scholarly journals Vladimir Magar’s spectacle “Don Juan” (Lunacharsky Russian Drama Theatre in Sevastopol, 2006)

Author(s):  
Elena Aleksandrovna Smirnova

The subject of this research is poetics of the spectacle “Don Juan” created by the stage director Vladimir Magar in Lunacharsky Russian Drama Theatre in Sevastopol in 2006. Analysis is conducted on the main peculiarities of the directing artistic manner: creation of fiction atmosphere and romantic plot, montage and musical means of structuring action, montage of literary-dramaturgical material. The author reviews fiction method and experience as the conditions for formation of an actor ensemble; examines the role of scenography, eurythmics, music and other elements of dramatic action. The article is based on the use of comparative-historical method, personal audience experience of its author and analysis of publications dedicated to the spectacle. The research of Vladimir Magars’ directing manner, which is insufficiently studied and can become illustrative for determination of patterns common to the regional theatrical life. This article is a continuation of a series of publication of the topic. Analysis of poetics of the spectacle “Don Juan” is important for understanding the fundamentals of his directing activity, which contributed to the fact that Sevastopol Theatre became a noticeable phenomenon within the Russian theatrical space.

Author(s):  
Alexander Sanzhenakov

The subject of this research is the ancient theory of action in its Aristotelian and early-Stoic versions. The author examines the role of the truth of assertions of an actor in these theories, as well as draws parallel with the modern approaches to the philosophy of action. It is demonstrated that Aristotelian theory leans on the prerequisite that aspirations of a person originate in the irrational parts of soul, and thus reason carries out only a regulatory function in managing human actions. Stoic theory, in turn, suggests that reason exercises an initiating function. The research methodology contains historical method of reconstruction with reference to primary sources in the Ancient Greek language. The main conclusion of the conducted research lies in determination of the two paradigmatic traditions in description of the structure of action that is of high degree of rationalization, and as a result, difference in assessment of the meaning of truth of assertions of an actor for his successful activity. The novelty consists in drawing connection between the ancient theories of action and modern approaches in this field of knowledge.


Litera ◽  
2021 ◽  
pp. 38-55
Author(s):  
Rivaa Mukhammad Salem Alsalibi

The subject of this research is the specifics, forms and functions of interaction in social media groups between the representatives of ethnic communities. The goal consists in determination of the role of social networks in adaptation of ethnocultural communities of St. Petersburg. The research is based on the polling technique for acquisition of information on the cognitive, emotional, and behavioral state of a person. The survey was conducted via distribution of questionnaires among the representatives of ethnic groups. The article also employs the method of systematic scientific observation over the social media groups, topic raised therein, as well as reading and analysis of the comments. The scientific novelty of this work consists in outlining of the nature, trends and development prospects of cross-cultural communications as the channel for ethnocultural interaction.  The main conclusions, which touch upon users from various ethnic communities who do not have enough experience in organization of activity of social media groups, demonstrate that it causes the loss of the sense of security, accumulation of prejudices and escalation of interethnic conflicts, as well as preference of the with restricted access, which contributes to lock down of the group and impedes adaptation in the accepting society. Stabilization of situation can be achieved by improvement of the quality of content posted in the social media, as well as level of their administration.


2019 ◽  
Vol 55 (4) ◽  
pp. 823-844
Author(s):  
Emmanuel Nwafor Mordi

This article critically examines Britain's postwar recruitment policy in Nigeria, 1945–53. It is a subject that has not been studied by scholars. As the Second World War drew to a close, the Nigerian colonial military had declared that it had sufficient illiterate, ‘pagan’ infantrymen of northern Nigerian ‘tribal,’ including Tiv, origin to meet any but unforeseen demands of troops for service in the South East Asia Command (SEAC). Yet, recruitment of the same category of infantrymen, as well as ex-servicemen, was resumed after the war. The critical/analytic historical method is deployed to interrogate Nigerian and British archival sources on the subject. The study shows that, unlike the case of the High Commission Territories Corps (HCTC), Nigeria's postwar recruitment was not meant for overseas deployment. It was primarily driven by Britain's objectives of restoring the army to its pre-war role of enforcing colonial law and order in furtherance of its resolve to maintain its colonial state in Nigeria despite postwar militant nationalism.


MRS Bulletin ◽  
1990 ◽  
Vol 15 (11) ◽  
pp. 35-35
Author(s):  
Robert L. Post

The federal budget process is often regarded as an arcane affair, the province of a select group of Washington insiders. This includes the mysteries behind the determination of budgets for R&D on materials. The purpose of this discussion is to demysrify the subject a little. It will focus largely on the role of Congress.A common misconception is that the White House sets the budget for the federal government. What the White House does do is send detailed recommendations to Congress each year in January on what it believes the budget should be. This covers spending, tax policy, and economie predictions (the latter reflected in the anticipated tax revenues). In January 1990, for example, the administration submitted budget recommendations for fiscal year 1991, which began on October 1 and runs until September 30, 1991. These recommendations (with subsequent negociations with the Hill) can be quite influential, but serve primarily as a point of reference, which Congress can gladly accept, or completely ignore, as circumstances and preferences dictate.


