Decreasing anti‐elderly discriminatory attitudes: Conducting a ‘Stereotype Embodiment Theory’‐based intervention

2021 ◽  
Author(s):  
Yuho Shimizu ◽  
Takaaki Hashimoto ◽  
Kaori Karasawa
Keyword(s):  
Embodiment Theory

scholarly journals Me gustan tus ojos miopes (o del diálogo con Hélène Cixous para llevar al cuerpo, a la literatura, a la vida)

La Palabra ◽  
2014 ◽  
pp. 143
Author(s):  
Andrea Paola Vargas Quiroz
Keyword(s):  
Key Words ◽  
Comparative Method ◽  
Maurice Blanchot ◽  
Helene Cixous ◽  
Work Of Art ◽  
The Unconscious ◽  
Artistic Creation ◽  
Embodiment Theory

El objetivo de este artículo es mostrar que la postura escritural de Hélène Cixous como práctica de la miopía, constituye el fundamento para la postura estética de la escritura del ver no viendo, cuyo efecto refractario fecunda la creación artística. El método comparativo pone en contacto el nacimiento de laescritura por la miopía, la epistemología desde el cuerpo de Ellie Epp (2005) y la naturaleza de la obra de arte de Maurice Blanchot (2012). Se concluye que para anclar la postura del ver no viendo de los artistas, es necesario mantener un equilibrio miope entre lo inconsciente y lo consciente en su relación con el lenguaje, el sujeto y la vida.Palabras clave: escritura, creación ar tística, miopía, epistemología desde el cuerpo.AbstractThe objective of this article is to demonstrate the writing position of Hélène Cixous as a myopic practice, which constitutes the foundation for an aesthetic of writing as seeing without seeing. The comparative method puts into contact the birth of writing through myopia, embodiment theory byEllie Epp (2005) and the nature of the work of art by Maurice Blanchot (2012). It is concluded that in order to root the position of seeing without seeing of artists, it is necessary to maintain a myopic equilibrium between the conscious and the unconscious, in its relation to language, subjectivity andlife. Key Words: Writing, artistic creation, myopia, embodiment.

scholarly journals Chronic Kidney Disease and Older African American Adults: How Embodiment Influences Self-Management

Geriatrics ◽  
2018 ◽  
Vol 3 (3) ◽  
pp. 52 ◽  
Author(s):  
Tyrone Hamler ◽  
Vivian Miller ◽  
Sonya Petrakovitz
Keyword(s):  
Chronic Kidney Disease ◽  
African American ◽  
Kidney Disease ◽  
Adult Population ◽  
Self Management ◽  
Individual Choice ◽  
Daily Lives ◽  
African American Adults ◽  
Embodiment Theory ◽  
Management Behaviors

Patients living with chronic kidney disease (CKD) must balance the medical management of their kidney disease and other chronic conditions with their daily lives, including managing the emotional and psychosocial consequences of living with a chronic disease. Self-management is critical to managing chronic kidney disease, as treatment consists of a complex regimen of medications, dosages, and treatments. This is a particularly important issue for older African American adults who will comprise a significant portion of the older adult population in the coming years. Yet current conceptualizations of self-management behaviors cannot adequately address the needs of this population. Embodiment theory provides a novel perspective that considers how social factors and experiences are embodied within decision-making processes regarding self-management care among older African Americans. This paper will explore how embodiment theory can aid in shifting the conceptualization of self-management from a model of individual choice, to a framework that cannot separate lived experiences of social, political, and racial factors from clinical understandings of self-management behaviors. This shift in the conceptualization of self-management is particularly important to consider for CKD management because the profound illness burdens require significant self-management and care coordination skills.

Embodiment, Interaction and Experience: Aesthetic Trends in Interactive Media Arts

Leonardo ◽  
2014 ◽  
Vol 47 (2) ◽  
pp. 166-169 ◽  
Author(s):  
Lu Xiaobo ◽  
Liu Yuelin
Keyword(s):  
Information Technology ◽  
Tacit Knowledge ◽  
Interactive Media ◽  
Sensory Experience ◽  
Three Dimensions ◽  
Media Arts ◽  
Knowledge Theory ◽  
Artistic Styles ◽  
Embodiment Theory ◽  
The Relationship

The relationship between technology and art has always been an important issue in the field of art. With the application of information technology in interactive media arts, the traditional aesthetic theories can no longer fully interpret an emerging morphology of artistic styles. The unification of interaction, experience and aesthetics based on the “indwelling” idea of tacit knowledge theory and embodiment theory of phenomenology may be seen as a total framework for analyzing interaction aesthetics from three dimensions: information, space and time, which embodies three important features: full sensory experience, dynamics and psychosomatic oneness.

scholarly journals Embodied Complexity in Choral Singing

2020 ◽  
pp. 49-62
Author(s):  
Daniel Galbreath
Keyword(s):  
Complexity Theory ◽  
Choral Music ◽  
Research Process ◽  
Choral Works ◽  
Choral Singing ◽  
Creative Agency ◽  
Artistic Activity ◽  
Embodiment Theory ◽  
Intellectual Knowledge

