scholarly journals Peggotty’s Work-Box: Victorian Souvenirs and Material Memory

Author(s):  
Clare Pettitt

AbstractThis article considers what we can and cannot learn from objects in texts. As its chief example, it takes Peggotty’s workbox in Charles Dickens’sDavid Copperfieldand, through this particular object in a particular text, thinks about how far it is legitimate to “read” cultural-social-historical meanings back into a text, and how far objects in texts operate differently than objects in the world. It then reads the workbox as a marker of memory in the novel, challenging Nicholas Dames’s “associationist” reading ofDavid Copperfieldin hisAmensiac Selves. The essay ends by considering some of the problems and potentials of “thing theory” in literary studies.

Author(s):  
Wiesław Setlak

Id, ego and superego deficit in a psychological image of the protagonists of ″Jealousy and Medicine″ by Michał Choromański Jealousy and Medicine – a novel by Michał Choromański, published in 1933, evidently breaks out of the convention of psychological realism thriving on the achievements of behavioural psychology, dominant in the interwar period. Choromański’s work is an innovatory experiment on composition and thought; the world shown in the novel resembles a psychotic maligna or oneiric vision. The whole novel prompts interdisciplinary research using psychoanalysis of Sigismund Freud, Charles Mauron’s psychocritical method, being a transformation of classical Freudian psychoanalysis (with Otto Rank’s modifications), contemporary psychology of a creative process and the methodologies of psychological research which are accepted and occasionally used by contemporary literary studies. Choromański’s novel is deemed the most discerning studium of jealousy in interwar literature.


2018 ◽  
Vol 55 (2) ◽  
pp. 246-258
Author(s):  
James Hodapp

The power of women to carry out explicit acts of resistance against colonialism has traditionally been of great interest within African literary studies. It is surprising therefore that within the field representations of Ogu Umunwanyi (1929 Women’s War) in Nigeria, patronizingly referred to as “riots” in British colonial reports, have received scant attention. This article, in part, compensates for this oversight and asserts the value of one representation of the Ogu Umunwanyi: T. Obinkaram Echewa’s 1992 novel I Saw the Sky Catch Fire. This article argues that the novel mobilizes a particularly Igbo women’s solidarity, Ndom, to fill out traditional histories and ethnographies of the Ogu. Echewa “Igbofies” the war story at various textual levels to alienate Anglophone readers with seemingly untranslatable words, sayings, and concepts with the ultimate goal of communicating an Igbo women’s way of being in the world. Ndom in the novel problematizes conventional Western understandings of time, space, and gender to at once endear non-Igbo readers to a foreign culture while foregrounding the novel’s unwillingness to offer the concept as a totalizing project.


2019 ◽  
pp. 155-168
Author(s):  
Silvestras Gaižiūnas

The article under studies is a critical survey of the activities of a Swiss scholar Juozas Eretas (1896–1984), one of the founders of Lithuanian Literary Studies, whose origin is closely related to the revival of the Lithuanian State (1918 р). Raised on the principles of the so-called Fribourg School, J. Eretas may be regarded as a vivid example of a catholic scientist. He emphasized the importance of the connection between research and thinking. In the 20-30s, having mastered the Lithuanian language, under the influence of the first translations of the world literary works into Lithuanian, Eretas laid the foundation of analytical criticism. He also took up the translation and, at the same time, became the founder of Lithuanian Germanic Studies, paying most of his attention to the Medieval German Literature, the heritage of mystics, the literature of “storm and drive”, particularly the works by Goethe and Schiller. In addition, Eretas made a considerable contribution to Lithuanian Theory of Literature: “Creating Philosophical Criticism in Literature” (lecture, 1922), “Philosophy and Poetry” (1924), “Methods of Literary Analysis” (1929). Eretas’ approach to German Literature was purely conceptual and rested on the idea of its universal nature (especially concerning Goethe): monographs “Young Goethe” (1932) and “Goethe Hundred Years Later” (1933). It is worth mentioning Eretas’ attitude to Goethe’s “Faust”. He interprets the main character typologically, as an eternal image of the world culture, pointing hereby to the increased attention to this image during the epoch of “storm and drive”. Eretas’ interpretation of the images of Faust and Mephistopheles, which present the idea of “dual world” that is so peculiar for Romanticism, seems very interesting and promising. Besides, Eretas was first in Lithuanian Literary Studies to refer to Goethe’s “Wilhelm Meister’s Apprenticeship” as to the novel of upbringing. Another significant subject of Eretas’ research was the History of World Mystics (the work “From the History of Mystics”, as well as the monographs on Tauler, Eckhart and Suso).


2005 ◽  
Vol 33 (2) ◽  
pp. 415-433 ◽  
Author(s):  
Laura Rotunno

“‘LETTERS!’ … ‘I BELIEVE HE DREAMS IN LETTERS!’” so exclaims Betsey Trotwood of Mr. Micawber, the epistolary aficionado of Charles Dickens'sDavid Copperfield(664; ch. 54). David's aunt Betsey is not the only one to wonder at Micawber's prolific, albeit prolix, nature. His letters have made him a favorite of nineteenth- and twentieth-century readers alike; his “in short” has become one of the most memorable Dickensian tag-lines. But however much attention Micawber's epistolary endeavors garner, this notice fails to raise him to the position of respected writer–the position reserved for the eponymous hero of the novel. In the usual line of thinking, David stands as the ideal literary man while Micawber molders in the world of fantasy and comedy in which J. B. Priestley, James Kincaid, and J. Hillis Miller so securely position him.


