Role of ureterocalicostomy in management of giant hydronephrosis in children in contemporary practice: indications, outcomes and challenges

Author(s):  
M.S. Ansari ◽  
Nayab Danish ◽  
Priyank Yadav ◽  
Vinay N. Kaushik ◽  
Shitangsu Kakoti ◽  
...  
2016 ◽  
Vol 51 (1) ◽  
pp. 79-82
Author(s):  
Douglas L. Jennings

Heart failure (HF) continues to afflict millions of Americans, resulting in substantial clinical and economic burden to our society. Recent literature has highlighted the role of 2 novel therapies (an angiotensin receptor blocker/neprilysin inhibitor and ivabradine) in further reducing residual disease in HF. Simultaneously, evidence has mounted suggesting that older therapies like digoxin are not effective in contemporary practice and, in fact, may be harmful. This editorial summarizes the most recently published articles pertaining to both new and old HF therapies and provides a call to action to pharmacists on how to shift patients toward effective drug regimens.


2020 ◽  
Vol 7 (2) ◽  
pp. 122-126 ◽  
Author(s):  
Gina M. Badalato ◽  
Matthew Kaag ◽  
Richard Lee ◽  
Anup Vora ◽  
Arthur Burnett

2021 ◽  
Vol 25 (4) ◽  
pp. 254-266
Author(s):  
Weiwei Zhang ◽  
Tiezhu Sun ◽  
Patrick Han Lin Goh ◽  
Zilong Wang ◽  
Nick Mansley

This study explicitly rejects the prima facie proposition that the top-tier investment banks are capable of delivering supernormal value creation to the shareholders of a REIT acquirer in a corporate acquisition. Using the event study method, we find that REIT acquirers advised by market-leading investment banks suffer an average cumulative abnormal return of −4.41% following the M&A announcement, whereas REIT acquirers advised by non-top-tier investment banks only suffer an average cumulative abnormal return of −1.49%. The evidence shows that the contemporary practice of employing investment banks based on the prestige of the advisory firms could potentially result in value-destroying M&As for the REIT acquirers.


2013 ◽  
Author(s):  
◽  
Raksha Padaruth

This paper documents and evaluates the use of ceramics as an aesthetic architectural element in Durban from 1914-2012 with special reference to James Hall (1916-2006), Andrew Walford (b.1942) and Jane du Rand (b.1969). These artists were selected because their work demonstrates a wide range of the use of decorative tiles and mosaics as aesthetic elements in Durban architecture over a period of more than fifty years. Reference is made to the historical use of tiles and mosaics as aesthetic architectural elements in Durban from 1914-1955 in order to provide a context to an investigation and evaluation of the contribution of Hall, Walford and du Rand to the use of tiles and mosaics as an aesthetic architectural element in Durban. The paper begins by highlighting the importance of this study, discusses the role of ceramic architectural adornment and defines terminology for the purpose of this research. In addition an explanation of the research methodology used, research questions and literature review is provided. The study is contextualised through an overview of the historical background of the use of ceramics (tiles and mosaics) as an aesthetic element in architecture. The importance of the use of ceramic elements in relation to architecture, as well as the different techniques and methods of production, are highlighted and related to contemporary practice. The overview provides insight into how the use of ceramic elements in the past has influenced the approach of contemporary practice. My contribution to the use of mosaics as an aesthetic architectural element in Durban and my art practice, in the form of an installation titled passage is discussed and evaluated. The paper concludes by noting that the historical use of tiles and mosaics as aesthetic elements in architecture persists in contemporary art practice. However, the methods of tiled mosaic production and tiled mosaic techniques have been revolutionised extensively. It is evident that, the use of ceramics as an aesthetic element in Durban architecture reflects, both a strong European design influence and a distinctive local identity.


2021 ◽  
Author(s):  
D'Arcy L. l. White

This thesis explores the history of photographic narrative tableau from the Victorian era, through modernism, postmodernism, and postmodernism examining, as case studies, the contemporary work of Patrick Nagatani and Gregory Crewdson. It illustrates how this genre evolved over time, noting technological, social and cultural influences affecting artists and their work. It includes a discussion of contemporaneous photographic theory and criticism, and illustrates how staged narrative tableau photographs have a paradoxical relationship to the problematic concept of truth. Topics discussed include artifce, the uncanny, paradox, the contemporary sublime, and the aesthetics of seduction; the complicit gaze, anti narrative, and the role of the viewer; the use of language, words, and signs; fact, myth, truth, and the (re)creation of history; theatricality, melodrama, and metaphor; allegory, Simulation, simulacra, reality, and the real.


