scholarly journals “Da bedstefar var dreng og Danmark var i krig”. Almindelige danskeres erindringer og selvbiografier om Besættelsen 1940-45

Author(s):  
Lene Eklund-Jürgensen

Lene Eklund-Jürgensen: “Da bedstefar var dreng og Danmark var i krig” (When grandfather was a boy and Denmark was at war). Memories and autobiographies of ordinary Danish people concerning the Occupation 1940–45 In the last few years, the Dansk Historisk Bibliografi (Danish Historical Bibliography) database has included a number of autobiographies covering the period 1940–45. These collections of accounts provide a voice for ordinary Danes, describing how they as children experienced the occupation and how since then, they have reflected over that period of their lives. The authors’ autobiographies build up a narrative about the occupation, drawing on both personal experiences and memories and events the authors have been witness to, as well as the memories and experiences of other people that they have heard about or read about. It can often be difficult to separate the memories of these personal experiences from more general reported experiences that many Danes experienced. Autobiographies’ memories from periods other than 1940–45, are strongly egocentric and focus on private experiences, in contrast to the memories about the occupation which focus on the period as a collective experience. This narrative provides a personal angle, where the author’s own experiences are added as a supplement to the overall Danish experience. Most often what is described is the how the authors’ families lived during the war and especially, what their parents did during the war and what they experienced during the war. Often, the authors were too young to remember more than voices and scattered dramatic episodes from the occupation. In general, many of the authors personally remember the military planes that flew overhead and episodes relating to the air battles above Denmark. In addition, the authors describe everyday life, the Germans and the first and last day of the occupation. The episodes, experiences and events that the authors draw on in their autobiographies have been described many times before, but the autobiographies provide a double perspective of the occupation, where the authors both recount their childhood memories and at the same time reflect upon these memories many years later. The autobiographies are excellent source material to study the culture of reminiscing and the use of history.

2021 ◽  
Author(s):  
Arshita Nandan ◽  

Abstract This project focuses on the conflict in Indian administered Jammu and Kashmir (J&K). This conflict is characterised by the militarised occupation of the region and resistance for self- determination by indigenous populations. In 2019, there were over 500,000 military and police force stationed in the state of J&K and over the years the forces have become a permanent fixture of the day-to-day life of people in the region. The use of civilian infrastructure by the military apparatus to control the rhythms of everyday life has evolved to its current form as an integral aspect of the conflict itself. This paper is focused on two interrelated aspects i.e., the impact of militarisation, magnified by Covid-19 pandemic on the fieldwork itself and its relationship to the larger impact of militarisation on everyday life in Srinagar. The methodology is inspired by rhythmanalysis which focuses on space of interaction. The rhythmanalysis is in two parts, it explores the rhythms as viewed and investigated by the researcher as opposed to the rhythms of everyday life for research participants. The aim here is to contextualise the questions of ethics and positionality as a researcher, conducting fieldwork during covid 19, in a militarised conflict region. Key Words: Military; Public Space; Rhythmanalysis; Resistance, Critical Architecture


2021 ◽  
Vol 16 (3) ◽  
pp. 71-78
Author(s):  
Bershadskaia Svetlana V. ◽  

By examining the personal journal of Marfa Solov’eva, one of the staff of Krasnoyarsk Local History Museum (Yenissei Province), the article aims to analyze some changes of everyday life at the beginning of the 1920s. Aged 33, Ms. Solov’eva found herself among the members of the Yenissei Province delegation sent to participate in the First All-Union Agriculture and Orchard Industry Exhibition in Moscow in 1923. She wrote down her personal experiences of travelling from Krasnoyarsk to Moscow. Given that anthropological shift has taken the lead in historical research, the materials of personal origin (like personal journals) provide an additional avenue to get firsthand information on how contemporaries interpreted the turning points in history. By focusing on the findings from the personal journal introduced for the first time the article investigates the transformations in early Soviet society at the grassroots level and from the point of view of a young representative of Siberian intelligentsia. The article demonstrates how day-to-day and leisure practices of those who took part in the trip were organized. Additionally, it considers the emotional sphere, which is missed to a greater extent by official sources. A mixture of interdisciplinary, systematic and sociocultural approaches and descriptive methods for interpreting sources has been adopted. Keywords: personal journal, everyday life, the intelligentsia, Siberia, the Yenissei province, the onset of NEP, the First All-Union Agriculture and Orchard Industry Exhibition in Moscow in 1923


