle of descending move: from “h1” to “h” of the small octave (with a stop on S-harmony), which creates a psychologically immersed state, filled by premonition of an unexpected tragedy. In general, the Ukrainian melodic intonation intensified the tragic content of the ballad by Pushkin. The musical semantics of V. Kosenko’s romances is marked by the dependence on the romantic “musical vocabulary”, however, it is possible to indicate and national characteristics (ascending little-sixth and fifth intervals, which is filled with a gradual anti-movement; syllabic tonic versification, and other). Conclusion. The romances (“solo-singings”) by V. Kosenko belongs to the type of a free art translation with generalized-genre adequacy. There is a re-semantization of poetic images due to the national-mental intonation. Melos, rhythm, textural presentation (repetitions), stylization of different genre formulas testify to the rare beauty of Kosenko’s vocal style, spiritual strength and maturity of the master of Ukrainian vocal culture. Entering the “Slavic song area”, the style of Ukrainian romance, however, is differenced from the Russian and common European style system of figurative and intonation thinking (the picture of the world).

scholarly journals International Security and New Threats: Securitisation and Desecuritisation of Drug Trafficking at the Brazilian Borders

2019 ◽  
Vol 41 (1) ◽  
pp. 209-234
Author(s):  
Caroline Cordeiro Viana e Silva ◽  
Alexsandro Eugenio Pereira
Keyword(s):  
Content Analysis ◽  
Drug Trafficking ◽  
International Security ◽  
Public Policies ◽  
The Other ◽  
Theoretical Concepts ◽  
Brazilian Government ◽  
Brazilian Legislation ◽  
Copenhagen School ◽  
The One

Abstract The expansion of the security agenda was at the basis of the emergence of new theoretical concepts in the field of studies on international security. One example is the concept of securitisation, developed by the Copenhagen School, which makes it possible to examine, on the one hand, new threats to the security of countries and, on the other hand, the policies through which they seek to address them. Based on this concept, the article argues that drug trafficking was securitised by the Brazilian government in the period of 2011-2016. From 2016, with the issue of Decree nº 8903, the matter returned to the stage of ‘politicisation’ as understood by the Copenhagen School. The decree marked, therefore, a process of desecuritisation of the issue in Brazil, since it revoked the Strategic Border Plan, resulting in the loss of the temporary and emergency nature of the ‘Ágata’ operations. This article analyses the development of Brazilian legislation since 1976 on this matter and carries out, for the period 2011 to 2016, content analysis of the narrative on securitisation. In addition, this work examines the guidelines and nature of the Brazilian government’s public policies aimed at combating drug trafficking.

Ghosted subjectivities in Margo Lanagan’s ‘The Point of Roses’

2020 ◽  
Vol 10 (1) ◽  
pp. 57-72 ◽  
Author(s):  
Karima Thomas
Keyword(s):  
The Other ◽  
Dual Nature ◽  
Disturbing Force ◽  
Construction Of Identity ◽  
The Uncanny ◽  
Other Hand ◽  
Time Space ◽  
The One ◽  
Opening Up

This article examines the tropes of ghosting in Margo Lanagan’s ‘The Point of Roses’ in relation to Judith Butler’s theory of the performative construction of identity through reiteration and foreclosure. The story illustrates the ghosting effect of normative subjectivities and the spectral, disruptive return of the contingent, socially erased subjectivities. Ghosting is considered in the light of the dual nature of the spectral as ‘a dispossessing erasure or disappearance’, and also a ‘powerful ability to rematerialize as a disturbing force’ (Maria del Pilar Blanco and Ester Peeren). In this sense, the ghost is that which is ontologically invisible because of absence/erasure; but which is also visible because it is haunting those who try to erase it. The article examines the role of the uncanny in disrupting the ontological conditions of time, space, character, substance and language. Then, it focuses on the traces of invisibility as signs of erasure and foreclosure that are meant to institute and suture an identity, while relegating other layers of subjectivity to oblivion. Finally, the article studies the disruptive return of the excluded and its dual consequences on the haunted subject, on the one hand by establishing a liminal condition of unknowing and, on the other hand, by opening up to a condition of ‘transformative recognition’ (Avery Gordon).

scholarly journals Modernitetens modsigelser. Konfigurationskonflikter og samfundstænkning i Grundtvigs »Om Mennesket i Verden«