2017 ◽  
Vol 6 (01) ◽  
pp. 21
Author(s):  
Fakhriya K N Al-Yahyai

<p>The issue of identity has attracted interest from many researchers in different fields. In contemporary practice in the visual arts, identity is a unique subject. Artists in Oman are fortunate to be able to rely on a rich cultural heritage, which enables them to produce work that is based on the unique Omani identity. In addition, there are concerns that the effects of globalization and the removal of geographical borders between nations will lead to the importation of Western styles and symbolism into Omani art. Where this has happened in other parts of the Arab world, some of the unique features of Arab principles and cultural beliefs have disappeared. Thus, this study aims to highlight the symbolism and significance of identity in the works of Omani painters. It investigates the role of Omani painters in preserving Omani identity by using a descriptive analysis method to examine a sample of Omani artwork. The results of this study show that Omani artists are involved in expressing their perceptions of identity in a variety of ways using a range of related symbols.</p>


Author(s):  
Ingrid Bachmann Cáceres

A contested term with defenders and critics, advocacy journalism refers to a genre of journalism that combines reporting with a point of view. With roots as far as the origins of journalism itself, as a contemporary practice it can be found—to varying degrees—in all kinds of media outlets across the globe. Its key premise is that journalists participate in the mass-mediated public sphere and that their work deliberately and transparently stands for specific perspectives, with stories actively championing for certain ideas and values. While some authors have labeled advocacy as the binary opposite of objective (factual) reporting, in recent decades several journalism scholars and practitioners have argued that this is not the case, and that advocacy and informing are not necessarily mutually exclusive. At the core of this discussion are normative considerations of how journalism should be, the role of objectivity in news reporting, and professional models shaping news cultures and news content in different regions. Ethical concerns are also common arguments in this debate. Advocate journalists do not necessarily dismiss objectivity—although some do—and insist they adhere to professional standards nonetheless, since they still do journalism rather than propaganda. Promoters of advocacy also argue that having a situated viewpoint is more transparent, whereas critics argue against what they deem news reporting with an agenda or promoting an ideological campaign. More recently, advocacy journalism has been adopted—and adapted—by nongovernmental organizations and civic movements, which highlights the constant redefinitions of journalism practice outside of legacy media and traditional contexts.


2019 ◽  
Vol 6 (2) ◽  
pp. 431-448
Author(s):  
Louis Rice

Purpose The purpose of this paper is to examine how nature-based solutions (NBS) are being used in city areas to improve environmental conditions and increase tourism. This research examines the drivers behind, and impacts of, the application of NBS in city redevelopment projects for tourism. NBS is a term that refers to the use of flora and fauna ecosystems as an approach to resolve problems faced by society. Design/methodology/approach An interdisciplinary research methodology has been developed to examine the relationship between city NBS and tourism; the methods include a literature review of contemporary practice, field observations and thematic textual analysis from digital archives. The research methodology uses a combined empirical and desk-based analysis of five case studies cites. Findings NBS, as part of city redevelopment projects, is now a strategic aim of many cities globally to re-brand, re-vision and re-orientate themselves to be more hospitable, liveable and attractive to tourists and visitors. Practical implications City redevelopment projects are incorporating NBS to address climate change as well as local environmental issues such as disaster resilience whilst simultaneously delivering social and economic benefits. Social implications The research reveals that NBS can deliver benefits to human wellbeing, tourism, economic vitality as well as more sustainable models of urban development. Originality/value The research reveals for the first time how NBS is being used as a driver for increasing tourism globally. The research is highly original as it examines a new topic in tourism studies, the role of NBS in relation to city tourism.


2017 ◽  
Vol 15 (1) ◽  
pp. 166-167
Author(s):  
Bo Rothstein

Ranking the World: Grading States as a Tool of Global Governance, edited by Alexander Cooley and Jack Snyder, assembles an impressive group of political scientists to critically discuss “the important analytical, normative, and policy issues associated with the contemporary practice of ‘grading states.’” The volume addresses a topic of importance to a wide range of political scientists in comparative politics, international relations, and political theory, and raises some fundamental questions about the role of political science at the nexus of theory and practice. We have thus invited a number of colleagues to discuss the volume and its broader implications for political science inquiry.


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