scholarly journals Od barier i izolacji do sieci i przestrzeni transgranicznej – konceptualizacja cyklu funkcjonowania granic państwowych = From barriers and isolation to transboundary space and networks – conceptualising ways in which state borders function

2019 ◽  
Vol 91 (4) ◽  
pp. 443-466
Author(s):  
Marek Więckowski
Keyword(s):  
Negative Events ◽  
Theoretical Concepts ◽  
Domestic Markets ◽  
Time Period ◽  
External Threat ◽  
Political Boundaries ◽  
Migration Crisis ◽  
To Come ◽  
The One ◽  
Economic Nature

Political boundaries represent a universal phenomenon and key element by which social and economic phenomena existing across space are structured. But both the presence and the nature (role, function, etc.) of borders are seen to vary temporally and spatially, with differentiated attendant consequences for socio-economic development. The present article relates to state borders, which separate certain areas off from others, while at the same time constituting meeting points and points of contact between them. While this would hold true whether we perceive the said borders as lines, areas or zones, the modern-day approach to borders is a multi-dimensional one that treats them as socio-spatial constructs revealing and articulating differentiation that truly exists. It is possible to note two opposing cause-and-effect processes here. On the one hand, there are different divisions and boundaries between many socio-economic and even natural phenomena that sanction the existence and locations of borders; while on the other the very existence of state borders establishes or reinforces the existence of other, new divisions that can be regarded as boundaries (even as they are not now necessarily state borders as such). I trust that this argumentation helps capture the essence of the geography present in considerations of boundaries and borders; as well as its changing but ever-important role, while at the same time generating opportunities for further research, and for the ongoing observation of the diverse processes linking up with the existence of borders. Variability and change of function would seem to offer a key to the understanding of the significances of borders and the influences they exert, as regards the border landscape, neighbourly (international) relations and phenomena of a socio-economic nature. In that light, four functions for borders are in fact proposed here – as barriers, peripheries, lines of differentiation and axes of integration. Each change has knock-on implications for transformations of function in regard to both borders as such and the areas adjacent to them. Thus, by making assumptions as to the fundamental aspects characterising variations in the nature of borders, it has been possible here to come up with proposals regarding the consequences these will bring with them. And even as a process whereby a border opens up is underway and integration is ensuing, it is still possible that change as a whole will falter or even stall, should issues arise locally (e.g. through conflict or other negative events), nationally (e.g. through unilateral or bilateral severing of agreements), or globally (e.g. thanks to external threat, a desire to protect domestic markets or a migration crisis). For these reasons, geopolitical considerations will always reign supreme over other borderland phenomena, determining directions of development and possibilities for borders (and adjacent areas) to function. In that light, this article stresses the still-relevant need for borders, borderlands and relevant ongoing processes to be made subject to theoretical conceptualisation and processing. And this would be true as regards, not only the spatial extent or scope of borderland areas, but also the changing conditioning, consequences and actions. In this, a challenge that continues to be present entails the founding of theoretical concepts for the borderland that draw on selected paradigms and stress the role and importance of border and borderland geography, along with its key subjects of interest. And, where the study of borders being pursued in Poland is concerned, it needs to be hoped that a new trajectory may be found and followed, with each conceptualisation exerting a summarising or theorising impact proving of value as form is given to a full new theory for the development of borders and borderlands in Poland and its neighbouring countries, with account taken, not merely of recent decades, but of a much longer time period.

GENRE SPECIFICS AND MOTIVES OF THE NOVEL „BIEGUNI” („FLIGHTS”) BY OLGA TOKARCZUK

2019 ◽  
pp. 466-474
Author(s):  
Olha Kovalenko
Keyword(s):  
The Body ◽  
Self Awareness ◽  
The Novel ◽  
Life And Death ◽  
Time Period ◽  
Full Picture ◽  
To Come ◽  
Postmodern Novel ◽  
Personal Meeting ◽  
The One

