scholarly journals El amor en A. Machado y M. de Unamuno

2020 ◽  
Vol 29 ◽  
Author(s):  
Patricia Teresa López Ruiz
Keyword(s):  
The Other ◽  
History Of ◽  
Future Self ◽  
The Creation ◽  
History Of Literature

Aun teniendo en cuenta el interés de ambos por la cuestión de la otredad, la obra machadiana y unamuniana resultan dispares si pensamos en las estrategias literarias que emplearon para otraerse o en la finalidad que tenían. Machado, para conocerse a sí mismo, recurrió a una creación de figuraciones que se expresaran por sí mismas más similar a la de Pessoa −aunque sin llegar a alcanzar tal grado de desvinculación−, esto es, y pese a las diversas denominaciones que les ha dado la crítica, a la creación de unos apócrifos. Por el contrario, Unamuno, anehelando la inmortalidad, introdujo su figura de autor como personaje, puso parte de lo que él era en la construcción de estos seres que quedarían dentro de la historia de la literatura o creó un yo ex futuro poeta (en el caso de Rafael), más ajeno a su persona de lo que lo son los apócrifos, pero no tanto como para que lo podamos denominar heterónimo. A pesar de estas diferencias, nuestros dos escritores convergieron a la hora de hallar en el amor el motor necesario para dar el salto de lo uno hacia lo otro.  Even taking into account their interest in the question of otherness, the machadian and unamunian works, are disparate if we think about the literary strategies they used for others or in the purpose they had. Machado, to know himself, resorted to a creation of figurations that would express themselves, more similar to that of Pessoa -although without reaching such a degree of disconnection- namely, and despite the various denominations that criticism have given, to the creation of apocryphal. On the contrary, Unamuno, yearning for immortality, introduced his figure of author as a character, put part of what he was in the construction of these beings that would remain within the history of literature or created a poet ex-future self (in the case of Rafael), more alien to his person than the apocryphal are, but not so much so that we can call it heteronym. Despite these differences, our writers converged at the time of finding in love the engine necessary to jump from one the other.

Iuwers zornes unmâze / missevellet uns sêre – Legitimität von Maßlosigkeit im mittelalterlichen Erzählkosmos

2018 ◽  
Vol 23 (1) ◽  
pp. 11-28
Author(s):  
Amelie Bendheim
Keyword(s):  
Literary History ◽  
The Other ◽  
Epic Hero ◽  
Heroic Epic ◽  
History Of ◽  
Flore Und Blanscheflur ◽  
The One ◽  
History Of Literature ◽  
Historical Epoch ◽  
Flexible Model

AbstractStarting from the deficiencies of current approaches regarding the description of the hero in medieval narratives, this article aims to functionalise exorbitance (unmâze) as a new category of literary history. Unlike the conceptual and binary typing of the protagonist as ‘hero’ resp. ‘knight’, this category promotes a flexible model that operates relationally and hence enables gradual differentiations between the texts.Examples of medieval (heroic) epic (‘Nibelungenlied’) and (chivalric) romance (‘Flore und Blanscheflur’, ‘Wigalois’) will show the narrative treatment and stylisation of the exorbitant hero. The focus will be on the varying assessments of his acts: If the epic hero is able to defy social norms and current laws (cf. Siegfried’s courtship, Hagen’s murdering of Siegfried) without being penalised, the exorbitance in the romance falls within the scope of ‘ratio’. Thus, exorbitance is on the one hand confined and ‘assessed’, on the other hand excessive acts are rigorously sanctioned and inhibited. Referring to the current manifestations of exorbitance in the socio-political context, the concept of exorbitance emerges as an unchanged productive pattern. Its socio-political relevance encourages a literary-historical, epoch-spanning use of this concept, whose scope is a re-assessment of the history of literature as the history of exorbitance.

