Modernityscapes, ‘Sweet Consumer Nightmares’ and Clumsy Chauffeurines

Film Studies ◽  
2019 ◽  
Vol 21 (1) ◽  
pp. 22-37
Author(s):  
Sofia-Alexia Papazafeiropoulou
Keyword(s):  
Gender Stereotypes ◽  
Film History ◽  
And Gender ◽  
The 1960S

This article examines the role of automobility in the Greek cinema of the 1960s. It focuses on the representations of the automobile’s domestication in selected films. Particular attention is paid to the technical and symbolic reconstruction of space and the redefinition of socioeconomic and gender stereotypes. The article’s conclusions concern the role of the automobile in a specific period within Greek film history, as well as its place within cinema in general and in the theoretical and material construction of what is perceived as ‘modernity’.

scholarly journals Running as a Woman (or Man): A Review of Research on Political Communicators and Gender Stereotypes

2019 ◽  
Vol 7 ◽  
pp. 109-138
Author(s):  
Kelly L. Winfrey ◽  
James M. Schnoebelen
Keyword(s):  
Political Communication ◽  
Gender Stereotypes ◽  
Communication Research ◽  
Scholarly Journals ◽  
The Public ◽  
And Gender ◽  
The Right ◽  
Year Of The Woman ◽  
Quantitative And Qualitative Methods

Women gained the right to vote nearly 100 years ago, but it was not until 1980 that political scholars and practitioners began paying much attention to the role of women in elections and it was the so-called “Year of the Woman” in 1992 that sparked increased scholarly attention on women as political communicators. A record number of women, 117, ran for the U.S. Congress in 1992, but the number of women running and serving has been slow to increases since that time. One reason may be the unique challenges gender poses for female political communicators. Over three decades of research has proven gender stereotypes and expectations play a key role in how women (and men) communicate with voters. This review of research summarizes major findings and changes in gender and political communication research over the past three decades. Our focus is on communication by candidates and how gender shapes that communication. In all, 119 scholarly sources were reviewed; these sources included scholarly journals from related disciplines as well as books. Gender stereotypes in political communication have also been studied using a variety of methodologies, and to reflect that the research reviewed in this essay include both quantitative and qualitative methods. This summary of existing research includes a discussion of the gender stereotypes faced by candidates and how candidates present themselves to the public in light of these stereotypes.

Creating a “Home Away from Home”: Korean Women’s Performances of the Imaginary American Home at US Military Clubs in South Korea, 1955–64

2020 ◽  
Vol 25 (1) ◽  
pp. 203-236
Author(s):  
Yu Jung Lee
Keyword(s):  
United States Army ◽  
Military Service ◽  
Race And Gender ◽  
Us Military ◽  
And Gender ◽  
The 1960S ◽  
The Cold War ◽  
The Military ◽  
Occupied Zone

Abstract This article considers the proliferation of Korean native camp shows and the roles of Korean women entertainers at the military service clubs of the Eighth United States Army in Korea in the 1950s and the 1960s. The role of the “American sweethearts” in USO camp shows—to create a “home away from home” and boost the morale of the American troops during wartime—was carried out by female Korean entertainers in the occupied zone at a critical moment in US-ROK relations during the Cold War. The article argues that Korean entertainers at military clubs were meant to perform the entertainment of “home” and evoke nostalgia for American soldiers by imitating well-known American singers and songs. However, what they performed as America was not simply the reproduction of American entertainment but often a manifestation of their imagination; they were constructing their own version of the American home. Their hybrid styles of American performance were indicative of how the discourse of the American home itself was constructed around ambivalence, the very site where women entertainers were enabled to exceed the rigid boundaries of race and gender, transcend their roles as imitators, and exercise their agency by productively negotiating this ambivalence.

scholarly journals Zing Zing Bang Bang: How Do You Know What She Really Meant. Gender Bias in Response to Irony: The Role of Who is Speaking to Whom

