Some Characteristic Structural Types in Eastern Asia and their Bearing upon the Problem of Continental Movements

1929 ◽  
Vol 66 (11) ◽  
pp. 501-522 ◽  
Author(s):  
J. S. Lee
Keyword(s):  
Lateral Pressure ◽  
The Other ◽  
Horizontal Shear ◽  
Lateral Compression ◽  
Eastern Asia ◽  
The West ◽  
Structural Types ◽  
The Pacific ◽  
Delta System ◽  
Triangular Area

Lastly a reference must be made to the nu-delta structures which characterize the contact zone between the continent of Eastern Asia and the floor of the Pacific. in the Sakhalin-Yezo-Kuriles system we find, by experiment, that the northern part of the system was pressed towards the continent to a greater extent than the southern part of it. This is a consequence to be naturally expected. In the Kuriles we find a succession of fractures which prove, beyond any doubt, that the region to the west of those lines effected a southerly or south-westerly horizontal shear against the Pacific. Such a movement not being parallel to the continental border, would necessarily arouse a lateral compression between the continent and the ocean base. Now since the southern terminus of the triangular area covered by the system lies against the Inshan zone which behaved as a strengthening rib on the part of the continental mass against lateral pressure, it would be extremely difficult for the southern apex of the triangular area to shift westward. On the other hand the northern part of the area does not encounter such extraordinary resistance. Consequently the whole area suffers a counter-clockwise twisting movement with the result that the nu-delta system was generated. In this way we are able to understand how the Sakhalin-Yezo-Kuriles system was produced through a southward movement of Eastern Asia.

scholarly journals SOILS OF THE BAY OF PLENTY

1961 ◽  
pp. 12-23
Author(s):  
H.S. Gibbs ◽  
W.A. Pullar
Keyword(s):  
Pacific Ocean ◽  
Active Zone ◽  
The West ◽  
Southern Boundary ◽  
Streams And Rivers ◽  
The Pacific ◽  
The Pacific Ocean ◽  
Triangular Area

The Bay of Plenty is a crescent-shaped strip of land facing northward into the Pacific Ocean between East Cape and Coromandel Peninsulas. These two peninsulas are the coastal ends of two high ridges that are more than 100 miles apart across the Bay of Plenty but converge southward at right angles. The triangular area between the two ridges was a crustal depression in which a very active zone of volcanism developed, and during the Quaternary, lava, pumice, ashes, and dust were erupted at many different times and places. The lava spread out in flattish sheets that form a series of plateaux rising in irregular steps towards the Taupo district. There is no clear topographic division for the southern boundary of the Bay of Plenty district, and for purposes of this paper the district is the watershed of the streams and rivers draining into the Bay of Plenty between Waihi Beach on the west and Waihau Bay on the east. The headwaters of the Rangitaiki, Whakatane, and Motu Rivers are excluded, as they extend deeply into adjacent districts

scholarly journals D.I. Mendeleev about the cultural and historical tasks of Russia in the East

2018 ◽  
Vol 7 (2) ◽  
pp. 208-211
Author(s):  
Valery Vladimirovich Suvorov
Keyword(s):  
Policy Development ◽  
Fairy Tale ◽  
Far East ◽  
The Other ◽  
The West ◽  
The Far East ◽  
The Pacific ◽  
The Pacific Ocean ◽  
The One ◽  
Historical Necessity

At the turn of the XIX-XX centuries, the movement of Russia to the East became one of the topics discussed in domestic journalism and scientific thought. His views on this issue were also expressed by the outstanding scientist D.I. Mendeleev. In his works he stressed the historical necessity and inevitability of Russias access to the Pacific Ocean, the importance of its foreign policy development in the Far East direction. Showing the cultural and civilizational distancing of Russia from the West, he focused on the presence of eastern features in it, but at the same time he noted its cultural and historical uniqueness. In Mendeleevs discourses, a departure from Eurocentrism in the assessments of the East and Russia can be traced. Speaking about the cultural and historical tasks of Russia, the scientist stressed that it was more important to maintain the charm of the name in the East than to imitate Western states, especially England. In Mendeleevs papers, special emphasis was made on the peaceful strengthening of Russia in Asia and a friendly attitude towards the Eastern peoples. An interesting feature of Mendeleevs reasoning is the motif of a fairy tale: on the one hand, it is a half-sketchy east, on the other, a fairy tale as the image of an ideal future for Russia.

