scholarly journals La propaganda comercial como transmisora de elementos identitarios: Algunos ejemplos de la ephemera murciana a principios del siglo XX

Imafronte ◽  
2020 ◽  
pp. 1-16
Author(s):  
José Miguel López Castillo
Keyword(s):  
19Th Century ◽  
Visual Representations ◽  
The Social ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
Siglo Xix ◽  
The One ◽  
The 19Th Century ◽  
Siglo Xx

Uno de los apartados menos tratados de las representaciones visuales de Murcia ha sido el de la ephemera comercial. Por tal motivo, dado su uso limitado y efímero, en muchas ocasiones no se le ha considerado como un apartado estimable en la historia del arte. Pero lo cierto es que las etiquetas de fábricas de conservas, frutas, licores y otros establecimientos, desde los últimos años del siglo XIX y la primera mitad del XX, en base al diseño difundieron los elementos identitarios más significativos de este territorio por toda España y el resto del mundo. En la mayoría de casos, la marca publicitaria estaba basada en estampas e imágenes del Costumbrismo romántico murciano que ya se habían consolidado durante el ochocientos para la demanda social de esa corriente; en otros casos se fueron adaptando a los nuevos criterios estéticos del siglo XX. Finalmente, esta forma de publicitar cada producto ayudó a patentar la denominación de origen de diversas empresas de varios sectores, principalmente agroalimentarias, y al mismo tiempo a su asimilación con esta región levantina gracias a sus hitos arquitectónicos, la huerta o sus tipos populares. Esta última premisa es la que abordaremos dentro de este estudio al contrastarlas con otras representaciones anteriores. One of the less treated sections of the visual representations of Murcia has been the comercial ephemera. For this reason, given its limited and fleeting use, it has often not been considerated as a valvable section in the history of art. But the truth is that the labels of canning factories, fruits, liquors and other establishments, from the last years of the 19th century based on the design spread the most significant identity elements of this territory throughout Spain and the rest the world. In the majority of cases, the advertising brand was based on prints and images of Murcian romantic costums that had already been consolidated during the 19th century for the social demand of this currens, in other cases they were adapted to the new aesthetic criteria of the 20th century. Finally, this way of advertising each product helped to panted the denomination of origin of various companies, mainly agry-food, and at the same time to assimilate it with this southeast region thanks to its architectural landmarks, the orchard or its popular types. This last premise is the one we will address within this study when contrasting them other previous representations.

De la escena a la viñeta:

Neuróptica ◽  
2021 ◽  
pp. 227-240
Author(s):  
Alejandro Silvela Calvo
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Oscar Wilde ◽  
Musical Work ◽  
Visual Medium ◽  
Richard Strauss ◽  
The World ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Siglo Xx

Resumen: P. Craig Russell ha destacado, entre otras aportaciones, por su labor a la hora de realizar una larga serie de adaptaciones del mundo de la ópera a la viñeta. El estilo de Russell se caracteriza por partir de la idea de adaptar una obra musical a un medio plástico y visual haciendo que no solo se convierta en la simple narración de una ópera musical, sino que crea una obra en sí misma en la que intenta recoger diferentes sensaciones estilísticas, estructurales y estéticas de la obra y generar una representación de las mismas. En este artículo nos valdremos de su adaptación de Salomé, ópera de Richard Strauss de 1905 basada en la obra teatral homónima de Oscar Wilde. Se tratará la idea de musicalización del cómic y la forma en la que Russell plasma diferentes ideas musicales referentes no solo a timbres, leitmotiv u orquestación, sino atendiendo a diferentes parámetros que engloba la obra de Strauss, en torno a la idea de maximalización y decadencia del arte de finales del siglo XIX y principios del siglo XX. Abstract: P. Craig Russell has stood out, among other contributions, for his work in making a long series of adaptations from the world of opera to comic. Russell's style is characterized by starting from the idea of adapting a musical work to a plastic and visual medium, making it not only become the simple narration of a musical opera, but also creates a work in itself in which he tries to collect different stylistic, structural and aesthetic sensations of the work and generate a representation of them. In this article we will use his adaptation of Salomé, an opera by Richard Strauss from 1905 based on the play of the same name by Oscar Wilde. The idea of musicalization of the comic will be discussed and the way in which Russell expresses different musical ideas referring not only to timbres, leitmotivs or orchestration, but also taking into account different parameters that encompass Strauss's work around the idea of maximalization and decadence of art from the end of the 19th century and the beginning of the 20th century.  