1998 ◽  
Vol 49 (1) ◽  
pp. 142-156
Author(s):  
Henning Eichberg
Keyword(s):  
Civil Society ◽  
Social Relations ◽  
Social Life ◽  
The Body ◽  
The Other ◽  
Human Being ◽  
Human Beings ◽  
Time Space ◽  
The World ◽  
The One

Contradictions of Modernity. Conflicting Configurations and Societal Thinking in Grundtvig's »The Human Being in the World«A Worm - a God. About the Human Being in the World. Ove Korsgaard (ed.). With contributions of Niels Buur Hansen, Hans Hauge, Bosse Bergstedt, Uffe Jonas and Knud Bjarne Gjesing. Odense Universitetsforlag 1997.By Henning EichbergIn 1817, Grundtvig wrote »Om Mennesket i Verden« which can be regarded as a key to the understanding of his philosophy and psychology, but which is difficult to place in relation to his later folkelig, societal engagement. A recent reedition of this text together with some actual comments by Grundtvig researchers is an occasion to quest deeper about this relation.However, it is not enough to ask - as Grundtvig research has done for a long time - what Grundtvig wanted to say, but his text can be regarded as a document of how modem orientation in the world is characterized by conflicting linguistic and metaphorical patterns, which sometimes may tell another story than intended.On the one hand, Grundtvig's text speaks of a lot of dualistic contradictions such as life vs. death, light vs. darkness, truth vs. lie, God vs. devil, human fall vs. resurrection, body vs. spirit, nature vs. history and time vs. eternity. In contrast to the author's intention to produce clarity and lucidity - whether in the spirit of Christianity or of modem rationality - the binary constructions give rather a confusing picture of systematical disorder where polarity and polemics are mixed, antagonism and gradual order, dichotomy and exclusive either-or, paradoxes and dialectical contradictions. On the other hand,Grundtvig tries again and again to build up three-pole imaginations as for instance the threefold human relation to time, space and truth and the three ages of spiritual seeing, feeling and conceptualization resp. of mythology (childhood), theology (youth) and history (adult age). The main history, Grundtvig wants to tell in his text, is built up around the trialectic relation of the human being to the body, to the spirit and to itself, to the living soul.The most difficult to understand in this relation seems to be what Grundtvig calls the spirit, Aanden. Grundtvig describes it as Aandigt Samfund mellem Menneske og Sandhed, »the spiritual community between the human being and the truth«, and this may direct our attention towards samfund, meaning at the same time association, togetherness and society. Aanden is described by threefold effects - will, conscience and faith, all of them describing social relations between human beings resp. their psychological correlate. The same social undertone is true when Grundtvig characterizes three Aande-Livets Spor (»traces of spiritual life«): the word, the history and love. If »the spirit« represents what is larger or »higher« than the single human being and what cannot be touched by his or her hand, then this definition fits exactly to society or the sociality of the human being. Social life - whether understood as culture, social identity or folk (people) - is not only a quantitative sum of human individuals, but represents another quality of natural order. Thus it has its logic that Grundtvig places the human being in between the realms of minerals, plant and animal life on the one hand and the »higher« order on the other, which can be understood as the social existence.In this respect, the societal dimension is not at all absent in his philosophy of 1817. However, it is not enough to state the implicite presence of sociality as such in the earlier Grundtvigian thinking before his folkelig break-through. What was the sociality, more concretely, which Grundtvig experienced during the early modernity? In general, highly dichotomous concepts are dominating the modem discourse as capitalism vs. feudalism, materialism vs. idealism, modernity vs. premodemity, democracy vs. absolutism or revolution vs. restoration; Grundtvig was always difficult to place into these patterns. Again, it might be helpful to try a trialectical approach, transcending the dualism of state and market by civil society as a third field of social action. Indeed, it was civil society with its farmers' anarchist undertones which became the contents of Grundtvig's later folk engagement.

scholarly journals Huellas del vicio redhibitorio romano en el Código Civil español

2020 ◽  
pp. 227
Author(s):  
Teresa González Herrero
Keyword(s):  
Civil Code ◽  
The Other ◽  
Roman Law ◽  
Time Space ◽  
The One

