The Great Exhibition, 1851

Author(s):  
Jonathon Shears

This Sourcebook is the first of its kind to provide a comprehensive selection of carefully edited primary material on the subject of the Great Exhibition of 1851. The book allows teachers and students to study the iconic event of the Victorian age in its original context through the eyes of those who witnessed and wrote about it. The sources reproduced here – many for the first time in their entirety – include excerpts from the official guidebook to the Exhibition, newspapers and magazines, diaries and correspondence, poetry and stories and the records and correspondence of the Royal Commission. The sources are arranged by themes in six chapters – Origins and Organisation, Display, Nation, Empire and Ethnicity, Gender, Class and Afterlives – prefaced by critical introductions that establish the major scholarly trends in writing about the Exhibition. The book is hospitable to both new readers requiring an introduction to the subject and experienced researchers in the field looking for a resource where the key accounts of the Exhibition can all be found in one place.

2020 ◽  

This autobiography, published for the first time, describes the life and work of Helmut Simon (1922–2013), former constitutional judge and President of the Kirchentag, who described himself as an “outsider” and “lateral thinker”. Helmut Simon has recorded what he experienced against the background of contemporary history, put his impressions and experiences in order, given an account of his life and work, and drawn up a personal balance sheet while self-critically reviewing previous positions. The descriptions are interrupted by a series of – in part very personal – digressions and a selection of striking texts, the subject matter of which has occupied the author for several periods. The work is preceded by a detailed foreword by the authorised editors Dr. Peter Becker, a long-time companion, and Heide Simon, the second wife of Helmut Simon.


1993 ◽  
Vol 18 (3) ◽  
pp. 4-9 ◽  
Author(s):  
Jacqueline Viaux

Art libraries are different from other libraries; they require of art librarians a broad knowledge of art, with a more detailed knowledge of any aspects of the subject in which the particular library has a special interest. This kind of knowledge cannot be acquired entirely from books, but must also be gained from direct encounters with works of art, and by immersing oneself in different places and cultures. Art librarians must also be prepared to learn about art librarianship from colleagues at home and abroad, and about the needs of library users from the users themselves. Yet on occasion the demands of users, as well as the meddling of administrators, must be resisted. Art librarians must apply their knowledge not only to the selection of books, but also to the provision and organisation of visual resources, and to assessing both the value and the limitations of databases. [An English version of this paper appeared in ARLIS NORDEN INFO 1992 no. 2/3; the French text is published here for the first time, and is followed by a new English translation].


2016 ◽  
Author(s):  
Roger Buckley

Wars and Rumours of War brings together a wide selection of contemporary English-language primary material in order to illustrate how authors from both Asia and the West saw contemporary events. For the first time, this new series makes available books, journal essays and periodical articles, many of which may be absent from standard bibliographies, with a view to widening debate and underlining the diversity of opinion that was available to contemporary audiences in Asia and beyond who were  anxious to follow developments as they unfolded. Roger Buckley, who also edited the successful The Post-War Occupation of Japan (2013) series, argues that no apology should be required for this immediacy and that evidence drawn from the era must remain the bedrock for any retrospective analysis. In a world of rival imperialisms all the powers wished to safeguard their interests on the Asian continent by deploying military force as and when an emergency dictated.


2013 ◽  

During the most recent conference of the Renaissance Society of America, two sessions were devoted entirely to the Renaissance in Poland. In fifty-nine editions of what is considered the most prestigious international appointment for experts of Renaissance culture, this is the first time that characteristic features of sixteenth-century Poland were the subject of analysis and debate. The interest generated at the conference and the academic value of the contributions convinced the organisers of the panels to ask the speakers to develop and revise their contributions to conform with the conventions of the academic article. The result is a selection of essays that pursue specific pathways in exploring the cultural factors that affected the Renaissance in Poland: influences and originality in Polish literary and artistic production, orthodoxy and dissidence, the circulation of thought and reflection on the Res Publica in the spheres of both politics and philosophy. Adopting a distinctly interdisciplinary approach, the aim of this publication is to focus certain aspects of the Polish Renaissance and the cultural identity of sixteenth-century Poland in relation to the European context.


2011 ◽  
Vol 54 ◽  
pp. 233-273 ◽  
Author(s):  
Henrik Schoenefeldt

When the horticulturist Joseph Paxton first published his proposal to house the 1851 Great Exhibition of the Works of Industry of All Nations inside a glasshouse of enormous scale at Hyde Park, London, the scheme was praised as a more practical alternative to an earlier idea that had been put forward by the Royal Commission for the Great Exhibition’s own Building Committee. However, the feasibility of Paxton’s idea soon became the subject of concern. The use of glasshouses for the cultivation of plants was well established, but could this type of building now be adapted to the task of accommodating artefacts? Could it also provide visitors to the Exhibition with a comfortable environment? A particular worry was the issue of cooling, given that the Exhibition was to take place in summer. Prospective exhibitors anxiously made reference to the hot and humid conditions inside greenhouses such as the Palm House at Kew Gardens and the Conservatory at Regent’s Park, and they criticized Paxton’s idea as a risky experiment. Paxton did not ignore the challenge. He pointed out that his design incorporated shading devices, provision for evaporative cooling and natural ventilation, all of which were intended to maintain comfortable temperatures on hot days. He argued that his proposals had been informed by his previous experience with conservatory design, claiming that he had validated the effectiveness of his ventilation and cooling strategy through smalls-cale experiments at Chatsworth House. That Paxton’s plans were accepted and realized was largely due to good fortune. His design was considered to be the only one that could be constructed in time for the opening of the exhibition, which had already been advertised internationally. The Executive Committee, however, requested that conditions inside the building be carefully monitored. In effect, the Great Exhibition Building at Hyde Park became a significant early experiment in what would now be termed ‘environmental design’ (Fig. 1).