scholarly journals Precedentes de la institucionalización de la Historia del Arte en España: los estudios histórico-artísticos en el siglo XIX = Precedents of the institutionalisation of Art History in Spain: Historical and artistic studies in the 19th century

2019 ◽  
Vol 31 ◽  
pp. 253
Author(s):  
Carmen de Tena Ramírez
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Art History ◽  
Early 20Th Century ◽  
History Of Art ◽  
History Of ◽  
Siglo Xix ◽  
Spanish Universities ◽  
History Of Art History ◽  
The 19Th Century

Resumen: El objetivo de este artículo es ofrecer una visión general acerca de los estudios histórico-artísticos realizados y publicados en España a lo largo del siglo XIX, así como poner de manifiesto que estos trabajos dieron base y fundamento a la posterior institucionalización de la Historia del Arte en la universidad española a comienzos de la centuria siguiente. Comenzamos nuestro texto con un estado de la cuestión para subrayar la necesidad de acometer esta clase de estudios; seguidamente exponemos una amplia perspectiva diacrónica sobre las circunstancias históricas que rodearon la práctica historiográfica del siglo XIX, sus características y quiénes fueron sus artífices. Terminamos este trabajo con una breve reflexión acerca del alcance de la investigación decimonónica y sus efectos en la institucionalización de la Historia del Arte en España.Palabras clave: historiografía artística, historia de la Historia del Arte en España, Restauración borbónica, Historia del Arte y Arqueología, fuentes para la Historia del Arte.Abstract: This articles aims chiefly to provide an overview of the historical-artistic studies carried out and published in Spain throughout the 19th century and to show that these works provided the basis and foundation for the subsequent institutionalisation of Art History in Spanish universities in the early 20th century. It begins with a summary underlining the need for this kind of study, then paints a broad diachronic perspective on the historical circumstances surrounding the historiographic practice of the 19th century, its characteristics and its writers. It ends with a brief consideration of the scope of 19th century research and its effects on the institutionalisation of Art History in Spain.Key words: Art Historiography, history of Art History in Spain, Bourbon restoration, Art History and Archaeology, Sources for Art History.

scholarly journals De protagonista histórico a personaje de novela:

2021 ◽  
Author(s):  
Lilián Illades
Keyword(s):  
Cultural History ◽  
Family Environment ◽  
The Novel ◽  
Judicial Process ◽  
The Social ◽  
Fourth Decade ◽  
History Of ◽  
Siglo Xix ◽  
The One ◽  
The 19Th Century

En la cuarta década del siglo XIX se enjuició y sentenció por diversos crímenes al coronel Juan Yáñez, alias Relumbrón; a la sazón subordinado cercano a un presidente de México. El militar encabezó a un grupo de bandidos que asaltaron las propiedades de personas prominentes, adineradas, templos, conventos y comercios de la capital del país, así como a viajeros que transitaban por los caminos, principalmente el derrotero de la Ciudad de México al puerto de Veracruz. Este cabecilla ocupa un papel central en una de las memorables piezas literarias de Manuel Payno: Los Bandidos de Río Frío. Propio de la pluma del escritor, la novela constituye una invaluable fuente para la historia social y cultural de los mexicanos. El propósito del presente artículo es develar el perfil histórico del coronel, mediante la reconstrucción de su entorno familiar y el extracto del proceso judicial al que fue sometido, mismo al que no tuvo acceso el novelista. La infausta figura de Relumbrón sólo pudo ser preservada a través de la literatura, de lo contrario se habría sumergido en los anales criminales. In the fourth decade of the 19th century, Colonel Juan Yáñez, alias Relumbrón (the one who shines), then a close subordinate of a Mexican president, was tried and sentenced for various crimes. Then officer headed a group of bandits who robbed the properties of prominent and wealthy people, churches, convents and businesses in the capital of the country, as well as travelers on the roads, mainly the route from Mexico City to the port of Veracruz. This ringleader occupies a central role in one of Manuel Payno´s memorable novels, Los Bandidos de Río Frío (The bandits of Río Frío). Typical of the writer´s pen, the novel is an invaluable source for the social and cultural history of Mexicans. The purpose of this article is to unveil the historical profile of the colonel, through the reconstruction of his family environment and the excerpt of the judicial process to which he has subjected, to which the novelist did not have access. The infamous figure of Relumbrón could only be preserved through literature, otherwise he would have been submerged in the annals of crime.