Epilogue

2017 ◽  
Keyword(s):  
The Other ◽  
Black Intellectuals ◽  
Untimely Death ◽  
Intellectual Engagement ◽  
Publication History ◽  
Black Intellectual ◽  
History Of ◽  
Cogent Argument ◽  
The Creation

This concluding chapter likewise contains a eulogy from the other editors of this book, as well as a commentary on the publication history of Barrett's posthumous manuscript. Through discussing the aims of compiling Barrett's work into a “clear, cogent argument” and the emotional forces that had shaped the creation of this volume, the chapter turns to the effects of a lack of closure for Barrett's untimely death. It briefly details the circumstances thereof, while also noting a disturbing trend of several other murders of prominent gay black intellectuals in recent years. The chapter ends on an uplifting note, however, as it closes with some hopeful remarks from the editors on continuing with Barrett's legacy to a tradition of black intellectual engagement.

scholarly journals Genre searches in ukrainian playwrights’ plays about hybrid war

2020 ◽  
pp. 19-25
Author(s):  
Yevhenii Vasyliev
Keyword(s):  
Performing Arts ◽  
The Other ◽  
Modern History ◽  
Dramatic Works ◽  
The People ◽  
Before And After ◽  
History Of ◽  
The Subject ◽  
The Creation ◽  
Hybrid War

The tragic events of the Revolution of Dignity and the hybrid war have been reflected in various stylistics and genre parameters of dramatic works. The brightest of them were included in two recent anthologies, which were prepared and published thanks to the efforts of the Department of Drama Projects of the National Center for the Performing Arts named after Les Kurbas. The first of them, “Maidan. Before and After. Anthology of the Actual Drama” (2016), has absorbed 9 plays by the authors of different generations (Yaroslav Vereshchak, Nadiia Symchich, Oleg Mykolaychuk, Neda Nezhdana, Oleksandr Viter, Dmytro Ternovyi, etc.). The completely new second anthology “The Labyrinth of Ice and Fire” (2019) also consists of 9 plays (three of which are also part of the previous anthology), which are the reflections of the modern history of Ukraine. The texts about the hybrid war, which are included in two anthologies, are the subject of our analysis. The focus is on the genre specificity of these drama works. The genre modifications of archaic genres inherent in the Ukrainian theatrical tradition (vertep, mystery) are studied in the plays “Vertep-2015” by Nadiia Marchuk and “Maidan Inferno, or On the Other Side of Hell” by Neda Nezhdana. The functioning of the documentary and epic drama (“The Chestnut and the Lily of the Valley” by Oleg Mykolaychuk, “The People and Cyborgs” by Olena Ponomareva and Dario Fertilio) is analysed. The processes of episation and lyricization are considered. The peculiarities of intergeneric diffusion and the creation of a specific genre type — lyrico-epic drama are analysed. The actual monodramas of Neda Nezhdana “The Cat in Memory of the Darkness” and “OTVETKA@ UA” are highlighted, as well as the intermedial character of the genre transformations of Igor Yuziuk’s drama “C-sharp Sixth Octave”

scholarly journals Constructing imaginative geographies in Genesis

2021 ◽  
Vol 77 (2) ◽  
Author(s):  
José-Alberto Garijo-Serrano
Keyword(s):  
The Other ◽  
Religious Identities ◽  
Religious Traditions ◽  
The Bible ◽  
Imaginative Geographies ◽  
History Of ◽  
The Creation ◽  
Patriarchal Narratives ◽  
The Way ◽  
Genesis A