En la regulación normativa del contrato de compraventa de nuestro Código Civil puede constatarse una clara huella y supervivencia del Derecho romano. En particular, la protección prevista por razón de los vicios ocultos reproduce, casi literalmente, la contemplada en Roma, donde la noción de vicio redhibitorio se origina y evoluciona en el seno del Derecho edilicio. Tal concepto, se forma en correspondencia al contexto espaciotemporal y socioeconómico en el que se desarrolla y evoluciona el Derecho edilicio en relación con las demás fuentes. Todo ello condicionó las acciones procesales ofrecidas por los Ediles, su naturaleza y finalidad, así como el régimen de responsabilidad del vendedor. Teniendo en cuenta pues, tales variables, el estudio pretende profundizar en la casuística romana para, desde la misma, extraer los principales rasgos del concepto de vicio en nuestro Código Civil.In the normative regulation of our Civil Code we can verify the echo and survival of the Roman Law. Specifically, the protection provided by reason of latent defect, reproduces, almost literally, that reproduces the one contemplated in Rome, where the notion of redhibitory vice that was originated and evolved within the aedilitian Law. That same concept was formed depending on the socioeconomic and time-space context in which the aedilitian Law developed and evolved in relation to the other sources. All of that, influenced the procedural actions offered by these magistrates, its nature and goal, as well as the responsibility of the seller. Bearing these variables in mind, as it was said, the study intends to delve the Roma casuistry to, from itself, to extract the main features of the concept of vice in our Civil Code.

scholarly journals Valores y experiencias del cuerpo y la imagen en las comunicaciones de jóvenes estudiantes: una perspectiva de género = Values, body experiences and images in youth communications: a gender perspective

2019 ◽  
Vol 4 (1) ◽  
pp. 80
Author(s):  
Micaela Bunes Portillo ◽  
Belén Blesa Aledo ◽  
María Tornel Abellán
Keyword(s):  
Content Analysis ◽  
Comparative Analysis ◽  
Young People ◽  
The Body ◽  
The Other ◽  
Exploratory Research ◽  
Gender Perspective ◽  
Gender Communication ◽  
Body Experiences ◽  
The One

Resumen. ¿Nos comunicamos de la misma manera cuando estamos físicamente presen­tes o cuando lo hacemos mediados por la tecnología? ¿Cómo nos relacionamos con las imágenes sobre nosotros y cómo nos afecta su publicación?El cuerpo como escenario y como contenido de la comunicación es el eje alrededor del cual gira este nuevo análisis comparado de los valores identificados en una investigación ex­ploratoria, en la que se ha buscado realizar una aproximación a los cambios que están teniendo lugar en las comunicaciones de los jóvenes a partir de sus propios testimonios. El análisis de contenido realizado utiliza las categorías axiológicas del modelo Hall-Tonna. Se ha procedido agrupando las respuestas de chicos/chicas, dadas a dos preguntas formuladas a estudiantes de edades comprendidas entre los 17 y los 24 años. En esta ocasión, la atención se ha centrado en analizar las experiencias relatadas desde la perspectiva de género.Las diferencias reseñables se encuentran en las respuestas a la segunda pregunta. En ellas destaca el valor de la imagen. En las chicas hay una percepción de la imagen del cuer­po como capital en lo relativo tanto a la competencia personal (presente) como profesional (futura), percepción que en ellos está ausente. En ambos casos, la segunda pregunta presenta perfiles de valores más discontinuos que en la primera, lo que indica la mayor fragilidad ex­perimentada ante la imagen del cuerpo en el medio tecnológico.Palabras clave: valores, género, comunicaciones, juventud, cuerpo, análisis de contenido.Abstract. Do we communicate in the same way when we are physically present and when we do it through technology? How do we relate to the images about us and how do their publication affect us?The body as a setting and as the content of communication is the thematic focus of this new comparative analysis, which tackles the values identified in an exploratory research. In this study, it has been attempted to make an approximation to the changes that are taking place in the communications among young people, based on their own testimonies.The content analysis carried out uses the axiological categories of the Hall-Tonna model. It has been proceeded by grouping the responses, given by young students aged between 17 and 24 years, of boys, on the one hand, and girls, on the other. The attention has focused on analysing the experiences from a gender perspective.The remarkable differences are found in the second question’s answers. In the answers provided by girls stand out the value of the image, however they have a perception of the body as of paramount importance regarding both personal (present) and professional (future) competence, meanwhile this is not present in boy’s answers. In both cases, the second ques­tion presents profiles of more discontinuous values than in the first one, which indicates the greater fragility experienced to the image of the body in the technological medium.Keywords: values, gender, communication, young people, body, content of analysis.

Sign in / Sign up

Export Citation Format

Share Document