2016 ◽  
Vol 20 (3) ◽  
pp. 219-234 ◽  
Author(s):  
Anna Milanowicz ◽  
Piotr Kałowski
Keyword(s):  
Gender Stereotypes ◽  
Language Use ◽  
Response Times ◽  
Intergroup Bias ◽  
Comparison Theory ◽  
Stereotype Activation ◽  
The Social ◽  
And Gender ◽  
Activation Conditions

Abstract Literature points towards the role of context in irony interpretation and the existence of gender differences in language use. We decided to examine the influence of interlocutors’ gender stereotypes on interpreting and reacting to ironic criticism in conversation. To this end, we designed two experiments gathering participants’ responses to the same ironic utterances voiced both by women and by men in control and gender stereotype activation conditions. Results of the first experiment showed that women tended to use irony significantly more often when responding to a man than to another woman. The second, ongoing experiment will additionally examine participants’ response times and total time of utterance in respect to their addressee’s gender. The results are discussed with regard to the social comparison theory (Turner, Hogg, Oakes, Reicher, & Wetherell, 1987) and the linguistic intergroup bias theory (Wigboldus & Douglas, 2007).

scholarly journals A hundred years of debates on sex differences: Developing research for social change

2021 ◽  
Vol 9 (1) ◽  
pp. 221-235
Author(s):  
Gabrielle Poeschl
Keyword(s):  
Sex Differences ◽  
Gender Stereotypes ◽  
Lay Conceptions ◽  
Research Perspectives ◽  
Political Implications ◽  
Reinforcing Effects ◽  
And Gender ◽  
The Right ◽  
Over Time

After women secured the right to vote some hundred years ago, the assertions about their innate inferiority gradually began to vanish, giving way to theories about the countless aspects which apparently differentiated them from men. In this paper, we follow the evolution of research on sex differences, starting with the work of the first female psychologists who questioned the theories that justified women’s subordinate positions in society. We trace the main developments of the studies on sex differences, their relationship with social roles, gender stereotypes, and gender identity, and describe the strategies used to highlight the role of society rather than of biology in shaping men and women’s personalities and behaviors. We describe the controversies this area of research gave rise to, the debates over its political implications, and the changes observed over time in women’s social positions and within research perspectives. Finally, we discuss the mutually reinforcing effects of social organization and lay conceptions of gender and reflect on how the field of research on sex differences has contributed to building a fairer society.

“Cinderella” Vs “Timun Mas”: Exploring Gender Stereotypes and Culture as Learning Material Purposes

2021 ◽  
Vol 11 (1) ◽  
pp. 10-19
Author(s):  
Cynantia Rachmijati ◽  
Sri Supiah Cahyati
Keyword(s):  
Gender Roles ◽  
Gender Stereotypes ◽  
Social Order ◽  
Learning Material ◽  
Learning Materials ◽  
Male Characters ◽  
The Social ◽  
Cultural Content ◽  
And Gender

Gender roles are an important part of culture. How the genders are portrayed in the literature contributes to the image young adults develops of their gender roles and the role of gender in the social order. This research entitled  “Cinderella VS Timun Mas : Exploring gender stereotypes and culture as learning materials purposes” aimed to analyze the content of both “Cinderella” and “Timun Mas” which cover: 1. Occupations and Gender Stereotypes; 2 Centrality of Female and Male Characters; 3. Culture Content ; and 4 Suitability as learning material purposes. This research is a qualitative study using content analysis. It was carried out with procedures: collecting, analyzing, and presenting data. Based on research questions it is revealed that for occupation and gender types showed that “Timun mas” has varieties of gender with 66,67% reference whereas “Cinderella” only has 50% references. For the centrality of male and female character, “Cinderella’ has more varieties in 37,5% male and 62,5% female whereas in “Timun Mas” showed 50% for both genders”. For the cultural content, in “Timun Mas” the cultural content found was 60% and in “Cinderella” was 80%. And the suitability to be used as learning materials showed that “Timun Mas” checked with 16 points whereas “Cinderella” checked with 20 points. It can be concluded that both can be used as authentic learning materials for gender references, but “Cinderella” has more varieties and cultural content compared to “Timun Mas”.

