Finding the Way Inside: Linking Architectural Design Analysis and Cognitive Processes

2005 ◽  
pp. 1-23 ◽  
Author(s):  
Christoph Hölscher ◽  
Tobias Meilinger ◽  
Georg Vrachliotis ◽  
Martin Brösamle ◽  
Markus Knauff
Keyword(s):  
Cognitive Processes ◽  
Architectural Design ◽  
Design Analysis ◽  
The Way

Architectural Design and Physical Activity: An Observational Study of Staircase and Elevator Use in Different Buildings

2013 ◽  
Vol 10 (4) ◽  
pp. 556-562 ◽  
Author(s):  
David R. Bassett ◽  
Ray Browning ◽  
Scott A. Conger ◽  
Dana L. Wolff ◽  
Jennifer I. Flynn
Keyword(s):  
Physical Activity ◽  
Built Environment ◽  
Observational Study ◽  
Architectural Design ◽  
Commercial Buildings ◽  
The Other ◽  
University Campus ◽  
Direct Observations ◽  
The Way

Background:The indoor built environment has the potential to influence levels of physical activity. However, the extent to which architectural design in commercial buildings can influence the percentage of people choosing to use the stairs versus elevators is unknown. The purpose of this study was to determine if buildings with centrally located, accessible, and aesthetically pleasing staircases result in a greater percentage of people taking the stairs.Methods:Direct observations of stair and elevator use were conducted in 3 buildings on a university campus. One of the buildings had a bank of 4 centrally located elevators and a fire escape stairwell behind a steel door. The other 2 buildings had centrally located staircases and out-of-the-way elevators.Results:The percentage of people who ascended the stairs was 8.1% in the elevator-centric building, compared with 72.8% and 81.1% in the 2 stair-centric buildings (P < .001). In addition, the percentage of people who descended the stairs was 10.8% in the first building, compared with 89.5% and 93.7% in the stair-centric buildings (P < .001).Conclusions:The results of the current study suggest that if buildings are constructed with centrally located, accessible, and aesthetically pleasing staircases, a greater percentage of people will choose to take the stairs.

The Role of Building Materials in Architectural Design

2014 ◽  
Vol 679 ◽  
pp. 6-13
Author(s):  
Hafedh Abed Yahya ◽  
Muna Hanim Abdul Samad
Keyword(s):  
Design Process ◽  
Architectural Design ◽  
Building Materials ◽  
Historical Evolution ◽  
Core Element ◽  
History Of ◽  
History Of Architecture ◽  
Major Factors ◽  
The Way

The argumentation of previous studies demonstrated the historical evolution of the materials in architecture and the position of the materials in the design process. The purpose is to recognize the role of materials in architectural design, and the materials are a core element of the design process. This paper is about the way materials can be used to create personality and character of the design. The research finds two overlapping roles for materials which are providing technical functionality and building personality. Thus building materials were one of the major factors for new innovation forms through the history of architecture. Keywords: Building Materials, Architectural Design, Technical Functionality, Aesthetic Attributes.

Effect of Language Dominance on Cognitive Processes in a Stroop Task

1997 ◽  
Vol 84 (3) ◽  
pp. 979-988 ◽  
Author(s):  
Toufik Bahri ◽  
Ahmed Bendania
Keyword(s):  
Selective Attention ◽  
Cognitive Processes ◽  
Stroop Task ◽  
Language Comprehension ◽  
Arabic Language ◽  
Education Majors ◽  
Language Dominance ◽  
Attention Process ◽  
Stroop Tasks ◽  
The Way

The present study investigated the effect of language dominance on 40 subjects' performance on a Stroop task. In the first group were 20 Education majors using mainly the Arabic language, while in the second group of 20 students were majors in English. Each group performed two different Stroop tasks. Analysis showed that language comprehension affected the way subjects processed the information. This difference was explained in terms of cognitive processes involved and by a late selective attention process.

The sluttified sex: Verbal misogyny reflects and reinforces gender order in wireless China

2018 ◽  
Vol 47 (3) ◽  
pp. 385-408 ◽  
Author(s):  
Zhuo Jing-Schmidt ◽  
Xinjia Peng
Keyword(s):  
Social Media ◽  
Gender Equality ◽  
Gender Inequality ◽  
Cognitive Processes ◽  
Gender Ideology ◽  
Female Empowerment ◽  
Social Actions ◽  
Discourse Practice ◽  
Chinese Social Media ◽  
The Way