In this article was considered genre specifics and motives of the novel “Bieguni” (“Flights”) by polish writer Olga Tokarczuk. On the example of the novel was determined the main genre specifics of postmodern novel-travelogue, where was raised the main issues of present days – life and death, physical and spiritual, workaday and philosophical. “Bieguni” is the novel about modern people, which looking for their goal, situated in a constantly movement just not to come to the Antichrist`s hands. The airports and hotels aren`t only a shelter, it`s a real home, what underline motive of travel in the novel. Representing home in a different ways, the writer consider the human body as a shelter for two components – spiritual and material. The body that was created by God is physical “home” for self-awareness. Herewith the writer doesn`t reject physiological theory of body beginning and consider it as a product of completing, finishing and the signification of human`s death. Address to Biblical, religious, mythological, bibliographic and oniric motives again and again underline anti-utopy world with his own canons and decrees, what doesn`t submit to logical, grounded explanation, but have philosophical elucidation. “Bieguni” it`s a binding of stories, feelings and laws. The main characters of the composition are different aged, nationality and different time period people, but united by just one important thing – searching of sense of life, that is different for everyone of them. Variety of characters, story of everyone`s life, text`s fragmentation give to the reader experience of personal meeting with every literature character. The hidden drama, that attendanted in everyone of them create the aureole of mystique, mysteriousness and feeling of temporarily proximity, that`s the main feeling of traveler. The leitmotif of the novel unite fragments into the one full picture, where we can see the main thesis of the novel: “Movement is a life, life is a travel”, because at the travel we can see a human`s wish to find the salvation out of routine problems, social duties and conditionalities. Characteristic for the novel using of philosophical and Biblical motives and also application to the history and author`s experience are non-textual survey of art of Olga Tokarczuk and her own morally-pscychological skills.

Gender and Social Exclusion in European Migration Crisis

2018 ◽  
pp. 658-676
Author(s):  
Marlou Schrover
Keyword(s):  
Twentieth Century ◽  
Social Exclusion ◽  
Historical Perspective ◽  
The Other ◽  
Men And Women ◽  
Refugee Women ◽  
Other Hand ◽  
Migration Crisis ◽  
The One ◽  
European Migration

This chapter discusses social exclusion in European migration from a gendered and historical perspective. It discusses how from this perspective the idea of a crisis in migration was repeatedly constructed. Gender is used in this chapter in a dual way: attention is paid to differences between men and women in (refugee) migration, and to differences between men and women as advocates and claim makers for migrant rights. There is a dilemma—recognized mostly for recent decades—that on the one hand refugee women can be used to generate empathy, and thus support. On the other hand, emphasis on women as victims forces them into a victimhood role and leaves them without agency. This dilemma played itself out throughout the twentieth century. It led to saving the victims, but not to solving the problem. It fortified rather than weakened the idea of a crisis.

scholarly journals AN INDUSTRY QUESTION: THE ULTIMATE AND ONE-YEAR RESERVING UNCERTAINTY FOR DIFFERENT NON-LIFE RESERVING METHODOLOGIES

2014 ◽  
Vol 44 (3) ◽  
pp. 495-499 ◽  
Author(s):  
Eric Dal Moro ◽  
Joseph Lo
Keyword(s):  
Closed Form ◽  
Internal Models ◽  
Cape Cod ◽  
Best Estimate ◽  
To Come ◽  
Chain Ladder ◽  
One Year ◽  
The One ◽  
Best Estimates

AbstractIn the industry, generally, reserving actuaries use a mix of reserving methods to derive their best estimates. On the basis of the best estimate, Solvency 2 requires the use of a one-year volatility of the reserves. When internal models are used, such one-year volatility has to be provided by the reserving actuaries. Due to the lack of closed-form formulas for the one-year volatility of Bornhuetter-Ferguson, Cape-Cod and Benktander-Hovinen, reserving actuaries have limited possibilities to estimate such volatility apart from scaling from tractable models, which are based on other reserving methods. However, such scaling is technically difficult to justify cleanly and awkward to interact with. The challenge described in this editorial is therefore to come up with similar models like those of Mack or Merz-Wüthrich for the chain ladder, but applicable to Bornhuetter-Ferguson, mix Chain-Ladder and Bornhuetter-Ferguson, potentially Cape-Cod and Benktander-Hovinen — and their mixtures.

scholarly journals BOUNCE OF GRAVITONS EMITTED FROM THE BRANE TO THE BULK BACK TO THE BRANE

