scholarly journals Artistic and stylistic uniqueness of the Crimean motifs in visual art of the late XIX – early XX centuries

2020 ◽  
pp. 1-10
Author(s):  
Natal'ya Anatol'evna Zolotukhina
Keyword(s):  
Research Methodology ◽  
Visual Art ◽  
Graphic Art ◽  
Historical Method ◽  
Art Methods ◽  
Color Fusion ◽  
Lighting Environment ◽  
The Subject

The object of this research is the Russian visual art of the turn of the XIX – XX centuries. The subject of this research is the Crimean theme in visual art of that period. The goal consist in determination of artistic and stylistic uniqueness of the Crimean motifs in paintings and graphics of the late XIX – early XX centuries. Research methodology is comprised of the cultural and historical method, which allow analyzing the evolution of artistic and stylistic systems in the national landscape genre, as well as the development of Crimean theme in art. Based on the synthesis of culturological and art methods, the author reviews cultural and stylistic distinctness of the Crimean motifs of the late XIX – early XX centuries. The novelty of this work lies in the statement that Crimean motifs that enjoyed wide popularity in the artworks of this period are considered one of the style-forming and meaning-forming factors in development of the art and style modes of landscape genre in Crimea. Specificity of the image of nature is defined by the art and style modes that substantiate the authorial concept and system of pictorial means. It is established that the uniqueness of Crimean motifs in painting and graphic art at the turn of the XIX – XX centuries lies in application of vibrating color, fusion with rough strokes of colored shadows, rhythmic principle of creating gradation of colors, soft airy and lighting environment of Crimean landscapes.

scholarly journals International aspect in the history of Russian contemporary graphics: problems of interpretation and identity

2020 ◽  
pp. 93-102
Author(s):  
Irina Sergeevna Golikova
Keyword(s):  
Cultural Differences ◽  
Contemporary Art ◽  
German Expressionism ◽  
Graphic Art ◽  
Global Trends ◽  
Russian Art ◽  
Saint Petersburg ◽  
History Of ◽  
The Subject

This article analyzes the examples of formal compliance with global trends in Russian print design of the XX – early XXI centuries. The subject of this research is the comparative characteristics of Russian and world practice in the area of contemporary graphic art. In this context, the author highlights the stylistic characteristics of expressionism (1910 – 1920) and neo-expressionism (1960s – 1980s).  Comparative analysis allows determining the points of intersection of Russian examples to Western analogues, as well as their originalities outlying the formal criteria. Emphasis is placed on the sources of determination of the uniqueness of graphics as a form of art within the history of Russian art studies. In the course of this research, the author brings the examples of “expressive” graphics in the works of N. N. Kupreyanov and A. I. Kravchenko in relation to printmaking of German expressionism, and some recent examples of Russian graphics (Saint Petersburg artists P. S. Bely, P. M. Shvetsov) in comparison to the graphic experiments of A. Kiefer. The conclusions lie in determination of the unique tradition of Russian realism (V. A. Vetrogonsky and V. I. Shistko), which in the author’s opinion, should be considered the crucial actor in the identity of Russian graphics against the trends leveling national cultural differences of international contemporary art.

scholarly journals Vladimir Magar’s spectacle “Don Juan” (Lunacharsky Russian Drama Theatre in Sevastopol, 2006)

2020 ◽  
pp. 60-74
Author(s):  
Elena Aleksandrovna Smirnova
Keyword(s):  
Don Juan ◽  
Topic Analysis ◽  
Historical Method ◽  
Theatrical Space ◽  
The Subject ◽  
Dramatic Action ◽  
Artistic Manner

The subject of this research is poetics of the spectacle “Don Juan” created by the stage director Vladimir Magar in Lunacharsky Russian Drama Theatre in Sevastopol in 2006. Analysis is conducted on the main peculiarities of the directing artistic manner: creation of fiction atmosphere and romantic plot, montage and musical means of structuring action, montage of literary-dramaturgical material. The author reviews fiction method and experience as the conditions for formation of an actor ensemble; examines the role of scenography, eurythmics, music and other elements of dramatic action. The article is based on the use of comparative-historical method, personal audience experience of its author and analysis of publications dedicated to the spectacle. The research of Vladimir Magars’ directing manner, which is insufficiently studied and can become illustrative for determination of patterns common to the regional theatrical life. This article is a continuation of a series of publication of the topic. Analysis of poetics of the spectacle “Don Juan” is important for understanding the fundamentals of his directing activity, which contributed to the fact that Sevastopol Theatre became a noticeable phenomenon within the Russian theatrical space.

scholarly journals Social and legal nature of bullying

2021 ◽  
Vol 10 (37) ◽  
pp. 78-85
Author(s):  
Volodymyr Shablystyi ◽  
Svitlana Obrusna ◽  
Yuriy Levchenko ◽  
Vitaliy Gluhoverya ◽  
Viktoriia Rufanova
Keyword(s):  
Research Methodology ◽  
Practical Implication ◽  
Structural Method ◽  
Clustering Method ◽  
Historical Method ◽  
Legal Method ◽  
Legal Nature ◽  
The Subject ◽  
The Difference ◽  
Definition Of