Comparative Analysis of Ahmet Hamdi Tanpinar’s Travels to European Countries

2017 ◽  
Vol 5 (1) ◽  
pp. 78
Author(s):  
Aysel KAMAL ◽  
Sinem ATIS
Keyword(s):  
Social History ◽  
Young Lady ◽  
The Other ◽  
European Countries ◽  
Cultural Relations ◽  
The West ◽  
Literary Works ◽  
European Culture ◽  
Turkish Literature ◽  
Art And Architecture

Ahmet Hamdi Tanpinar (1901-1962) is one of the most controversial authors in the 20th century Turkish literature. Literature critics find it difficult to place him in a school of literature and thought. There are many reasons that they have caused Tanpinar to give the impression of ambiguity in his thoughts through his literary works. One of them is that he is always open to (even admires) the "other" thought to a certain age, and he considers synthesis thinking at later ages. Tanpinar states in the letter that he wrote to a young lady from Antalya that he composed the foundations of his first period aesthetics due to the contributions from western (French) writers. The influence of the western writers on him has also inspired his interest in the materialist culture of the West. In 1953 and 1959 he organized two tours to Europe in order to see places where Western thought and culture were produced. He shared his impressions that he gained in European countries in his literary works. In the literary works of Tanpinar, Europe comes out as an aesthetic object. The most dominant facts of this aesthetic are music, painting, etc. In this work, in the writings of Tanpinar about the countries that he travelled in Europe, some factors were detected like European culture, lifestyle, socio-cultural relations, art and architecture, political and social history and so on. And the effects of European countries were compared with Tanpinar’s thought and aesthetics. Keywords: Ahmet Hamdi Tanpinar, Europe, poetry, music, painting, culture, life

Growing Coconut Palms in the Pacific Islands: Colliding Knowledge and Values

2020 ◽  
Author(s):  
Judith A. Bennett
Keyword(s):  
Pacific Islands ◽  
Social Values ◽  
Coconut Oil ◽  
Tropical Pacific ◽  
Experiential Knowledge ◽  
The West ◽  
Passive Resistance ◽  
The People ◽  
The Pacific ◽  
The Tropical Pacific

Coconuts provided commodities for the West in the form of coconut oil and copra. Once colonial governments established control of the tropical Pacific Islands, they needed revenue so urged European settlers to establish coconut plantations. For some decades most copra came from Indigenous growers. Administrations constantly urged the people to thin old groves and plant new ones like plantations, in grid patterns, regularly spaced and weeded. Local growers were instructed to collect all fallen coconuts for copra from their groves. For half a century, the administrations’ requirements met with Indigenous passive resistance. This paper examines the underlying reasons for this, elucidating Indigenous ecological and social values, based on experiential knowledge, knowledge that clashed with Western scientific values.

The Proximity of Other Skins

2019 ◽  
Author(s):  
Celine Parreñas Shimizu
Keyword(s):  
United States ◽  
South Korea ◽  
The United States ◽  
The Philippines ◽  
The Other ◽  
The West ◽  
Pain And Suffering ◽  
The Spectator ◽  
Existing Frames ◽  
The Voice

Transnational films representing intimacy and inequality disrupt and disgust Western spectators. When wounded bodies within poverty entangle with healthy wealthy bodies in sex, romance and care, fear and hatred combine with desire and fetishism. Works from the Philippines, South Korea, and independents from the United States and France may not be made for the West and may not make use of Hollywood traditions. Rather, they demand recognition for the knowledge they produce beyond our existing frames. They challenge us to go beyond passive consumption, or introspection of ourselves as spectators, for they represent new ways of world-making we cannot unsee, unhear, or unfeel. The spectator is redirected to go beyond the rapture of consuming the other to the rupture that arises from witnessing pain and suffering. Self-displacement is what proximity to intimate inequality in cinema ultimately compels and demands so as to establish an ethical way of relating to others. In undoing the spectator, the voice of the transnational filmmaker emerges. Not only do we need to listen to filmmakers from outside Hollywood who unflinchingly engage the inexpressibility of difference, we need to make room for critics and theorists who prioritize the subjectivities of others. When the demographics of filmmakers and film scholars are not as diverse as its spectators, films narrow our worldviews. To recognize our culpability in the denigration of others unleashes the power of cinema. The unbearability of stories we don’t want to watch and don’t want to feel must be borne.

SOIL MORPHOLOGY AND SOIL PHYSICAL PROPERTIES. I. SOIL AERATION

1972 ◽  
Vol 52 (3) ◽  
pp. 311-321 ◽  
Author(s):  
K. W. AYRES ◽  
R. G. BUTTON ◽  
E. DE JONG
Keyword(s):  
Soil Structure ◽  
Regression Coefficient ◽  
The Other ◽  
Soil Morphology ◽  
Soil Horizons ◽  
Undisturbed Soil ◽  
Soil Aeration ◽  
Structural Types ◽  
Highly Correlated ◽  
Undisturbed Soil Cores

The relation between soil structure and soil aeration was investigated on undisturbed soil cores from soil horizons exhibiting six distinct kinds of soil structure (prismatic, columnar, blocky, granular, platy, massive) over a broad range of soil texture. Soil aeration was characterized at ⅓ atm suction by measurements of air porosity, relative diffusivity (D/Do) and the rate of oxygen diffusion to a platinum microelectrode (ODR). Aeration was adequate in most of the Chernozemic soil horizons studied; however, aeration in many of the Bnt horizons of the Solonetzic soils was inadequate. Air porosity and D/Do were highly correlated. The regression coefficient for D/Do vs. air porosity for blocky structures was significantly different from that found for the other five structural types. For granular structures a negative correlation was found for ODR vs. air porosity compared with a low positive correlation found for the other structure types.