2013 ◽  
Vol 28 (25) ◽  
pp. 1350126 ◽  
Author(s):  
MIKHAIL Z. IOFA
Keyword(s):  
Cosmological Model ◽  
Extra Dimension ◽  
Fixed Position ◽  
Geodesic Equations ◽  
Alternative Approaches ◽  
To Come ◽  
The One

Solutions of geodesic equations describing propagation of gravitons in the bulk are studied in a cosmological model with one extra dimension. Brane with matter is embedded in the bulk. It is shown that in the period of early cosmology gravitons emitted from the brane to the bulk under certain conditions can return back to the brane. The model is discussed in two alternative approaches: (i) brane with static metric moving in the AdS space, and (ii) brane located at a fixed position in extra dimension with nonstatic metric. Transformation of coordinates from the one picture to another is performed. In both approaches, conditions for gravitons emitted to the bulk to come back to the brane are found.

Over de betekenis van het werk van Jan van Scorel omstreeks 1530 voor oudere en jongere tijdgenoten (4)

1984 ◽  
Vol 98 (2) ◽  
pp. 98-109 ◽  
Author(s):  
J. Bruyn
Keyword(s):  
New York ◽  
18Th Century ◽  
The Other ◽  
Parish Church ◽  
Stylistic Development ◽  
To Come ◽  
The One ◽  
The Town ◽  
Coats Of Arms ◽  
Early Training

AbstractFrom 1911 to 1961 Félix Chrétien, secretary to François de Dinteville II, Bishop of Auxerre in Burgundy, and from 1542 onwards a canon in that town, was thought to be the author of three remarkable paintings. Two of these were mentioned by an 18th-century local historian as passing for his work: a tripych dated 1535 on the central panel with scenes from the legend of St. Eugenia, which is now in the parish church at Varzy (Figs. 1-3, cf. Note 10), and a panel dated 1550 with the Martyrdom of St. Stephen in the ambulatory of Auxerre Cathedral. To these was added a third work, a panel dated 1537 with Moses and Aaron before Pharaoh, which is now in New York (Figs. 4-5, cf. Notes I and 3). All three works contain a portrait of François de Dinteville, who is accompanied in the Varzy triptych and the New York panel (where he figures as Aaron) by other portrait figures. In the last-named picture these include his brothers) one of whom , Jean de Dinteville, is well-known as the man who commissioned Holbein's Ambassadors in 1533. Both the Holbein and Moses and Aaron remained in the family's possession until 1787. In order to account for the striking affinity between the style of this artist and that of Netherlandish Renaissance painters, Jan van Scorel in particular, Anthony Blunt posited a common debt to Italy, assuming that the painter accompanied François de Dinteville on a mission to Rome in 1531-3 (Note 4). Charles Sterling) on the other hand, thought of Netherlandish influence on him (Note 5). In 1961 Jacques Thuillier not only stressed the Northern features in the artist's style, especially in his portraits and landscape, but also deciphered Dutch words in the text on a tablet depicted in the Varzy triptych (Fig. I) . He concluded that the artist was a Northerner himself and could not possibly have been identical with Félix Chrétien (Note 7). Thuillier's conclusion is borne out by the occurrence of two coats of arms on the church depicted in the Varzy triptych (Fig. 2), one of which is that of a Guild of St. Luke, the other that of the town of Haarlem. The artist obviously wanted it to be known that he was a master in the Haarlem guild. Unfortunately, the Haarlem guild archives provide no definite clue as to his identity. He may conceivably have been Bartholomeus Pons, a painter from Haarlem, who appears to have visited Rome and departed again before 22 June 15 18, when the Cardinal of S. Maria in Aracoeli addressed a letter of indulgence to him (without calling him a master) care of a master at 'Tornis'-possibly Tournus in Burgundy (Note 11). The name of Bartholomeus Pons is further to be found in a list of masters in the Haarlem guild (which starts in 1502, but gives no further dates, Note 12), while one Bartholomeus received a commission for painting two altarpiece wings and a predella for Egmond Abbey in 1523 - 4 (Note 13). An identification of the so-called Félix Chrétien with Batholomeus Pons must remain hypothetical, though there are a number of correspondences between the reconstructed career of the one and the fragmentary biography of the other. The painter's work seems to betray an early training in a somewhat old-fashioned Haarlem workshop, presumably around 1510. He appears to have known Raphael's work in its classical phase of about 1515 - 6 and to have been influenced mainly by the style of the cartoons for the Sistine tapestries (although later he obviously also knew the Master of the Die's engravings of the story of Psyche of about 1532, cf .Note 8). His stylistic development would seem to parallel that of Jan van Scorel, who was mainly influenced by the slightly later Raphael of the Loggie. This may explain the absence of any direct borrowings from Scorel' work. It would also mean that a more or less Renaissance style of painting was already being practised in Haarlem before Scorel's arrival there in 1527. Thuillier added to the artist's oeuvre a panel dated 1537 in Frankfurt- with the intriguing scene of wine barrels being lowered into a cellar - which seems almost too sophisticated to be attributed to the same hand as the works in Varzy and New York, although it does appear to come from the same workshop (Fig. 6, Note 21). A portrait of a man, now in the Louvre, was identified in 197 1 as a fragment of a work by the so-called Félix Chrétien himself (Fig. 8, Note 22). The Martyrdom of St. Stephen of 1550 was rejected by Thuillier because of its barren composition and coarse execution. Yet it seems to have too much in common with the other works to be totally separated, from them and may be taken as evidence that the workshop was still active at Auxerre in 1550.

