scholarly journals VII.—Supplement to a Chapter in the History of Meteorites

1882 ◽  
Vol 9 (9) ◽  
pp. 424-429
Author(s):  
Walter Flight
Keyword(s):  
Single Case ◽  
Microscopic Structure ◽  
Geological Society ◽  
History Of ◽  
The Subject

At the end of the year 1880, Dr. O. Hahn, of Reutlingen, a lawyer by calling, published a big work entitled Die Metcoriten (Chondrite) und ihre Organismen mit 32 Tafeln photographischer Abbildungen (1880, Tubingen: H. Laupp), by which he claimed to have shown the presence in meteoric rocks of sponges, corals, and crinoids. A statement of his views was read before a meeting of the Geological Society the same summer. Early this year Dr. D. F. Weinland published a paper in support of these views, Ueber die in Meteoriten entdeekten Thierreste. Illustrated with two woodcuts (1882, Esslingen: G. Fröhner). The question was thoroughly gone into in a scientific way by Prof. Carl Vogt, of Geneva, and the conclusions at which he arrived are contained in a paper entitled Les prétendus Organismes des Météorites, published 1882, Genéve: H. Georg. It is shown that Dr. Hahn had no foundation for his conclusions; that all the pretended organic structures are purely inorganic; and that in no single case do they present the microscopic structure of the organisms for which they have been mistaken — such as crinoids, corals, and sponges. See also Dr. Laurence Smith on the subject in the Amer. Jour. Sc. 1882, February, 156.

III.—Æolian Sandstone

1881 ◽  
Vol 8 (5) ◽  
pp. 197-198
Author(s):  
T. Mellard Reade
Keyword(s):  
Sand Dunes ◽  
Quarterly Journal ◽  
Geological Society ◽  
Cross Bedding ◽  
The Face ◽  
History Of ◽  
The Subject

As bearing upon the subject of Mr. J. Arthur Phillips's interesting and valuable paper in the last number of the Quarterly Journal of the Geological Society, entitled, “On the Constitution and History of Grits and Sandstones,” a description of a cliff section of blown sand now to be seen on the coast at Crosby may not be without value. The section in question, which attracted the attention of a local geologist, Mr. William Semmons, and myself, is at a point on the coast where the sea is encroaching upon the sand-dunes, and washing them away at the base leaves the face almost vertical. The resemblance of the sand to rock is most striking, presenting all those peculiarities of cross-bedding and lines of erosion we are familiar with in some of the Triassic sandstones of the neighbourhood. During the last twelve years, in walks along the shore, I have often observed the laminations of the blown sand disclosed by denudation, but never so strikingly as in the present case. The beds not only display delicate laminations, but stand out in ribs and cornices, simulating Gothic mouldings in pi'ofile. On trying how so loose a material as blown sand could retain these projecting forms, I was surprised to find the projections comparatively hard and solid. On breaking a piece off, the reason became apparent; for instead of the usually dry incoherent grains of sand, below the surface-skin the sand was quite damp. A very little addition of siliceous or calcareous cement would turn the mass into rock.

Ludovic McLellan Mann's place in the history of prehistoric metrology

2020 ◽  
Vol 42 (Supplement) ◽  
pp. 52-64
Author(s):  
Liz Henty
Keyword(s):  
New Age ◽  
Special Committee ◽  
Geological Society ◽  
Standard Unit ◽  
History Of ◽  
Unit Of Measurement ◽  
The Subject ◽  
The Temple ◽  
Universal Measure

Megalithic metrology, the notion that Neolithic monument builders employed a standard unit of measurement when setting out stone circles, has a long history. William Stukeley was the first to suggest that this standard unit was the druid cubit. He may have drawn on Isaac Newton's 1728 description of the temple of Abydos, which noted that the layout utilised cubits in the design, though the druid cubit was Stukeley's invention. This idea of a standard universal measure seemingly lay dormant for over a century until Edward Duke, Charles Piazzi Smyth and Sir William Flinders Petrie proposed other metrological systems. The subject was taken up again in 1930 when Ludovic McLellan Mann wrote a pamphlet entitled Craftsmen's Measures in Prehistoric Times in which he detailed new measures; the ‘alpha unit’ (0.619 inches) and the ‘beta unit’ (0.55 inches). A special committee formed from members of the Glasgow Archaeological Society and the Glasgow University Geological Society resoundingly disagreed, but Mann found approval from outside the archaeological community when his ideas were taken up by Major F C Tyler, who used them to elaborate on his own version of the lengths of Alfred Watkins’ old straight tracks. More famously, Alexander Thom made megalithic metrology, (the megalithic rod, yard, foot, and inch) an essential part of his thesis, ideas which received an esoteric twist in the New Age writings of John Michell. Was this an original discovery or was Thom influenced by Mann and others before him?