2020 ◽  
Vol 72 (2) ◽  
pp. 363-368
Author(s):  
E. Sartbayeva ◽  
◽  
G. Tokshylykova ◽  

The article is devoted to the research of the concept “Nose and Knee” on the basis of Salman Rushdie’s novel “Midnight’s children”from the perspective of cognitive linguistics and literary studies. In the article the concept “Nose and Knee” is described as a symbol of magical abilities of midnight’s children, it has a close relationship to the characters of the novel.“Nose and Knee” just like “Saleem and Shiva”represents the sign of creation and destruction, victim and victor, union and negation, faith and humility – are inextricably related in the novel.The huge conflict between Saleem and Shiva reflects the ancient, mythological battle between the creative and destructive forces in the world. The hostility and anxiety between the two begin at the moment of their simultaneous births.


Author(s):  
Jesse Schotter

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....


2020 ◽  
Vol 26 (2) ◽  
pp. 350-356
Author(s):  
Anca Sîrbu

AbstractWith the rapid onset of an unprecedented lifestyle due to the new coronavirus COVID-19 the world academic scene was forced to reform and adapt to the novel circumstances. Although online education cannot be regarded as a groundbreaking endeavour anymore in the21st century, its current character of exclusivity calls for deeper understanding of, and a sharper focus on the “end-consumer” thereof as well as more cautious procedures to be exercised while teaching. While millennials are no longer thought of as being born with a silver spoon in their mouth but with an iPad or any sort of device in their hand (irrespective of their social status), adults are more hesitant when coerced to alter course unexpectedly and turn to new methods of attaining their learning goals. This is why proper communicative approaches need to be thoroughly considered by online instructors. This article aims at presenting teachers with a set of strategies to employ when the beneficiaries of online academic education are adult learners.


2016 ◽  
Vol 1 (3) ◽  
pp. 141
Author(s):  
Rana Sağıroğlu

Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that science fiction plays an introductory role and gives the novel a ground explaining all ‘why’ questions of the novel. However, Atwood is not unjust while claiming that her works are not science fiction because of the inevitable rapid change of 21st century world becoming addicted to technology, especially Internet. It is easily observed by the reader that what she fictionalises throughout the novel is quite close to possibility, and the world may witness in the near future what she creates in the novel as science fiction. Additionally, postmodernism serves to the novel as the answerer of ‘how’ questions: How the world embraces pluralities, how heterogeneous social order is needed, and how impossible to run the world by dichotomies of patriarchal social order anymore. And lastly, ecocriticism gives the answers of ‘why’ questions of the novel: Why humanity is in chaos, why humanity has organized the world according to its own needs as if there were no living creatures apart from humanity. Therefore, The Year of The Flood meets the reader as a compact embodiment of science fiction, postmodernism and ecocriticism not only with its theme, but also with its narrative techniques.


2020 ◽  
Author(s):  
Micael Davi Lima de Oliveira ◽  
Kelson Mota Teixeira de Oliveira

According to the World Health Organisation, until 16 June, 2020, the number of confirmed and notified cases of COVID-19 has already exceeded 7.9 million with approximately 434 thousand deaths worldwide. This research aimed to find repurposing antagonists, that may inhibit the activity of the main protease (Mpro) of the SARS-CoV-2 virus, as well as partially modulate the ACE2 receptors largely found in lung cells, and reduce viral replication by inhibiting Nsp12 RNA polymerase. Docking molecular simulations were performed among a total of 60 structures, most of all, published in the literature against the novel coronavirus. The theoretical results indicated that, in comparative terms, paritaprevir, ivermectin, ledipasvir, and simeprevir, are among the most theoretical promising drugs in remission of symptoms from the disease. Furthermore, also corroborate indinavir to the high modulation in viral receptors. The second group of promising drugs includes remdesivir and azithromycin. The repurposing drugs HCQ and chloroquine were not effective in comparative terms to other drugs, as monotherapies, against SARS-CoV-2 infection.


2020 ◽  
Vol 11 (SPL1) ◽  
pp. 1198-1201
Author(s):  
Syed Yasir Afaque

In December 2019, a unique coronavirus infection, SARS-CoV-2, was first identified in the province of Wuhan in China. Since then, it spread rapidly all over the world and has been responsible for a large number of morbidity and mortality among humans. According to a latest study, Diabetes mellitus, heart diseases, Hypertension etc. are being considered important risk factors for the development of this infection and is also associated with unfavorable outcomes in these patients. There is little evidence concerning the trail back of these patients possibly because of a small number of participants and people who experienced primary composite outcomes (such as admission in the ICU, usage of machine-driven ventilation or even fatality of these patients). Until now, there are no academic findings that have proven independent prognostic value of diabetes on death in the novel Coronavirus patients. However, there are several conjectures linking Diabetes with the impact as well as progression of COVID-19 in these patients. The aim of this review is to acknowledge about the association amongst Diabetes and the novel Coronavirus and the result of the infection in such patients.


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