scholarly journals Neglect as effacement: the multiple lives of the Jardin Ralaimongo, Mahajanga, Madagascar

Africa ◽  
2018 ◽  
Vol 88 (2) ◽  
pp. 352-384
Author(s):  
Tasha Rijke-Epstein

AbstractBy considering the lifespan of a garden, this article investigates the myriad spatial practices of forgetting and remembering the colonial and postcolonial pasts that people apply to their urban surroundings in Mahajanga, Madagascar. In the heart of an ancient residential and commercial neighbourhood in this multi-ethnic Indian Ocean port city sits the Jardin Ralaimongo. Drawing on ethnographic and archival research, I explore the trajectory of the garden to elucidate the ways in which different socio-political groups have drawn on this site to negotiate differences, frame collective memories, and stake their claims to the urban landscape. I show how, as city inhabitants have reworked the spaces of the garden, so too has the park itself – its layout, material artefacts and location within the city – constrained the possibilities of what can be remembered and silenced, and who can be bound to one another, in contemporary times. Over its hundred-year history, this site has been founded, forgotten and reincarnated as a memorial to a succession of revered leaders, thus serving as a kind of spatial register of the historical socio-political changes that have given rise to the city. This article suggests that the deterioration of colonial-era architectural forms through long-standing neglect and abandonment may be understood as an active spatial practice of effacing some dimensions of the past, while the subsequent recuperation of deserted public spaces by certain groups is an effort to position themselves as legitimate residents and express their attachment to the city.

2013 ◽  
Vol 23 ◽  
pp. 47-54 ◽  
Author(s):  
Gascia Ouzounian

This article introduces examples of recent sound art in Belfast, a city that has undergone radical transformation over the past decade and is home to a burgeoning community of sound artists. The text investigates the ways in which sonic art can redraw boundaries in a city historically marked by myriad political, socioeconomic, religious and sectarian divisions. The article focuses on sound works that reimagine a “post-conflict” Belfast. These include site-specific sound installations in urban and public spaces, soundwalks, sculptures, locative and online works, and experimental sonic performances that draw upon traditional Irish song and music.


2018 ◽  
Vol 2 (1) ◽  
Author(s):  
Lisa Aisyiah Rasyid

Penelitian ini berusaha menjelaskan proses Islamisasi di Manado di mana dakwah Alkhairaat sebagai objeknya, karena dianggap memiliki peran penting dalam proses Islamisasi tersebut, terutama dalam mengimbangi dan membendung arus missionaris pada masa kolonial. Penelitian ini merupakan penelitian sejarah yang dibatasi dari tahun 1947-1960. Pembatasan ini dikarenakan pada tahun 1947 pendidikan dan dakwah Akhairaat mulai menjamur dan turut mewarnai semaraknya penggunaan ruang di Manado pascakolonial. Pada tahun 1960, dakwah Alkhairaat semakin terlihat dengan didirikannya pesantren Alkhairaat, yang terletak di Komo Luar, sebagai pesantren pertama di Manado. Penggunaan metode sejarah: heuristik, verifikasi, interpretasi dan historiografi, tentunya menjadi keharusan dalam penelitian ini guna mendapatkan karya ilmiah yang bersifat sejarah kritis. Hasil penelitian kemudian menunjukkan proses Islamisasi dan perkembangan Islam di Manado pada pertengahan abad ke-20, tidak terlepas dari peran penting Alkhairaat di bidang dakwah dan pendidikan. Sejak tahun 1947 mcgf eadrasah Alkhairaat telah menjamur di Manado, hingga pada tahun 1960 berdirilah pesantren Alkhairaat pertama di Komo Luar Manado. Pada rentan waktu yang bersamaan juga terjadi perubahan sosial-budaya masyarakat Islam Manado yang menonjolkan sikap tawasuth (moderat), tasammuh (toleransi), tawazzun (seimbang), dan ta’addul (adil), yang kesemuanya mencerminkan nilai-nilai agama.    Kata Kunci: Islamisasi, dakwah Alkhairaat, masyarakat majemuk, Kota ManadoIslamization and Al-Khairat Da’wah in Compound Society in the city of Manado between 1947-1960This research tries to explain the process of Islamization in Manado where the Alkhairaat Da’wah as the object, as it is viewed to have important role in the process, especially to offset and stem the missionary during the colonial era. This research is a historical one limited to the 1947-1960 period of time. The limitation is due to the fact that in 1947, the Alkhairat education and da’wah started blossoming and put color in public spaces in the postcolonial Manado. In 1960, the Alkhairaat da’wah became more visible for the establishment of their pesantren located in  Komo Luar as the first pesantren in Manado. Heuristics, verification, interpretation, and historiography are essential methods in order to achieve a critical history. The research finding then shows that Islamization process and Islamic progress in Manado in mid 20 AD can be separated from the important role of Alkhairaat in da’wah and education. In the same period of time, Socio-cultural changes occur among Islamic society in Manado that promote views of tawasuth (moderat) tasammuh (tolerant), tawazzun (balance), and taaddul (fair) which reflect the religion views.Keywords: the Alkhairaat da’wah, Ccompound society, the City of Manado