Ripple-Drift in Mica-Schist

The Geologist ◽  
1863 ◽  
Vol 6 (6) ◽  
pp. 201-204
Keyword(s):  
Microscopic Structure ◽  
Mica Schist ◽  
Chemical Action ◽  
Geological Society ◽  
Know How ◽  
The Subject

Of all English geologists, Mr. Sorby has been at once the most indefatigable and the most successful in the study of the microscopic structure and metamorphic conditions of rocks. The brief abstract furnished us by the Geological Society, which we print at p. 231, gives but little idea of the importance of the paper Mr. Sorby read last month. It gives, it is true, the pith of the subject, but so short and inexplanatory a paragraph is not likely to attract such attention as the paper deserves. Those who have the pleasure of Mr. Sorby's acquaintance know how persistently he works at anything puzzling which comes in his way. He never leaves it until he has got to the solution of the riddle. It happened some time ago, when in Germany, at the meeting of savants at Speyer, on which occasion he transmitted an account of the proceedings, with some notes on meteorites and sponges (see Vol. IV. p. 501), that Professor Blum presented him with a specimen of the singular conglomerate known as the “nagel-flue.” This conglomerate, which occurs in some places in Switzerland, consists of hard limestone pebbles, the ends of some being impressed into the substance of others,—a condition hitherto inexplicable, although Blum, Von Dechen, Escher von der Linth, Nöggerath, Daubrée, and others have essayed opinions and suggestions, some of them attributing the impressions to merely mechanical, others to purely chemical action.

The relationship of the scleractinian corals to the rugose corals

Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver
Keyword(s):  
Critical Points ◽  
Scleractinian Corals ◽  
Convincing Evidence ◽  
Early Triassic ◽  
Rugose Corals ◽  
History Of ◽  
The Subject ◽  
Relationship Of ◽  
The Relationship ◽  
Biologic Factors

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.

History of the Study of Apocrypha in Early Medieval England

2020 ◽  
Vol 48 (3-4) ◽  
pp. 13-26
Author(s):  
Brandon W. Hawk
Keyword(s):  
Old Testament ◽  
Medieval England ◽  
Medieval Period ◽  
Early Medieval ◽  
Future Directions ◽  
Early Judaism ◽  
Wide Range ◽  
History Of ◽  
The Subject ◽  
Early English

Literature written in England between about 500 and 1100 CE attests to a wide range of traditions, although it is clear that Christian sources were the most influential. Biblical apocrypha feature prominently across this corpus of literature, as early English authors clearly relied on a range of extra-biblical texts and traditions related to works under the umbrella of what have been called “Old Testament Pseudepigrapha” and “New Testament/Christian Apocrypha." While scholars of pseudepigrapha and apocrypha have long trained their eyes upon literature from the first few centuries of early Judaism and early Christianity, the medieval period has much to offer. This article presents a survey of significant developments and key threads in the history of scholarship on apocrypha in early medieval England. My purpose is not to offer a comprehensive bibliography, but to highlight major studies that have focused on the transmission of specific apocrypha, contributed to knowledge about medieval uses of apocrypha, and shaped the field from the nineteenth century up to the present. Bringing together major publications on the subject presents a striking picture of the state of the field as well as future directions.