Author(s):  
Sergey S. Naumov ◽  
Dmitry I. Petin

The article presents a previously understudied regional history aspect related to the origin, development and everyday life of the 16th Military Town in Omsk. It reveals the relation of the issue to the historiography of the problem on the scale of Siberian region. The objective of the research is to study the history of the 16th Military Town in Omsk by solving compound tasks. The authors analyse the microdistrict construction stages, reveal the main impact factors; study the military disposition within the microdistrict with regard to the local history. The research is based on a number of sources (previously unpublished documents from the Historical Archive of the Omsk Region and reference books) to restore the different stages of the Military Town history and construction, as well as the military disposition within the district as much as possible. The provided data form the foundation for a conclusion on the uniqueness of the 16th Military Town as a historical and cultural space of the urban environment from the perspective of history and culture studies


Author(s):  
Anna S. Akimova ◽  

Moscow is the city which united the characters of A.N. Tolstoy’s novel “Peter the First”. Kitay-Gorod is the space where the action of the first book is mainly set. In the novel Tolstoy showed in great detail the everyday life of the city and its inhabi- tants. According to the I.E. Zabelin’s research (“History of the city of Moscow”) in late 17 — early 18 th centuries Moscow was like a big village that is why Tolstoy relied on his childhood memories about the life in the small village Sosnovka (Samara Region) describing the streets of Moscow. The novel begins with the description of a poor peasant household of Brovkin near Moscow, then Volkov’s noble estate is depicted and Menshikov’s house. The space of the city is expanding with each new “address”. Moscow estates, and in particular, connected with the figure of “guardian, lover of the Princess-ruler” V.V. Golitsyn, in Tolstoy’s novel are inextricably linked with the character’s living and with the life of the country. The description of the palace built by Golitsyn at the peak of his career is based on the Sergei Solovyov’s “History of Russia in ancient times”. Golitsyn left it and went to his estate outside Moscow Medvedkovo and from there in exile.


2020 ◽  
pp. 241-259
Author(s):  
Robert Prey

This chapter explores the implications of performance metrics as a source of self-knowledge and self-presentation. It does so through the figure of the contemporary musician. As performers on-stage and online, musicians are constantly assessed and evaluated by industry actors, peers, music fans, and themselves. The impact of powerful modes of quantification on personal experiences, understandings, and practices of artistic creation provides insight into the wider role that metrics play in shaping how we see ourselves and others; and how we present ourselves to others. Through in-depth interviews with emerging musicians, this chapter thus uses the artist as a lens through which to understand everyday life within the “performance complex.”


2020 ◽  
Vol 70 (1) ◽  
pp. 247-260
Author(s):  
Olivier Hekster

Roman emperors were at the pinnacle of society. They were supreme commanders of the armies, the highest priests and the ultimate source of law and justice. These three roles were made clear to the inhabitants of the empire from the reign of Augustus onwards through a variety of media. Public ceremonies showed emperors leaving the city for campaigns, and returning in triumph, at sacrifice, or sitting in judgement. Inscriptions likewise indicated the main roles of emperors through titulature or narrative. The military and the religious leadership of emperors were also made abundantly clear through public monuments and on centrally issued coinage. Yet, throughout Roman imperial history these last two types of source material are surprisingly silent on the emperors’ legal role.


1944 ◽  
Vol 9 (3) ◽  
pp. 302-318 ◽  
Author(s):  
Bertram S. Kraus

This paper is a plea for the complete reworking of the Iroquoian material, archaeological and historical, from the point of view of acculturation. The writer is not the first to make this plea. Both Fenton and Hunt have pointed out the necessity of reworking the source material for Iroquoian history; Fenton regards the 400 years of contact between Iroquois and white and between Iroquois and Algonkian as an excellent source “for an acculturation study showing the effects of the interaction of Indian and White culture, the interaction of Indian and Indian… and the adjustment of culture to environment.”


