Showing that history writing is not the simple application of a method to sources bequeathed to us from the past, but rather a code that constructs “the past” in particular ways, this chapter explicates the elements of the code. Modern history treats past objects and texts as the objectified remains of humans who endowed their world with meaning and purpose, while constrained by the social circumstances characterizing their times; this time of theirs is dead, and it can only be represented, not resurrected; the past is only ever the human past, and it does not include ghosts, gods, spirits, or nature. In outlining these core elements of the code of history, it engages with those forms of history writing—the history of art, music, and science—that do not always share all the elements of the code, but for that very reason illuminate all the more clearly what the discipline presupposes.