Author(s):  
Cristina-Iolanda Filipoaia ◽  
Mihai Deju

During more than six centuries of existence, Bacău benefited both from the favourable socio-economic and political context, and from the interrelationships with the other communities, from the harmonious combination of these two elements resulting both the growth and development of the locality and the position in the local and regional hierarchy. The main beneficiaries of the progress made were of course the inhabitants, the city representing a living environment for them, as well as the essential factor in the functional dynamics and in the urban landscape. Giving meaning to the past, we must recognize that each community that contributed to the development of Bacău has its own history, Bacău becoming the trustee of the communities ‘history entirety, which in perfect communion with Romanians defined the complex identity of the locality. The Jewish community is no exception, whose collaboration with Romanians for over two centuries has contributed to increasing the economic level of development of the locality since the second half of the 18th century.


Author(s):  
Valentyna Bohatyrets ◽  
Liubov Melnychuk

Nowadays, in the age of massive spatial transformations in the built environment, cities witness a new type of development, different in size, scale and momentum that has been thriving since late 20th century. Diverse transformation of historic cities under modernisation has led to concerns in terms of the space and time continuity disintegration and the preservation of historic cities. In a similar approach, we can state that city and city space do not only consist of present, they also consist of the past; they include the transformations, relations, values, struggles and tensions of the past. As it could be defined, space is the history itself. Currently, we would like to display how Chernivtsi cultural and architectural heritage is perceived and maintained in the course of its evolution. Noteworthy, Chernivtsi city is speculated a condensed human existence and vibes, with public urban space and its ascriptions are its historical archives and sacred memory. Throughout the history, CHERNIVTSI’s urban landscape has changed, while preserving its unique and distinctive spirit of diversity, multifacetedness and tolerance. The city squares of the Austrian, Romanian and Soviet epochs were crammed with statuary of royal elites and air of aristocracy, soviet leaders and a shade of patriotic obsession, symbolic animals and sacred piety – that eventually shaped its unique “Bukovynian supranational identity”. Keywords: Chernivtsi, cultural memory, memory studies, monuments, squares, identity.


Author(s):  
Maria Rita Pinto ◽  
Serena Viola ◽  
Katia Fabbricatti ◽  
Maria Giovanna Pacifico

<p class="Abstracttext-VITRUVIOCxSpFirst">Often in the past, the great disasters (environmental calamities, earthquakes, epidemics) activated unexpressed energies, triggering transformations of the built environment, able to give rise unexpected conditions of economic, cultural and social development. The fragility of settlement systems in the face of unexpected threats brings out the need for a new planning, changing our gaze on the city.</p><p class="Abstracttext-VITRUVIOCxSpMiddle">The new framework of needs drawn by the pandemic and the renewed sensitivity towards the combination of health – sustainability, rekindle the spotlight on inner areas. These emerged as "reservoirs of resilience", areas to look at, in order to reach an eco-systemic balance.</p><p class="Abstracttext-VITRUVIOCxSpMiddle">The aim of the paper is to return an experience of adaptive reuse of the Historical Urban Landscape in an inner area of Southern Italy, where the needs of health and safety of the community are integrated with the transmission of the built heritage to future generations. The goal is the promotion of inclusive prosperity scenarios, towards the so-called "new normality".</p><p class="Abstracttext-VITRUVIOCxSpLast">Starting from an in-depth literature review on the cases of pandemics in history and the strategies implemented, the research identifies health security requirements at the scale of the Historical Urban Landscape and design solutions aimed at reactivating lost synergies between communities and places.</p>


Sensors ◽  
2020 ◽  
Vol 20 (15) ◽  
pp. 4131
Author(s):  
Ignacio Lacalle ◽  
Andreu Belsa ◽  
Rafael Vaño ◽  
Carlos E. Palau

During the past few decades, the combination of flourishing maritime commerce and urban population increases has made port-cities face several challenges. Smart Port-Cities of the future will take advantage of the newest IoT technologies to tackle those challenges in a joint fashion from both the city and port side. A specific matter of interest in this work is how to obtain reliable, measurable indicators to establish port-city policies for mutual benefit. This paper proposes an IoT-based software framework, accompanied with a methodology for defining, calculating, and predicting composite indicators that represent real-world phenomena in the context of a Smart Port-City. This paper envisions, develops, and deploys the framework on a real use-case as a practice experiment. The experiment consists of deploying a composite index for monitoring traffic congestion at the port-city interface in Thessaloniki (Greece). Results were aligned with the expectations, validated through nine scenarios, concluding with delivery of a useful tool for interested actors at Smart Port-Cities to work over and build policies upon.


