scholarly journals Prousts blik. Synets dobbelthed i På sporet af den tabte tid

2015 ◽  
Vol 30 (73) ◽  
Author(s):  
Steen Klitgård Povlsen
Keyword(s):  
Marcel Proust ◽  
Main Theme ◽  
European Culture ◽  
The World ◽  
Lost Time ◽  
The Look

Steen Klitgård Povlsen: “Proust’s Look: The Duality of Looking in In Search of Lost Time”Marcel Proust was part of that “denigration of the vision” as the dominating sense that according to Martin Jay can be observed in European culture around 1900. In In Search of Lost Time there can be found a radical criticism of the capacity of the look to maintain the true concept of the world. But also an account of art’s possibility to compensate for this failure. The article describes this split between blindness and insight which is a main theme in Proust’s work.

scholarly journals Legal Vocabulary as Means of Revealing by Marcel Proust of the Cultural Codes of French Aristocracy, Bourgeoisie and Peasantry

2021 ◽  
Vol 19 (3) ◽  
pp. 98-109
Author(s):  
E. S. Savina
Keyword(s):  
Marcel Proust ◽  
Main Task ◽  
Cultural Codes ◽  
Legal Term ◽  
The World ◽  
Domains Of Life ◽  
Core Components ◽  
Ancient Times ◽  
Lost Time ◽  
Cultural World

This article is devoted to the stylistic and cognitive analysis of the legal vocabulary in the third volume of Marcel Proust’s novel “In Search of Lost Time” used in order to describe mental, psychological and cultural world of Guermantes in its contrast with the world of bourgeoisie and with that of French peasants. The legal terms we consider in the paper are used by Proust as core components of a number of stylistic figures, first of all, similes and metaphors. Following Gérard Cornu and some other scholars, we understand legal terminology (legal terms and legal vocabulary in general) as any word of language (in our case, those of French) having at least one legal meaning, acknowledged by an authoritative French dictionary. The legal terms identified in the text were classified into two groups: general legal vocabulary and specific legal vocabulary belonging to different branches of law: constitutional, criminal, international. In order to confirm their legal semantics while conducting contextual analysis, we have consulted all types of diction-aries: bilingual, monolingual, general and special ones. The main aim of the article was to determine the functions of these figures in Marcel Proust’s text whose poetics is not at all legal. To achieve it, the main task was to identify the connections between the denotative meaning of a given term and its connotative contextual transformations. This means first of all to decode contextual links between the legal figure under analysis and various domains of life it was applied to by Proust. Eventually, this analysis helps to reveal French cultural codes, those of declining aristocracy, empowered bourgeoisie and, in “Guermantes”, of peasantry. Thus, the Guermantes are associated in the eyes of the bourgeoisie, represented by Marcel, with something ancient, inaccessible to rational minds, charming: some sublime images, magical legends of ancient times, exquisite works of art and music, antique music instruments. In this context, a legal term, such as carte photographique d’identité for instance, introduces, by contrast, some materially-minded, pragmatic, prosaic notes. At the same time, democratic changes leading to the rise of the bourgeoisie, as well as the world of peasants are depicted in an extremely concrete way, being associated with the untamed force of nature: damage and devastation caused by the floods, noises, and the like. At the same time, various typical human feelings, such as Marcel’s admiration and Saint-Loup’s love due to the use of legal figures may be represented as imprisonment.

Le premier moment de l’art dans À la recherche du temps perdu de Marcel Proust – une « leçon d’idéalisme » ?

2020 ◽  
pp. 25-40
Author(s):  
Larisa Botnari
Keyword(s):  
Essential Role ◽  
Marcel Proust ◽  
The Self ◽  
Philosophy Of Art ◽  
The Novel ◽  
Philosophical Interpretation ◽  
German Philosopher ◽  
Lost Time ◽  
Aesthetic Thinking

Although very famous, some key moments of the novel In Search of Lost Time, such as those of the madeleine or the uneven pavement, often remain enigmatic for the reader. Our article attempts to formulate a possible philosophical interpretation of the narrator's experiences during these scenes, through a confrontation of the Proustian text with the ideas found in the System of Transcendental Idealism (1800) of the German philosopher F. W. J. Schelling. We thus try to highlight the essential role of the self in Marcel Proust's aesthetic thinking, by showing that the mysterious happiness felt by the narrator, and from which the project of creating a work of art is ultimately born, is similar to the experiences of pure self-consciousness evoked and analyzed by Schellingian philosophy of art.