This article considers Edward W. Said’s proposals on ‘imaginative geographies’ as suggested in his leading work Orientalism as a tool to analyse the ideological circumstances that shape geographical spaces in the Bible. My purpose is to discuss how these imaginative geographies are present in the patriarchal narratives of Genesis and how they have left their mark on the history of the interpretation of these texts and on the not always easy relations between members of the religious traditions inherited from the Bible (Hebrews, Muslims and Christians). I propose four types of ‘imaginative geographies’: (1) ‘Equalness’ is the way to represent what is considered as sharing the own identity. The geography of ‘Equalness’ defines the spaces of Isaac, Jacob and their families. (2) ‘Otherness’ is the way to represent the ‘Other’ as opposite or juxtaposed to one’s own identity. A common border is shared, thus kinship relationships can be established. It defines the spaces of Ishmael, Esau/Edom, Lot (Ammon and Moab) and Laban. (3) ‘Foreignness’ is the way to define what is strange, odd or exotic considered as external to the own identity, in a space set beyond even the space of the ‘Other’. Egypt is in Genesis a land of ‘Foreignness’. (4) ‘Delendness’ encompasses whatever claims our same space and therefore threatens our survival and must be destroyed (delendum). As such, processes of annihilation and dominion of Israel on Canaanites and Sichemites are justified.Contribution: The article applies Said’s ‘imaginative geographies’ as an identity mechanism for the creation of biblical literary spaces. A quadripartite classification (‘Equal’/‘Other’/‘Foreigner’/‘Delendum’) instead of the usual bipartite one (‘Equal’ vs. ‘Other’) is proposed and the consequences for the current coexistence between religious identities inherited from Abraham are shown.

scholarly journals HISTORICAL-PSYCHOLOGICAL IDEAS OF A.P. NECHAEV. PART 1: HISTORY OF LITERATURE, LITERARY CRITICISM, HISTORICAL PSYCHOLOGY

2021 ◽  
pp. 252-270
Author(s):  
А.А. Костригин
Keyword(s):  
Literary Criticism ◽  
Emotional State ◽  
The Other ◽  
Psychological Traits ◽  
Artistic Creativity ◽  
History Of ◽  
The One ◽  
Psychological Tasks ◽  
History Of Literature ◽  
The 19Th Century

Статья посвящена Александру Петровичу Нечаеву (1870-1948), выдающемуся отечественному психологу и педагогу первой половины XX в. В данной работе А.П. Нечаев показан как историк психологии. Рассматриваются историко-психологические работы и взгляды ученого по трем направлениям: анализ историко-литературных работ, в которых освещаются идеи, связанные с исторической психологией; анализ работ, освещавших состояние психологии на рубеже XIX-XX вв. и об отдельных персоналиях современной Нечаеву психологии; анализ специальных историко-психологических и историко-философских работ. В первой части представляются историко-литературные и литературно-критические работы: «Об отношении Крылова к науке» (1895) и «Поэзия А.Н. Майкова. Критический очерк» (1898). Отечественный психолог анализирует взгляды И.А. Крылова на ученых и научную деятельность, выраженных в художественных метафорах и отражавших общественные и народные представления о науке. Рассматривая творчество Майкова, Нечаев показывает, что поэзия может выполнять психологические задачи: с одной стороны, она влияет на эмоциональное состояние читателя и на развитие его личности, с другой - выражает внутренние особенности самого поэта, и необходима ему для удовлетворения собственных потребностей и стремлений. Несмотря на то, что напрямую эти работы не касаются проблематики истории психологии, они показывают интерес Нечаева к историко-научным исследованиям, а также могут быть отнесены к области исторической психологии, поскольку в них представлено изучение образов ученого и поэта и их психологические качества, характерные для XIX в., через художественное творчество и литературу. The article is dedicated to Aleksander Petrovich Nechaev (1870-1948), an outstanding Russian psychologist and teacher of the first half of the 20th century. In this work, Nechaev is presented as a historian of psychology. The historical-psychological views and works of the scientist in three directions are considered: analysis of historical and literary works in which ideas related to historical psychology are presented; analysis of works covering the state of psychology at the turn of the 19th-20th centuries and dedicated to Nechaev’s contemporaries in psychology; analysis of special historical-psychological and historical-philosophical works. The first part presents the historical-literary and literary-critical works of Nechaev: «On Krylov's attitude to science» (1895) and «Poetry of A.N. Maikov. A critical sketch» (1898). The Russian psychologist analyzes the views of I.A. Krylov on scientists and scientific activities, expressed in artistic metaphors and reflecting public and popular ideas about science. Considering the work of Maikov, Nechaev shows that poetry can perform psychological tasks: on the one hand, it affects the emotional state of the reader and the development of his personality, on the other hand, it expresses the inner characteristics of the poet himself, poetry is necessary for him to satisfy his own needs and intentions. Even though these works do not directly relate to the problems of history of psychology, they show the interest of Nechaev to historical-scientific research, and can also be attributed to the field of historical psychology: through artistic creativity and literature, the author studies the images of a scientist and a poet and their psychological traits specific to the 19th century.