2018 ◽  
Vol 8 (4) ◽  
pp. 125-132
Author(s):  
Svetlana G. MALYSHEVA ◽  
Elena V. SHLIENKOVA

The architectural and planning features of wooden fortresses of the city of Samara, built next to each other with a time interval of 120 years, are considered. The origins of one of the unique spatial characteristics of Samara, a special historical code of development of its territory, are analyzed, when at each new stage of development in the city a new center was formed with a consistent movement higher and higher along the watershed from the arrow of the Volga and Samara rivers. The emergence of this spatial expansion is justifi ed by the construction of a second wooden fortress as a new urban center, but not in the place of the burnt fi rst fortress, but in the neighboring territory after 200 m. Since at the moment both fortresses have not survived, with the exception of basement fragments , the authors analyze the possibilities of a new reading of the “memory of the place” and the restoration of the cultural and genetic code of the city that was lost in due time. The article proposes an algorithm for the development and subsequent comprehensive implementation of the historical and cultural strategy of urban development, based on the creation of unique models of public spaces that can connect the past and the present in a new spatial paradigm. The concept of an interactive platform is considered with the aim of promoting a sociocultural project and drawing public att ention to the problem of the irretrievable loss of the historical and cultural heritage.


Author(s):  
Francesco Rotondo

The pattern of the grid city now seems dated and far from the metropolisation phenomena that characterize contemporary cities. In fact, as already happened in the past, the grid cities manage to evolve favoring the needs of its contemporary inhabitants. In this chapter, the authors try to understand some phenomena that characterize the transformation of the urban form of the grid city, highlighting its own ability to evolve between tradition and innovation. During these 200 years, the grid city, its buildings, and its public spaces were created, lived, and processed in multiple ways: built, replaced, drawn, renovated, restored. Here, the authors do not want to describe these planning and building tools, but they want to discuss the possible implications of the different transformation modes used in the grid city can have on urban and architectural perception of the physical space, the quality of life, and viability of these central places for the city's identity. The city of Bari, on the Adriatic Coast, in the South of Italy, is used as a case of study to represent concepts developed in the chapter.


2021 ◽  
pp. 115-146
Author(s):  
Dolly Kikon ◽  
Duncan McDuie-Ra

This chapter follows the sounds of Dimapur through the lives of musicians and the nascent music industry. Dimapur has become a home for Naga musicians to establish music schools and recording studios and to hold events across many genres. Dimapur is also the subject of the city’s music. Musicians write and sing about the city, giving the urban landscape a presence in popular culture. The city also appears in music videos, circulated digitally through YouTube and other platforms, putting the city ‘on the map’ for the consumers of contemporary Naga music, whether in the frontier, in cities in other parts of India, or in diaspora. Through these networks, Dimapur is experienced as sound and image, some of which draw conspicuously on the past of militarism, though much eschews the past to project notions of a future, a capitalist future of wealth and conspicuous consumption played out in the urban landscape.


Author(s):  
Clyde E. Fant ◽  
Mitchell G. Reddish

In ancient times Patara possessed one of the best harbors on the Lycian coast. Modern visitors will be forced to use their imaginations to visualize the port of Patara, since the harbor eventually fell victim to the effects of silting from the Xanthos River. Today a beach and sand dunes cover the mouth of the ancient harbor, while the inner part of the harbor is now a marsh. Patara served as the port city for Xanthos, the leading city of the region of Lycia, which was located about 6 miles up the Xanthos River. Patara is located on the southwestern shore of Turkey, due east from the island of Rhodes. It is situated about halfway between Fethiye and Kale, near the present-day village of Gelemiş, about 3.5 miles south of the modern road (highway 400) that runs along Turkey’s Mediterranean shore. Patara is approximately 6 miles east of the mouth of the Xanthos River. A stream from the Xanthos flowed into the sea at Patara and deposited the river’s silt there. Important in the past because of its harbor, the area around Patara is known today for its 11 miles of excellent, sandy beaches. Supposedly named after Patarus, a son of Apollo, the city was famous in antiquity for its Temple of Apollo (no archaeological evidence of the temple has yet been found) and the oracle of Apollo. According to ancient tradition, Apollo liked to spend the winter at Patara and thus the oracle of Apollo was operative only during the winter months. Pottery finds at Patara provide evidence for a settlement here as early as the 6th century B.C.E. In 334–333 B.C.E. Patara, along with several other Lycian cities, surrendered to Alexander the Great. During the subsequent Hellenistic period, the city came first under the control of the Ptolemies and then the Seleucids. Ptolemy II Philadelphus (r. 282–246 B.C.E.) expanded the city and renamed it Arsinoe in honor of his wife, but the new name never took hold. In 196 B.C.E., the Seleucid ruler Antiochus III of Syria captured several Lycian cities, including Patara.


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