O Platonismo de Marcel Proust

2006 ◽  
Vol 14 (27) ◽  
pp. 107-119
Author(s):  
José António Leite Cruz de Matos Pacheco ◽  
Keyword(s):  
Marcel Proust ◽  
Philosophical System ◽  
Lost Time ◽  
As If

Marcel Proust is not known as a philosopher. Nevertheless, his monumental masterpiece, In Search for Lost Time, must be understood as a System - not a «philosophical System», but a System sustained and moved by a philosophy of existence: «System of existence itself»; «System of time» in its mere occurrence. Memory becomes here, in face of time, an almost sacred way of revealing sense: and sense - the sense that one can see and understand by this work of memory - somehow emerges like a perfect, platonical form, that brings happiness and is wisdom, not as if we have already seen it in a previous life of the soul, but in the process of making its own rememberance and comprehension.

“Ọrọ, nwa, ẹkọ”, the talk, the look, the education: reflections on a pedagogy of cosmoperception

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Roseane Santos Mesquita ◽  
Késia Dos Anjos Rocha
Keyword(s):  
Educational Experience ◽  
The Other ◽  
Educational Practices ◽  
Starting Point ◽  
The World ◽  
The Look ◽  
Ways Of Being ◽  
Present Text ◽  
The Way

The present text bets on the power of reflections on a pedagogy guided by cosmoperception. It is a collective call for the enchanted ways of perceiving and relating to the other. “Ọrọ, nwa, ẹkọ”, the talk, the look, the education, insurgent forces that grow in the cracks, just like moss, alive, reborn. That is the way we think about education, as a living practice, turned to freedom. Freedom understood as a force that enables us to question certain hegemonic truths entrenched in our ways of being, thinking and producing knowledge. In dialogue with the criticisms on the decolonial thought and by authors and authoresses who are putting themselves into thinking about an epistemology from a diasporic place, from the edges of the world, we will try to problematize the effects of the epistemic erasures promoted by the colonial processes and how that has affected our educative practices. The look at the educational experience that happens in the sacred territory of candomblé, will be our starting point to think about politically and poetically transformative educational practices.

Gobineau, the Would-be Orientalist

2016 ◽  
Vol 26 (1-2) ◽  
pp. 321-332
Author(s):  
ROBERT IRWIN
Keyword(s):  
Marcel Proust ◽  
The World ◽  
Dreyfus Affair ◽  
Grey Hair

AbstractThe poet, traveller, Arabist and campaigning anti-imperialist Wilfrid Blunt, who visited Gobineau in 1871, described him in his diary as follows: “Gobineau is a man of about 55, with grey hair and moustache, dark rather prominent eyes, sallow complexion, and tall figure with brisk almost jerky gait. In temperament he is nervous, energetic in manner, observant, but distrait, passing rapidly from thought to thought, a good talker but a bad listener. He is a savant, novelist, poet, sculptor, archaeologist, a man of taste, a man of the world”.1On December 16 1904, Marcel Proust wrote to an old friend from schooldays, “Me voici gobinien. Je ne pense qu’à lui”.2That old friend was Robert Dreyfus, the brother of the Jewish officer Alfred Dreyfus, and, together with Proust, one of the leading campaigners for Alfred's release from Devil's Island. (Alfred was only fully exonerated in 1906.) Proust, of course, skilfully worked the scandals and passions of the Dreyfus Affair into his great sequence of novels,À la recherche du temps perdu. As for Robert, he was to publish his Souvenirs sur Marcel Proust in 1926. But he had also published an admiring monograph entitledLa vie et prophéties du Comte de Gobineauin 1909. All this may suggest that, though Count Joseph-Arthur de Gobineau (1816-82) was a racist, he may not have been a conventional one.

scholarly journals Development vectors for research libraries: the review of the key reports at the IFLA World Library and Information Congress 2019

Bibliosphere ◽  
2020 ◽  
pp. 71-81
Author(s):  
N. S. Redkina
Keyword(s):  
Information Needs ◽  
Open Science ◽  
Information Resources ◽  
Main Theme ◽  
World Congress ◽  
Global Trends ◽  
Research Libraries ◽  
The World ◽  
Global Vision