The aim of the article is to analyze the concepts of bullying and mobbing, to determine their social and legal nature, to formulate our own definition of these terms. The subject of the study is an analysis of the concepts of bullying and mobbing. The research methodology includes the following methods: system and structural method, formal and dogmatic method, historical method, clustering method, comparative and legal method, legal modeling method and others. The results of the study. The definition of bullying is comprehensively studied, its types are singled out, the phases of its development are determined. Practical implication. The difference between bullying and mobbing, as well as between bullying and conflict, is studied. Value / originality. Based on the research conducted the authors’ concepts of bulling and mobbing are proposed.

scholarly journals The images of gemstones in the lyrics of Âşık Ömer

2020 ◽  
pp. 137-145
Author(s):  
Urie Refatovna Kadyrova
Keyword(s):  
Research Methodology ◽  
Noble Metals ◽  
Semiotic Analysis ◽  
Xvii Century ◽  
Pain And Suffering ◽  
The Subject ◽  
Multiple Meanings ◽  
Descriptive Method

The subject of this research is the peculiarities of representation of the images of gemstones in lyrics of the prominent poet of the XVII century – Âşık Ömer. The object of this research is his lyrics. The depth and diversity of Âşık Ömer’s poetic system makes his work especially relevant at present. The goal this article consists in the analysis of images pf gemstones, and determination of their role in the lyrics of Âşık Ömer. The images of gemstones and noble metals in his poetry are analyzed in three descriptive aspects: external description of beauty of the beloved; description of suffering of the love mate; description of cruelty of the beloved and pain of the love mate. The research methodology is based on the hermeneutical-interpretational, descriptive method and semiotic analysis of the texts. The relevance is defined by frequency, important semantic charge, and special artistic role of the images of gemstones in the poetry of Âşık Ömer, as well as the need for their consideration and analysis. The scientific novelty consists in the fact that this article is first to carry out the analysis of gemstone images in the lyrics of Âşık Ömer. It was revealed that gemstones and noble metals are more often used for describing the beauty of the beloved, her specialty and sublimity (values). In the image of the love mate, they symbolize pain and suffering. The poet may use the same stone or metal in describing both images, but it conveys a different meaning in each case. Such expressive means are an important component of the poet's lyrics, as they imply multiple meanings.

scholarly journals Truth of assertions in the ancient theory of action (Aristotle and early Stoics)

2020 ◽  
pp. 41-49
Author(s):  
Alexander Sanzhenakov
Keyword(s):  
Primary Sources ◽  
Theory Of Action ◽  
Regulatory Function ◽  
Greek Language ◽  
Ancient Greek ◽  
Historical Method ◽  
The Subject ◽  
High Degree

The subject of this research is the ancient theory of action in its Aristotelian and early-Stoic versions. The author examines the role of the truth of assertions of an actor in these theories, as well as draws parallel with the modern approaches to the philosophy of action. It is demonstrated that Aristotelian theory leans on the prerequisite that aspirations of a person originate in the irrational parts of soul, and thus reason carries out only a regulatory function in managing human actions. Stoic theory, in turn, suggests that reason exercises an initiating function. The research methodology contains historical method of reconstruction with reference to primary sources in the Ancient Greek language. The main conclusion of the conducted research lies in determination of the two paradigmatic traditions in description of the structure of action that is of high degree of rationalization, and as a result, difference in assessment of the meaning of truth of assertions of an actor for his successful activity. The novelty consists in drawing connection between the ancient theories of action and modern approaches in this field of knowledge.

scholarly journals Symbolism of the Arabic alphabet and fundamentals of the religious tradition in the romantic poetry of Aşıq Ümer

2021 ◽  
pp. 82-89
Author(s):  
Urie Refatovna Kadyrova
Keyword(s):  
Research Methodology ◽  
Text Analysis ◽  
Religious Tradition ◽  
Romantic Poetry ◽  
The Subject ◽  
The One ◽  
External Characteristics ◽  
Descriptive Method

The subject of this research is the peculiarities of representation of the symbolism of Arabic alphabet and fundamentals of the religious tradition in the lyrics of the prominent representative of Ashik poetry, of the XVII century – Aşıq Ümer. The object of is the poetry of Aşıq Ümer. The works of Aşıq Ümer are particularly relevant these days due to diversity and vividness of symbolism of his poetic system. The purpose of this article lies in the analysis of the symbols of Arabic alphabet and fundamentals of the religious tradition, as well as in determination of their role in the lyrics of Aşıq Ümer. The symbolism of Arabic alphabet in his poetry is examines in the following descriptive aspects: external description of the beauty of the beloved; description of the external characteristics and sufferings of the one in love. The research methodology employs the method of hermeneutics, descriptive method, and semiotic  text analysis. The relevance of this research is substantiated by popularity and important semantic load of Arabic letters, symbols, and fundamentals of the religious tradition in the images of romantic poetry of Aşıq Ümer – the beloved and the one in love. The scientific novelty lies the analysis of the symbols of Arabic graphemes and fundamentals of the religious tradition in the lyrics of Aşıq Ümer, which reveals the role of these symbols in his poetry. The author concludes that the study and analysis of the symbolism of Arabic alphabet and religious components in the lyrics of Aşıq Ümer make it comprehensible to common audience. The sacred meaning of the Arabic alphabet and religious metaphors enriches the lyrics of the poet, as well as demonstrates his unshakable faith and living within the framework of Islam.