2018 ◽  
Vol 6 (3) ◽  
pp. 9-15
Author(s):  
С. Кутепов ◽  
S. Kutepov

long-awaited Concept of teaching the subject area “Technology”, the project of which is analyzed in the article,defi nes the problems facing the teacher. The author illustrates these problems and the characterized directions of teaching the subject area “Technology” with the possible fragments of the content of technological education. The author shows which information should be used at the stage of the development of schoolchildren’s basic application skills of the main types of hand tools (electrical including) as a resource for solving technological problems which are the priority results of the mastering the subject area “Technology”. The article suggests the knowledge necessary for ecological education of schoolchildren, formation of their world outlook, provided that the interdisciplinary relations are established. The problems of the environmentally friendly production organically associated with the problems of modern economy allow us to solve the problem of economic education. The article proves that the subject of “Technology” is supposed to create certain patterns of thinking and behavior of schoolchildren, introduce them into the world of professions, and ensure professional self-determination of schoolchildren.


2006 ◽  
Vol 16 (2) ◽  
pp. 237-286 ◽  
Author(s):  
HATEM ZGHAL

This study consists in a commentary on some passages from Avicenna, which deal with the category of the relative. The commentary points out the promotion of the relative to the role of an exclusive determining factor. An attempt is made here to show how Avicenna tries to detach the relative accident from its subject, in order to transform it into the exclusive determining factor of a pure thingness. The relative determination of this thingness must be able to receive specifications, which may extend as far as the infimae species. These specifications are obtained by the consideration of the other attributes of the subject of the relative attribution, which are henceforth no more than the “modes of advent” of the relation.


2015 ◽  
Vol 4 (4) ◽  
pp. 11-15
Author(s):  
T.A. Egorenko ◽  
E.M. Rodina

The article discusses the peculiarities of time perspective in university students at one of the stages of their professional self-identification and presents the results of studies by foreign authors on the subject of future time perspective, commitment to future, balanced time perspective and the way they relate to students’ motivation, academic achievements, intrapersonal characteristics.


Author(s):  
Fera Seferova

The study of interrelation between folklore and literature is one of the most relevant trends in literary studies. Folk poetic symbols as the genetic memory of the nation infiltrate consciousness not only as artistic material, but also as a emotions that awaken the writer’s imagination, giving rise to various associations. The subject of this research is the creative activity of folklore is in the works of the Crimean Tatar children's writers. Examination of the folklore-mythological context, determination of the peculiarities of transformation of folklore motifs in a literary reveals the creative laboratory, allowing determining the specificities of personal reflection of the writer, as well as tracing the psychological patterns of the creative process, and the evolution of artistic thinking overall. The scientific novelty is defined by the absence within Russian literary studies of monographic and significant critical works on determination of the folklore-mythological context, transformation, functionality, and interpretation of folklore elements in works of the writers. The conclusion is made that folklore as part of the culture of a particular nation, is an organic element of the artistic world of the Crimean Tatar writers, such as E. Amit and T. Khalilov. The novel by E. Amit presents the new comprehension of myths, paroemias, and legends. An example of interaction of the mythological views and modern perspective in the novel “Last Chance” is the folk legend on the “happy and unhappy stars”. It also encompasses such ancient forms of folklore as cursing and benevolence, as well as the elements that take roots in the ancient taboos, the period of totemism. In the psychological prose by T. Khalilov, an important role is played by the symbolism of birds and plants. The ancient legend of the winged horse Duldul organically intertwines with the author's creative idea without losing its specificity.


Author(s):  
Hui Zhang

The subject of this research is the image of Boris Godunov viewed in three different aspects in the eponymous drama by A. S. Pushkin and in the opera by M. P. Mussorgsky. The goal consist in description of multifacetedness and complexity of image of the Tsar, as well as his main traits in representation of the poet and the composer, which helps the performers in staging the opera “Boris Godunov”. A comparative analysis of drama and opera is conducted in accordance with the tree main categories: philosophical-aesthetic foundation, psychological portrait, peculiarities of social environment and place of the hero therein. The main conclusions consist in determination of the important sides of possible interpretation of the image of Tsar as: 1) basic philosophical idea that underlies the entire play, and thus defines the role of Godunov in the artistic concept of stage director and actor; 2) key psychological traits that set the emotional tone for the image of Tsar Boris Godunov; 3) nature and specificity of relations between the protagonist and other characters. The scientific novelty of this article is defined by an attempt to determine the key trends in creating an artistic image of the hero by means of theoretical analysis of representations on protagonist in the drama by A. S. Pushkin and opera by M. P. Mussorgsky. The author believes that the range of qualities and traits imposed by these prominent upon Boris Godunov would help the novice actors to find the key to their unique interpretation of this character.


1970 ◽  
Vol 11 (4) ◽  
pp. 591-603 ◽  
Author(s):  
Ian Henderson

This article draws attention to the comparative lack of material on the origins of African nationalism in Zambia, and suggests a framework of analysis and possible future areas of research on the subject. In contrast with some other East and Central African territories, Zambia offered little or no primary resistance to the imposition of colonial rule, but in other respects the country resembled neighbouring territories in the first three decades of colonial rule. There is a need for further study of Watch Tower and the Welfare Associations, the former in the inter-war years, the latter in the 1940s. The Copperbelt from 1930 to 1950, with its problems of urbanization and the colour bar, is a vital factor setting Zambia apart from other tropical dependencies. Here, Africans were confronted with the determination of Europeans to retain political and economic power, whatever the policy declarations of the government. The politicization of the territory can be traced from here, and the role of the Bemba-speaking peoples as the spearhead of protest had its origin in their powerful position on the Copperbelt.


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