scholarly journals TO THE HISTORY OF THE TRANSLATION OF CHRISTIAN TEXTS INTO THE UDMURT LANGUAGE IN THE GLAZOV СOUNTY OF THE VYATKA GOVERNORATE IN 1803

2021 ◽  
Vol 15 (1) ◽  
pp. 102-115
Author(s):  
Andrey Alekseevich Turanov
Keyword(s):  
The Other ◽  
Religious Texts ◽  
Coercive Measures ◽  
Initial Stage ◽  
Archival Documents ◽  
History Of ◽  
The Creation ◽  
Unknown Manuscript

The article deals with the history of the first translations of Christian religious texts and prayers into the Udmurt language in Glazovsky Uyezd of Vyatka Governorate. Involvement in the study of archival documents from the funds of the Vyatka spiritual Consistory and Glazovsky spiritual Board allowed the author to describe in detail - chronologically accurately and thoroughly - the process of creating translations, to identify the authors of the translation of specific texts. In particular, it was established that at the initial stage there were no volunteers among the clergy of Glazovsky uyezd willing to engage in the compilation of translations. The spiritual Board turned to coercive measures and itself appointed translators from among the clergy who knew the Udmurt language, ordering them to appear for translation in Glazov. The first translation was performed jointly by priests N. Nevostruev, Z. Krotov, S. Anisimov and A. Babaylov ahead of events - even before receiving the list of texts assigned for translation. After receiving the list, the translation of the missing texts was carried out by the same persons individually, but only one of the translators sent his translation to the Glazov Board in time. In early July, translations from Glazov were sent to Vyatka. In the ecclesiastical Consistory the translations were checked and rewritten. As a result, the Synod was presented with a translation composed of two parts, one of which was performed by 4 priests together, and the other-alone by A. Babaylov. The study of the circumstances of the creation of the translation allowed to give answers to questions that remained unexplained for more than a hundred years, and to reveal new, previously unknown facts, including the previously unknown manuscript of the translation by N. Nevostruev and Z. Krotov.

scholarly journals Global Middle Ages ou as virtudes do anacronismo. A lição do texto medieval

2019 ◽  
Vol 02 ◽  
pp. 117-149
Author(s):  
Carlos Carreto
Keyword(s):  
Middle Ages ◽  
Medieval Literature ◽  
Global Perspective ◽  
The Other ◽  
New Meanings ◽  
The World ◽  
The Status ◽  
History Of ◽  
Literature Mapping ◽  
History Of Literature

Has the Middle Ages invented globalization or revealed a clear consciousness of globality? On the other hand, may this anachronistic notion prove to be an appropriate and productive operative and analytical concept for rethinking medieval literature beyond its territorial and linguistic boundaries and the epistemological view of the world imposed by a (neo)positivist conception of the history of literature? Mapping the medieval literature in a global perspective implies a methodological repositioning and a process of deterritorialization of the concepts themselves that leads us to reinvest motives, forms, structuring notions (from the chivalric queste to the concept of romance as translatio, passing through the status of the marvelous) with new meanings and, consequently, new cultural and poetic implications.

scholarly journals Presentation of the Dossier

Caminhando ◽  
2019 ◽  
Vol 24 (2) ◽  
pp. 19
Author(s):  
Matthias Grenzer - Translation of João Batista Ribeiro Santos
Keyword(s):  
Cultural Heritage ◽  
Theological Reflection ◽  
The Other ◽  
Ancient Israel ◽  
The World ◽  
History Of ◽  
First Millennium ◽  
The One ◽  
And Behavior ◽  
History Of Literature