Light Side of Design: Professional Vector

2020 ◽  
pp. 23-33
Author(s):  
Elena A. Zaeva-Burdonskaya ◽  
Yuri V. Nazarov
Keyword(s):  
Professional Practice ◽  
Wide Spectrum ◽  
Scientific Basis ◽  
Design Culture ◽  
Interdisciplinary Nature ◽  
Educational Programmes ◽  
Design Activities ◽  
The Subject ◽  
Light Side

This article addresses one of the most actively developing types of design activities – light design. The article comprises quotes of the leading Russian and foreign light design specialists published over the previous five years, as well as the authors’ own conclusions. The thoughts quoted in the article are sometimes opposite to each other and reflect the wide spectrum of professional practice. They reflect the initial opinions of analysts and experts which are often diverging. All of the specialists point at the interdisciplinary nature of the new profession, which imposes additional load on a designer overloaded enough already by the scope and speed of the problems being solved nowadays. The discussion of the new profession of light designer initiated on the pages of professional publications is especially important in view of the development of professional standards and standards of design and architectural education, as well as creation of new educational programmes based on various approaches to the subject in technical and humanitarian institutions. The goal of this article is to introduce light design into the field of fully legitimate sections of design culture, to define the authentic scientific basis of the new creative profession, to initiate a foundation for self-determination of the new synthetic area, which materially affects the state of the profession as a whole and the life standards of a wide variety of consumers. In order to reach the set goal, a comparative and analytical method of study was selected, which allows studying the problem to a large extent and from all angles and finding the ways of overcoming the challenges emerging in the area of the new activity.

Assessment of sensitivity of the efficiency of regional tax spending towards investment attractiveness of the types of economic activity carried out by the residents of advanced development territory

2020 ◽  
pp. 98-110
Author(s):  
Evgeniya Mikhailovna Popova ◽  
Guzel Mukhtarovna Guseinova ◽  
Sergei Borisovich Milov
Keyword(s):  
Economic Activity ◽  
Socioeconomic Development ◽  
Federal District ◽  
Tax Incentives ◽  
Capital Investments ◽  
The Subject ◽  
Investment Process ◽  
The Impact ◽  
Advanced Development

The deficit of subnational budgets and deceleration capital investments in multiple Russian regions increase the relevance of research aimed at improvement of tax incentivizing practice of the regional investment process. The studies focused on determination of the impact of socioeconomic and institutional factors upon the efficiency of investment tax expenses obtained wide circulation within the foreign scientific literature. The subject of this article is the assessment of sensitivity of the efficiency of regional tax expanses towards investment attractiveness of the types of economic activity carried out by the residents of territories of advanced socioeconomic development, created in the subjects of Far Easter Federal District. The scientific novelty and practical values of this research consists in substantiation of the reasonableness of assessment of investment attractiveness of the types of economic activity that are stimulated by tax incentives. Methodology for assessing investment attractiveness is proposed and tested. The conclusion is made that in case of low investment attractiveness of the type of economic activity, which was planned to support by tax incentives, it is required to conduct and additional analysis to avoid unjustified tax expanses.

Crimes against marriage and family before Criminal Code 1968

2020 ◽  
Vol 15 (1-3) ◽  
pp. 44-59
Author(s):  
Lidia Peneva
Keyword(s):  
Criminal Code ◽  
Point Of View ◽  
Marriage And Family ◽  
Historical Method ◽  
Legal Method ◽  
The Subject ◽  
The Republic ◽  
Criminal Groups ◽  
The Moment ◽  
Structural Point

Crimes against marriage and family are a particular group of social relation­ships that the law has defended properly in view of the high public significance and value they enjoy. At the moment they are regulated in Chapter VI, Section I, of the specific part of the Penal Code the Repub­lic of Bulgaria. The subject matter of this Statement will, however, be the legisla­tive provisions concerning these criminal­ized acts in retrospect. The purpose of the study is to show by historical method and through the comparatively legal method the development of these criminal groups during the periods of various criminal laws in Bulgaria. This will also provide a basis for reflection on possible de lege ferenda proposals. This report from a structural point of view will be divided into three distinct points, marking each of the penal laws in the Republic of Bulgaria, which were in force before 1968.

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