Vestnik NSUEM ◽  
2020 ◽  
pp. 244-254
Author(s):  
A. E. Kozlov

Motivation of staff in everyday life is considered to be the payment of wages, which the employee receives monthly for properly performed functional duties. However, we should not forget that motivation can change not only the approaches to payment of wages, but also the worldview of employees, their approaches to work. How the employer motivates the employee, such a result will be obtained.This article describes the gradual creation of a motivation system, the successful experience of the implementation of which allowed several times to increase the productivity of a particular enterprise of the military-industrial complex.


Author(s):  
Daniela Jara

En este artículo se propone una lectura del Diario de Francisca, un registro autobiográfico escrito en plenos días de la Unidad Popular y el golpe de Estado por una niña de 11 años, miembro de una familia urbana de clase media alta. Luego de situar brevemente al diario íntimo o de vida como una práctica cultural propia de la modernidad, se analiza la manera en que el texto ilumina las operaciones a través de las cuales la niña va habitando el mundo, entramadas en dinámicas socio-afectivas mediadas, interrumpidas o potenciadas por la clase. Se sugiere que las representaciones infantiles articuladas en la escritura del diario íntimo muestran diversos aspectos de la producción y transmisión de la memoria de la violencia política, y de la relación con los contextos de su producción. El Diario describe una escena de la violencia política en que ésta, lejos de producirse de manera intempestiva, ya estaba instalada en las formas de la vida cotidiana de la Unidad Popular (UP).  Así, la voz de la niña nos permite ver cómo la violencia política está en parte instalada y cómo va instalándose en la sociedad civil durante la UP, ya no sólo entre víctimas y perpetradores, sino también entre los niños, quienes participan de ésta, la negocian y recrean o reproducen. Palabras claves: diario íntimo, violencia política, representaciones infantiles AbstractThis article focuses on Francisca's Diary, an autobiographical record written during the Unidad Popular (UP) period, more specifically in 1973. Francisca, an 11 year old girl, member of an urban middle-class family, witnesses the military coup and produces an intimate account of the events. After briefly situating the personal diary as a cultural practice typical of modernity, I will reflect on the way in which the text illuminates the operations through which the girl inhabits the world, embedded in socio-affective dynamics, interrupted or enhanced by social class. I suggest that Francisca’s Diary sheds light on various aspects of the production and transmission of the memory of political violence, the role of children representations and their relationship with the contexts in which they are produced. Also, I suggest that the Diary portraits a scene in which political violence was already embodied in the everyday life during the UP, no longer as a monopoly of victim and perpetrator agents. Rather I draw attention to the way in which the child negotiates, reproduces, represents and resists violence.Keywords: private diary, political violence, childhood representations


2021 ◽  
Vol 20 (2) ◽  
pp. 286-294
Author(s):  
Olga I. Sekenova

The present paper studies ego-documents of Russian female historians written in the second half of the 19th and the early 20th centuries, with a focus on the works of N.I. Gagen-Thorn, E.V. Gutnova, M.M. Levis, V.N. Kharuzina, S.V. Zhitomirskaya, E.N. Shchepkina, and N.D. Flittner. How do these authors, in their childhood descriptions, discuss their professional choices? By producing ego-documents, the female historians wanted to preserve their memory of childhood events in the form of a new historical source. In so doing they followed the principles that they also adhered to when wri- ting historical essays. At the same time their texts are very subjective: each reflects the respective researcher's personal experiences. Each text is unique, and there are few overlaps with the memoirs of other female historians of their time, or with those of younger colleagues. In many ways, the women were influenced by authors of the Russian memoirist tradition; they often adhered to self-censorship (even when there was no clear ideological pressure from society). As a result, the narrative about childhood turned into a narrative about the prerequisites for the self-identification of women as scientists. Memories became a form of self-representation, and this conditioned the selective nature of childhood narratives; later success in the profession was projected back onto childhood memories. The childhood narratives of Russian female historians differ from texts of their male colleagues: women preferred to describe their impressions with references to material artifacts and to everyday rituals, writing carefully about their emotional experiences. One of the most important subjects in these womens memoirs and diaries was when they for the first time experienced the gender conflict in their lives: when they understood that their scholarly ambition runs against the common attitudes about gender attitudes that they had internalized in early childhood.


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