scholarly journals Review of research on language teaching, learning and policy published in 2004 and 2005

2006 ◽  
Vol 39 (4) ◽  
pp. 1-27 ◽  
Author(s):  
Richard Johnstone
Keyword(s):  
International Research ◽  
Language Teaching ◽  
To Come ◽  
The One ◽  
Teaching Learning ◽  
Comprehensive Coverage

Most of the annual reviews which I have prepared for the present journal discuss roughly 100 articles published each previous year in top international research outlets. Even with such a high number per year, considerable selectivity has to be applied – the number of abstracts appearing up to the end of the October 2005 edition of Language Teaching, for example, amounts to 601, mostly published in 2005 and with still more to come for that year. The task of covering 2004 as well as 2005 within the one review, necessitated by personal circumstances, is therefore doubly daunting in its selectivity. For comprehensive coverage then, there is nothing in my view which can compete with the abstracts themselves as published in the present journal.

Lxxix: Conrad's Revision of “the Lighthouse” in Nostromo

PMLA ◽  
1937 ◽  
Vol 52 (4) ◽  
pp. 1183-1190
Author(s):  
George W. Whiting
Keyword(s):  
Dead Wood ◽  
The Other ◽  
Final Version ◽  
Fresh Material ◽  
The Dead ◽  
To Come ◽  
The One ◽  
Consummate Skill

To the student of writing and literature few inquiries are more interesting and valuable than that into an author's practices in revising his own work. To observe the various stages in the evolution of the final version, to note carefully an artist at his work of pruning the dead wood, adding fresh material, smoothing away harsh phrases, selecting just words, and letting light into obscure places—to do this is to come somewhat nearer to an understanding of what in spite of all analysis will remain essentially a mystery. Especially fascinating and instructive is the study of Conrad's revision, for here one sees a supreme artist at work. In his vigorous hewing and rebuilding there is conclusive proof of the artist's untiring industry and consummate skill. Conrad's revision of Nostromo is of particular interest, for this novel occupies a critical place in the evolution of Conrad's prose. Mr. Richard Curie has justly characterized the change that came over Conrad's prose—a change perceptible in the “Amy Foster” of Typhoon and fully marked in from Under Western Eyes onward. This evolution has smoothed away the cadence, has concentrated the manner, has toned down the style of Conrad's former exuberance. At first glance the later and the earlier Conrad appear two totally different men. The unruly splendor of the one has given way to the subtle and elastic suavity of the other … His earlier prose is sometimes uncertain, sometimes exaggerated, but his later prose has the uniform temper of absolute mastery.