On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

scholarly journals Kant, Nietzsche and the idealization of friendship into nihilism

2013 ◽  
Vol 54 (128) ◽  
pp. 401-417
Author(s):  
Paul van Tongeren
Keyword(s):  
19Th Century ◽  
Literary Imagination ◽  
The Other ◽  
Other Hand ◽  
History Of ◽  
The One ◽  
Articles Of Faith ◽  
The 19Th Century

Is friendship still possible under nihilistic conditions? Kant and Nietzsche are important stages in the history of the idealization of friendship, which leads inevitably to the problem of nihilism. Nietzsche himself claims on the one hand that only something like friendship can save us in our nihilistic condition, but on the other hand that precisely friendship has been unmasked and become impossible by these very conditions. It seems we are struck in the nihilistic paradox of not being allowed to believe in the possibility of what we cannot do without. Literary imagination since the 19th century seems to make us even more skeptical. Maybe Beckett provides an illustration of a way out that fits well to Nietzsche's claim that only "the most moderate, those who do not require any extreme articles of faith" will be able to cope with nihilism.

scholarly journals El pacifismo-antimilitarismo en España desde el siglo XIX hasta la Guerra Civil: los «efectos desplazamiento»

2019 ◽  
Vol 12 (1) ◽  
Author(s):  
Juli Antoni Aguado Hernández
Keyword(s):  
Social Imaginary ◽  
La Paz ◽  
Democratic Principle ◽  
The Social ◽  
Nonviolent Resistance ◽  
History Of ◽  
The Subject ◽  
Siglo Xix ◽  
Sociedad Civil ◽  
The 19Th Century

La historia del antimilitarismo en el Estado español es, en gran medida, desconocida. El presente trabajo pretende subsanar parcialmente esta carencia mediante la compilación de la literatura y las fuentes existentes sobre la materia, parciales o basadas en períodos específicos, exponiendo estas resistencias desde el pacifismo inicial del siglo XIX hasta el final de la Guerra Civil. Esta labor se realiza desde la confluencia entre la historia y la sociología, insertando estas movilizaciones en los conflictos y los movimientos internacionales, mostrando cómo se influyen mutuamente, así como la convergencia entre el feminismo y el antimilitarismo. Asimismo, se constata cómo la defensa de la paz o la resistencia al servicio de armas y la militarización social sólo pueden ser movilizadas cuándo la narrativa del sometimiento puede ser percibida como opresión, al imponerse el principio democrático de libertad e igualdad en el imaginario social (tesis de los efectos de desplazamiento). De forma paralela, se evidencia cómo el antimilitarismo proporciona el espacio para la emergencia de nuevos conocimientos y prácticas de resistencia noviolentas (tesis de los movimientos como laboratorios de la sociedad civil), extendiendo la concepción prevaleciente del derecho.The history of antimilitarism in the Spanish State is largely unknown. The present work intends to complete particularly this lack by compiling literature and existing sources on the subject, partial or based on specific periods, exposing these resistances from the initial pacifism of the 19th century until the end of the Civil war. This work is carried out from the confluence between history and sociology, inserting these mobilizations in conflicts and international movements, and showing how they influence each other, as well as the convergence between feminism and antimilitarism.Furthermore, it can be seen how the defense of peace or resistance to arms service and social militarization can only be mobilized when the narrative of subjugation can be perceived as oppression by imposing the democratic principle of freedom and equality in the social imaginary (thesis of the displacement effects). Similarly, it is evident how antimilitarism provides the space for the emergence of new knowledge and practices of nonviolent resistance (thesis of movements as laboratories of civil society) extending the prevailing conception of right.