From Dust to Life

2017 ◽  
Author(s):  
John Chambers ◽  
Jacqueline Mitton
Keyword(s):  
Solar System ◽  
Extrasolar Planets ◽  
Planetary Systems ◽  
History Of Astronomy ◽  
Human Origins ◽  
History Of ◽  
The Subject ◽  
Emergence Of Life

The birth and evolution of our solar system is a tantalizing mystery that may one day provide answers to the question of human origins. This book tells the remarkable story of how the celestial objects that make up the solar system arose from common beginnings billions of years ago, and how scientists and philosophers have sought to unravel this mystery down through the centuries, piecing together the clues that enabled them to deduce the solar system's layout, its age, and the most likely way it formed. Drawing on the history of astronomy and the latest findings in astrophysics and the planetary sciences, the book offers the most up-to-date and authoritative treatment of the subject available. It examines how the evolving universe set the stage for the appearance of our Sun, and how the nebulous cloud of gas and dust that accompanied the young Sun eventually became the planets, comets, moons, and asteroids that exist today. It explores how each of the planets acquired its unique characteristics, why some are rocky and others gaseous, and why one planet in particular—our Earth—provided an almost perfect haven for the emergence of life. The book takes readers to the very frontiers of modern research, engaging with the latest controversies and debates. It reveals how ongoing discoveries of far-distant extrasolar planets and planetary systems are transforming our understanding of our own solar system's astonishing history and its possible fate.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

СОЦИАЛЬНАЯ КОНФЛИКТОЛОГИЯ: ТЕОРЕТИКО-ИСТОРИЧЕСКИЙ АСПЕКТ

2020 ◽  
Vol 15 (2) ◽  
pp. 68
Author(s):  
А. Н. Сухов
Keyword(s):  
Theory And Practice ◽  
Important Task ◽  
Social Conflicts ◽  
Psychological Approach ◽  
Structure Dynamics ◽  
History Of ◽  
The Subject ◽  
First Time

This given article reveals the topicality not only of destructive, but also of constructive, as well as hybrid conflicts. Practically it has been done for the first time. It also describes the history of the formation of both foreign and domestic social conflictology. At the same time, the chronology of the development of the latter is restored and presented objectively, in full, taking into account the contribution of those researchers who actually stood at its origins. The article deals with the essence of the socio-psychological approach to understanding conflicts. The subject of social conflictology includes the regularities of their occurrence and manifestation at various levels, spheres and conditions, including normal, complicated and extreme ones. Social conflictology includes the theory and practice of diagnosing, resolving, and resolving social conflicts. It analyzes the difficulties that occur in defining the concept, structure, dynamics, and classification of social conflicts. Therefore, it is no accident that the most important task is to create a full-fledged theory of social conflicts. Without this, it is impossible to talk about effective settlement and resolution of social conflicts. Social conflictology is an integral part of conflictology. There is still a lot of work to be done, both in theory and in application, for its complete design. At present, there is an urgent need to develop conflict-related competence not only of professionals, but also for various groups of the population.

ARTISTIC AND AESTHETIC EDUCATION AND MUSICAL PSYCHOTHERAPY OF A SPECIALIST’S TRAINING

2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  
Keyword(s):  
Performance Practice ◽  
Piano Music ◽  
Traumatic Experiences ◽  
Special Role ◽  
Native Culture ◽  
History Of ◽  
The Subject ◽  
And Performance ◽  
The Many ◽  
Special Meaning

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.

EXPLORING THE INTERNAL STRENGTHS AND WEAKNESSES OF THE ORGANIZATION

2018 ◽  
Vol 28 (1) ◽  
pp. 73-78
Author(s):  
Venelin Terziev ◽  
Marin Georgiev
Keyword(s):  
20Th Century ◽  
Structural Changes ◽  
Cumulative Effect ◽  
Professional Culture ◽  
Social Revolution ◽  
Modern Times ◽  
The World ◽  
History Of ◽  
Scientific Technical ◽  
The Subject

The subject of this article is the genesis of the professional culture of personnel management. The last decades of the 20th century were marked by various revolutions - scientific, technical, democratic, informational, sexual, etc. Their cumulative effect has been mostly reflected in the professional revolution that shapes the professional society around the world. This social revolution has global consequences. In addition to its extensive parameters, it also has intensive ones related to the deeply-rooted structural changes in the ways of working and thinking, as well as in the forms of its social organization. The professional revolutions in the history of Modern Times stem from this theory.Employees’ awareness and accountability shall be strengthened. The leader must be able to formulate and bring closer to the employees the vision of the organization and its future goal, to which all shall aspire. He should pay attention not to the "letter" but to the "spirit" of this approach.

Sign in / Sign up

Export Citation Format

Share Document