2016 ◽  
Vol 7 ◽  
Author(s):  
Claudia Kappenberg

<p><em>All This Can Happen (ATCH)</em> had its first public screening at Dance Umbrella, London’s international dance festival, on the 13th October 2012. Since then, the work has been screened internationally, reviewed in dance and film journals and online, and been the subject of a symposium at the Freie Universität Berlin. This issue of the IJSD builds on this extensive circulation, and dedicates, for the first time in the history of the journal, the whole issue to one work of art. A comparable venture in the publishing realm is the <em>One Work</em> series from Afterall Books, in which publications are dedicated to exploring a selected piece of work. However, a single writer or critic authors <em>One Work</em> projects. The selection of writers included in this issue brings together some of those who have screened the work in their respective venues or festivals, some of those who have contributed to the Berlin Symposium, and others who have engaged with it in their scholarly work or reviewed the film for the wider press. In this way, different voices and perspectives are gathered around one focal point. Besides enriching our understanding of the work in question, this commonality of focus also serves to highlight the extraordinary richness of dialogues that occur in the multidisciplinary field of screendance.</p><div><div><p> </p></div></div>


Moreana ◽  
2002 ◽  
Vol 39 (Number 149) (1) ◽  
pp. 41-60 ◽  
Author(s):  
Eugenio M. Olivares Merino
Keyword(s):  

The recent reprinting of Álvaro de Silva’s 1998 edition of a selection of More’s letters prompts the author to examine the subject of Spanish translations of More, and of de Silva’s general commentary on More’s correspondence and on his relationship to other humanists. The author reflects on aspects of More’s personality as exposed in his letters and uses what he finds as a corrective to several biographical misconceptions. He points out the strengths and weaknesses of de Silva’s work and compares it with that of other translators, particularly Elizabeth Rogers, and notes the particularly Spanish quality of de Silva’s edition.


Author(s):  
Nina Surya Rahman Nasution ◽  
Masitowarni Siregar

Writing, regarded as a thinking process enables language learners to explore and transform their ideas into words in accurate and appropriate ways. Although it has been taught from the Elementary school level up to the higher level of education, English teachers and students encounter various challenges. For students, they still get difficulties in writing a text even after being taught. For teachers, correcting students’ writing increases their workload. Therefore, how to reduce the load of teaching writing and to decrease students’ difficulties in writing have become important problem to solve. Through applying a technique in teaching writing, this research aimed to explore whether the application of peer review technique can improve students’ achievement in writing recount text. The method applied in this research was a classroom action research. The subject of the research was X-4 class SMA Negeri 21 Medan. The instruments of collecting the data were writing tasks as quantitative data while observation sheet, questionnaire sheet, diary notes and interview as qualitative data. The finding showed that Peer Review Technique gives contribution to improve students’ achievement in writing recount text. Keywords: Achievement, Writing, Recount Text, Peer Review Technique


Author(s):  
Insih Wilujeng ◽  
Tri Suci Yolanda Putri

This research developed Science, Environment, Technology, Society (SETS) e-module integrated with predict, observe, explain (POE) model on the subject matter of Earth Layer and Its Dynamics for grade VII students. This study aimed to reveal i) the feasibility of the developed e-module for grade VII students, and ii) the practicality of the developed e-module and its dynamics. This is a developmental research adopting the ADDIE model consisting of five stages, i.e.: analysis, design, development, implementation, and evaluation. The subject of the limited test consisted of 15 students of grade VIII.G of Public Junior High School 8 Yogyakarta. The data were collected using a product feasibility assessment sheet for material and media experts, a product practicality assessment sheet for teachers, and a product readability assessment sheet for students. The results show that the developed e-module was feasible to be used according to the material and media experts and the developed e-module is practical according to teachers and students.


2020 ◽  
Vol 81 (2) ◽  
pp. 56-63
Author(s):  
S. A. Karpukhin

The article considers the competition of verbal aspects from a new perspective. Instead of employing the traditional method of demonstrating this phenomenon — an empirical replacement of the aspect of a verb in a phrase with the opposite — the author examines Dostoevsky’s choice between the variants found in different manuscripts of the same text. For the first time, based on a two-component theory of the semantic invariant of a verb type, the aspectual meaning of the selection of a verb aspect is revealed and, as a result of contextual analysis, an artistic interpretation of the selected type is proposed.


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