Ujaran Seksisme Yoshiro Mori: Persoalan Stereotip Gender Pada Olimpiade Tokyo

KIRYOKU ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 265-271
Author(s):  
Ni Luh Putu Ari Sulatri
Keyword(s):  
Qualitative Research ◽  
Public Sphere ◽  
Gender Stereotypes ◽  
Analysis Method ◽  
The Public ◽  
Interactive Analysis ◽  
Board Directors ◽  
The Public Sphere ◽  
And Gender

The head of the Tokyo Olympics, Yoshiro Mori, was criticized for making sexist remarks. He gave opinion about the Japanese Olympic Committee's goal of increasing the number of female board directors from 20% to more than 40%, Mori stated that it would affect the length of the meeting because women talking too much. Mori's sexist remarks show that patriarchy and gender equality are still a problem in Japan.  This paper examines Yoshiro Mori’s sexist remarks through a feminist approach. Data culled from newspaper reports about Mori's sexist remarks. This research is qualitative research with an interactive analysis method.  The results of the study show that Mori's sexist remarks are gender stereotypes that are concluded by essentialism. These gender stereotypes limit the role of women in the public sphere. Collective action needs to be promoted to confront sexism in society and build gender awareness.

scholarly journals Patterns of Overeducation in Europe: The Role of Field of Study

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Anja Rossen ◽  
Christina Boll ◽  
André Wolf
Keyword(s):  
Information And Communication Technologies ◽  
Gender Stereotypes ◽  
Fixed Effects ◽  
Educational Systems ◽  
Educational Mismatch ◽  
Standard Education ◽  
Wide Range ◽  
And Gender ◽  
The Impact

Abstract This study investigates the incidence of overeducation among graduate workers in 21 European Union countries and its underlying factors based on the European Labor Force Survey 2016. Although controlling for a wide range of covariates, the particular interest lies in the role of fields of study for vertical educational mismatch. The study reveals country differences in the impact of these factors. Compared to Social sciences, male graduates from, for example, Education, Health and welfare, Engineering, and ICT (Information and Communication Technologies) are less and those from Services and Natural sciences are more at risk in a clear majority of countries. These findings are robust against changes of the standard education. Moreover, some fields show gender-specific risks. We suggest that occupational closure, productivity signals and gender stereotypes answer for these cross-field and cross-country differentials. Moreover, country fixed effects point to relevant structural differences between national labor markets and between educational systems.

scholarly journals Realism or ‘grotesque clichés’? Jan Halldoff’s The Corridor and the Swedish debate on abortion in the 1960s

2019 ◽  
Vol 9 (1) ◽  
pp. 117-130 ◽  
Author(s):  
Elisabet Björklund
Keyword(s):  
Turning Point ◽  
Film Industry ◽  
Film History ◽  
Medical Professionals ◽  
The Past ◽  
Medical Institutions ◽  
Welfare Society ◽  
The 1960S ◽  
Historical Moment

Swedish filmmaker Jan Halldoff’s fiction film Korridoren (The Corridor) premiered in 1968 to a mainly positive Swedish reception. Shot at Karolinska Hospital and criticizing the Swedish healthcare system, the film became much debated and can furthermore be seen as a turning point in Swedish film history regarding the portrayal of medical institutions and professionals. In this article, the film and its reception are analysed in relation to the Swedish debate on abortion at the time. While the film is clearly critical of Swedish welfare society, the way it depicts abortion is more conservative. Highlighting this as well as the role of actual medical professionals in the film, the article demonstrates how the film relates to representations of abortion in the past and discusses connections between the film industry and medicine at this historical moment.

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