FEMINISM IN EUROPE: FACING NEW CHALLENGES

2020 ◽  
Vol 3 (1) ◽  
pp. 38-46
Author(s):  
DARIA POTAPOVA ◽  
◽  
SERGEY SHPAGIN
Keyword(s):  
European Society ◽  
Early Period ◽  
Political Movements ◽  
Left Wing ◽  
Muslim Countries ◽  
Women's Equality ◽  
State Budgets ◽  
Recent Developments ◽  
Migration Crisis ◽  
The One

The article is devoted to topical issues of the development of the ideology of feminism in modern conditions. The purpose of the work is to identify the factors of the dynamics of the ideology of feminism at the beginning of the 21st century. The main versions of classical feminism are characterized: liberal, Marxist and radical. There is a close connection between the origins of feminism and Marxism, but even in the early period the interaction of these ideological and political movements was problematic. There is also an interaction of feminism with new social movements in the West in the 20th century. The contradictory consequences of the development of the women's movement for the ideology of feminism are noted: on the one hand, the actualization of the feminist agenda in Western countries created the conditions for significant successes in protecting women's rights and recognizing feminism as a real political force, on the other hand, these same successes reduced the relevance of the liberal version of feminism. Recent developments in Europe have a significant impact on the feminist agenda. Globalization and, in particular, the migration crisis of the 2010s are considered as one of the new factors in the ideological dynamics of feminism. The influx of migrants from Muslim countries not only places a burden on state budgets and reduces the level of security of life on the continent, but also erodes the civilizational identity of European society. Muslim migrants do not seek to integrate into European society, often ignore the fundamental values of European civilization, and above all, women's equality. This situation creates incentives not only to renew the political goals of feminists, but also to revise the ideological foundations of their ideology itself. In particular, it is possible to move away from the traditional reliance on left-wing political slogans and replace the popular Marxist phraseology among radical Islamists with values related to the protection of democratic gains of European society.

Ambulatory Pediatricians of North America, Unite! Run, Do Not Walk to Your Nearest Grammar School

PEDIATRICS ◽  
1969 ◽  
Vol 44 (2) ◽  
pp. 300-301
Author(s):  
Richard B. Goldbloom
Keyword(s):  
North America ◽  
Scientific Information ◽  
Grammar School ◽  
Medical Specialties ◽  
To Come ◽  
The One

The continuing "explosion" of scientific information and the arborization of medical specialties have caused physicians to invent names and catch phrases to define their new activities. Regrettably, much of this latter-day vocabulary is unmusical and clumsy. Some examples represent a downright assault on the English Ianguage. It is alarming that a profession whose members demand such precision in their work would tolerate such slapdash semantic shenanigans. One has winced at such utterances as "examination of the chest showed no pathology;" one has cringed when otherwise esteemed colleagues have indulged in such semantic horrors as "coagulogram" and "febrile agglutinins;" but, in years to come the one atrocity whose promulgation may be remembered with particular mal de mer by the older pediatricians will be the term "ambulatory pediatrics."

Composition learning at a music school on the example of the School Composers’ Club at the K. Szymanowski Primary and Secondary Music Schools in Wrocław

2020 ◽  
Vol 7 (1(11)) ◽  
pp. 155-166
Author(s):  
Adam Porębski
Keyword(s):  
Formal Education ◽  
School Curriculum ◽  
School Age ◽  
School Subject ◽  
Music School ◽  
Music Schools ◽  
School Year ◽  
Secondary Music ◽  
To Come ◽  
The One

It is no use looking for the educated musicians who were given a chance to come into longer contact with composition as a school subject being part of their formal education. Meanwhile, fascination with an act of creation and willingness to get familiar with music “from the inside” accompany school-age people. It is then that first, bashful compositional attempts are made. Over time, pupils search for new sounds on their instruments, improvise, experiment, get familiar with music literature. Such attempts should not go unnoticed – an observant pedagogue will easily notice creative predispositions in their pupils. In this article, the author shares his pedagogical experiences gained while giving composition classes at the K. Szymanowski Comprehensive Primary and Secondary Music Schools in Wrocław. The idea of promoting the art of composition was fully implemented in the form of the School Composers’ Club, founded in the school year of 2016/2017, the activity of which is based on the author’s original school curriculum, a system of individualized education and various forms of young composers’ presentations. The Club’s activity assumes, on the one hand, preparing pupils to take up compositional studies and, on the other one, fostering their general musical development enriched with creative competences.

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