scholarly journals Modern trends on quality of experience assessment and future work

Author(s):  
Woojae Kim ◽  
Sewoong Ahn ◽  
Anh-Duc Nguyen ◽  
Jinwoo Kim ◽  
Jaekyung Kim ◽  
...  

Over the past 20 years, research on quality of experience (QoE) has been actively expanded even to cover aesthetic, emotional and psychological experiences. QoE has been an important research topic in determining the perceptual factors that are essential to users in keeping with the emergence of new display technologies. In this paper, we provide in-depth reviews of recent assessment studies in this field. Compared to previous reviews, our research examines the human factors observed over various recent displays and their associated assessment methods. In this study, we first provide a comprehensive QoE analysis on 2D display including image/video quality assessment (I/VQA), visual preference, and human visual system-related studies. Second, we analyze stereoscopic 3D (S3D) QoE research on the topics of I/VQA and visual discomfort from the human perception point of view on S3D display. Third, we investigate QoE in a head-mounted display-based virtual reality (VR) environment, and deal with VR sickness and 360 I/VQA with their individual approach. All of our reviews are analyzed through comparison of benchmark models. Furthermore, we layout QoE works on future display and modern deep-learning applications.

Author(s):  
André F. Marquet ◽  
Jânio M. Monteiro ◽  
Nuno J. Martins ◽  
Mario S. Nunes

In legacy television services, user centric metrics have been used for more than twenty years to evaluate video quality. These subjective assessment metrics are usually obtained using a panel of human evaluators in standard defined methods to measure the impairments caused by a diversity of factors of the Human Visual System (HVS), constituting what is also called Quality of Experience (QoE) metrics. As video services move to IP networks, the supporting distribution platforms and the type of receiving terminals is getting more heterogeneous, when compared with classical video distributions. The flexibility introduced by these new architectures is, at the same time, enabling an increment of the transmitted video quality to higher definitions and is supporting the transmission of video to lower capability terminals, like mobile terminals. In IP Networks, while Quality of Service (QoS) metrics have been consistently used for evaluating the quality of a transmission and provide an objective way to measure the reliability of communication networks for various purposes, QoE metrics are emerging as a solution to address the limitations of conventional QoS measuring when evaluating quality from the service and user point of view. In terms of media, compressed video usually constitutes a very interdependent structure degrading in a non-graceful manner when exposed to Binary Erasure Channels (BEC), like the Internet or wireless networks. Accordingly, not only the type of encoder and its major encoding parameters (e.g. transmission rate, image definition or frame rate) contribute to the quality of a received video, but also QoS parameters are usually a cause for different types of decoding artifacts. As a result of this, several worldwide standard entities have been evaluating new metrics for the subjective assessment of video transmission over IP networks. In this chapter we are especially interested in explaining some of the best practices available to monitor, evaluate and assure good levels of QoE in packet oriented networks for rich media applications like high quality video streaming. For such applications, service requirements are relatively loose or difficult to quantify and therefore specific techniques have to be clearly understood and evaluated. By the mid of the chapter the reader should have understood why even networks with excellent QoS parameters might have QoE issues, as QoE is a systemic approach that does not relate solely to QoS but to the ensemble of components composing the communication system.


2018 ◽  
Vol 2018 ◽  
pp. 1-10 ◽  
Author(s):  
Hongyun Zheng ◽  
Yongxiang Zhao ◽  
Xi Lu ◽  
Rongzhen Cao

Video service has become a killer application for mobile terminals. For providing such services, most of the traffic is carried by the Dynamic Adaptive Streaming over HTTP (DASH) technique. The key to improve video quality perceived by users, i.e., Quality of Experience (QoE), is to effectively characterize it by using measured data. There have been many literatures that studied this issue. Some existing solutions use probe mechanism at client/server, which, however, are not applicable to network operator. Some other solutions, which aimed to predict QoE by deep packet parsing, cannot work properly as more and more video traffic is encrypted. In this paper, we propose a fog-assisted real-time QoE prediction scheme, which can predict the QoE of DASH-supported video streaming using fog nodes. Neither client/server participations nor deep packet parsing at network equipment is needed, which makes this scheme easy to deploy. Experimental results show that this scheme can accurately detect QoE with high accuracy even when the video traffic is encrypted.


2020 ◽  
Vol 10 (5) ◽  
pp. 1793
Author(s):  
Lina Du ◽  
Li Zhuo ◽  
Jiafeng Li ◽  
Jing Zhang ◽  
Xiaoguang Li ◽  
...  