The main theme of the 85th IFLA World Congress – the International Federation of Library Organizations and Institutions, which was held in Athens, Greece in 2019, was "Libraries: A Dialogue for Change". Once again, the congress brought together professionals from many countries of the world to solve the problems facing libraries of various forms. Their solution is achieved by developing common approaches to challenges at the global level (projects “Global Vision”, “Library Map of the World”, etc.), sharing best practices and methods, innovative forms of user service and resources generating. The purpose of this review is to present keynote reports delivered at the IFLA World Congress in 2019 on global trends in the development of research libraries. The selection of the reports was carried out by expert evaluation by the author, as well as some materials published on the Congress website. As a result, it was determined that libraries choose various ways and new methods of work to support researchers: by analyzing user needs; integrating librarians into the research life cycle; implementing the principles of open science and open access; developing discovery services and expanding the functionality of information resources; using artificial intelligence technologies, augmented and virtual reality, etc. This allows the creation of popular research support services, improving the quality of services, expanding the repertoire of information resources / products and services provided, modernize traditional forms and methods of work, and fully satisfy the information needs of users.

Being Autistic in Turkey and the Representation of Autism in Media

2021 ◽  
pp. 522-538
Author(s):  
Tuğba Demir
Keyword(s):  
Research Question ◽  
Health Problems ◽  
Main Theme ◽  
Developmental Difference ◽  
The World ◽  
The Media ◽  
Definition Of ◽  
Number Of Individuals ◽  
Day By Day

Autism is an innate or developmental difference that occurs in the first years of life. While the number of individuals with autism in the world is increasing day by day, the importance of what should be known about autism also increases. However, it is still not possible to say that this information is sufficient. The definition of individuals with autism and their health problems, what autistic individuals do to express themselves, and who the individuals with autism are and their representatives are important. Some basic points such as how to raise awareness about the lives of individuals with autism have still not been overcome. The main theme of this study is how the media addresses the issue of individuals with autism, their problems, and needs. The research question of the study is how to read the reflections on autism through the media.

On Habit and Fiction in Latours' Inquiry and Fictional Knowledge on Habit in Proust's Recherche

2017 ◽  
pp. 198-219
Author(s):  
Michael Cuntz
Keyword(s):  
Network Analysis ◽  
Crucial Role ◽  
Literary Texts ◽  
Vital Importance ◽  
Works Of Art ◽  
The World ◽  
Lost Time ◽  
Modes Of Existence ◽  
Opposite Tendency

Latour's Inquiry into Modes of Existence undertakes a re-evaluation of both modern ontology and ANT: Adding qualitative differentiation to quantitative network analysis is tantamount to the outline of a pluralist ontology distinguishing a variety of different modes of being in the world. The aim is to make more space in order to provide proper accommodation for all enti-ties, especially for those a monist ontology could not account for. Both [HAB], habit, and [FIC], fiction, are modes that deserve a particular amount of space; [HAB] due to its all-pervasiveness in everyday courses of action, [FIC] due to its crucial role in anthropogenesis and its vital importance for many other modes. Nonetheless, there is an opposite tendency to restrict the possibilities of these modes. This is elucidated first by comparing [HAB] with other philosophical assessments of habit and [FIC] with Serres' readings of works of art and literary texts, and second via a confrontation of [FIC] and [HAB] with Proust's In Search of Lost Time, a work of fiction inquiring deeply into the workings of habit.

Jolas, Eugene (1894–1952)

2018 ◽  
Author(s):  
Julian Hanna
Keyword(s):  
Experimental Writing ◽  
Major Focus ◽  
Avant Garde ◽  
Original Language ◽  
Berlin Alexanderplatz ◽  
European Culture ◽  
The World ◽  
English Translations ◽  
Close Relationship ◽  
Literary Journal

Eugene Jolas was a journalist, editor, translator, and poet who embodied the transatlantic character of modernism between the World Wars. The task of transition, the Paris-based literary journal he edited with his wife Maria Jolas and others between 1927 and 1938, was to translate European culture for Americans, and vice versa. transition’s list of contributors reads like a Who’s Who of the international avant-garde. Jolas’ wealth of contacts in the literary world arose from his previous job writing the column ‘Rambles Through Literary Paris’ for the Chicago Tribune Paris edition. The romantic, imagination-driven strain of modernism that Jolas promoted led to a close relationship with Expressionism and Surrealism. Publishing non-anglophone experimental writing in translation or (after 1933) in the original language was a major focus of transition. Jolas also provided English translations of key European modernist texts outside the magazine, including Alfred Döblin’s Berlin Alexanderplatz (1931).

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