scholarly journals Natural Constraints to Cultural Relativism Example: Ricci’s Pacific-Centered World Maps

2020 ◽  
Vol 73 (3) ◽  
pp. 379-397
Author(s):  
Elmar Holenstein
Keyword(s):  
East Asia ◽  
Canary Islands ◽  
Cultural Relativism ◽  
Central State ◽  
The West ◽  
Gestalt Principles ◽  
Matteo Ricci ◽  
The Pacific ◽  
Made In

AbstractNot everything that is logically possible and technically feasible is also natural, for example, placing China in the exact center of a world map. Such a map would not correspond to the laws of perception.Matteo Ricci, who was the first to create Chinese world maps on which the Americas were depicted, had to choose between two ideals, between a world map that obeys the gestalt principles of perception and a world map with the “Central State” China in its center. The first ideal mattered more to him than the second, although he took the latter into account as well. The result was a Pacific-centered map.Since we live on a sphere, what we perceive to be in the East and in the West depends on our location. It is therefore natural that in East Asia, world maps show America in the East and not – as in Europe – in the West. This was the argument underlying Ricci’s creation of Pacific-centered maps, and not the intention of depicting China as close to the center of the map as possible.It is only in East Asia that Ricci was the first to create Pacific-centered maps. World maps with the Pacific in the midfield were made in Europe before Ricci, motivated by the traditional unidirectional numbering of the meridians (0°–360°) from West to East starting with the Atlantic Insulae Fortunatae (Canary Islands).

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

Informed Consent: Ezenwa–Ohaeto between Past and Future Uses of Pidgin

Matatu ◽  
2006 ◽  
Vol 33 (1) ◽  
pp. 115-134 ◽  
Author(s):  
Chantal Zabus
Keyword(s):  
Informed Consent ◽  
First Language ◽  
West African ◽  
The Other ◽  
Wole Soyinka ◽  
The West ◽  
West African Coast ◽  
African Coast ◽  
The 1950S ◽  
The One

The essay shows how Ezenwa–Ohaeto's poetry in pidgin, particularly in his collection (1988), emblematizes a linguistic interface between, on the one hand, the pseudo-pidgin of Onitsha Market pamphleteers of the 1950s and 1960s (including in its gendered guise as in Cyprian Ekwensi) and, on the other, its quasicreolized form in contemporary news and television and radio dramas as well as a potential first language. While locating Nigerian Pidgin or EnPi in the wider context of the emergence of pidgins on the West African Coast, the essay also draws on examples from Joyce Cary, Frank Aig–Imoukhuede, Ogali A. Ogali, Ola Rotimi, Wole Soyinka, and Tunde Fatunde among others. It is not by default but out of choice and with their 'informed consent' that EnPi writers such as Ezenwa–Ohaeto contributed to the unfinished plot of the pidgin–creole continuum.

A note on the instabilities of a horizontal shear flow with a free surface

2000 ◽  
Vol 406 ◽  
pp. 337-346 ◽  
Author(s):  
L. ENGEVIK
Keyword(s):  
Surface Tension ◽  
Free Surface ◽  
Shear Flow ◽  
Velocity Profile ◽  
Froude Number ◽  
The Other ◽  
Algebraic Equations ◽  
Horizontal Shear ◽  
Analytical Treatment ◽  
Unstable Region

The instabilities of a free surface shear flow are considered, with special emphasis on the shear flow with the velocity profile U* = U*0sech2 (by*). This velocity profile, which is found to model very well the shear flow in the wake of a hydrofoil, has been focused on in previous studies, for instance by Dimas & Triantyfallou who made a purely numerical investigation of this problem, and by Longuet-Higgins who simplified the problem by approximating the velocity profile with a piecewise-linear profile to make it amenable to an analytical treatment. However, none has so far recognized that this problem in fact has a very simple solution which can be found analytically; that is, the stability boundaries, i.e. the boundaries between the stable and the unstable regions in the wavenumber (k)–Froude number (F)-plane, are given by simple algebraic equations in k and F. This applies also when surface tension is included. With no surface tension present there exist two distinct regimes of unstable waves for all values of the Froude number F > 0. If 0 < F [Lt ] 1, then one of the regimes is given by 0 < k < (1 − F2/6), the other by F−2 < k < 9F−2, which is a very extended region on the k-axis. When F [Gt ] 1 there is one small unstable region close to k = 0, i.e. 0 < k < 9/(4F2), the other unstable region being (3/2)1/2F−1 < k < 2 + 27/(8F2). When surface tension is included there may be one, two or even three distinct regimes of unstable modes depending on the value of the Froude number. For small F there is only one instability region, for intermediate values of F there are two regimes of unstable modes, and when F is large enough there are three distinct instability regions.

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