DASH (Dynamic Adaptive Streaming over HTTP (HyperText Transfer Protocol)) as a universal unified multimedia streaming standard selects the appropriate video bitrate to improve the user’s Quality of Experience (QoE) according to network conditions, client status, etc. Considering that the quantitative expression of the user’s QoE is also a difficult point in itself, this paper researched the distortion caused due to video compression, network transmission and other aspects, and then proposes a video QoE metric for dynamic adaptive streaming services. Three-Dimensional Convolutional Neural Networks (3D CNN) and Long Short-Term Memory (LSTM) are used together to extract the deep spatial-temporal features to represent the content characteristics of the video. While accounting for the fluctuation in the quality of a video caused by bitrate switching on the QoE, other factors such as video content characteristics, video quality and video fluency, are combined to form the input feature vector. The ridge regression method is adopted to establish a QoE metric that enables to dynamically describe the relationship between the input feature vector and the value of the Mean Opinion Score (MOS). The experimental results on different datasets demonstrate that the prediction accuracy of the proposed method can achieve superior performance over the state-of-the-art methods, which proves the proposed QoE model can effectively guide the client’s bitrate selection in dynamic adaptive streaming media services.


2019 ◽  
Vol 9 (11) ◽  
pp. 2297
Author(s):  
Kyeongseon Kim ◽  
Dohyun Kwon ◽  
Joongheon Kim ◽  
Aziz Mohaisen

As the demand for over-the-top and online streaming services exponentially increases, many techniques for Quality of Experience (QoE) provisioning have been studied. Users can take actions (e.g., skipping) while streaming a video. Therefore, we should consider the viewing pattern of users rather than the network condition or video quality. In this context, we propose a proactive content-loading algorithm for improving per-user personalized preferences using multinomial softmax classification. Based on experimental results, the proposed algorithm has a personalized per-user content waiting time that is significantly lower than that of competing algorithms.


2002 ◽  
Vol 77 (1) ◽  
pp. 52-81 ◽  
Author(s):  
Geoffrey Galt Harpham

The immediate problem confronted by readers of Martha Nussbaum's early work is that, from a professional point of view, the quality of mind behind the arguments seems far superior to the arguments themselves. From the point of view of the academic philosopher, Nussbaum is far too heavily invested in literature; while, from the point of view of the professional literary critic, she is far too deeply committed to a principle of realism, even to an affective relationship with literary characters, that is incompatible with academic norms. The central idea in her early work is not in fact conceptual or critical at all, but rather moral: a fundamental transformation of life based on a relinquishing of mastery,a submission of the mind to emotion, especially erotic emotion. Nussbaum has commented on the formative impact of an adolescent reading of Plato's Phaedrus, in which she identified herself with the younger partner of the Platonic homosexual couple, the apprentice learner bound to the master by erotic and intellectual ties, and we can see in Nussbaum'searly work residues of this identification. In ''phase two'' of Nussbaum'swork, we can, however,trace a further conversion, in which Nussbaum positions herself not as the apprentice but as the master. In most of the work she has produced since the late 1980s, the values and orientations of her early work are precisely inverted: emotions are now checked or carefully contained, an emphasis on erotic passion is transformed into a zeal for social and educational reform, the personal gives way to the cosmopolitan and even the universal; Stoic or Kantian reason becomes the dominant emphasis as Nussbaum attempts to articulate a general account of ''the human.'' Nussbaum's public disputes over the past decade reveal, in addition to the differences that continue to separate her from her contemporaries, a complex attempt to negotiate the differences that divide her from herself. The most characteristic gesture of the work of the past ten years is an often-revised ''List of Human Capabilities'' that she proposes as a way of guiding quality-of-life assessments, especially in developing nations. The conception behind such a list may represent, as her critics charge, a grossly unprofessional failure of professionalism, as well as moral arrogance; but it may also, perhaps, actually be useful.


1970 ◽  
Vol 108 (2) ◽  
pp. 27-30 ◽  
Author(s):  
S. Paulikas ◽  
P. Sargautis ◽  
V. Banevicius

The problem of estimation of video quality obtained by end-user for mobile video streaming is addressed. Widely spreading mobile communication systems and increasing data transmission rates expand variety of multimedia services. One of such services is video streaming. So it is important to assess quality of this service. Consumers of video streaming are humans, and quality assessment must account human perception characteristics. Existing methods for user experienced video quality estimation as quality metrics usually usebit-error rate that has low correlation with by human perceived video quality. More advanced methods usually require too much processing power that cannot be obtained in handled mobile devices or intrusion into device firmware and/or hardware to obtain required data. However, recent research shows that channels throughput dedicated to some service (e.g. video streaming) can be tied to QoS perceived by an end-user indicator. This paper presents a research on impact of wireless channel parameters such as throughput and jitter on quality of video streaming. These wireless channel parameters can be easily obtained by monitoring IP level data streams in end-user’s device by fairly simple software agent for indication of video streaming QoS. Ill. 5, bibl. 10 (in English; abstracts in English and Lithuanian).http://dx.doi.org/10.5755/j01.eee.108.2.138


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