AbstractThis article describes emerging misogynistic labels involving the morphemebiăo‘slut’ as a gendered personal suffix in the Chinese cyber lexicon. We analyze the morphological, semantic, and cognitive processes behind their coinage, and the way they are used across gender lines in Chinese social media as a community of discourse practice. Our findings show that women participate in female pejoration as much as men do, and that men are more inclined than women to use pejorative labels that specifically attack female empowerment. Additionally, men construct masculinity and power by using certain misogynistic labels as generics. We argue that verbal misogyny is part and parcel of a larger gender ideology by illuminating the mutual constitution of the linguistic pejoration of women and the gender order in postreform China. This study has implications for research on women's conditions in contemporary China, raises awareness of gender inequality, and lays the groundwork for social actions toward gender equality. (Gender, sexism, neologism, social media, Chinese)*

scholarly journals Sound, Shape, Space : The Ontology of Space in Architecture

2021 ◽  
Author(s):  
Sean W. Robbins
Keyword(s):  
Design Process ◽  
Social Practice ◽  
Architectural Design ◽  
Shape Space ◽  
Physical Attributes ◽  
Ontological Sense ◽  
The Way

This work embarks on a radically different understanding of space that sheds its preconceived physical attributes. Borne from a criticism of the imbalanced approach to architectural design, which focuses on ‘form’, the aim is to redeem ‘space’ as the inextricably linked partner of form in the design process. Herein, space is re-framed in an ontological manner as it relates to architecture, that is, as having to do with ‘being’. To accomplish this, sound becomes pivotal, constituting a catalyst in the reaction with form that brings ontological space to life within architecture. By using sound in reaction with form, the work will engage in the design of space in the ontological sense; as it relates to being, namely, that of human social practice. At its heart, this work is not really about sound or space, nor even architecture for that matter. It is about the way in which humans exist.

scholarly journals Am Bestehenden weiterdenken

ARCHALP ◽  
2019 ◽  
Vol 2 NS (Issue 2 Ns, July 2019) ◽  
pp. 105-113
Author(s):  
Walter Angonese
Keyword(s):  
Quality Assurance ◽  
Architectural Design ◽  
High Quality ◽  
Existing Structures ◽  
Starting Point ◽  
Awareness Raising ◽  
The Individual ◽  
The Way

Isn’t the existent always the outcome of any creative confrontation? Is such a creative discussion really out of a contextual consideration? Isn’t every context – even a purely spiritual one – part of the heritage? In his contribution, Walter Angonese reflects on the potential of the pre-existent on the architectural project. He believes in “thinking ahead” and consequently in “building on”, and that is why the question of the relevance of existing structures to architectural design has been clarified. However, he also believes that the quality of the existent can only be improved thanks to an increased habit of awareness and not only following and blaming the prescribed laws for quality assurance. This awareness raising gives responsibility to the individual within a society, but also makes him responsible for his own actions. Building in an alpine context – like any building, by the way – is therefore a question of responsibility, towards oneself and towards one’s society. If the architectural idea is built by leading it from an intuition about a cultural reflection to what one can call a real “architectural idea” (and not merely any intuition), then that is an important first step for a high-quality “continuing construction” of the existing. Only the heritage and the existent can become a meaningful starting point of the project.

scholarly journals Experiments with visible and invisible materials: designing and building an ambiance

2019 ◽  
Vol 64 ◽  
pp. 02008
Author(s):  
Céline Drozd ◽  
Virginie Meunier ◽  
Antoine Mabire
Keyword(s):  
Design Process ◽  
Graduate School ◽  
Architectural Design ◽  
Sensory Quality ◽  
Building Materials ◽  
Sensory Experience ◽  
Physical Characteristics ◽  
Materials Used ◽  
The Way

This article relies on a workshop called “materials of ambiances” that is taking place at the Graduate School of Architecture of Nantes. It aims for the students to question the qualities of ambiances within spaces with an approach through the concept of material, making them aware of invisible materials (ambiances) from the manipulation of visible materials (building materials). The experimentation with materials holds a significant place: the students are asked to build an ambiance device to create a sensory experience in order to highlight every sensory quality of a material capable of producing an ambiance. The materials used for this experiment are mostly from fields beyond architecture as to think of potential misappropriations. It is about making sure that the student tests by himself the materials and recreates the connection between data from the experiment, and the physical characteristics given by the manufacturers and industrialists. The pedagogical experience that we present aims at creating within students an interest for the built material, to develop ambiance intentions to qualify projected spaces, which are not always measurable but always noticeable. This article proposes to turn back to the way the qualities of ambiances are felt, the misappropriations of materials are perceived, as well as the perspectives on the evolution of the architectural design process. This contribution is illustrated by an ambiance device whose the name is “Cosmic dream” built in 2018/2019 by Marilou Bach, Hugo Falaise, Carole Lyssandre and Charlotte Say.

Sign in / Sign up

Export Citation Format

Share Document