scholarly journals Research of the History of Inter-Religious Relations in Ukraine in the Kyiv Theological Academy (Second Half of the 19th – Beginning of the 20th Century)

2021 ◽  
Vol 8 ◽  
pp. 60-79
Author(s):  
Luidmila Pastushenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Legal Aspects ◽  
Systematic Analysis ◽  
Literary Traditions ◽  
The Social ◽  
Academic Researchers ◽  
History Of ◽  
Characteristic Features ◽  
The 19Th Century

The article presents the first attempt of a complete and systematic analysis of historic and theological publications of teachers and pupils of the Kyiv Theological Academy in the second half of the 19th – beginning of 20th century in the field of studying the history of relations of Catholicism and Protestantism with Orthodox on the Ukrainian lands. The specifics of Kyiv academic historians studies was determined by the social and-political circumstances in the middle of the 19th century and denoted by an attempt to comprehend this issue in the perspective of the history of interconfessional relations of two Western Christian traditions with the eastern tradition of Orthodoxy in the historical gap of the 16th – 17th centuries – the period of the largest confrontation in confessional relations in Ukraine. The author clarifies the characteristic features of researching the question of inter-confessional interaction in the 15th – 17th centuries, which are expressed in attempts to describe the coexistence of three denominations as multidimensional and provoking а variety of different interpretations. Historical studies present the attempt to show confessional interaction in the political and legal aspects and to provide historical interpretations to the ground of philosophy of history. The article proves the tendency of Kyiv academic researchers to move away from the established Russian historiography of the 19th century view at confessional relations in Ukraine through the prism of hard confrontation and outline in religious life Ukraine conditions and circumstances of inter-confessional dialogue. Also, historians in their studies repeatedly note the significant educational and outlook influence of Western Christian denominations on the formation of educational, cultural, theological, literary traditions in Ukraine.

scholarly journals Piśmiennictwo religijne Tatarów Wielkiego Księstwa Litewskiego jako oryginalne źródło do badań polszczyzny północnokresowej

2018 ◽  
Vol 24 (2) ◽  
pp. 85-110
Author(s):  
Joanna Kulwicka-Kamińska
Keyword(s):  
19Th Century ◽  
Slavic Languages ◽  
The North ◽  
Religious Writings ◽  
The World ◽  
History Of ◽  
Polish Language ◽  
The Subject ◽  
Linguistic Analyses ◽  
The 19Th Century

The religious writings of the Tatars constitute a valuable source for philological research due to the presence of heretofore unexplored grammatical and lexical layers of the north borderland Polish language of the 16th-20th centuries and due to the interference-related and transfer-related processes in the context of Slavic languages and Slavic-Oriental contacts. Therefore the basis for linguistic analyses is constituted by one of the most valuable monuments of this body of writing – the first translation of the Quran into a Slavic language in the world (probably representing the north borderland Polish language), which assumed the form of a tefsir. The source of linguistic analyses is constituted by the Olita tefsir, which dates back to 1723 (supplemented and corrected in the 19th century). On the basis of the material that was excerpted from this work the author presents both borderland features described in the subject literature and tries to point the new or only sparsely confirmed facts in the history of the Polish language, including the formation of the north borderland Polish language on the Belarusian substrate. Research involves all levels of language – the phonetic-phonological, morphological, syntactic and the lexical-semantic levels.

Introduction

2009 ◽  
Vol 13 (4) ◽  
pp. 403-409
Author(s):  
Daniela Merolla
Keyword(s):  
Visual Arts ◽  
Visual Representations ◽  
Literary Studies ◽  
Human Beings ◽  
Creation Myths ◽  
History Of Art ◽  
The World ◽  
Critical Approaches ◽  
History Of

AbstractSculptures, paintings, drawings, performances, and films have often refashioned narratives of the origins of the cosmos and of human beings. The essays collected in Creation Myths and the Visual Arts investigate the interplay between image and narrative and offer critical approaches from literary studies, the history of art, archaeology, and anthropology on the interpretation and categorization of verbal and visual representations of “creation myths” from all over the world.

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