Amateur musical ensembles draw participants from widely varying disciplines into shared artistic activity in a way that few other artforms do; in particular, choral music, in which bodies both create and directly receive sound, raises profound questions of how performers’ uniquely embodied creative approaches interact. Amateur choral singing therefore offers a lens into how musical creativity is distributed among, and emergent from, a diverse group of individuals. This article explores how the performance of indeterminate and improvisatory choral works offers a powerful example of this distributed creative agency via a network of sounding bodies. This article centres on a case study (March–October 2017) involving three British amateur choirs in the performance of improvisatory choral scores by Kerry Andrew (2005) and Cornelius Cardew (1968–70). Complexity Theory (Davis and Sumara 2006) offers a useful framework for understanding how creative impulses and constructions interact; both the vocal expression and corporeal receipt of these creative ideas occurs in an embodied way, drawing on dance and embodiment theory (Sheets-Johnstone 2009, Downey 2002). The research process and qualitative-data-processing methodology (Charmaz 2014) of the case study are described, before findings are laid out with a view to how they point towards ideas of embodied, complex interaction. These findings offer an important, and hitherto unexplored, view into how Complexity Theory (a common theoretical framework in other fields across the sciences and humanities) might usefully describe musical performance. In transcending attempts to atomise ensemble interaction according to shared intellectual knowledge and verbal communication, the complex, embodied interaction of diverse singers, through the physical connection of sound, might involve those singers in the distributed authorship of a musical work.

scholarly journals The Role of Embodiment in the Perception of Music

2015 ◽  
Vol 9 (3-4) ◽  
pp. 236 ◽  
Author(s):  
Marc Leman ◽  
Pieter-Jan Maes
Keyword(s):  
Research Laboratory ◽  
Music Perception ◽  
Music Cognition ◽  
External Environment ◽  
Cognitive Systems ◽  
Interconnected Network ◽  
Central Importance ◽  
Systematic Musicology ◽  
Embodiment Theory

In this paper, we present recent and on-going research in the field of embodied music cognition, with a focus on studies conducted at IPEM, the research laboratory in systematic musicology at Ghent University, Belgium. Attention is devoted to encoding/decoding principles underlying musical expressiveness, synchronization and entrainment, and action-based effects on music perception. The discussed empirical findings demonstrate that embodiment is only one component in an interconnected network of sensory, motor, affective, and cognitive systems involved in music perception. Currently, these findings drive embodiment theory towards a more dynamical approach in which the interaction between various internal processes and the external environment are of central importance. <br />

scholarly journals Caremongering and Assumptions of Need: The Spread of Compassionate Ageism During COVID-19

2020 ◽  
Author(s):  
Deanna Vervaecke ◽  
Brad A Meisner
Keyword(s):  
Social Media ◽  
Social Movement ◽  
Older Individuals ◽  
Stereotype Content ◽  
Critical Attention ◽  
Embodiment Theory ◽  
Content Theory ◽  
Shifting Attention

Abstract The Coronavirus Disease 2019 (COVID-19) pandemic has highlighted the pervasive ageism that exists in our society. Although instances of negative or hostile ageism have been identified, critical attention to the nuances of ageism throughout the pandemic, such as the prevalence and implications of positive or compassionate ageism, has lagged in comparison. This commentary uses stereotype content theory to extend the conversation regarding COVID-19 and ageism to include compassionate ageism. We offer the “caremongering” movement, a social movement driven by social media to help individuals affected by COVID-19, as a case study example that illustrates how compassionate ageism has manifested during the pandemic. The implications of compassionate ageism that have and continue to occur during the pandemic are discussed using stereotype embodiment theory. Future actions that focus on shifting attention from the intent of ageist actions and beliefs to the outcomes for those experiencing them are needed. Further, seeking older individuals’ consent when help is offered, recognizing the diversity of aging experiences, and thinking critically about ageism in its multiple and varied forms are all required.

Embodiment Theory

2015 ◽  
pp. 420-426 ◽  
Author(s):  
Anna M. Borghi ◽  
Fausto Caruana
Keyword(s):  
Embodiment Theory

Against ‘Aging’ – How to Talk about Growing Older

2018 ◽  
Vol 35 (7-8) ◽  
pp. 251-270 ◽  
Author(s):  
Margaret Morganroth Gullette
Keyword(s):  
Cultural Studies ◽  
Life Course ◽  
Embodiment Theory ◽  
Age Studies

Language shapes thought, and ageist language invisibly spreads ageist thinking. Observing that embodiment theory has largely neglected to theorize age (a universal intersection), the author expands that theory. Here is a first attempt to fully critique the term ‘aging’ wherever it implies ageism, and to suggest alternative language for ‘aging’ in both its adjectival and its nominative forms. The essay also historicizes the recent move in cultural studies of age toward using the term ‘age’ (as in Age Studies) instead of ‘aging’. Gullette argues that wording that replaces aging and explicates ageism helps undo submission to the ideology of life-course decline, liberating observation, potentially undoing internalized ageism and lessening the widespread fear of growing older.

The application of embodiment theory to the design and control of an octopus-like robotic arm

2012 ◽  
Author(s):  
Emanuele Guglielmino ◽  
Letizia Zullo ◽  
Matteo Cianchetti ◽  
Maurizio Follador ◽  
David Branson ◽  
...  
Keyword(s):  
Robotic Arm ◽  
Embodiment Theory ◽  
And Control
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