The Pentateuch is a cultural heritage of Humanity. The world narrated in it belongs to the second millennium B.C., and the narratives, poems, and sets of laws contained therein were composed during the first six centuries of the first millennium B.C. On the one hand, by bringing together epic, lyrical, and legal poetry, the one hundred and eighty-seven chapters constitute, in the form of five books, a masterpiece in the history of literature. On the other hand, it is literature that proposes to cultivate memory, either in relation to the narrated world, or in view of the period of its composer, sometimes narrating, sometimes legislating, sometimes singing. Moreover, as literature aimed at history, the texts of the Pentateuch promote enormous theological reflection. The main goal seems to be to think God. Thus the first five books of the Jewish Bible and the Christian Bible, with their narrated models of faith and behavior, turned into poems and defined by legal formulations, became the foundational reference for the religion of ancient Israel, of which Judaism was born and, from the latter, Christianity. Also Jesus of Nazareth, in the four New Testament Gospels, is presented in relation to Abraham and Moses, and stands out as a unique teacher with regard to the laws contained in the Pentateuch.

scholarly journals Os vestígios pré-históricos e a materialidade salazarista. Contributos para uma História da Pré-história em Portugal

2016 ◽  
pp. 27-38
Author(s):  
Sérgio Alexandre Gomes
Keyword(s):  
The Other ◽  
Totalitarian Regime ◽  
History Of ◽  
The Creation

O salazarismo, enquanto regime totalitarista, tinha como objetivo a fabricação de um território e de uma população condizente com seus projetos. A ação articulada da propaganda e dos aparelhos de inculcação ideológica dessa fabricação operacionalizavam a construção de um horizonte de sentido pautado pela ideologia do regime. Neste artigo, iremos discutir o modo como os vestígios materiais pré-históricos foram integrados nesse horizonte de sentido e articulados com os restantes elementos que definem a materialidade salazarista. Para tal iremos centrar a nossa análise na obra de Mendes Corrêa, procurando demonstrar o modo como o seu programa de pesquisa atualiza o horizonte de sentido salazarista e, por conseguinte, a sua materialidade. Prehistoric materials and Salazar’s materiality. Towards a History of Prehistory in Portugal - As a totalitarian regime, salazarism’s objective was the creation of a territory and a population befitting of its projects. The articulation of propaganda and the apparatus of ideological indoctrination used in this creation constructed as horizon of meaning that was organised according to the regime’s ideology. In this article, I will discuss how prehistoric material remains were integrated into this horizon of meaning and how they were articulated with the other elements that defined “Salazar’s materiality”. I will focus my analysis on the work of Mendes Corrêa, and try to demonstrate how his research reproduced “Salazar's horizon of meaning” and, therefore, its materiality.

THE INTERNATIONAL YEAR OF THE PERIODIC TABLE: AN OVERVIEW OF EVENTS BEFORE AND AFTER THE CREATION OF THE PERIODIC TABLE

2019 ◽  
Author(s):  
Sergei Teleshov ◽  
◽  
Elena Teleshova ◽  
Keyword(s):  
History Of Science ◽  
Periodic Table ◽  
The Other ◽  
Periodic Law ◽  
Before And After ◽  
History Of ◽  
The Creation ◽  
Periodic Arrangement ◽  
Made In

It has been 150 years since D.I. Mendeleev formulated the Periodic law and expressed it visually in the form of a table of elements in 1869. As is clearly well known today, Mendeleev’s ideas, confirmed by the discovery of the elements he predicted, turned out to be very promising indeed. However, Mendeleev was not the first, nor the only scientist to have investigated the periodic arrangement of the elements. With this in mind, the present paper seeks to highlight some of the other efforts made in the field during Mendeleev’s lifetime. Keywords: D. Mendeleev, periodic table, table options, history of science.

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